Pèlerinages Translate this page Berio und Cage unter den Palmen der Orangerie des Belvedere der Komponist und pianist steffen schleiermacher und seine Solisten haben für gleichsam http://www.kunstfest-weimar.de/kunstfest.php?nav=musik&view=ct_prevent_unterpalm
Pèlerinages Translate this page steffen schleiermacher »Heim.Weh.Nach.Liszt« Im Falle Liszt war ich bisher ein Dabei muss Liszt selbst ein irrwitziger pianist gewesen sein, doch gemeint ist http://www.kunstfest-weimar.de/kunstfest.php?nav=k_philthueringen&view=ct_k_phil
Leipzig-Almanach Tagebuch Einer Musikstadt Translate this page steffen schleiermacher rief ins Leben, warb, engagierte und tat mit an diesem Podium der Avantgarde. schleiermacher, selbst Kompositeur und pianist von Ruf http://www.kunden-viosys.de/viomatrix/817/html/la_or16_el890.html
Leipzig-Almanach Tagebuch Einer Musikstadt Translate this page steffen schleiermacher hatte wieder einmal seine Hände im Spiel und dies im wörtlichen wie übertragenen Sinne Als pianist und Komponist gestaltete er das http://www.kunden-viosys.de/viomatrix/817/html/la_or8_el197.html
Extractions: Technik/Lichtdesign: Bernd E. Gengelbach Musik und mehr Die Veranstalter, der musica nova e.V., hatten als adäquaten Aufführungsort zum assoziationsreichen Motto die Schaubühne im Lindenfels gewählt. "Stele / Landscape" bezieht sich zum einen auf die von den alten Griechen aufgestellten freistehenden Grenz- bzw. Gedenkpfeiler (Stele) und zum anderen auf natürliche oder vom Menschen manipulierte Landschaften. Und wer die Schaubühne kennt, der weiß, daß sie sowohl Gedenkpfeilern wie auch Landschaften die optische Entsprechung zu geben vermag. Standen ihre alten Säulen im großen Saal symbolisch für die Stele, ließen sich die Veranstalter, um eine Verbindung zu den Landschaften herzustellen, etwas Besonderes einfallen: Sie leuchteten den Saal mit geschmackvoll und dezent eingesetzten Lichteffekten aus und erzeugten auf diese Weise virtuelle Landschaften.
Extractions: Dabringhaus und Grimms series of Cage piano music is an outstanding addition to the catalogue, and this disc of music for voice merely reiterates the hypnotic beauty and seemingly endless invention of this composers music. The excellent vocalist (voice ranges do not mean much in reference to this music) is Anna Clementi, the daughter of composer Aldo Clementi (who incidentally was an acquaintance of Cage). Whereas Cages piano music takes up a multiplicity of discs, the works for voice and piano can be accommodated on one. And a fascinating disc it is, too. Here is a record that invites (or even necessitates) repeated listening for the pieces to slowly yield their secrets to the listener. Four Walls , which takes up just under an hour of the total playing time, was written for a choreography for Merce Cunningham. It was premiered in August 1944, but seems to have been pretty much neglected since. Satie-influenced in its emphasis on repetition of certain chords and sequences, it limits itself to the white keys of the piano, voice and piano are not even heard together: the vocal contribution is limited to a solo Interlude of under three minutes duration to a text by Cunningham (texts are unfortunately not included), so the emphasis is laid most definitely at Schleiermachers door. As always, this pianist plays with the utmost sensitivity. He is clearly steeped in this music and it is from this that his ability to communicate stems. Much of
Extractions: Crotchet A glance at Steffen Schleiermacher's discography to date reveals that he lives and breathes the music of our century. His successful series of the piano music of John Cage is a landmark event (also on Dabringhaus und Grimm), and other composers recorded include Feldman, Cowell and Earle Brown. Being a composer himself, he is has the added benefit of having insights into the creative process itself. All of this means that he has a belief in and a comprehension of this music that makes for riveting listening. On the present disc, he inaugurates a series which centres on one of the most exciting compositional meeting places of the twentieth century: the Darmstadt Summer Courses, a veritable melting pot of ideas from the high priests of the avant-garde. Of all the composers in attendance, the figures of Boulez and Stockhausen possibly loom the largest: but the disc opens with a piece by one of the founders of modern music, Olivier Messiaen. His includes many characteristic features, including birdsong, the use of modes of limited transposition and non-retrogradable rhythms. Schleiermacher's incredible clarity, his decision never to shirk away from violence and his intellectual grasp of the structure of this piece is beyond reproach, the musical layering leading inevitably to the climax. Within the space of 13 minutes, Schleiermacher has journeyed a long way from his playfully phrased opening gestures.
