Byrd Gradu English Mu Victorian Mozart St Palestrina Keyboard, Miscellaneous, Compilation Classique Compilation, guiomar novaes ClassiqueKeyboard Erling/Zeuthen Koppel Composer and pianist Koppel Composer and http://www.5.pages-en-francais.de/1299.html
Reviews Brazilian pianist Sonia Rubinsky She produced pages of ecstasy which have not beenheard since the great days of guiomar novaes Sao Paulo, Diario Popular. http://www.soniarubinsky.com/reviews.html
Extractions: At last, a replacement for Roberto Szidon's long-deleted recording of Cirandas! This is one of Villa-Lobos's most delightful works, a long piano suite (41:46 in this recording) of folk-flavored pieces that progress from one charming idea to another and never outlast their material. The Baby's Family, the first of two suites, is also charming music, made popular by Artur Rubinstein. The Chopin tribute is one of those crocks of musical dishwater Villa-Lobos stuck his hands into when his mind was on something else, but it's brief and comes at the end of the disc. Brazilian pianist Sonia Rubinsky plays with stylistic insight and gorgeous piano tone, very well captured by Naxos in a recording that sat in the can for almost five years before it was finally issued. - -Leslie Gerber Fanfare Magazine
Críticas Translate this page times. This pianist who is now the best from Brazil and undoubtedlyone of the best in the world, calls Miss guiomar novaes. Just http://www.eudoxiadebarros.com.br/port/cronicas.htm
Extractions: LESPRIT ET LE COEUR Toute la chaleur de lâme brésiliennne était bien nécessaire pour réchauffer lambiance du théâtre Jacques-Coeur, dimanche aprés-midi. Une cinquantaine de spectateurs seulement sétaient deplacés pour entendre la pianiste brésilienne Eudóxia de Barros. Sans doute la mixité du programme, mêlant musique classique européennne et musique brésiliennne, avait-elle découragé les amateurs uniques de chaque genre, qui pourtant ne sont pas si éloignés lun de lautre. Toujours est-il que ce demi-désert aurait pu saper le moral dune artiste a lâme moins bien trempée. Mais Eudóxia de Barros nen avait cure. Elle a joué comme pour une salle comble, avec la même générosité, le même don total. En première partie, avec des oeuvres de Bach, Bartok, Liszt et Moskowsky, elle avait choisi la difficulté, temoignant dune technique éblouissante, dune autorité de maitre, dune virtuosité extraordinaire. Attentive á son art, elle semblait intellectualiser la musique.
February 28 American writer Ben Hecht (The Front Page) was born on this day in 1893 in NewYork City. Brazilian pianist guiomar novaes was born on this day in 1895. http://www.nortexinfo.net/McDaniel/0228.htm
Extractions: Dr. Macs Cultural Calendar February 28 Items highlighted in red are those I consider of paramount importance to the world. Those highlighted in green are those I consider of greatest importance to me. The French humanist essayist (perhaps the first of that genre) Michel de Montaigne was born in 1533. I read a great number of his essays in a course in Renaissance Humanism that I took in 1972. The most memorable notion of his is his remark that when he was playing with his cat, he was never sure if he was amusing the cat or the cat was out to amuse him. Composer Jean-Baptiste Lully was born on this day in 1632 in Florence. On this day in 1638, Scottish Presbyterians signed their National Convenant, at Greyfriars, Edinburgh. On this day in 1646, Roger Scott was tried in Massachusetts for sleeping in church. On this day in 1692, the infamous Salem witch hunt began. No witches were burned; they were all hanged. On this day in 1704, Indians attacked Deerfield, Massachusetts, killing 40 and kidnapped 100. John Tyler
March 7 On this day in 1979, Brazilian pianist guiomar novaes died at 84. On this dayin 1981, Kirill Petrovich Kondrashin, Russian conductor, died at 67. http://www.nortexinfo.net/McDaniel/0307.htm
Extractions: Dr. Macs Cultural Calendar March 7 Items highlighted in red are those I consider of paramount importance to the world. Those highlighted in green are those I consider of greatest importance to me. Sts. Perpetua and Felicity, virgin martyrs. The Greek philosopher Aristotle is said to have died on this day in 322 BCE. He once said, "I hold [his teacher] Plato dear, but I hold Truth dearer." On this day in 161, Antoninus Pius [Titus Aurelius], emperor of Rome (138-61), died at 74. On this day in 1040, Saxon King of England (1035-1040) Harold I dies On this day in 1274, Italian medieval intellectual giant St. Thomas Aquinas died at 48. His Summa Theologica was a compendium of all human knowledge up to that point. But once at mass he went into a mystic trace, and when he came out, he told his colleagues that the wisdom he had obtained in that state was ineffable. English composer Henry Purcell Dido and Aeneas ), was born on this day in 1659. Stephen Hopkins, Revolutionary era governor of Rhode Island and signer of the Declaration of Independence, was born on this day in 1707.
