Actorsingers The Sound Of Music (1997) Contestants) Brian Burke, Jonathan Fisher, Paul Jette, david A. Kasok, ChristopherLeblond, Paul Morell, Stanley polan, Dave Swart Rehearsal pianist david Gidge. http://www.actorsingers.org/s1997b.htm
Extractions: The Sound Of Music 1997 [Sound of Music 1973] [Past Shows] [Prev] [Next] Edmund Keefe Auditorium November 14-16, 1997 Music by Richard Rodgers Lyrics by Oscar Hammerstein II Book by Howard Lindsay and Russel Crouse Suggested by "The Story of the Trapp Family Singers" THE SOUND OF MUSIC is presented through special arrangement with 229 West 28th Street, 11th Floor, New York, NY 10001 in order of appearance Maria Rainer Kathleen S. Meehan Mother Abbess Cherie Trenholme-Pihl Sister Berthe Kerry Schneider Sister Margaretta Anne S. Harvey Sister Sophia Susan Delorey Captain Georg Von Trapp Eric Robert Eastman Franz Robert Frasca Frau Schmidt Pamela Bruckman Liesl Von Trapp Raelyn Racicot Friedrich Von Trapp Jared Nathan Louisa Von Trapp Karen Goodno Kurt Von Trapp Jim Ierardi Brigitta Von Trapp Liz DeJulio Marta Von Trapp Tess Amodeo-Vickery Gretl Von Trapp Alexandra Socha Rolf Gruber Jeff Caron Elsa Schrader Ginny Bomil Max Detweiller Glen Grimard Herr Zeller Charles Emmons Baron Elberfield Dan Pelletier Baroness Elberfield Diane Galvin Admiral Von Schreiber Bob Foster Women's Ensemble (Nuns, Novices, Postulants, Party/Wedding guests, Festival Contestants and Goatherd Characters)
Untitled Shine. Concert pianist david Helfgott (played by Noah Taylor as a lad and Geoffrey Rush as an adult 791.4375 A), Dana polan's Jane Campion ( 791.4302 Campion P), Graham http://www.pwpl.org/media/australia.html
B. CARROLL REECE MUSEUM RECORDS Concerts, Ashton, J. Bruce pianist, 1979. 16. Concerts, Attendance - 1979 Concerts, Barnett, david - 1976. 19. Concerts, Bertsh-Willem - 1970 6. 1967 - polan, Nancy, Correspondence http://cass.etsu.edu/archives/UFindaid/u273.htm
Extractions: According to an article in the Johnson City Chronicle , dated November 23, 1933, "The museum (at State Teachers College) began as a history project..." which proved to be the birth of the repository which ultimately emerged as the B. Carroll Reece Museum. Dr. C. C. Sherrod, college president, personally solicited gifts to be housed in a ". . . large, fireproof library in which we are setting apart one whole floor for a museum." Dr. Burgin E. Dossett, college president (1949-1968), recommended to the State Board of Education in August 1961 that ". . . East Tennessee State College be given permission to accept Congressman [B. Carroll] Reece's . . . library, congressional reports, congressional files, and numerous personal materials of educational and historical value . . . "
The Class Of '73 Class Notes Stephen H. Phelps, david R. Pierson, Walter D. Pinkard Jr., Andrew J. Polak, Diane polan, Robert M Eric Saunders, the pianist and selfproclaimed sports junkie from Branford College http://www2.aya.yale.edu/classes/yc1973/notes.html
Extractions: Mike Matthews writes: "I continue to practice law in San Francisco. I live at Stinson Beach, north of the Golden Gate Bridge, with a white-water view and the constant sound of the ocean. My oldest, James, is 17 and five inches taller than me. My daughter Jenny is 15, a superior equestrienne and a great student. My youngest, Thomas, is 10 and filled with life and humor. Marjorie and I have spent six years in the process of building a house and may soon break ground. I am in touch with Jim Wiezel, who lives on the Sierra side of Sacramento." Mindy Portnoy is a rabbi at Temple Sinai in Washington, DC. She has two children, son Barney, a freshman at Brandeis, and daughter Ceala, a junior at the University of Maryland. Husband Philip Breen '75 continues at the U.S. Justice Department. Mindy is still searching for Rosanna Anaya and would love "to hear from any of her and Philip's former French 25 classmates. (That's how Philip and she met.) Mindy's fourth children's book, Where Do People Go When They Die?, will be published this winter. Several members of the class reported similar publishing success.
