International Piano Archives At Maryland, UM Libraries but shortlived and now virtually forgotten Polish pianist who studied magda tagliaferro(1893-1986). The greater part of tagliaferros recorded legacy exists http://www.lib.umd.edu/PAL/IPAM/bgsz.html
Extractions: Performing Arts Library International Piano Archives at Maryland Buyer's Guide CAMILLE SAINT-SAËNS (1835-1921) In 1904 and 1919 Saint-Saëns recorded various selections from his own works. All of these discs have been transferred to APR 5533 (coupled with Cécile Chaminades 1901 recordings). APRs transfers here, however, have been criticized as falling somewhat short of ideal. OLGA SAMAROFF (1882-1948) A pupil of Ernest Hutcheson and of Alkans illegitimate son Elie Delaborde, Samaroff (originally Lucy Hickenlooper) went on to teach such eminent players as Kapell, Lewenthal, and Weissenberg. She recorded many discs for Victor between 1921 and 1930. Almost all of them can be obtained on PEARL OPAL 9860. A further Samaroff disc, of the Grieg Nocturne, is included in SIMAX 1809 (Grieg Piano Music in Historic Interpretations). HAROLD SAMUEL (1879-1937) Remembered mainly as a leading Bach interpreter, this British pianists nearly complete recordings were once available in KOCH 3-7137 (two discs). A recent SYMPOSIUM CD (1309) is self-described as the complete solo [Bach] piano recordings (1923-1931) but this is not correct; it omits two Preludes and Fugues. Furthermore, the transfers are noisy and the documentation ignores issue numbers and timings. Samuel joined forces with violinist Isolde Menges on 78rpm sets of the Brahms A Major and D Minor Sonatas; these were reissued on BIDDULPH LAB 076. JÉSUS MARIA SANROMÁ (1902-1984) Born in Puerto Rico, Sanromá made many records for RCA Victor in the final decade or so of the 78rpm era. Two Pearl CDs (0076 and 0123) offer a good cross-section of his playing, with concerti by MacDowell, Paderewski and Gershwin, Liszts Totentanz, and other works. On PEARL 9020, Sanromá plays the Stravinsky Capriccio (conducted by Koussevitzky), while BIDDULPH LAB 052/3 includes the Schumann Quintet with Sanromá and the Primrose Quartet. His collaboration with Paul Hindemith in four-hand and viola sonatas by the latter is represented in BIDDULPH LAB 087.
Yesterday's Concert Pianists-Alphabetical 184273, highest ranking woman in 1800s; famous pianist/major composer; published,with Petersburg, July 24, 1831)A, B, G magda tagliaferro (b. Brazil, Jan. http://www.pianowomen.com/yesterday2.html
Extractions: Alphabetical Listing Search Last Name [A] [B-C] [D-F] [G-J] ... [T-Z] The following list includes women pianists who concertized on a national or international level during their lifetime, and spans birthdates from the 1750's to the 1900's (deceased). Source codes after each name indicate biographical entries in the following recent references:
Piano Practice Page The author, himself a noted pianist, studied with as Gaby Casadesus, JeanneMarieDarre, Monique Haas, Eric Heidsieck, and magda tagliaferro. BOOK JACKET. http://publish.uwo.ca/~elosseva/PianoPractice.htm
Extractions: "It is cruel, you know, that music should be so beautiful. It has the beauty of loneliness and of pain: of strength and freedom. The beauty of disappointment and never-satisfied love. The cruel beauty of nature, and everlasting beauty of monotony." - Benjamin Britten Ah, the joy of practicing... Welcome to my piano practice page. Give it a glance and I hope you'll find something of interest. Send me an email if you'd like to chat. I am always looking for people to play chamber music with. Contents of this page: Piano Practice Online Resources: (few but useful) http://www.mwsc.edu/~bhugh/practicetips/index.html provides collection of practice tips and advice by Prof. Brent Hugh http://www.siue.edu/MUSIC/html/ruths.html is an article by a great pianist Ruth Slenczynska on memory work (click here if the link doesn't work) http://www.alexandertechnique.com includes a list of online resources for Alexander technique (though I am highly skeptical of it myself) http://www.engr.unl.edu/ee/eeshop/music.html
WCLV - 01/19 - Monday 1884 (120) Jules Massenet s Manon 18941979 Karl Krueger - German-American conductor1895-1986 magda tagliaferro - Brazilian-born pianist 1903-1975 Boris http://www.wclv.com/skin/blurb.php?sectionId=176&contentId=34700
SERGIO FIORENTINO absences of many decades such artist as Maria Tipo, magda tagliaferro, DubravkaTomsic artist at the Festival revered him; one seasoned pianist even wanted to http://www.people.freenet.de/elumpe/Sergio.htm