Fridman As A Teacher Denmark s top pianist) and Ignaz Tiegerman a diminutive pianist based in times, IgnacePaderewski (3 times), Ossip Gabrilowitsch, guiomar novaes, Percy Grainger http://www.arbiterrecords.com/musicresourcecenter/friedtch.html
Extractions: [Note: Clavier Magazine is supposed to publish this article in early 1997. As they accepted it in 1992, it seems that their scheduling is a little behind. Read it here first. A.E.] At the piano with Ignaz Friedman, by Allan Evans. Friedman's introduction to teaching came as he assisted for four years his own teacher, Theodor Leschetizky (1830-1915), himself a pupil of Beethoven's pupil Czerny. Daily contact with Leschetizky sharpened Friedman's pedagogical abilities even further. Friedman witnessed how his Professor adopted a unique approach to each talent, broadening their playing and refining it into mastery. Friedman recalled : "He was probably the last of the great artists who knew how to unite the sovereign and the Bohemian in one and the same person. He was one of the teachers who knew, who knew positively , when the student had ceased to be a student and had become an artist. Then the man who the day before had played the part of a veritable tyrant, would show himself the day after in the role of an old colleague, ready to consult on a footing of equality with his erstwhile pupil. Though he might have thrown a volume of music at his pupil's head a few hours before, once he felt that the former had crossed the boundary line which separated him from artistic maturity, he would discuss the most delicate nuances of his art with him in the most loyal and open-hearted manner, and permit him to take all sorts of liberties. All this merely because he realized that what had been merely grape juice was turning into wine."
What Happened On February 28th Kiev Ukraine, ballet dancer (3/12 NS) 1893 Ben Hecht NYC, novelist/playwright/screenwriter(Front Page) 1895 guiomar novaes Brazil, pianist (Brazilian Order of http://www.electricscotland.com/history/today/0228.htm
Extractions: What happened on February 28th Birthdates Which Occur on February 28: Deaths Which Occured February 28: Holidays Which Occur February 28: Egypt Independence Day (1922) Finland Kalevala Day (1835) Great Britain Ladysmith Day Luxembourg Burgsonndeg-celebrates end of winter Religious Observances on February 28: RC Feast of St Romanus, 1st abbot of Condat (Saint-Claude) RC Oswald, archbishop of York 468 RC Comm of St Hilarius, pope (461-68), cal reformer (non leap years) 1862 RC Commemoration of St Gabriel Possenti (leap years) Things to Remember for February 28: Highlights in History Which Occur February 28: Your Special Reminders for February 28: 1880 68øF highest temperature for this date in NYC and 1990 5øF lowest temperature for this date in NYC and 59th day of the year with 306 days left (Numerology = 3) Clans Tartans History Travel ... Feedback
Monday, March 1 Musicmasters). 700 pm SPECIAL CONCERT. I pianist guiomar novaes (diedMarch 7, 1979) in music of Bach, Chopin, and others (Pearl, Vox). II http://www.whrb.org/pg/MarApr2004.html