Music Download Active as a performer, composer, accompanist, and teacher, david polan is most MusicDownload. Pollack, Daniel Concert pianist; performs on worldwide concert http://iomusic.com/Equipment_and_Instruments/Keyboard/Piano/Pianists/music_downl
The Return The Doctor Peter Penry Jones pianist Michael Haslam Llewelyn Gilchrist Michael OnslowRas david Thorpe McClaren Wincott Mrs Marker Linda polan Susan Tarlton http://www.bertcoules.co.uk/return.htm
Polish Music Newsletter, Vol. 8 No. 4, April 2002 18601941), a pianist, composer, politician, humanitarian, and orchestra; Scarborough Philharmonic, Jerome david Summers (cond Theatre Institute, Nina polan, artistic director in http://www.usc.edu/dept/polish_music/news/apr02.html
Extractions: Los Angeles: Polish Music Center, University of Southern California Anniversaries Awards and Competitions Calendar Chopin Recording Hoax ... Recent Performances ANNUAL PADEREWSKI LECTURE The first Annual Paderewski Lecture, featuring composer-pianist Zygmunt Krauze, with the participation of the Polish Folk Dance Ensemble Krakusy, will take place on 3 May 2002, 8 p.m. Alfred Newman Recital Hall, USC Campus, Los Angeles. The Lecture will be preceded by the opening of a Paderewski Exhibition, featuring scores, manuscripts, and documents from the collection of the Polish Music Center, including Paderewski's piano rolls, photographs, letters, as well as concert programs of his tours in the 1920s, and numerous publications of his music (recordings and early editions). The Exhibition is prepared by Maja Trochimczyk (content) and Ljiljana Grubisic (presentation); it includes material in 18 display cabinets. Ignacy Jan Paderewski, portrait by Styka, 1916. The selection of Paderewski as the patron of the lectures held at USC highlights both his role in California and his connection to this esteemed University. This eminent composer-statesman received an honorary doctorate from USC in 1923 (from the School of International Relations). During that event held at Bovard Auditorium, Paderewski made a speech, but did not perform; a music program was presented by an international array of artists. Participants in this celebration included USC deans and professors, representatives of Polish-American Community; musicians and a patriotic organization called the Native Sons of the Golden West. The audience consisted of USC faculty members and students, diplomatic corps from L.A. area; journalists and the general public. The same groups of listeners are expected at the 2002 Annual Paderewski Lecture featuring Zygmunt Krauze accompanied by members of the Los-Angeles-based Polish Folk Dance Ensemble Krakusy.
Clickmusic: Clickmusic_Web_Guide/Instruments/Keyboard/Piano/Pianists teacher, david polan is most known for his interpretation of the works of Beethovenon both historical and modern instruments. Pollack, Daniel Concert pianist; http://www.clickmusic.co.uk/Clickmusic_Web_Guide/Instruments/Keyboard/Piano/Pian
Pabst, G Close Up, 1, Winter 1996/7. (http//www.shu.ac.uk/services/lc/closeup/polan.htm).Kosc, Wojtec. Thompson, david. The pianist. Sight Sound, Feb 2003. http://myweb.tiscali.co.uk/filmdirectors/Pabst-Pudovkin.htm
Extractions: Pabst, G.W. Atwell, Lee. Revolutionary Melodrama: Die Liebe Der Jeanne May in: G.W. Pabst. Twayne, 1977. http://www.mip.berkeley.edu/cgi-bin/cine_doc_detail.pl/cine_img?21136?21136?1 Brooks, Louise. Pabst and Lulu. Summer 1965. http://www.mip.berkeley.edu/cgi-bin/cine_doc_detail.pl/cine_img?21178?21178?1 Carroll, Noel. Lang, Pabst and Sound. Cine-tracts , 2(1), Fall 1978. http://www.modjourn.brown.edu/Cinetracts/CT05.pdf Eisner, Lotte. With Pabst. , 36(4), Autumn 1967. Reproduced at a superb Louise Brooks site, Das Madchen Lulu. http://www.psykickgirl.com/lulu/frames2.html Horack, Jan-Christopher. Film history and film preservation: reconstructing the text of The Joyless Street (1925)" Screening the Past , 5, November 1998. http://www.latrobe.edu.au/screeningthepast/firstrelease/fir1298/jhfr5b.html Lesage, Julia. Innocence, Seduction, Ruin in Pandoras Box and Pretty Poison In: The Actress on Film. Film Centre of the Art Institute, Chicago, 1979. ( http://darkwing.uoregon.edu/%7Ejlesage/Juliafolder/PandorasBox.html Rayns, Tony. Retrospective: Pandoras Box. Monthly Film Bulletin
