Musik - Balladen 1-4/Fantasie Op.49/B playing,the For the pianist, these miraculous compositions pose the most extreme http://www.axel-kimmel.de/esotruhe/B-B0000C6JZN--Balladen 1-4 Fantasie Op 49 B--
Extractions: Among many recent Chopin releases, this stands out as a different, distinctive one, both in terms of Burkard Schliessmann's playing, the arresting program, and the content of the rather extensive notes, which offer a plethora of original source material on Chopin, his music, and his pianistic artistry. The program is a choice selection of Chopin's supreme masterpieces. It includes his final two large-scaled works, the Barcarolle and Polonaise-Fantaisie (both 1846). For the pianist, these miraculous compositions pose the most extreme difficulties imaginable, both interpretively and technically. The last is Chopin's most advanced work, formally and harmonically so rarified that even Liszt seems to have been put off by it, at least initially. There is a good deal of beautiful playingcareful, expressive, intelligent, fieryto be heard in this recording. Schliessmann's approach to Chopin is generally bold and big-scaled, yet in the quieter moments he is consistently musical and pleasing. There is no question that we are encountering here a substantial talent, who has thought through these works intensively and has formulated a concept of his own about how they should sound. This is especially noticeable in the Ballades, which he plays in a free, narrative fashion, as if telling a story. Once in awhile, a fine line separates his liberally applied nuance from sentimentalism, but that line is never crossed.
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