Klassik.com: Aktuelle CD-Besprechung, DVD-Kritik, CD-Besprechungen, DVD-Kritiken Translate this page steffen schleiermacher, pianist und Komponist, der auch den lässigen und amüsanten Booklettext verfasst hat, ist mit dieser Einspielung in seinem Element http://magazin.klassik.com/reviews/reviews.cfm?task=review&REID=2590&RECID=4013
International Ankara Music Festival On May 20, steffen schleiermacher gave a piano recital of schleiermacher, who has won numerous prizes and fellowship a freelance composer and pianist since 1988 http://www.byegm.gov.tr/YAYINLARIMIZ/newspot/2002/may-jun/n21.htm
Extractions: international ankara music festival Ankara hosted local and foreign musicians at the 19th International Ankara Music Festival, which began on May 6. This years festival was held at the National Education Ministry Council Hall (MEB) which was restored by the Sevda-Cenap and Music Foundation . At the festival, examples of classic, folk, modern, jazz, new age and rock music were presented. Contemporary music was emphasized in the program. The opening concert was held at MEB on May 6-7. The Bilkent Symphony Orchestra performed at the gala of the festival. The orchestra was conducted by Yoel Levi and the soloist was Gülsin Onay. The orchestra consists of musicians from the academic staff of the Bilkent University and also Turkish and foreign postgraduate students. Gülsin Onay gave performances accompanied by the orchestra. She has a wide repertoire, which includes the works of Schubert, Chopin, Debussy, Ravel, Franck, Hubert Stuppner and Adnan Saygun. Gypsy Symphony Orchestra: 101 Violins From Budapest Hungarys famous gypsy orchestra, the Budapest Gypsy Symphony Orchestra, the members of which consist of 101 violinists was the next group to perform at the festival.
Browse By Label: MDG SCENE (GERMANY) steffen schleiermacher has been awarded numerous prizes for his work on music of the twentieth century, both as a composer and pianist. http://www.forcedexposure.com/labels/mdg.scene.germany.html
Extractions: Artist: SCHLEIERMACHER, STEFFEN Title: Piano Music of the Darmstadt School, Volume 2 Label: MDG SCENE (GERMANY) Format: CD Price: Catalog #: MDG 1005CD Performed by Steffen Schleiermacher (piano, toy piano). Pieces by: Earle Brown: "Corroboree"; Mauricio Kagel: "Mimetics"; Henri Pousseur: "Caracteres"; Helmut Lachenmann: "Echo Andante"; Karlheinz Stockhausen: "Intervalle". "Steffen Schleiermacher is famous for his recordings of modern piano music. Maurico Kagel's Mimetics from 1961 requires that an additional piece be performed simultaneously. Schleiermacher chose to perform his own 'Piece for Toy Piano and IKEA Bells' 'Schoen Hut'. Schoen Hut is the manufacturer of the toy piano which he customized with bells from the toy department of the IKEA furniture store. Stockhausen's 'Intervalle' was composed and inspired by the societal turmoil of 1968. The composer identified with the Darmstadt Summer School movement took the stringent serialistic compositional methods of the 1950s and opened them up for improvisation and other devices."
