Críticas Translate this page In Eudóxia de Barros, pianist at last Her self-assurance stems from her trainingwith the great magda tagliaferro and her subsequent brillantly acclaimed http://www.eudoxiadebarros.com.br/port/cronicas.htm
Extractions: LESPRIT ET LE COEUR Toute la chaleur de lâme brésiliennne était bien nécessaire pour réchauffer lambiance du théâtre Jacques-Coeur, dimanche aprés-midi. Une cinquantaine de spectateurs seulement sétaient deplacés pour entendre la pianiste brésilienne Eudóxia de Barros. Sans doute la mixité du programme, mêlant musique classique européennne et musique brésiliennne, avait-elle découragé les amateurs uniques de chaque genre, qui pourtant ne sont pas si éloignés lun de lautre. Toujours est-il que ce demi-désert aurait pu saper le moral dune artiste a lâme moins bien trempée. Mais Eudóxia de Barros nen avait cure. Elle a joué comme pour une salle comble, avec la même générosité, le même don total. En première partie, avec des oeuvres de Bach, Bartok, Liszt et Moskowsky, elle avait choisi la difficulté, temoignant dune technique éblouissante, dune autorité de maitre, dune virtuosité extraordinaire. Attentive á son art, elle semblait intellectualiser la musique.
JANUARY 19 CLASSICALmanac 'today In Classical Music' bDusseldorf, 13 JUN 1824. 1895 Birth of Brazilian pianist magda tagliaferro.d-1986. ON CDS; 1895 FP of first mmt of PI Tchaikovsky s Piano Concerto No. http://www.angelfire.com/ab/day/jan19.html
:: Clelia Iruzun - Biography the styles of her Brazilian idols such as Arnaldo Estrela, magda tagliaferro, NelsonFreire Maria Curcio, who was a former pupil of the pianist great, Arthur http://www.cleliairuzun.com/eng/bio.html
Extractions: By the time she was seventeen, it was clear that Clélia needed to spread her wings and her parents decided that she should study abroad. She won a scholarship to London to study with the highly reputed, Maria Curcio, who was a former pupil of the pianist great, Arthur Schnabel. Clélia also studied with Christopher Elton at the Royal Academy of Music who encouraged Clélia to play new repertoire, whilst trying to "tame a little bit of her wild Latin American spirit". It was during these years that Clélia worked on her chamber music playing, studying harmony, counterpoint and conducting and she won several prizes including the coveted Recital Diploma. It was also when she met her future husband, Renato, who was also studying piano there. However, probably the greatest teacher of all was Mercês de Silva Telles, a Brazilian piano teacher who studied with Claudio Arrrau who she met after winning the Santander competition in 1987. Other awards have included winning top prizes at the Tunbridge Wells Piano Competition in Kent, the Paloma O'Shea Award in Santander and Pilar Bayona in Zaragoza. Although she returns home to Brazil two or three times a year, Clélia has made London her home. She married Renato in 1989 and although he no longer professionally plays piano, they often play duets together at various local concerts. Nowadays, more of his time is spent with their two children Raphael (8 years old) and Maria Clara (6 years old) watching their mother perform professionally throughout the U.K., including her recitals and concerto performances at the Wigmore Hall, Purcell Room, Queen Elizabeth Hall, St John's Smith Square and major music societies throughout the country. Overseas, Clélia has played concerts tours and recitals in Brazil, Argentina, Canada, France, Portugal, Spain, Norway, Sweden, Venezuela, the former Yugoslavia, the Czech Republic and USA. In between such engagements, Clélia also regularly appears in radio and television broadcasts in several countries such as Brazil, Venezuela, France, Spain and the U.K. Recent engagements include a recital at the Wigmore Hall where she played the "world premiere" of Marlos Nobre's Sonata Breve, a tour in Sweden with the Vasteras Sinfonietta, the UK, a tour in Norway with the Kristiansand Chamber Orchestra, Portugal and in Brazil recitals and concerts with the Orquestra Petrobras Pro-Musica and Orquestra Sinfonica da Bahia. Over the past few years, Clélia's unique mastery had been captured on disc. Her first CD with music by Villa-Lobos released by Meridian Records was received to great critical acclaim and has been broadcast in many countries, including the BBC Radio 3 and Classic FM in the U.K. She has also released the recording of Latin American Dances with the Swedish label Intim Musik as well as a disc of Mendelssohn's Piano Concerto No.1 and Concerto for Violin and Piano with Joachim Gustafsson, which was released in December '99 and was chosen by Swedish Radio as the best recording of the Double Concerto in comparison with any other recordings of this work. Her new CD "The Waltz Album" has been well received by the critic and public alike. She will release another CD dedicated to Brazilian Piano Concertos with Lontano and Odaline de la Martinez on the Lorelt label in the New Year. Forthcoming recording projects include a CD with piano music by Lecuona.
