Featurep December 27, 1998 transcriptions by Liszt, Idel Birit has become the first pianist ever to the eminentFrench conductor Jean Fournet who had accompanied magda tagliaferro in her http://www.turkishdailynews.com/past_probe/12_27_98/featurep.htm
Proust Sightings Evocation Legendary Encores Played by Roland Pntinen , in which the pianist hassought 1995 Fanfare, in a review of the recordings of magda tagliaferro, she http://www.well.com/user/vision/proust/ps5.html
Extractions: O ne of those odd facts of life is that once you have become aware of something, the more frequently you find it in the world around you. Certainly, long before I became a Proust fanatic I would encounter references to Proust here and there, but now I find them with amazing frequency, or friends find them, sometimes in the most unexpected places, and pass them along. So I 've decided to run a regular feature for each issue, and invite all of you to send your Proust sightings for inclusion. I've had a stack piling up for many months, and it's been interesting to see where the references are coming from. Vanity Fair, as discussed in the last issue, has mentioned Proust every single month since July of 1993, in the context of their celebrity interviews based on the Proust Questionnaire; it no doubt holds the record for mentioning him more often than any of the major circulation publications, at least in the last few years. Running a close second, I believe, is The New Yorker, in which we've found the following references. The next month, in the November 27 issue, In "Cather and the Academy" by Joan Acocella, she writes "...like other marriages of realism and Symbolism in the early twentieth century (Proust's, for example) it worked beautifully."
Raoul Sosa - Analekta A Tokyo critic has described him as the pianist with the golden Raoul Sosa studiedwith Stanislav Neuhaus, magda tagliaferro and Sergiu Celibidache and has http://www.analekta.com/site/bio.e/sosa_ra.html
Extractions: FL 2 3080-1 Order it or download it from Archambault.ca Biography The critics have hailed Canadian pianist, conductor and composer Raoul Sosa as an exceptionally genius artist and one of the most important musicians of the day. Despite a serious injury to his right hand several years ago, he has fulfilled the promise of a brilliant performing career by developing a remarkable virtuosity in the repertoire for the left hand. Top of page
Bio Sergio Fiorentino, Dame Moura Lympany, Fou Tsong, magda tagliaferro, Halina Czerny Malkovichis a pianist of note himself, having studied with Dorothy Crost http://www.newportmusic.org/bio.htm
Extractions: Dr. Mark P. Malkovich, III General Director v 2000 Biography Dr. Mark P. Malkovich, III is acknowledged as an expert in the field of chamber music. As General Director of the Newport Music Festival for the past twenty-six seasons, he has brought the Festival to national and international prominence. His avid awareness of the international music scene and his idea of a music-making community of artists creates a festival that really feels like a festival. The list of international artists who made their American debuts in Newport under his patronage is legendarypianists Bella Davidovich, Andrei Gavrilov, Jean-Philippe Collard, François-René Duchable, Dimitris Sgouros, Maria-João Pires, Valery Afanassiev, Jean-Louis Steuerman, Michel Dalberto, Igor Zhukov, Mikhail Pletnev, Ekaterina Novitskaya, Andrea Lucchesini, Pietro De Maria, Peter Rösel, Pascal Devoyon, Hugh Tinney, Alain Jacquon, Mûza Rubackyté, Constantin Lifschitz and Nikolai Lugansky; violinists Dmitry Sitkovetsky, Peter Oundjian, Raphael Oleg, Augustin Dumay, Ilya Kaler, and Stephan Milenkovic; violist Gerard Caussé; cellist Alexander Rudin; flutist Patrick Gallois; clarinettist Emma Johnson; bassoonist Kim Walker; baritone Detlef Roth; contrabassist Alberto Bocini and more than fifty other stellar artists and groups. Finnish baritone Jorma Hynninen was heard in Newport on his very first American tour.
Manhattan School Of Music: Alumni Archives Jazz pianist Marian McPartland appears in concert with the Manhattan School of EzioFlagello (Class of 1953), Nico Castel, Jon Vickers, and magda tagliaferro. http://www.msmnyc.edu/ouralumni/archives/
Extractions: Alumni Archives Alumni Council Alumni Directory Alumni Privileges ... Josephine Whitford Fund Alumni Archives This timeline of the history of the School contains information and details of particular interest to our former students. Alumni who have archival materials that they wish to give to the School may contact the Office of Alumni Affairs ; such donations to our archives will be greatly appreciated. Janet Daniels Schenck, a young musician and graduate of the New York School of Social Work, begins the planning of a new music school. In March, Harold Bauer and Pablo Casals (pictured) become the founding members of the artist auxiliary board. The first District Music Service begins (community outreach) with concerts given at various divisions of Ellis Island, including the tuberculosis and psychopathic wards. Surgical and shell-shock hospitals are visited weekly. The School has 200 students.