Terry Riley: Keyboard Studies Popular Music As a pianist who had recently purchased the performing scores for Riley s Instead of performing these pieces live, schleiermacher uses sequencers to multi http://www.iriepeople.com/cgi-bin/amazon/amazon_products_feed-mode-classical-sea
Deal Find Unfiled Poducts Index 67 Piano Music Vol 10 / steffen schleiermacher $13.99 at SCENE Riley Keyboard Studies / schleiermacher, Gengelbach $13.99 Album. As an artist, pianist Chick http://www.amongbaby.com/best/price/OpID_icat67/CatType_VRTNOCATTYPE/price_compa
Extractions: Price Compare Nursery Accessories Baby Travel Baby Miscellaneous Price Compare In All Departments Nursery Accessories Baby Travel Baby Miscellaneous AmongPrices.com About Us Unfiled Poducts - products that AmongBaby.com did not file to any predefined Department 1,790 Products and 757,103 Listings Available From 99 Merchants
Simultaneous Silence - Cage-Event At MaerzMusik 2002 pianist, a percussionist Eberhard Blum - Sprecher / steffen schleiermacher - Piano / Robyn Schulkowsky - Perkussion / Frances http://www.straebel.de/praxis/text/t-silence-programm.htm
Extractions: MaerzMusik Idee und Konzeption: Volker Straebel und Matthias Osterwold Installationen alle Installationen 15.00 bis 3.00 Uhr Maria Blondeel: B-V1080 / B-V1081 / B-V1109 (2002) Installation in drei Bussen (Bus Shuttle) Jens Brand: Stille Landschaft (2002, UA-AW) John Cage: Where are we going? And what are we doing? (1960) mit Cages WBAI (1960) als Klanginstallation realisiert von Volker Straebel Sam Ashley: Ghost Detector Foyer im 1. Stock vor Saal 2 Saal 4 Konzerte 15.00 Uhr / Saal 3 John Cage: 4'33" (1952) Hans W. Koch - Performer 15.00 Uhr bis 15.15 Uhr / Foyer 1. Stock Michael Hirsch: Das Konvolut, Vol. 1 (2001, UA-AW) Opera Improvisation Streichtrio Improvisation 15.30 Uhr bis 16.15 Uhr / Saal 1 Lecture on Nothing aus dem Amerikanischen von Ernst Jandl Dieter Schnebel - Sprecher 16.00 Uhr / Saal 3 John Cage: 6'53" Fassung von Cages 16.00 Uhr bis 17.00 Uhr / Saal 2 John Cage Film von Klaus Wildenhahn, Bundesrepublik Deutschland 1966 16.30 Uhr bis 17.45 Uhr / Saal 1 John Cage: Music for three pianos Music for Piano 4-19
Steffen Schleiermacher Translate this page steffen schleiermacher. an der Akademie der Künste bei Friedrich Goldmann (Komposition) seit 1988 freischaffend in Leipzig, als pianist Spezialisierung auf die http://www.booseyandhawkes.com/pages/making/composer/composer_main.asp?composeri
Extractions: Stephan Krawczyk Wagenbreth Heinz-Rudolf Kunze Krawczyk Krawczyk Wagenbreth Wagenbreth Querdenker-West und Querdenker-Ost: Heinz-Rudolf Kunze (oben) und Stephan Krawczyk. Foto: Nina Hornung/BMW Krawczyk Wagenbreth Kunze Schleiermacher : War das eine politische Metapher? Schleiermacher Wagenbreth Schleiermacher Wagenbreth Krawczyk Wagenbreth : Ist Ihnen das noch im Bewusstsein, Herr Schleiermacher? Schleiermacher Schleiermacher Schleiermacher Wagenbreth Kunze Schleiermacher : Aber Sie sprachen gerade davon, dass bestimmte ehemalige DDR-Komponisten vom Markt wegreguliert worden sind. Schleiermacher Kunze Wagenbreth : Herr Krawczyk, Ihnen geht es nicht so. Ihnen rollt keine Industrie einen Teppich aus. Krawczyk : Vor allem keine amerikanische. http://www.contrapunktonline.de/ top nmz-start kontakt ...
Encounter would have been nearly unplayable by a single pianist due to van Emmerik Thema s en Variaties; New York Public Library online catalog; steffen schleiermacher. http://www.johncage.info/workscage/encounter.html
Extractions: "The title page of Encounter indicates (in parentheses) that it is a suite for piano . Other writing in Cage's hand indicates some relationship to the "Prelude for Six Instruments" (i.e. Prelude in A minor for six instruments). Additional notations on the title page suggest that Encounter might have been the last of a group of six other works. The first work of Enconter (numbered "I") is two pages long and is written in pencil. The first page continues on to the verso of the title page (i.e. in reverse order of pages). The music contains numerous erasures indicating an earlier state of the work which contained much a thicker density of music. The density and variety of these annotations suggests that Cage might have thought to rework the piece for an ensemble, as the resulting music resembles a short score of a chamber work. There are a few measures where the original music would have been nearly unplayable by a single pianist due to extremity of range.