Extractions: Monday, March 1 Carter: A Mirror on Which to Dwell; Bryn-Julson, Boulez, Ensemble InterContemporain (Erato) Albrechtsberger: Prelude and Fugue in B-flat; T. LeRoi Nickel, N. LeRoi Nickel (Arsis) Schobert: Sonata No. 4 in F; Four Nations Ensemble (ASV) Bloch: Schelomo for Cello and Orchestra; Ma, Zinman, Baltimore Symphony Orchestra (Sony) Soler: Prelude and Sonatas in C; Van Asperen (Astree) Reznicek: Serenade in G; Starek, RIAS Sinfonietta (Koch Schwann) Firsova: Quartet No. 4 (Amoroso); Chilingirian Quartet (Conifer) Medtner: Concerto No. 1 for Piano and Orchestra; Nikolaeva, Svetlanov, USSR Symphony Orchestra (Melodiya) Sallinen: Songs of Life and Death, Op. 69; Hynninen, Kamu, Opera Festival Chorus, Helsinki Philharmonic Orchestra (Ondine) Diabelli: Sonata in C; Glise (Dorian) Giuliani: Concerto for Guitar and Strings, Bream, Melos Ensemble (RCA LP) Norman del Mar conducts Richard Strauss and Boult, Barbirolli, and Elgar conduct Elgar. Includes Land of Hope and Glory with Kathleen Ferrier, Barbirolli conducting (BBC Music) Tuesday, March 2
Marston Records - Carl Friedberg: The Brahms/Schumann Tradition Mr. Friedberg admired the artistry of the Polish pianist Jan Smeterlin for his subtleplaying of French music, and the Brazilian, guiomar novaes, because she http://www.marstonrecords.com/friedberg/friedberg_liner.htm
Extractions: Artist and Teacher Carl Friedberg (1872-1955) is remembered today as one of the great pianists of the last century, perhaps the most significant of that group of Schumann and Brahms pupils who left a substantial legacy of recordings. Less well remembered is that he was also one of the outstanding pedagogues and supreme musicians of his time. It was my rare privilege to study under his masterful guidance for more than ten years. Friedberg was born in Bingen, Germany on September 18, 1872. He began giving private lessons at the age of 16, shortly after meeting and playing for Clara Schumann and Johannes Brahms. Within two years he was supporting himself through his lessons and accompanying jobs while still a student at the Hoch Conservatory in Frankfurt. Shortly after his orchestral debut with the Vienna Philharmonic in 1892 (with Gustav Mahler conducting), he joined the faculty of the Hoch Conservatory. In 1904 he became the principal piano teacher at the Cologne Conservatory, all the while pursuing an international career with both solo and chamber music repertoire. He made his American debut at Carnegie Hall in November 1914. The onset of the First World War obliged him stay in the United States, where he then taught privately and toured as pianist. He returned to Germany in 1918, replacing Artur Schnabel in the Schnabel/Flesch/Becker Trio. A year later Frank Damrosch recruited Friedberg to teach advanced piano students at the Institute of Musical Art in New York City (1905-1933), a conservatory that gradually merged with the Juilliard School of Music (from 1934 to the present). When I came to him in 1940 as a graduate student, age 19, he had been teaching at the Institute and at Juilliard for 24 years.