Extractions: Sergio Fiorentino Memorial Site II S E R G I O F I O R E N T I N O pianist musician Reactions to his concerts appearances Tuesday night in The Breakers Fiorentino opened the Newport Festival by making his first American appearance in 43 years. A courtly gentleman with an aureole of white hair, Fiorentino looks like a pianist in an old movie - or like photographs of the German pianist Wilhelm Kempff. Fiorentino, like Horowitz or Dubravka Tomsic, is undemonstrative at the keyboard; he doesn't have time for theater, because there is so much color and drama in the actual playing. The first half of the recital was "serious", the second devoted to entertainment - but these are false distinctions. Fiorentino's performance of the Schumann "Fantasy" was architecturally sound, but it was also full of darting, unexspected departures and a sense of play. And like the great pianists of the past, Fiorentino doesn't play transcriptions of waltzes to show off his virtuosity but to celebrate the waltz in all its intricate, teasing glory. The waltzes were the Liszt version of the Kermesse from Gounod's "Faust", Fiorentino's transcriptions of a Tchaikovsky waltz and a sequence of waltzes from "Der Rosenkavalier", Tausig's transcription of Strauss' "Man lebt nur einmal!" and the masterpiece fo the genre, Godowsky's "Symphonic Metamor- phoses on Themes from Die Fledermaus". Fiorentino neatly discriminated among the various national styles; and his iridescent scales, glissandi, arpeggios, chords, double notes, and octaves, his opalescent shifting harmonies, and his superbly secure and supple rhythmic sense wre not virtuoso tricks but ornaments devised to dramatize the curve of each dance in delirious movement.
Extractions: An Atlanta native, Professor Casseday has been a member of the Jacksonville Symphony Orchestra cello section since 1986 and a faculty member at UNF since 1997. She has performed with orchestras across the United States, and has collaborated locally with Bach is Back, Synergy, Collagrossa, and the Amelia Island Chamber Music Festival. Professor Casseday is a founding member of the Florida Arts Trio. Professor Rensch-Erbes was brought to Juilliard on a Summer Orchestra Scholorship and later studied musicology with Drs. Willi Apel and Paul Nettl. She has played harp programs throughout the Chicago area and was, for six years, first harpist with the Chicago Civic Orchestra. Professor Rensch-Erbes taught harp for three years at the University of Illinois, and was Professor of Humanities at Indiana State University from 1965-1988. She is the author of four internationally-known reference books on the harp. Professor Rensch-Erbes has been elected to membership in Pi Kappa Lambda (music honorary) and Phi Kappa Phi (humanities honorary), and is an honorary member of Sigma Alpha Iota (music sorority) and of several chapters of the American Harp Society and the United Kingdom Harp Society.
Castle Classics Schumann - Other Solo Piano Music aus Wien, Op.26 magda tagliaferro 19/7/1934; Romanze, Op.28 No.2 - magda tagliaferro20/7/1934 7. Mark Anderson here proves himself a musician-pianist to the http://shop.castleclassics.co.uk/acatalog/Schumann___Other_Solo_PIano_Music.html
Bartok Bartok started his professional career as a pianist, and made several successfultours of the European continent after his graduation from magda tagliaferro. http://www.geocities.com/HotSprings/Villa/3170/bbbartok.htm
Extractions: Não deixe de visitar os links de música no final desta página ... Bela Bartók , compositor húngaro contemporâneo de Férenczi A giant of 20th century music, Bela Bartók was a brilliant and original composer who drew inspiration from both his classical contemporaries - most notably Wagner and Strauss - and the folk melodies of his homeland. A pianist, theorist, music historian and teacher, Bartók wrote primarily for instruments rather than for voices, and over the course of his career revolutionized virtually every concept of tonality (or lack thereof) in existence. Bartok started his professional career as a pianist, and made several successful tours of the European continent after his graduation from the Academy in 1902. He did not pursue composition as a primary activity until after his appointment to the piano faculty at the Budapest Academy in 1907. From this time on, he wrote reams of orchestral, chamber and solo music, taught theory, and performed solo recitals and concert engagements throughout Europe and in the United States. Bartok wrote a large volume of piano works, most notably the brilliant Mikrokosmos (1926-37), a six-book collection of piano teaching pieces which, although simple in form, show his genius as a harmonic and rhythmic innovator. He also wrote a wealth of chamber music; his six string quartets are absolute masterpieces of structure and balance, more so than any works since the music of Mozart and Haydn. In these quartets, Bartok used an original system of tonal organization which drew as much from the non-Western scales of Hungarian folk music as it did from any traditional sense of tonality. Each quartet is a unique marvel of simple melodies, rough dissonances, rhythmic complexity and harmonic abstraction.