Manhattan School Of Music: Faculty Bio The pianists recent seasons included his Royal Concertgebouw Orchestra debut Mozarteumand a French government grant to study with magda tagliaferro in Paris http://www.msmnyc.edu/catalog/facbio.asp?fid=1020002267
SUZANNE HUSSON hands! This is the way in which the famous pianist Arturo Benedetti of Spanishmusic), Lisbons Vianna da Motta and Paris magda tagliaferro (special R http://www.naxos.com/scripts/artists_gallery/artist_pro_new.asp?artist_name=Huss
Paul Loyonnet The author, himself a noted pianist, studied with several proponents of the Casadesus,JeanneMarie Darre, Monique Haas, Eric Heidsieck, and magda tagliaferro. http://perso.club-internet.fr/garzanda/artistes1940/paul_loyonnet.htm
Extractions: Paul Loyonnet French Pianism : A Historical Perspective by Charles Timbrell a ninety-six-year-old Paul Loyonnet - an important link to the traditions of the nineteenth century - to emerging young talents of today. Adding an element of specificity to this edition are the author's detailed recollections of his own lessons with such luminaries as Gaby Casadesus, Jeanne-Marie Darre, Monique Haas, Eric Heidsieck, and Magda Tagliaferro. Ecrire webmaster
Commentary Magazine - Harold Schonberg & His Times ..A remarkable case in point is his review of the 1979 Carnegie Hall appearanceof the ninetyone-year-old Brazilian-born French pianist magda tagliaferro http://www.commentarymagazine.com/Summaries/V69I5P70-1.htm
Extractions: var AID="06905070_1"; Lipman, Samuel THOUGH the official announcement remains to be made, the imminent retirement of the senior critic of the New York Times is already being widely discussed by the musical community. In... ...while Aldrich was away on war duty in 1918-19, his place was taken by the famous publicist of all the arts and fanatic Chopinist, James Gibbons Huneker... ...Pianists and composers for the piano are undoubtedly the closest to his heart... ...In general, indeed, he has become perhaps today's leading exponent of the cult of star performing personalities-Pavarotti, Sutherland, and most of all Horowitz... ...in large measure they are a result of the importance of the Times and still more the situation of music today... ...When the New Republic or the Nation carries an article on serious music, it is usually a review of recordings, not of live performance... ...Yet where Schonberg has, as in his praise of forgotten composers, been original, he has found no response... ...It is possible to view this decision as a just recognition of musical greatness, or as merely another manifestation of the deplorably reactionary behavior of contemporary society... ...following the bicentennial of Beethoven's birth in 1970, he even asked for a moratorium on performances of the composer's symphonies...
Extractions: Kultur und Kunst Zentrums in Wroc³aw (Breslau) mit finanzieller Unterstützung seitens der Breslauer Stadtverwaltung und der Niederschlesischen Selbstverwaltungs-Regionalbehörden. Der Meisterkurs ist vor allem für Pianisten, die Absicht haben an internationalen oder anderer Art Musikwettbewerben teilzunehmen, bestimmt. Die Bewerber dürfen ein beliebiges Programm anmelden. Veranstaltung - Die F. LISZT - GESELLSCHAFT in POLEN unter der organisatorischen Mitwirkung der Staatlichen Musimittelschule, Musik- u. Literatur-Klubs, sowie Kultur- u. Kunstzentrums in Wroc³aw (Breslau) mit finanzieller Untrstützung seitens der Breslauer Stadtverwaltung und der Niederschlesischen Selbstverwaltungsregionalbehörden.
Extractions: The Course is, first of all, for those artists who want to take part in international and other music competitions. It is not obligatory, though. Applicants can submit any repertoire. Classes will take place at the Music and Literature Club on 9 Kociuszki Square (pl. Kociuszki 9) and in the Philharmonic Concert Hall on 19 Pilsudskiego St. (ul. Pi³sud-skiego 19). Practice facilities will be available at the Music School (68 Podwale St.).