Washingtonpost.com: Vox Music, Heeding Its Masters' Choice Chopin performances by pianists Walter Klien, Ingrid Haebler, guiomar novaes andPeter composer Sergei Lyapunov (18591924), played by the pianist Louis Kentner http://www.washingtonpost.com/ac2/wp-dyn/A64611-2003Jan1?language=printer
São Paulo ImagemData such as conductor Arturo Toscanini, one of his great admirers he used to call her la piccola brasiliana -, Maria Callas, pianist guiomar novaes and Carmem http://www2.uol.com.br/spimagem/bidu/0melhor.html
Extractions: International Vocal Contest With her limpid and delicate voice, Brazilian soprano Bidu Sayão was one of New York's Metropolitan Opera most respected artists ever. Proof of her prestige there is the enormous picture in her honor displayed in the lobby. Throughout her career, she befriended and worked with some of the 20th Century's top personalities in the world of music, such as conductor Arturo Toscanini, one of his great admirers - he used to call her "la piccola brasiliana" -, Maria Callas, pianist Guiomar Novaes and Carmem Miranda. She was also the favorite singer of Villa-Lobos, with whom she had an artistic partnership of 38 years. During this time, she immortalized the Bachiana nr. 5, one of the Bachianas Brasileiras, the best known Enchanted with her, Americans would not let her leave though. She continued to perform throughout the country with such success she became known in the United States as "The Charming Singer". In August, 1955, she reached one of the greatest moments of her career, singing at the Hollywood Bowl. With the Calgary Symphony Orchestra, she was called "Glamorous Soprano Star".
Fall 1997 - Events 11 Visiting Lecture 400 PM guiomar novaes Legendary pianist of the Golden Ageof the Piano. Javits RoomLibrary Ciro Goncalves Dias Jr.,Professor of Piano http://www.sinc.sunysb.edu/lacc/text/speaker.html
Extractions: Friday, Sept. 26 Luncheon 12:00 - 2:00 PM Partnership Fund for Latino Scholars and Research S.A.C. Auditorium Third Annual Scholarship Fundraiser Luncheon with keynote Tickets $35. speaker, Dr. Nilsa Gutierrez, Internal Medicine (USB - MD 80), Former Director of the New York State Aids Institute and Former Chair of the Presidents Advisory Committee on Public Health. For information call Christel Colon at 632-6700. Cosponsored by Hispanic Heritage Month Committee (HHMC), Sanchez Construction Co. and Fifth Avenue Lechonera. Tuesday, September 30 Discussion 4:00 PM "Desarrollo de la Habana Colonial," LACC Conf. Rm. Carlos Venegas, Cuban historian and senior researcher at the SBS N-320 Centro Nacional de Conservación, Restauración y Museología in Havana, Cuba. Cosponsored by the Department Hispanic Languages and Literature. Sunday, October 5, 1997 Art Exhibition 4:00 - 6:00 PM "Out of the Ordinary: Community Tastes and Values in Contemporary The Museums at Stony Brook Folk Art" Celebrating the cultural diversity and traditions of (516) 751-0066 folk arts throughout New York, this exhibition explores connections between contemporary folk artists and their communities. Sponsored by The Museums at Stony Brook. Admission charged. On view: 10/5/97 - 1/11/98. 4:00 - 5:30 PM "Visiones Puertoriqueñas," by Evelyn Ramos (USB - BA97). LACC Conf. Rm. "Evelyns art is really an excavation. It is a dredging, a SBS N-320 digging down through layers and layers, through strata of memory and experience. In her art a place exists for harmony, resolution and healing where a private voice speaks its mother tongue," Prof. Maren Hassinger. Works of Evelyn Ramos will be on view from Sept. 26th to Dec. 12th.