Links In English 14 (May 10 To July 18, 1998 - 1) compuserve.com/homepages/rpassarj/magda1.html magda tagliaferro. magda played Schumann sA Minor concerto for Brendel s essays on the pianist, Edwin Fischer. http://www.geocities.com/Vienna/7863/furt/alfa_english14.html
James Tocco The pianist s recent seasons included his Royal Concertgebouw Orchestra debut, performing anda French government grant to study with magda tagliaferro in Paris http://www.hexagone.net/music/cvprofs/james tocco.htm
Extractions: of music Pianiste Mr. Tocco's voluminous discography reflects his varied tastes and astonishing versatility: the world-premiere recording of Bernstein's complete solo piano music, an all-Copland disc including the first recording of the solo piano version of the Suite from Rodeo; the complete Chopin Préludes, the complete piano music of Charles Tomlinson Griffes; Erwin Schulhof's Cinq Etudes de Jazz; Bach-Liszt Organ Transcriptions; and the four piano sonatas of Edward MacDowell. Just issued to unanimous acclaim is Mr. Tocco's recording of Corigliano's Etude-Fantasy on Sony Classical. In addition to his rigorous international performing itinerary, Mr. Tocco is Eminent Scholar/Artist-in-Residence at the University of Cincinnati College Conservatory of Music, and Professor of Piano at the Musikhochschule in Lübeck, Germany. Mr. Tocco is also the Artistic Director of the Great Lakes Chamber Music Festival in Bloomfield Hills, Michigan. James Tocco will teach at the following academy:
6th Franz Liszt Piano Competition on the largest recording project ever undertaken by a solo pianist the complete From1960 to 1961 he studied in Paris with magda tagliaferro, and in 1960 he http://www.liszt.nl/2002/bioeng.htm
Extractions: After theological studies in Amsterdam and New York Albert van den Heuvel (born 1932) was general secretary to the Ecumenical Youth Council of the Netherlands. In 1960 he was appointed director of the Youth Department of the World Council of Churches in Geneva. Subsequently he became director of the communication department of the World Council of Churches in 1965. From 1972 Van den Heuvel was also Secretary General of this organisation. At the same time he was a minister of the Netherlands Reformed Church until 1980. In this year Van den Heuvel became involved in broadcasting. After being chairman of the VARA broadcasting society until 1985 he was executive vice president for programme for radio en television to the Netherlands Broadcasting System. After this period Albert van den Heuvel has been active as chairman of the Max Havelaar Foundation and the NES Theater Foundation, and international president of the World Association of Christian Communication. Imre Antal Hungary Imre Antal was born in Hungary in 1935, and began to play the piano at the age of twelve. After studies at the Liszt Ferenc Musical Academy in Budapest he was a soloist with the Philharmonia Hungarica for many years. He won international piano competitions in Naples, Vienna, Helsinki and Rio de Janeiro, and performed as a soloist with various orchestras and conductors. In 1966 Imre Antal (and Rolf-Dieter Arens) took part in the Liszt Piano Competition in Budapest, where he won second prize. Antal's career as a pianist came to an early end through sickness. Since 1972 he has presented programmes for the music section of Hungarian television.