Extractions: Olymp im Überblick Kritiken der Woche Archiv-Inhalt Titelseite/Inhalt Ravel: Das Soloklavierwerk Nur ganz selten in der Geschichte der Schallplatte gibt es diese Aufnahmen, in denen sich eine große Vision ganz wiederfindet, sie erfüllt bis zum Rand. Und manchmal verändert solch eine Vision den Blick auf ein Werk für immer. Der Ravel-Stil, den wir heute als Inbegriff lateinisch-kultivierten Klavierspiels bewundern, ist von einem Mann geschaffen worden, der kein Franzose war, auch wenn er - eher zufällig - 1895 in Lyon geboren wurde. Als Walter Gieseking 1928 in Frankreich erschien, brachte er einen Ravel mit, wie ihn die am Pariser Conservatoire geschulten Pianisten noch nie gehört hatten. "Gieseking spielte Ravel und Debussy wie ein Gott. Ich sollte das nicht sagen, aber es gab keine Franzosen, die ihm darin gleichkamen", schrieb die legendäre Jeanne-Marie Darré. "Es gab eine Zeit, da wollten alle so spielen wie er", bemerkte Magda Tagliaferro. Was war das Neue, Unerhörte? Die älteren französischen Ravel-Aufnahmen sind überraschend grafisch. Sei es ein Robert Casadesus, der sagte, er sehe Ravel in der Tradition eines Couperin, sei es die junge Monique Haas oder die knisternd perkussive Monique de la Bruchollerie wir hören Ravels Klaviermusik in einer gestochen scharfen, manchmal etwas trockenen, clavecinistischen Transparenz, die für uns heute den Reiz des Fremden besitzt. Ravel hat diesen Stil übrigens durchaus autorisiert. Dann kam Gieseking und spielte das Klavierwerk Ravels in der Salle Pleyel an einem Abend. Dieser hünenhafte Mann zauberte die leisesten, immateriellsten Klänge aus dem Klavier, die man jemals gehört hatte. Hundertmal trete Giesking das Pedal in einem Takt, erzählte ein Pianist in leiser Verzweiflung.
CD Universe Your Online Music Store et al music CD Claude Debussy The composer as pianist music CD CD Troubadours /Clemencic Consort music CD Piano Masters - magda tagliaferro - Hahn, Schumann http://www.cduniverse.com/search/xx/music/category/8349/a/Estampe.htm
The Juilliard School - College Division - Music Division - Faculty Piano with magda tagliaferro, Paris, 196164; Dora Zaslavsky; Artur Balsam, New York,1964-66. French song and diction with Pierre Bernac as pianist and coach http://www.juilliard.edu/asp/fsnew/faculty_details.php?FacultyId=98&School=Colle
LookSmart - Article Search For " Pianists Performances" 3 pages magda tagliaferro, 18931986 ?. American Record Guide, November Case inpoint pianist Werner Vana Gierig is instrumental in laying the musical http://www.findarticles.com/cf_dls/PI/search.jhtml?isp=FA&cat=arts&key=+Pianists
Eva Gomide Brazilian Music Trio As classic pianist studied at Escola magda tagliaferro, with Lina Pires de Camposand Zulmira Elias José, where had also, public classes with the master magda http://www.priscilapaes.com.br/eva/evagomide1.htm
Extractions: The Trio Eva Gomydes Trio work came from the musical tendencies mixing into the pleasure of performing. Her own arrangements tend to be strongly influenced by the Jazz in the richness of the Brazilian music. All the trio members have long experience in musical interpretation. The Trios repertoire include Brazilian themes from Jobim, Ivan Lins, Gilberto Gil, Dolores Duran, Djavan, Ernesto Nazareth and international themes from Charlie Parker, Hammerstein/ Kern, Miles Davis, Johnny Mercer and more. Eva usually enriches the Trios presentations with the performance of invited Brazilian saxophonists. The Presentations Her presence in the musical scenery is marked by various performances in Theatres and Music Halls. Here are some of them: Teatro Nacional de Brasília - DF Auditorio da Casa Thomas Jefferson Brasília DF Teatro Municipal de Barueri - SP Teatro de Alphaville Barueri - SP Teatro da Unicamp Campinas - SP Teatro Crowne Plaza - São Paulo SP Teatro Paulo Eiró - São Paulo - SP Mube (Museu Brasileiro da Escultura) - São Paulo SP Sesc Pompéia - São Paulo - SP Sesc Belenzinho - São Paulo - SP Supremo Musical - São Paulo - SP All of Jazz Bar (temporada) São Paulo - SP Alphaville Tennis Clube Barueri - SP Escola Magda Tagliaferro - São Paulo - SP
ICAA News & Activities Billy Eidi Concert pianist. He started playing concerts with French violinist ElianeMagnan and when the fanous magda tagliaferro heard him playing in Beirut http://www.icalumniass.org.lb/1998.html