Europe Daily Producer of 'The pianist' is jailed for corruption to trick polan Childporn case against judge collapses. The IndependentBy david McKittrick, Ireland Correspondent http://www.europedaily.com/?action=display&article=5815548&template=euro
Actorsingers Oliver (1985) Dr. Grimwig david Olmstead. Barbara Gondek, Lori Jeffrey, Pauline Landrigan, KarenLewis, Donna O Bryant, Stan polan, *Ron Roberge Rehearsals pianist Amy Widmark. http://www.actorsingers.org/s1985b.htm
Extractions: Oliver 1985 [Oliver 1971] [Past Shows] [Prev] [Next] Elm Street Junior High School November 15-17, 1985, 1985 Book and Music by Lionel Bart Based on Charles Dickens' "Oliver Twist" "Oliver" is presented by the Actorsingers by arrangement with Tams Witmark Music Library, Inc., New York, New York (In Order of Appearance) Oliver Twist Heather MacDonald Mr. Bumble Jim Freedman Widow Corney/Mrs. Bumble Kathy Raby Mr. Sowerberry Frank Kaplan Mrs. Sowerberry Kerry Schneider Charlotte Kerry Sullivan Noah Claypole David Polan The Artful Dodger Danny Clay Fagin Moe Coutu Charley Bates Keith Levesque Nancy Liz Winters Bet Lisa Albright Bill Sikes Eric Carlson Mrs. Bedwin Robin MacDonald Mr. Brownlow Ray Tackett Dr. Grimwig David Olmstead Child Chorus Erin Ackerman Rubin Ackerman Bekki Adler Heather Badeau Becky Berman Jeremy Catland Jenny Emerson Randy Harrison Brandon Hebert Nicole Krumrine Beth Landry Keith Levesque Jennifer Lipsky Julie Mara Kathie Marchi Ross Mihalko Nicki-Ann Molloy Rachel Scott Danny Trottier Angela Vickery Jeremy Vickery Adult Chorus *Darcy Adams Walter Albers Tom Camp Lisa Clark Barbara Gondek Lori Jeffrey Pauline Landrigan Karen Lewis Donna O'Bryant Stan Polan *Ron Roberge Doris Roux Bill Smith Susan Sullivan Shawn Tumpney Lowell Williams
Wish7.com - Start Searching! Active as a performer, composer, accompanist, and teacher, david polan is most Papadiamandis,Mathieu Young Greek pianist; short information and presenting his http://www.wish7.com/Arts/Music/Instruments/Keyboard/Piano/Pianists/
Polish Music Newsletter, Vol. 8 No. 11, November 2002 Director Nina polan and Joseph Culliton were the actors and they were joined by Philharmonic, Smetacek, cond. david Mulbury describes the late Polish pianist's playing, taken from http://www.usc.edu/go/polish_music/news/nov02.html
Extractions: Paderewski in 1890. Promotional photo from German and American tours. "Paderewski: Portrait of a Musician" Exhibition is on display at Alfred Newman Recital Hall Gallery, USC, Los Angeles, from September 17, 2002 to January 24, 2003. Culled from the extensive collection of materials held at the Polish Music Center at the USC Thornton School of Music, this exhibition chronicles the life and career of Ignacy Jan Paderewski, the musician - statesman who received an honorary doctorate from USC in 1923. Throughout his musical career Paderewski was actively lobbying for Polish independence; he collected funds to benefit the country, its soldiers and the victims of the war. His campaign resulted in Poland returning to the map of Europe; he then became the first Prime Minister of Poland and the first Polish delegate to the League of Nations. Paderewski's compositions include songs and piano pieces, an opera, Manru (1901), and a
Holocaust Movies Cast david Arquette, Daniel Benzali, david Chandler, Steve A scene from The pianist Guy Ferrandis Focus Szpilman s war, and polan ski s, isn ta matter of http://www.thirdreich.net/Holocaust_Movies.html
Extractions: Ever since Steven Spielberg's "Schindler's List," the Holocaust in filmactually the Holocaust itselfhas never been the same. For decades it had been virtually a silent movieimages in our heads with no sound, a secret but unspoken language, even within the Holocaust survivor community. Everyone was awed by the moral implications of mass murder on such a grand scale. To speak of the Holocaust demanded great humility, which almost everyone exercisedartist and layman alike. But "Schindler's List" slowly domesticated and democratized what had once been forbidden. Suddenly the Holocaust was on everyone's mind, and a source of inspiration for every artist. Even the survivors themselves began to speak, their testimonies filmed for archival purposes. (Ironically, many of these films were funded by the proceeds from "Schindler's List," which spawned an intensive effort to collect survivor testimonies, a project that was distinct from Claude Lanzmann's earlier documentary, "Shoah," which combined both artistic and archival elements.) Everything about the Holocaust was now fair game in either educating the public or firing the imagination. The Italian comedy "Life Is Beautiful" and the commercial success of the Broadway musical "The Producers" were offspring of this fertile, if not impious, era. Now there are several new Holocaust films: Werner Herzog's "Invincible"; Tim Blake Nelson's "The Grey Zone"; Roman Polanski's "The Pianist"; and opening on Jan. 24 in New York and Los Angeles, Costa-Gavras's "Amen." Each represents a slightly new shift in the direction of the genre and the moral challenges that Holocaust narratives invariably represent.