Suzanne Husson, Pianiste Translate this page spanischer Musik), «Vianna da Motta» in Lissabon und «magda tagliaferro» in Paris Thisis the way in which the famous pianist Arturo Benedetti Michelangeli http://www.musicedition.ch/interpret/husson.htm
Extractions: Biographie: Premier Prix du «Mozaertum Argentino», Premier Prix de virtuosité avec distinction du Conservatoire de Genève et Prix du Concours «Fondation Josef Pembaur» de Berne. Lauréate des Concours de Genève, de Vercelli, «Maria Canals» de Barcelone (meilleur interprétation de musique espagnole), «Vianna da Motta» de Lisbonne et «Magda Tagliaferro» de Paris (Prix Spécial «R. Juillard»). Elle a joué avec le violiniste Patrice Fontanarosa, le Musikverein Quartett de Vienne et sous la direction de chefs tels que, Charles Dutoit, Armin Jordan, Horst Stein et Wolfgang Sawallish. Versatilité et perspicacité, avec sa virtuosité reconnue, représentent les aspects plus saillants de la personalité artistique de Suzanne Husson. Biographie: «Zwei wunderbare Hände!» - so hat sich der berühmte Pianist Arturo Benedetti Michelangeli über Suzanne Husson geäussert, die heute von der internationalen Kritik zu den hervorragendsten Interpreten gezählt wird. Von französischen Eltern in Buenos Aires geboren, lebt Suzanne Husson heute in Genf. Ihr Musikstudium begann sie im Alter von fünf Jahren in der argentinischen Hauptstadt am Konservatorium «Manuel de Falla» unter der Leitung von Elisabeth Westerkamp de Raco, einer Schülerin des bekannten Professors Scaramuzza. Sie gab ihr erstes öffentliches Konzert im Alter von acht Jahren. Nach ihrer Übersiedlung nach Europa vervollständigte sie ihre Ausbildung vornehmlich mit Arturo Benedetti Michelangeli, Luis Hiltbrand und Bruno Seidlhofer.
Sub-Biography by international critics to be one of the foremost pianist today. Spanish music),Lisbons «Vianna da Motta» and Paris «magda tagliaferro» (special «R http://www.musicedition.ch/interpret/husson/English/Biographysub.htm
Extractions: Biography «Two phenomenal hands!». This is the way in which the famous pianist Arturo Benedetti Michelangeli described Suzanne Husson, who is considered by international critics to be one of the foremost pianist today. She was born in Buenos Aires, to French parents and now lives in Geneva. Suzanne Husson began her musical studies when she was five, under the guidance of Elisabeth Westerkamp de Raco (a student of the famous professor Scaramuzza) at the Conservatory «Manuel de Falla» in the Argentinean capital. She gave her first public concert when she was 8. She moved to Europe to specialize mainly with Arturo Benedetti Michelangeli, Louis Hiltbrand and Bruno Seidlhofer. She has won first prize at the «Argentinian Mozarteum», first prize for virtuosity with distinction at the Geneva Conservatory and a prize in the «Josef Pembaur Foundation» competition in Bern. She has also been awarded distinction at competitions in Geneva, Vercelli, Barcellonas «Maria Canals» (best interpretation of Spanish music), Lisbons «Vianna da Motta» and Paris «Magda Tagliaferro» (special «R. Juillard» prize). She has performed on television and on radio, at important festivals, in concerts halls, at recitals and as soloist (Europe, U.S.A. and Latin America) also premiering new works.