6de Internationaal Franz Liszt Pianoconcours Dr. Leslie Howard (GrootBrittannië) De pianist Leslie Howard profileert zich ineen 1961 zette hij zijn opleiding voort in Parijs bij magda tagliaferro en in http://www.liszt.nl/2002/bionl.htm
Extractions: Imre Antal werd in 1935 geboren in Hongarije. Op twaalfjarige leeftijd begon hij met pianolessen. Na zijn opleiding aan de Liszt Ferenc Musical Academy in Boedapest speelde hij jarenlang als solist bij de Philharmonia Hungarica. Hij won internationale pianoconcoursen in onder andere Napels, Wenen, Helsinki en Rio de Janeiro en trad als solist op met uiteenlopende orkesten en dirigenten. In 1966 nam Imre Antal (evenals Rolf-Dieter Arens) deel aan het Liszt Pianoconcours in Boedapest, waar hij de tweede prijs won. Wegens ziekte moest hij zijn carrière als pianist voortijdig opgeven. Sinds 1972 is Imre Antal als presentator verbonden aan de muzieksectie van de Hongaarse televisie. Rolf-Dieter Arens Duitsland Rolf-Dieter Arens (1945) kreeg zijn eerste pianolessen op zijn vijfde. Van 1963 tot 1968 studeerde hij piano en kamermuziek aan de Hochschule für Musik in Leipzig. Vervolgens kreeg hij in Wenen les van Paul Badura-Skoda. Van 1970 tot 1986 was hij werkzaam als pianodocent aan de conservatoria van Leipzig en Weimar en gaf hij vele concerten in Europa, Japan en Zuid-Korea. In 1982 ontving hij de Kunstprijs van de DDR. Van 1986 tot 1991 was Rolf-Dieter Arens solist bij het Berliner Symphonisches Orchester. Daarnaast heeft hij vele masterclasses gegeven in Duitsland, Zweden en Zuid-Korea. Sinds 1993 is hij artistiek leider van de Internationale Zomer Muziekacademie Schlo¤ Hundisburg en in 1995 richtte hij het kamermuziekensemble Weimarer Solisten op. In 2001 werd hij benoemd tot directeur van de Hochschule für Musik 'Franz Liszt' in Weimar.
Extractions: DANIELE AMFITHEATROF was born in St Petersburg, Russia on 29th October 1901 into a family distinguished in pre-Soviet Russia in various fields of arts and culture. His father, Alexander V Amfitheatrof [1862-1938], was a noted historian and writer. His mother, Illaria (Sokolof), an accomplished singer and pianist, had studied privately with Rimsky-Korsakoff. The composer's early life was one of extreme hardship. In January 1902, at the age of three months, he was removed to Siberia, where his father was imprisoned for publishing anti-Czarist articles. In 1904 the authorities returned the family to St Petersburg, following which they migrated to Italy. At the age of six he began music studies with his mother.
HEITOR VILLA-LOBOS By Dr David C F Wright : MusicWeb Len Mullenger a fantasia for piano and orchestra premiered at the Salle Pleyel, Paris, on23 February 1930 with the Brazilian pianist magda tagliaferro as soloist. http://www.musicweb.uk.net/classrev/2002/July02/Villa-Lobos_article.htm
Extractions: CELEBRATING Classical CD/DVD reviews since 1998. HEITOR VILLA-LOBOS by Dr David C F Wright I have often heard it said that Villa-Lobos wrote too much music and the implication is that he never made time to construct a masterpiece! But prolific outputs are known throughout the history of music and it could be said that people such as Haydn and Mozart produced so much that not all of it is of the highest standard or appeal. Villa-Lobos would say that composition was not necessarily inspiration but a therapeutic necessity. If he did not compose he was ill. He simply had to write music. Villa-Lobos was an ordinary man. It may be true to say that he was quaint or homely. He was not an arrogant man but a very hard-working musician. He pottered around his house with his hair all over the place, wearing curious slippers and often with an overweight cigar in his mouth. He also had domestic skills and one of the few composers who had a winning personality that both made and kept friends. His mother, Noemia Umbelina was born in Rio de Janeiro in 1859 whereas his father, Raul, was born in 1862. Their marriage took place in 1884. Their first child, Bertha, known as Lulucha, was born in 1885. Heitor was born on the 5th March 1887 the year before slavery was abolished in Brazil. Carmen, nicknamed Bilita, was born in 1888. On 17th January 1889 Carmen and Heitor were baptised at Sao Jose Church in Rio de Janeiro. Later that year Brazil was declared a republic.
