November 26 - December 9, 2000 member Thomas Tritle and students mark Henderson, Jennifer Jason Danielson will bethe pianist for the A. SnoskoBorovsky and Richard myers transcription of http://www.uni.edu/unionline/public/165.html
About Musician Bobby Ramirez myers, Ft. musicians from the West coastincluding percussionist John Santos, Brazilianmusician Jovino Santo Neto, pianist mark Levine, and others. http://www.bobbyramirez.com/br/bio.html
Extractions: El Manisero Del Ritmo: Bobby Ramirez For many years, musician Bobby Ramirez has carefully crafted his artistic talent to mirror a colorful palate of distinct musical textures weaving effortlessly through a kaleidoscope of music and rhythms. While his musical roots stem from his birthplace Santa Clara, Cuba, having grown up in the United States (Miami, Florida) has enabled Bobby's talents to blossom within a grand multicultural environment. His style of playing is equally rooted in Afro-Cuban rhythm, also reflecting a tremendous diversity of Latin music and American Jazz; thus, becoming one of Florida's most prominent and influential Latin musicians in modern times. When it comes to Latin Jazz, Ramirez has maintained an unwavering vision and commitment to performing this music expanding its frontiers beyond his hometown of Miami to include most major cities throughout Florida. A true pioneer of the Latin Jazz sound in Florida since the late 70's, Ramirez was one of the first musicians to perform Latin Jazz North of Hollywood back when there were few Hispanics living in Broward. Since then, Ramirez has taken his Latin Jazz sound to other notable cities like Jacksonville, Naples, Orlando, Tampa, Sarasota, Ft. Myers, Ft. Lauderdale, Boca Raton, West Palm Beach and others. At age 14, he began learning how to play the saxophone at Brownsville Jr. High School. He then took an interest in playing the flute, guitar, as well as arranging and composing. At age 16, while attending Filler Jr. High School he wrote his first full big band arrangement for an 18-piece orchestra. Ramirez also attended Miami Springs Sr. High where he was a featured soloist as well as leading various small Jazz combos and big Band ensemble at rehearsals and concerts. From there he continued his studies at Miami-Dade Community College, Florida International University, as well as individual private music sessions in a variety of styles from Jazz to classical music. Since the late 1970's, Ramirez has performed in many music festivals for all kinds of audiences from around the world.
Slipcue.com Obituary Listings Mr. myers s wife, Mollie, died in 1968 Torme was also a prolific songwriter, drummer,pianist, musical arranger as a singer that Mr. Torme made his deepest mark. http://www.slipcue.com/obits/02/04.html
Extractions: December 31, 1999 - Israel Myers, the originator of the London Fog raincoat, died on Sunday at the North Oaks retirement community in Pikesville, Md. He was 93. After making raincoats for the Army in World War II, Mr. Myers's Londontown Manufacturing Company was the first to popularize the military trench coat for civilian wear. The design and pioneering use of polyester blends helped Londontown become the dominant maker of men's coats in the United States in the 1960's and 70's. Mr. Myers, the son of a tailor, was born in Lynchburg, Va., but moved as a boy to Baltimore. He became a statewide champion in shorthand while attending Baltimore City College. Just before graduating at 17, Mr. Myers was hired as a stenographer with the Makover, Roten Company, a maker of naval officers clothing. Mr. Myers worked for that company, with increasingly more responsible jobs, while earning a law degree at the University of Maryland at night. By 1927, the company changed its name to Londontown Clothes and began to focus on expensive men's suits and coats. The company collapsed during the Depression, and Mr. Myers obtained the rights to the Londontown name by agreeing to help the creditors liquidate its assets.
Fairfield County Weekly: Film Listings Meanwhile, that pianist composes a song so melancholy it and Brosnan, the film missesthe mark simply because CGI ogres Shrek (voiced by Mike myers) and Fiona http://www.fairfieldweekly.com/gbase/film/byFilm
Extractions: Terry Jones directs the rest of the Python troupe in this cult classic tracking the parallel life and misadventures of a guy who isn't Jesus Christ. Graham Chapman is the title character; John Cleese, Michael Palin, Eric Idle, Terry Gilliam are the accompanying comic geniuses. Holy Grail and Meaning of Life are superior, but this is Monty Python, so it demands to be seen.