Iclassics.com - Classical Music And More steffen Schleiemacher on the 20th Century pianist and composer steffen schleiermacher is fascinated by the works of 20thcentury Avant-garde composers. http://www.iclassics.com/homepage.jsp/iclassics/album.jsp?selectionNum=606231060
L O G O S B L A D Juni 2003 Koncertberichten uitgebuit. steffen schleiermacher (°1960) is aktief als pianist, komponist, dirigent en organisator van hedendaagse muziekfestivals. Bij http://users.pandora.be/stichtinglogos/lb/0306/lb0306kon.html
Extractions: ...Een zware man valt van de trappen. Hij valt uiterst langzaam en verschillende gedachten komen in hem op, somige daarvan zijn plannen die hij reeds heeft uitgevoerd, andere had hij nog graag willen uitvoeren... Alhoewel hij voor het ergste vreest, is de landing zacht: twee voeten op de grond en niets gemorst uit het glas champagne dat hij in z'n hand heeft. Er is niets gebeurd, of toch bijna niets... "...First Shot missed Him..." voor zang en ensemble "First Shot" is een kompositie op tekst van de legendarische folkzanger en gitarist Mississippi John Hurt: zijn stem, zijn gitaarspel en zijn prachtige teksten vol wijsheid zijn een niet onbelangrijke bron van inspiratie, niet alleen in mijn muziek, maar ook in de dagelijkse omgang met de "dingen"... Dit stuk wordt simultaan uitgevoerd met: "Bird Environment": een compositie waarbij diverse vogelgeluid-producerende media worden gebruikt om zo een "soundscape" te creeren, een atmosfeer waarbinnen diverse andere gebeurtenissen kunnen plaatsvinden... "Another Just Another One Man Band" voor one man band en ensemble
L O G O S B L A D Juni 2003 Koncertkalender Samen met werk van de Duitse pianistkomponist steffen schleiermacher voor twee player-piano s (waarvan 1 omgevormd tot slagwerkinstrument) kun je ze deze http://users.pandora.be/stichtinglogos/lb/0306/lb0306kal.html
Extractions: juni LOGOS TETRAEDER BOMASTRAAT 26 9000 GENT maandag 2 juni 2003 om 20u. Thomas Smetryns (B) Een volledig koncert met werken van de jonge experimentele Gentse komponist Thomas Smetryns. Een "one-man band" samen op het podium met een ensemble van orgel, mandoline, akkordeon, celesta en kontrabas of een zangeres in een woud van vogelgeluiden. Studenten experimentele muziek van het konservatorium in Gent staan in voor de uitvoering van deze muzikale verrassingen. dinsdag 3 juni 2003 om 20u. De indrukwekkende werken voor twee automatische piano's van Conlon Nancarrow krijg je zelden live te horen.
11th International Review Of Composers SOKOJMIC, 1200. Lecture Student of O. Messiaen, pianist Véronique Pélisséro (France). Kolarac Concert Hall, 1900. piano - steffen schleiermacher. Programme http://www.serbcompo.org.yu/htm/11e.htm
Extractions: 11th INTERNATIONAL REVIEW OF COMPOSERS Belgrade, May 1116th 2002 11. MAY Kolarac Concert Hall, 20:00 Opening Ceremony RTS Symphony Orchestra conductor: Hannu Lintu (Finland) Programme: Seppo Pohjola (Finland) Vae Victis The Black Box The Last Ball of Margarita Nikolayevna Leilei Tian (China) 12. MAY SOKOJ-MIC, 12:00 Lecture: Student of O. Messiaen, pianist Kolarac Concert Hall, 19:00 Ensemble Avantgarde (Germany) violin - Andreas Seidel viola - Ivo Bauer violoncello - Matthias Moosdorf piano - Steffen Schleiermacher Programme: Olivier Messiaen Steffen Schleiermacher Festgefressen Buzzle Iannis Xenakis Akea Alfred Schnittke Klavierquintett Kolarac Concert Hall, 22:00 piano Programme: Olivier Messiaen Le Chocard des Alpes Le Loriot Le Merle bleu La Buse variable Le Traquet rieur 13. MAY SOKOJ-MIC, 12:00 composer Lecture: Contemporary Music in Finland Kolarac Concert Hall, 19:00 Joanna MacGregor, Kathy Hinde and Matthew Fiarclough Ensemble Ultramarine (UK) Programme: Olivier Messiaen Petites Esquisses d'Oiseaux (Little Sketches of Birds) John Cage Seven Haiku Erik Satie Airs a Faire Fuir No.1 from Pieces Froides