Miami Piano Festival > Meet The Artists Tomic, Sergio Fiorentino, Dame Moura Lympany, Fou Tsong, magda tagliaferro,Halina Czerny Dr. Malkovich is a pianist of note himself, having studied with http://www.miamipianofest.com/lecture/malkovich.htm
Extractions: Dr. Mark P. Malkovich , III is acknowledged as an expert in the field of chamber music. As General Director of the Newport Music Festival for the past twenty-nine seasons, he has brought the Festival to national and international prominence. His avid awareness of the international music scene and his idea of a music-making community of artists creates a festival that really feels like a festival.
性別與音樂研究網誌: ࢄ , Hildegard von Bingen A discography. , pianist-magda tagliaferro., pianistGuiomar Novaes. , Early Women Composers Chronology. http://gendermusic.20six.co.uk/weblogCategory/merzt0zpldtp
BBC - Radio 3 - What's On Listings 3; Op 70 No 2; Op 42 Dinu Lipatti, Alfred Cortot, magda tagliaferro (piano) Ravel theScottish Chamber Orchestra Wind Ensemble is joined by pianist Leon McCawley http://www.bbc.co.uk/radio3/listings/index.shtml?day=Thursday
BBC - Radio 3 - What's On Listings 3; Op 70 No 2; Op 42 Dinu Lipatti, Alfred Cortot, magda tagliaferro (piano) Ravel whotalks about balancing his dual careers of composer and pianist, and about http://www.bbc.co.uk/radio3/listings/index.shtml?day=Saturday
James Tocco Translate this page Der pianist James Tocco hat sich weltweit einen Namen gemacht als Solist, in derfranzösischen Regierung, das ihm das Studium bei magda tagliaferro in Paris http://www.mh-luebeck.de/bios/Bios/Tocco.htm
Extractions: Klavier, Kammermusik Der Pianist James Tocco hat sich weltweit einen Namen gemacht als Solist, in Konzerten mit Orchester, in Kammermusikensembles und als Pädagoge. Sein Repertoire von mehr als 50 Werken mit Orchester umfaßt praktisch das gesamte Standardrepertoire der Klavierkonzerte, daneben auch seltener gespielte Werke wie die Symphonie Concertante von Szymanowski, das Kammerkonzert von Alban Berg sowie The Age of Anxiety von Leonard Bernstein. Er wird für seine Interpretationen der Solo-Klavierliteratur von Beethoven, Chopin und Liszt genauso gerühmt wie für die Aufführungen von Kompositionen des 20. Jahrhunderts. Er gehört zu den wenigen Pianisten, die regelmäßig die Klavierwerke von Händel in ihre Programme aufnehmen. James Tocco wurde als Sohn italienischer Eltern in Detroit geboren. Seit frühester Kindheit gehört seine große Liebe der Musik und ganz besonders der Oper. Mit sechs Jahren erhielt er den ersten Klavierunterricht, und bereits mit zwölf Jahren spielte er das erste Mal als Solist mit Orchester (Klavierkonzert Nr. 2 von Beethoven). In der Folgezeit gewann er mehrere Preise, so auch ein Stipendium für Studien am Mozarteum in Salzburg und ein weiteres der französischen Regierung, das ihm das Studium bei Magda Tagliaferro in Paris ermöglichte. Seine musikalische Ausbildung schloß er bei Claudio Arrau in New York ab. Mehrere Schallplatten- und CD-Einspielungen geben Zeugnis von James Toccos musikalischer Vielseitigkeit. Bei ProArte sind erschienen Soloklavierwerke von Leonard Bernstein (die erste Gesamtaufnahme), sowie verschiedene Werke von Aaron Copland, einschließlich der erstmalig aufgenommenen Klavierfassung der Suite aus Rodeo. Für Gasparo hat er die Préludes von Chopin komplett aufgenommen, ebenso das Gesamtklavierwerk von Charles Tomlinson Griffes und die vier Klaviersonaten von Edward MacDowell. Von Gidon Kremers Lockenhaus-Festival hat die Firma ECM seine Live-Aufführung der Cinq Etudes de Jazz von Erwin Schulhof herausgegeben. Kürzlich hat die Deutsche Harmonia Mundi seine Aufnahme der gesamten Transkriptionen von Liszt der großen Bachschen Orgelwerke herausgegeben.