Jazz | All About Jazz | The Web's Ultimate Guide To Jazz hand with the soulful vocalizing of Amina Claudine myers, whose solo label, made arare appearance with bassist mark Dresser and pianist Burton Greene. http://www.allaboutjazz.com/gallery/frubolino_vision2003.htm
Extractions: The Eighth Annual Vision Festival by Frank Rubolino The Vision Festival's eighth annual extravaganza of creative music, dance, poetry, and visual art was an emotional event on several fronts. The festival paid tribute to the late vocalist Jeanne Lee with several programs reflecting her impact on the artistic community. This festival also was noteworthy for providing a platform for the reemergence of bassist Henry Grimes, whose inspired execution belied the decades of inactivity self-imposed on the pioneering musician. The six-night, 28-performance 'Avant Jazz for Peace' celebration was a feast for all the senses as well as nourishment for the soul enriched through the gifted contributions of so many veteran performers. St. Patrick Youth Center
Jeanne Lee - Natural Affinities - CD Review reading, in a duet with her cousin, pianistvocalist Paul Baker - Drums; Jeanne Lee- Vocals; Amina Claudine myers - Piano, Vocals; mark Whitecage - Alto http://www.allaboutjazz.com/php/review.php?id=10238
CD Review: "Rack 'Em Up" Marc Wilson, bassist Mike Judge, and pianist Matt McCabe horn section (Grady Gainesand mark Kazanoff on on trumpet) swingingly backs myers impassioned vocal http://www.trageser.com/archive/music/album-funderburgh-rackem.html
Extractions: This review first appeared in the May/June 1990 issue of Living Blues magazine. T If Johnny Winter and Stevie Ray Vaughan can be dismissed as whites playing rock music that is derivative of blues (although Muddy Waters said just the opposite of Winter), the same cannot be said of Funderburgh. Nor can it fairly be argued that he remains a second-rate bluesman. On "Rack 'Em Up," we get more of the same winning Myers-Funderburgh formula: Myers' rich vocals and harp set against Funderburgh's scintillating guitar work. Myers' vocals are smooth, but with a sparkling vitality and energy that makes full use of his range. The instrumental title track shows Myers' harp playing to be just as warm as his singing. Myers and Funderburgh trade leads and solos, and the musical empathy between the two men is readily apparent. Gaines gets a chance to solo on tenor sax on "Since We've Been Together" and "Tell Me What Have I Done Wrong?", and makes the best of most. On "Since" Myers also lays down a harp solo that just sizzles. "Rack 'Em Up" is that rare album that will please both traditional blues fans and those listeners who like a more contemporary approach. The odd coupling of Myers and Funderburgh becomes more attractive with each outing.
Extractions: Keynote Speaker Christian Healing, A Practical Comprehensive Guide . In April, 1995 it was reissued in a revised, expanded format. It has been published in Great Britain and also translated into Korean. Canon Mark and his wife, Dr. Mary Grace Pearson, have developed a whole-person healing center called New Creation Healing Center . It combines medicine, Christian counseling, and prayer to minister to people in body, soul, and spirit. In 2002 the World Council of Churches invited him to be one of 26 international participants in a Consultation on the Ministry of Healing held in Ghana. He was one of five participants from this group to be invited to the second Consultation, to be held in South America in late 2003. Canon Pearson is qualified to administer the Myers-Briggs Type Indicator through the Association of Psychological Types, and uses this tool in counseling, team-building, and parish consultations. His second book
WNYC - New York Public Radio composer David Van Tieghem and toy pianist Margaret LengTan Die Donnergotter; GlennBranca The Ascension; John myers Blastula; mark Dresser Spin X. http://www.wnyc.org/legacy/shows/newsounds/nssept2001.html
Every Friday Email May 16, 2003 Lynn Brown, voice; Patrick Lui, guitar; Earl myers, piano; Martha Seth Worth, a studentof mark Niehaus, performs a recital with pianist Nancy Johnston http://www.ncarts.edu/forms/efe/5-16-03.html
Extractions: Every Friday Email May 16, 2003 School of Drama Directing Projects Schedule Studio 3 Directing Projects Rehearsal Studio, Performance Place 7:30 PM WELCOME TO THE MOON by John Patrick Shanley directed by Matt Cowart THE DUMB WAITER by Harold Pinter directed by Eddie Kurtz BLIND DATE by Horton Foote directed by Colin Hovde IT HAS NO CHOICE by Ed Bullins directed by Tre Garrett Studio 4 Directing Projects The Catawba Theatre, Performance Place 8:00 PM ITALIAN AMERICAN RECONCILIATION by John Patrick Shanley directed by Kenny Cahall LIPS TOGETHER, TEETH APART by Terrence McNally directed by Ryan Hill Submitted by: Robert Beseda, School of Drama besedar@ncarts.edu School of Filmmaking Screening of SONG OF THE SOUTH The School of Filmmaking will be screening a very controversial film Friday night May 16 at 7 p.m. in Main Theater. SONG OF THE SOUTH has basically been banned from public screenings by the Walt Disney Company following severe criticism of the films depiction of African-Americans in the post-Civil War South. The Moving Image Archives has a rare print of SONG OF THE SOUTH, but we decided to screen it only with a discussion following concerning the films artistic and social merits. Screenwriting Filmmaker in Residence Ron Stacker Thompson has agreed to lead this discussion, and we urge all students, faculty and staff to attend.