Febtuary 28 3/12 NS) 1893 Ben Hecht NYC, novelist/playwright/screenwriter (The Front Page)1895 guiomar novaes Brazil, pianist (Brazilian Order of Merit) 1896 Philip http://www.student.oulu.fi/~mhopia/28helmi.html
FEBRUARY 28TH 3/12 NS) 1893 BEN HECHT NYC, NOVELIST/PLAYWRIGHT/SCREENWRITER (THE FRONT PAGE)1895 guiomar novaes BRAZIL, pianist (BRAZILIAN ORDER OF MERIT) 1896 PHILIP http://www.onmybirthday.com/cgi-bin/feb28.html
:: Clelia Iruzun - Biography of former South American female pianists Teresa Carreno, guiomar novaes, Magda Tagliaferro MariaCurcio, who was a former pupil of the pianist great, Arthur http://www.cleliairuzun.com/eng/bio.html
Extractions: By the time she was seventeen, it was clear that Clélia needed to spread her wings and her parents decided that she should study abroad. She won a scholarship to London to study with the highly reputed, Maria Curcio, who was a former pupil of the pianist great, Arthur Schnabel. Clélia also studied with Christopher Elton at the Royal Academy of Music who encouraged Clélia to play new repertoire, whilst trying to "tame a little bit of her wild Latin American spirit". It was during these years that Clélia worked on her chamber music playing, studying harmony, counterpoint and conducting and she won several prizes including the coveted Recital Diploma. It was also when she met her future husband, Renato, who was also studying piano there. However, probably the greatest teacher of all was Mercês de Silva Telles, a Brazilian piano teacher who studied with Claudio Arrrau who she met after winning the Santander competition in 1987. Other awards have included winning top prizes at the Tunbridge Wells Piano Competition in Kent, the Paloma O'Shea Award in Santander and Pilar Bayona in Zaragoza. Although she returns home to Brazil two or three times a year, Clélia has made London her home. She married Renato in 1989 and although he no longer professionally plays piano, they often play duets together at various local concerts. Nowadays, more of his time is spent with their two children Raphael (8 years old) and Maria Clara (6 years old) watching their mother perform professionally throughout the U.K., including her recitals and concerto performances at the Wigmore Hall, Purcell Room, Queen Elizabeth Hall, St John's Smith Square and major music societies throughout the country. Overseas, Clélia has played concerts tours and recitals in Brazil, Argentina, Canada, France, Portugal, Spain, Norway, Sweden, Venezuela, the former Yugoslavia, the Czech Republic and USA. In between such engagements, Clélia also regularly appears in radio and television broadcasts in several countries such as Brazil, Venezuela, France, Spain and the U.K. Recent engagements include a recital at the Wigmore Hall where she played the "world premiere" of Marlos Nobre's Sonata Breve, a tour in Sweden with the Vasteras Sinfonietta, the UK, a tour in Norway with the Kristiansand Chamber Orchestra, Portugal and in Brazil recitals and concerts with the Orquestra Petrobras Pro-Musica and Orquestra Sinfonica da Bahia. Over the past few years, Clélia's unique mastery had been captured on disc. Her first CD with music by Villa-Lobos released by Meridian Records was received to great critical acclaim and has been broadcast in many countries, including the BBC Radio 3 and Classic FM in the U.K. She has also released the recording of Latin American Dances with the Swedish label Intim Musik as well as a disc of Mendelssohn's Piano Concerto No.1 and Concerto for Violin and Piano with Joachim Gustafsson, which was released in December '99 and was chosen by Swedish Radio as the best recording of the Double Concerto in comparison with any other recordings of this work. Her new CD "The Waltz Album" has been well received by the critic and public alike. She will release another CD dedicated to Brazilian Piano Concertos with Lontano and Odaline de la Martinez on the Lorelt label in the New Year. Forthcoming recording projects include a CD with piano music by Lecuona.
Domain Of Culture - Cultural Events his deep intimate relationship with music has made him the pianist of pianists PianoCompetition of Rio de Janeiro (judged by guiomar novaes, Marguerite Long http://www.cultureguide.gr/events/details.jsp?Event_id=33993&catA=7
The Boeuf Chronicles | Vamo Maruca, Vamo sung version of section B, performed by an unidentified childrens chorus, followedby pianist guiomar novaes, playing her own arrangement of section B in a http://www.brazzil.com/daniv/Texts/Le_Boeuf/boeuf.pt.18.htm
Extractions: Corso in Rio Le Boeuf sur le Toit or the names of their composers, but some images stayed with him for decades. In the unpublished article Bresilien Music I arrived in Brazil just in the middle of the carnaval. It is a time during which popular mirth bursts forth with a violence undreamed of by Europeans accustomed to the three days of festivity of a carnaval in Nice or Aix, interrupted by the sternness of Ash Wednesday giving way to Lent. In Brazil three days are not enough. During the months preceding a carnaval, one organizes it. Clubs are founded, a group of friends decides that they will remain together during the carnaval festivities and thus forms a committee with a president, a vice-president, a secretary and a treasurer. The major part of their savings goes into the making or the renting of gorgeous costumes, in which ostrich feathers play an important part. For several weeks on Saturday evenings these small clubs sing and dance along the streets; they take part in the popular dances held in public squares or enter the dance halls. In the country these same groups, seated on floats covered with foliage, sing their favorite songs on the roads, accompanied by the different instruments indispensable to all carnavalesque clubs.