Balanchine At Harvard -- George Jackson With the assistance of student Katie Daines and pianist david polan, Farrell showedhow much more interesting a variation becomes when the dancer doesn t do it http://www.danceviewtimes.com/dvdc/reviews/spring04/balanchiniana.htm
Extractions: The exhibit, which can be seen through May 28 on the ground floor of the Pusey Library, opened Wednesday afternoon with an informative reception. Circulating through the invited audience in order to chat about items were Fredric Woodbridge Wilson, head of the Harvard Theatre Collection and principal organizer of these Balanchine events, and Iris M. Fanger, dance critic and Wilson's co-curator for the exhibit. The photos, sketches, notations, communications and assorted artifacts on display were a selection from Harvard's Balanchine-relevant holdings and loans. Just a few examples may suffice to suggest the scope. From Balanchine's Russian life was a vivid brown-black-blue-yellow 1924 design by Alexander Golovin for a monster costume worn by Balanchine (then still known as Balanchivadze) in Fyodor Lopukov's Firebird at the Maryinsky. Shot in western Europe was a 1926 Man Ray photo that shows two bookend ballerinas, each with what seems like just a single skinny leg; the illusion is created by the modernist black/white costuming and make-up worn by dancers Felia Dubrovska and Lubov Tchernicheva in the Diaghilev Ballet Russe's production of Balanchine's
"Kennedys Of Massachusetts, The" (1990) (mini) david Ives, . pianist. Honey Fitz , and there are also some interesting performancesamong the younger members of the cast, particularly Tracey polan as Kick http://www.imdb.com/title/tt0098838/
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Melodrama And 'Women's Films': Media Resources Center UCB Brief Encounter (1946) Directed by david Lean; starring Celia Davis; George Brent;Mary Astor; polan Banks girl Sandra, an arrogant concert pianist who marries http://www.lib.berkeley.edu/MRC/melodrama.html
Extractions: All About Eve Directed by Joseph L. Mankiewicz; starring Bette Davis, Anne Baxter, George Sanders, Celeste Holm, Hugh Marlowe, Marilyn Monroe. An unscrupulous young actress worms her way into the confidence of a fading star and then cheats, blackmails and lies her way to stardom. See also Mankiewicz, Joseph L. All about Eve, a screenplay. Based upon a short story by Mary Orr. New York, Random House [1951] (Main Stack PN1997.M35) 139 min. DVD 247; also on VHS 999:103 Credits and other information from the Internet Movie Database All That Heaven Allows Directed by Douglas Sirk; starring Jane Wyman, Rock Hudson, Agnes Moorhead, Conrad Nagel. Cary Scott, an attractive and wealthy New England widow, creates a social outcry in her community and within her family when she becomes romantically involved with Ron Kirby, her much younger gardener. 89 min. DVD 1344 Credits and other information from the Internet Movie Database Back Street Directed by David Miller; starring Susan Hayward, John Gavin, Vera Miles, Charles Drake, Virginia Grey, Reginald Gardiner. Rae is an ambitious fashion designer who falls in love with Paul, a rich and handsome department store owner at the end of World War II. But Rae opts for a New York career over running off with Paul. Years later, they meet in Rome and resume their forbidden love affair. Based on the novel by Fannie Hurst. 107 min. 999:3430
Raykoff Article Part 2, Volume 2 Issue 1 Spring 2000 35. The portrayal of Sandra Kovak as a pianist is pure In the original 1936 novelby polan Banks, The Far 1941); A Million Years, lyrics by david Ormont (New http://www.humnet.ucla.edu/echo/Volume2-Issue1/raykoff/raykoff-article-part2.htm