Jeunesses Musicales Canada by internationallyacclaimed pianist Kum-Sing Lee. Kum-Sing Lee studied with GerhardPuchelt in Berlin and with Julius Katchen and magda tagliaferro in Paris. http://www.jeunessesmusicales.com/en/portail/jmc-news.asp?id=85
Jeunesses Musicales Canada Canadian pianist André Laplante has firmly established himself as one of the GerhardPuchelt in Berlin and with Julius Katchen and magda tagliaferro in Paris. http://www.jeunessesmusicales.com/en/concours/Piano2004/jury.asp
Extractions: MICHEL DALBERTO Michel Dalberto entered the Conservatoire de Paris in 1968, at the age of 12, to study under Vlado Perlemuter, a favourite disciple of Alfred Cortot. By the time he had graduated nine years later, he was already a laureate of the 1st International Mozart Competition in Salzburg and a recipient of the Clara Haskil Prize. After winning the Leeds International Piano Forte Competition the following year, his international career soared and he was invited to play in major cities across Europe under some of the most distinguished conductors. Michel Dalberto is considered one of the leading performers of Schubert and Mozart. Liszt, Debussy, Fauré, Schumann and Ravel are also among his favourite composers. A prolific recording artist, he is the only pianist alive today to have recorded the complete piano works of Schubert (14 records for Denon). His recordings have earned him many distinctions, including the Grand Prix de lAcadémie Charles-Cros, the Prix de lAcadémie du Disque Français and a Diapason dOr.
Cqm-Claude Sosa Translate this page Music. Advanced Studies Diploma magda tagliaferro International PianoAcademy of Paris. Current occupation pianist and accompanist. http://www.cqm.qc.ca/repert-menu/cqm_membres/sosa.html
Readings Chopin pianist and Teacher JeanJacques Eigeldinger Cambridge University Press,1986. The pianistic Art of magda tagliaferro Asako Tamura Fundacao magda http://www.und.edu/instruct/sgallo/Readings.html
Carles Santos Brief Biography with such masters as Fevrier, Casadesus, magda tagliaferro, Margaret Long, and laterwith Harry Datymer in Switzerland. As a professional pianist, he started http://www.carles-santos.com/2bio.html
Extractions: Carles Santos (Vinaros, 1940) can be considered an integral artist who started his long career as a pianist, covering later many other disciplines like direction and composition. The sum of all these facets, in addition to accumulated experience and reflections in other artistic areas like movies or theater, take shape in his numerous scenic, musical, and plastic works, which have given him an international recognition due to the originality of his projects and the rigor of their realization. His career began in the Superior Conservatory of Music of Barcelona's Liceo, where he obtained awards that would later give him an opportunity to complete his education in Paris where he studied with such masters as Fevrier, Casadesus, Magda Tagliaferro, Margaret Long, and later with Harry Datymer in Switzerland. As a professional pianist, he started his career in 1961, playing a repertoire of Bartok, Schoenberg, and Webern. During the same years, he composed and played the musical part of Joan Brossa's Concert Irregular, premiered at Saint Paul de Vence, Barcelona, and New York to commemorate the 75th anniversary of Joan Miro. It was a musical theater play with script by Joan Brossa and was commissioned by the Maeght Foundation. In 1968, he received a March Foundation grant and moved to the United States, where he worked with many personalities of the musical avant-garde and met John Cage. During the seventies, while directing the Grup Instrumental Catala (GIC), founded by himself and Mestres Quadreny, he made his first piano recording that included works by John Cage, Anton Webern, and Karlheinz Stockhausen.
Tocco 2003 Vancouver, BC ~ ItalianAmerican pianist James Tocco performs at UBC January 30th. anda French government grant to study with magda tagliaferro in Paris. http://www.music.ubc.ca/PressRelease/prjan7-2003_tocco.htm
Extractions: Pianist James Tocco to perform and give masterclasses in Vancouver as the 2003 Dal Grauer Memorial Lecturer in Music Vancouver, B.C. ~ Italian-American pianist James Tocco performs at UBC January 30th. As the 2003 Dal Grauer Memorial Lecturer in Music, Tocco will also give masterclasses on January 31 and February 1st in the Recital Hall of the UBC School of Music. Recital Programme Mozart: Sonata in F Major, K. 533/K.494 Schubert: Drei Klavierstuck, D. 946 Rachmaninoff: 6 Moments Musicaux, Op. 16 The Dal Grauer Lectureship was established in 1962 to reflect Dr. Dal Grauers belief in the importance of distinguished teaching. The criteria for selection of teachers are inclusive and eclectic, as were Grauer's interests. The School of Music has had the privilege of hosting Dal Grauer lecturers since 1992. Previous lecturers include Leon Fleisher, Richard Goode, John OConor, Anton Kuerti, and André Laplante. Biography - James Tocco Italian-American virtuoso James Tocco enjoys international renown as a recitalist, orchestral soloist, chamber musician and pedagogue at the absolute peak of his powers. Beyond his vast repertoire of virtually the entire standard piano literature, he is widely regarded as the foremost interpreter of American masterworks, including Bernstein's Age of Anxiety, which he recently recorded with Leonard Slatkin and the BBC London Symphony, and the Corigliano Piano Concerto, of which he is acknowledged the definitive interpreter by the Pulitzer-Prize-winning composer.