A2Z Languages - Brazil - Country Guide - Music And Dance Heitor VillaLobos composed more than 2,000 works based on the folk music ofthe Brazilian Africans and pioneers. guiomar novaes was a noted pianist. http://www.a2zlanguages.com/brazil/brazil_music_dance.htm
Extractions: Program Locations Argentina Austria Bolivia Brazil Chile Canada Costa Rica Dominican Republic Ecuador France Germany Greece Guatemala Italy Mexico Peru Portugal Puerto Rico Russia Spain Switzerland Venezuela Music and Dance The African musical influence is very strong in Brazil and is found in the instruments, rhythms, and dances that are enjoyed there. The most familiar African instruments are various large drums, two-toned agogo bells, a variety of rattles, and bowed instruments with a resonating gourd attached. Another popular African instrument is the friction drum, which is a metal drum with a leather head that is punctured by a stick wrapped in a wet cloth and moved up and down, making a haunting sound. Much African music is used to accompany dances that are included in rituals. The drums are considered sacred, and the drummer plays a very important role in the rituals. The most popular dance in Brazil, the samba, comes from African rhythms and movements. The music for the samba is usually played on African-derived instruments but might also include brass instruments and guitars. Each region of Brazil has its own form of samba. The best time to experience the music and dance of Brazil is during Carnival. This is a pre-Lenten festival in which groups of people dress in elaborate costumes and parade through the streets. The celebration usually begins with marches with lyrics that praise women and criticize the government. Members of different samba schools gather and enter the parade, dancing their samba down the street and singing their school song, accompanied by large drums.
Polish Music Journal 5.2.02 - Herter: Stojowski's Writings As a pianist and pedagogue expressing himself in written word, we can find a lesserextent Portuguese with the help of one of his students - guiomar novaes. http://www.usc.edu/dept/polish_music/PMJ/issue/5.2.02/stojowskiwritings.html
Extractions: Vol. 5, No. 2 , Winter ISSN The numerous articles that Stojowski penned show the composer-pianist-pedagogue in still another light: as a writer and musicologist. His biographical articles on composers include ones on Chopin and recollections of two others whom he knew personally - Brahms and Paderewski. As a pianist and pedagogue expressing himself in written word, we can find articles on piano performance and interpretation as well as many "Master Lessons" which appeared in The Etude magazine. As a composer, we find him authoring articles that reflect his philosophy of music and give his opinions on the contemporary music of his day. As a musicologist, though, Stojowski can be found at his best in writing about the music of his native Poland and in the unpublished commentary of Chopin's Mazurkas, which accompany his own fingered and pedaled edition of these pieces that were also never published, save for the exception of one. The articles listed here are written in Polish and English. Native English speakers will not only admire Stojowski's flawless grasp of the English language, but they will also be amazed to know that English was not the musician's second language. It was his fifth. A polyglot, Stojowski first became fluent in Polish, Russian, French and German before he moved to America, where he also mastered Spanish with the help of his Peruvian-born wife Luisa Morales-Macedo and - to a lesser extent - Portuguese with the help of one of his students - Guiomar Novaes. The multilingual Pole also had a working knowledge of ancient Latin and Greek. He shared his knowledge of Latin with his youngest son Ignatius, becoming his son's first Latin teacher prior to his entry into a Jesuit seminary.
Daniella Thompson On Brazil guiomar novaes, Antonieta Rudge and Eudóxia de Barros are some of the pianistswho audio recordings of Levys work, performed by the pianist Eudóxia de http://daniv.blogspot.com/archives/2002_08_01_daniv_archive.html