Extractions: If "concertos are viewed , witnessed as well as heard," what does the beginning of Chaikovsky’s Concerto no. 1 in B-flat minor, op. 23, look like in performance? This work, described by its composer as "a duel rather than a duet," is probably the most popular piano concerto in the classical music repertoire. In the Allegro non troppo e molto maestoso which opens the first movement of the concerto, sight and sound combine to tell a "relationship story" of musical confrontation: tutti chords that punctuate the statement like affirming shouts. Meanwhile, the pianist waits. Small credits the soloist with "subversive energies" during a concerto’s orchestral exposition: "In the concert hall, the sight of the soloist, still and silent, sitting at the piano …, waiting for the moment of entry, warns the audience of the potential for disturbance that exists behind the bland surface of the opening tutti . His or her absence of movement bring a rare visual element to the symphonic drama."
03.01.09: Anti-Semitism: Origins And Background And if not now, when? Hillel. polan, Judy. The film shows the survival of aJewish pianist during this period. Edited and selected by david Aberbach. http://www.yale.edu/ynhti/curriculum/units/2003/1/03.01.09.x.html
Extractions: Nehemia Levin Since the early part of the twentieth century people have been fascinated with films. My students in New Haven, Connecticut are no different. The majority of them are African American and Hispanic teenagers from the inner city. Many of these students, like other young people of all backgrounds, are self-organized into a subculture that glorifies action movies and violent rap songs. Images of rebellion are attractive to teens. For many, their favorite movie imagery is when the protagonist portrays strength, street smarts, and a cunning character. My students are sent to our high school from other city schools after having failed to perform either academically or socially. As a result, some teachers may lower their expectations of them. Their future educational or career plans are ridiculed by their peers and considered visions of futility. Most students wish to separate themselves from the reality of their ghetto experience. Since their options of escape are limited in space and geography, movie imagery is the expression of their hopes and pseudo identification with the outside world. Unfortunately, the majority of my high school students are not academically motivated. This, however, does not quell their natural curiosity. As an Orthodox Jew who wears the traditional head-covering required by my religion, I am asked many questions by my students. They want to know what I am wearing on my head or if I am Muslim. Their inquiries have led me to recognize that their exposure to other cultures is minimal, and their knowledge of how other oppressed people have overcome adversity is very limited. The knowledge that they
Polish Music Newsletter, Vol. 9 No. 1, January 2003 19year old Polish-Canadian pianist and sophomore at Gramophone s david Fanning selectedfor his Critic s Choice Nina polan, artistic director and Pablo Zinger http://www.usc.edu/dept/polish_music/news/jan03.html
Extractions: Los Angeles: P olish M usic C enter, University of Southern California Anniversaries in January 2002 Composers' Celebrations Awards Calendar ... Premieres POLISH MUSIC HIGHLIGHTS OF 2002 Anniversaries Special programs were held in Poland to commemorate Karol Szymanowski's 120th birthday and 65th death anniversary. A gala event took place at the Jagiellonian University on 21 October highlighted by the presentation of the 4th and final volume of the Complete Correspondence of Szymanowski, which has been a life-long commitment by author Teresa Chylinska, who had collected 5,061 letters from 1903-1937 in various languages. The last two volumes were published with financial assistance from the Kosciuszko Foundation. A major event was held in Jan Kiepura's home town honoring his birth centennial. Henry Vars' 100th birthday and 25th anniversary of his death was remembered with an article by Yours Truly in November on the internet and in News of Polonia. Bass Bernard Ladysz celebrated his 80th birthday with a gala performance at the National Opera Teatr Wielki with several of his peers who performed with him. The 100th anniversary of the premiere of Paderewski's opera, "Manru" by the Metropolitan Opera company in February 1902 went unnoticed.