Amilson Godoy & Arte Viva 1960 Studies High Interpretation Course for piano with magda tagliaferro. CD with Tom Brasil Records and becomes de conductor, arranger and pianist in many http://www.amilsongodoy.com.br/i_curr.htm
Extractions: Begins to study piano in Bauru, SP at the age of five. Studies at Magda Tagliaferro School with Nellie Braga. Studies High Interpretation Course for piano with Magda Tagliaferro. Camargo Guarnieri" contest - 1st place. Juvenile Piano Contest - 1st place. Villa Lobos" contest - 1st place. "Young Interpreters" contest - 1st place. Plays with São Paulo Philharmonic Orchestra, presenting Beethoven's "Concerto #1", conducted by Maestro Simon Blech. Joins MPB (Brazilian Popular Music) movement with Bossa Jazz Trio. Amilson with the Bossa Jazz Trio With Bossa Jazz Trio, he performed in theaters and universities playing along with the most important artists of MPB. Records the 1st album with Bossa Jazz Trio. Constant presence at "O Fino da Bossa Show". Besides his activities with Classical Music, Amilson performs with Bossa Jazz Trio and Elis Regina in Venezuela. Records his 2nd album with Bossa Jazz Trio. Bossa Jazz and Elis Regina present at the Disc International Festival - MIDEM - in Cannes and in her tour at the Olympia Theater, in Paris. Tour with Elis Regina throughout Brasil and Argentina. Bossa Jazz records with Pierre Barrouh and Elis Regina, in Paris.
ABA Jaffe Music Courses Using principles gleaned from her mentor, the worldfamous pianist magda tagliaferro,and from her own extensive experience as a performer and instructor, Mrs. http://www.abekaacademy.org/DVD/JaffeDVD/Default.html
Extractions: T strings program by DVD brings a master strings teacher into your home to teach violin, viola, cello, and bass and launch your student into a lifetime of music appreciation and performance. All you need to provide in addition to a musical instrument is a TV, a DVD player, and a person with general music training who can ensure that the student follows the DVD instruction. This concept helps in several ways: Relaxation Techniques To order a demonstration DVD, or for more information contact us Relaxation Techniques for Advanced Piano Students (contains Student Text and Beringer Daily Technical Studies for Piano) (contains Relaxation Techniques for Advanced Piano Students text and Relaxation Techniques for Advanced Piano Students DVDs) ( Contact the A Beka Academy Office for details.)
Pharos Trust him to study with teachers such as Rosina Lhevine and Lili Kraus in the United States,magda tagliaferro in Paris, and the famed Brazilian pianist Jacques Klein http://www.thepharostrust.org/profilemain.htm
The Frederic Chopin International Piano Competition in their speciality Henryk Melcer, Jerzy Zurawlew, magda tagliaferro, MargueriteLong In 1949, 1955, 1960 and 1965, Zbigniew Drzewiecki, pianist, teacher and http://www.chopin.pl/imprezy/konkursy/konkurs_en.html
Extractions: The Frederick Chopin International Piano Competition is one of the oldest events of its type in the world, and enjoys great prestige and universal renown. In the seventy years of its existence, the competition has evolved and transformed itself, altered and improved its form, and created its own extensive tradition. The initiator of the Frederick Chopin Piano Competition was Prof. Jerzy Zurawlew (1887-1980), an outstanding Polish pianist, teacher and composer. The first Chopin Competition took place on 23-30 January 1927 in the concert hall of the Warsaw Philharmonic. The next Competitions in 1932 and 1937 were also held there, at a five year interval, in accordance with the rules of the organisers. The 1942 Competition was not held owing to the Second World War, and the Competition could not be continued until several years after the war. The first postwar and the fourth International Frederick Chopin Competition took place in 1949, in the "Roma" concert hall, which is still standing in Nowogrodzka Str., the temporary home of the Warsaw Philharmonic and the Opera. The Competition became the culmination of the Chopin Year, celebrating the hundredth anniversary of the death of this great composer. The next Competition was organised six years later, in 1955. This change to the traditional five year-cycle was caused by the reconstruction of the Warsaw Philharmonic Hall, which was promoted soon afterwards to the rank of a national institution. From 1955 onwards, the Frederick Chopin International Piano Competition has been held in the National Philharmonic Hall every five years without a break.