Extractions: View of the event In August 1998, the ICAA held a beach party where for the first time, graduates from the 1940's until 1998 were present. The party was held at the waterfalls of the Summerland Hotel where over 400 alumni and friends attended, including Deputy Pierre Dakash, Deputy President Dr. Walid Khoury '69, Mrs. Mourani, Vice President of Alumni Affairs Mr. Nabil Rahal, and board members Mr. Adib Farha, Mr. Imad Taher and former ICAA President Mr. Ghazi Kreitem. MasterCard and Radio One sponsored the party. Everyone had a great time and enjoyed the great food that was served buffet self-service style near the waterfalls. Master of Ceremony Mr. Wael Sanyoura '94 was also present and introduced Ms. Torch '98, Ms. Khoury '98, and Mr. Graduate '98, Mr. Shehab Al-Deen '98. ICAA President Mr.Ahmad Sabra '85 attended board meeting at IC. William Turner Tournament Basketball and Soccer cups were awarded to IC Chairman of Board, Mr. William Turner at the Riviera Hotel in June of 1998 during his visit to Lebanon for the first time in 18 years. Both teams won the William Turner Tournament, organized by the ICAA. Mr. Kamal Khatib '90 soccer player presents cup to Mr. Turner with the presence of ICAA President Mr. Ahmad Sabra '85
ASU CFA Antonio Carlos Jobim Caramuru is the director of the tagliaferro Foundation in San Paulo, whichis in memory of famous BrazilianFrench pianist magda tagliaferro. http://herbergercollege.asu.edu/college/news/newsreleases/1999/jobim_release.htm
Extractions: of Antonio Carlos Jobim Tall and tan, and young and lovely, the girl from Ipanema goes walking... The intoxicating music of Bossa Nova composer Antonio Carlos Jobim played by the noted Brazilian pianist Fabio Caramuru is the featured attraction in an upcoming Guest Artist Concert at Arizona State University. Caramuru will perform on (Wednesday) Jan. 20 at 7:30 p.m. in the School of Music's Katzin Concert Hall. The concert is free and open to the public. The School of Music is located on the main ASU campus in Tempe at Mill Avenue and Gammage Parkway. Call the School of Music Information Line for current parking information, 965-TUNE (8863) The prize-winning musician has dedicated himself to transcribing Jobim's music for the piano. He has already published a CD that has been highly acclaimed in Germany and France. Caramuru is the director of the Tagliaferro Foundation in San Paulo, which is in memory of famous Brazilian-French pianist Magda Tagliaferro. Jobim personified the subtle, yet exhilarating bossa nova music. He wrote his songs as pop tunes, in the same way that his predecessors and peers - Gershwin, Porter, Berlin and Rodgers - wrote their classics. Jobim's works were to be performed by and for people of musical persuasions. One of the keys of the composer's success in the U.S. was the fact that his songs, originally composed in Portuguese including
ASU SOM Chamber Orchestra Twice voted best Brazilian pianist, Pagano frequently performs with leading orchestras andwhen he continued his instruction with magda tagliaferro in Paris http://herbergercollege.asu.edu/college/news/newsreleases/2000/som_pagano_0418.h
Extractions: mary.brennan@asu.edu Internationally renowned pianist and Arizona Regents professor of music Caio Pagano will perform in concert with two of Arizona State University's premier musical ensembles, Choral Union and Symphony Orchestra. The concert is (Tuesday) April 18 at 7:30 p.m. in Gammage Auditorium. Admission is free and no tickets are required; doors open at 7 p.m. Gammage Auditorium is located on the main ASU campus in Tempe at Mill Avenue and Gammage Parkway. Program selections will include Te Deum by Kodaly, Momoprecoce (Fantasy for Piano and Orchestra) by Villa Lobos, Choral Fantasy, op. 80 by Beethoven and Benedicite by Vaughan Williams. Loved both on and off stage by audiences and critics everywhere for his "commanding technique" and "power and bravura," the extraordinary artistry of Brazilian pianist Caio Pagano is in great demand in major musical and cultural centers around the world. Twice voted best Brazilian pianist, Pagano frequently performs with leading orchestras throughout Central and South America, the United States and Europe. His extensive recital and concert tours include appearances in the great halls of Europe and the United States, including Wigmore Hall, Alice Tully Hall, the Kennedy Center, the Concertgebouw and the Musikhalle. His programs run from the traditional classical repertoire to twentieth-century music gems to world premieres of noted contemporary Brazilian composers. He consistently receives rave reviews from music critics wherever he performs.