Peabody Institute : Thomas Grubb throughout the United States, Canada and France as both pianist and coach Among hismost influential piano teachers were magda tagliaferro, with whom he studied http://www.peabody.jhu.edu/index.php?pageID=415
Keyboard Degree Programs Student of magda tagliaferro and Rosina Lhevinne. Varani tours in Asia, Europe andSouth America as a soloist and chamber music artist. He is a pianist for the http://www.otus.oakland.edu/mtd/Keyboard Programs.html
Extractions: Oakland University offers four undergraduate and two graduate degrees in keyboard study. These degree options allow professional musical growth and provide students with many course options in their major field. All instruction is by our artist-faculty who provide personal attention for each student. Degrees offered include the: Bachelor of Arts in Music (Piano or organ emphasis) A liberal arts degree program that provides extensive study in music and maximum flexibility. 124 credits, including 52 credits in liberal arts 8 credits in principal instrument 4 credits in ensembles 32 credits in theory and music history 8 credits in music electives Bachelor of Music in Music Education: Choral/General (piano emphasis) Professional degree specializing in Choral Music and General Music with piano as the principal instrument, and which leads to Michigan certification in music for grades kindergarten through twelve. 154-158 credits, including. 40 credits in liberal arts 16 credits in piano 8 credits in secondary applied study 8 credits of ensembles 32 credits in theory and music history 4 credits in conducting 40 credits in education and music education Bachelor of Music in Piano Performance Professional degree with an emphasis on advanced technical ability and the major repertoire.
Brian's Culture Blog • Barenboim Versus Pires richter. magda tagliaferro. rosalyn tureck is an interesting one. i liketo hear what the pianist is thinking, and in many cases they don t. http://www.brianmicklethwait.com/culture/001064.shtml
Extractions: Previous Random bridge March 07, Barenboim versus Pires Yesterday morning on Radio 3's CD Review, Evgeny Kissin was talking about playing Bach. Did he plan to record any? His answer included references to others who were doing it so well that he hesitated. Murray Perahia and Andras Schiff were not surprises, but I was intrigued that he mentioned Daniel Barenboim's live Goldberg Variations , which I possess. I have it on now, and at its quite frequent best I am liking it hugely. Listening to Barenboim's playing provoked me into thinking what is so special about his playing (when it is special) and what is so unsatisfactory about it (when it is unsatisfactory). And I think I have it. Barenboim as a pianist is still a conductor, and he always was a conductor from the very start of his life as a musician. The only difference is that when playing the piano he is his own orchestra. But Barenboim the interpreter is quite separate from Barenboim the pianist. Barenboim the interpeter stands outside, and watches and conducts (which would be why he finds it no great strain also to be conducting an orchestra while playing the piano). For Barenboim, piano playing involves an out of body experience. The as-good-as-it-gets interpreter of music, Barenboim the interpreter, always wants Barenboim the pianist to do something very good and interesting, but all too often Barenboim the pianist doesn't quite bring it off, either because he may not be the world's greatest pianist (I don't know), or perhaps because he is too busy doing that conducting while he is playing, or perhaps because he is too busy, generally
Brazilian Music Collection: Lina Pires De Campos Guarnieri. In 1964, after she had been working as magda tagliaferro sassistantpianist, she founded her own piano school. As teacher http://www3.uakron.edu/bmca/composers/Campos/
Extractions: Born in 1981 in São Paulo, Ms. de Campos studied piano with Ema Lubrano Franco and Léo Peracchi and music theory and composition with Furio Franceschini, Caldeira Filho and Osvaldo Lacerda. Since the 1960's, she has studied composition with Camargo Guarnieri. In 1964, after she had been working as Magda Tagliaferro's assistant-pianist, she founded her own piano school. As teacher, she was responsible for the musical background of several Brazilian pianists such as Caio Pagano, Mafalda Carneiro and Yukie Nishikawa, winners of Premio de Piano Eldorado (1962 e 1963) and the latest Premio Eldorado de Musica (1987), and Karin Fernandes, winnner of the 1999 Premio Eldorado de Musica - these among Brazil's most respected piano contests.
Art Of The States: Sonata Eroica, Op. 50 pianist James Tocco is active as a recitalist, orchestral soloist, chamber musician Toccoinitially studied with magda tagliaferro in Paris and Claudio Arrau in http://www.artofthestates.org/cgi-bin/piece.pl?pid=144