Mark's "SNL" Episode Review (9/29/01) Alicia Keys, is a talented R B pianist and singer. for that part of the review whereMark takes a in about twenty; in fairness to Mike myers, however, Linda http://www.saturday-night-live.com/snl/reviews/01-02/witherspoon/mark-p.html
Extractions: September 29, 2001 OH MY GOD, it's starting again. Why oh why did I become a reviewer? Every Saturday night shackled to a television, watching ninety minutes of often indifferently-written sketch comedy; when will the cycle of madness ever end? I want to LIVE! When will you let me LIVE?! Actually, this probably isn't the most optimistic way to begin the first review. I'll just delete tha..hmm. My backspace button doesn't seem to be working. Okay, then I'll highlight and dele..what? That's not working either? Sizz-on of a biz-itch. Perhaps it's best to start anew. For the 27th time, Saturday Night Live kicks off a new season and hopes that the ball of laughter gets downed on the one-yard line of hilarity without bouncing into the end zone of boredom or getting returned for a touchdown of mediocrity and thus facing the humiliation of the opposing player's touchdown dance of ridiculousness. In an unrelated story, I am challenging Dennis Miller for this year's Most Laboured Football Analogy Award at the ESPYs. More important than the SNL season, of course, is the start of the SNL reviewing season, where we can begin the painstaking process of examining and discussing every minute detail about the show that takes a lickin' and keeps on tickin', Saturday Night Live. Oh, the minutiae! As you can also tell, my safety-blanket warning last spring that I might not be back to review episodes this season turned out to be much ado about nothing. My concerns about my school schedule turned out to be for naught, since my classload on Mondays and Tuesdays is quite light. The only possible problems could stem from both my job and my new position as a staff writer for the UWO school paper, but I don't anticipate anything coming up major enough for me to miss out on reviewing. The only effect could be that my pre-show preamble may be a little shorter. So, all of my fans that were worried about having to fill the SNL review void with, I dunno, Stooge, can rest easy. (I'm just kidding Stooge! It's all in good fun! I love you man!)
CD Store Snyder; Festival Fantasia, Theldon myers; Cornucopia for Solo Tri Stavka, MladinPozajic mark Weiger, oboe Paul Depass, pianist Anne ConradAntoville, Cellist http://users.erols.com/crsnews/store.html
Extractions: ( Mail order amount enclosed $_) CRS ARTISTS COMPACT DISCS Order any CD direct for only $16.98 each, plus $4.75 handling (outside the U.S. add $6.90). For ten or more CD's at the cost of $10.00 each plus handling, (cost as directed by your local carrier). All orders must be prepaid before shipment to: CRS Artists 724 Winchester Road Broomall, Pa. 19008 U.S.A. Web-page. to www.erols.com/crsnews (e-mail: crsnews@erols.com) Decreased cost incentives are given to school libraries and distributors! CHAMBER MUSIC: DONAUESCHINGEN: Clarinet Sonata, Paul Hindemith; Suite fur Trompete, Saxophon Und Posaune, Ernst Pepping; Drei Lustige Marsche, Ernst Krenek; Kleine Serenade fur Militarorchester, Ernst Pepping; Spiel fur Blasorchester, Ernst Toch; Konzertmusik fur Blasorchester, Paul Hindemith John Russo, clarinet Lydia Walton Ignacio, piano Mostly Modern Chamber Players Furman Civic Wind Ensemble, John C. Carmichael, conductor CD 9051 (BAR 7 89658 90512 4) CONTEMPORARY MUSIC FESTIVAL: KALEIDOSCOPE: PIANO MUSIC OF GABRIEL FAURE: Ballade in F# major, Nocturne No. 6 in Db major, Nine Preludes, Barcarolle No. 3 in Gb major, Barcarolle No. 5 in f# minor, Barcarolle No. 8 in Db major, Impromptu No. 2 in F minor, Impromptu No. 5 in F# minor, Theme and Variations in C# minor Samuel Dilworth-Leslie, piano CD 9154 (BAR 7 89658 91542 4)
December 2002 Newsletter Sue Bryson is our soloist and Barbara Bauer is our pianist. Happy Holidaysto SOCO!!! mark myers I m expanding my horizons so to speak. http://www.socotales.org/decnews02.html
Extractions: This feeling, an inexplicable renewal of enthusiam after storytelling, is familiar to many people. Barry Lopez The Storytellers of Central Ohio sparkled. The flow of the evening was unhurried and relaxed. The tellers' delivery was smooth. Our tellers represent more than 100 years of storytelling experience. It sure showed. 185 people battled traffic to come to the Ohio Historical Center to hear our stories. Rick McCracken-Bennett was the MC at the very start and Stephen Hollen was great at the end. Rick's easy delivery style and his guitar were great as he reminded folks with music to keep their cell phones turned off and to enjoy the show. Stephen, as usual, had folks rolling in the aisles. Squirrel Fishing will be a major sport, I predict. The tellers were so engaging. Greg and Natalie Wittmann started us off and it was wonderful. Joyce Geary, Lyn Ford, Melanie Pratt, David Austin Sky, Harold and Anita Eisenstein and, of course, Adele Brown wove stories as they should be done: giving the listeners professional entertainment. The behind-the-scenes people were excellent. Refreshment were varied and plentiful. because of Jeannette Bruton, Karla and Zalika Corbett. Sound work as always was great with John Gardiner at the helm. Thanks to Sally Crandall, Lyn Chamberlain, Cathy Jo Smith and John Will, Beverly Comer, Bruce "the roadie" Ford for their help and to Frank and Jim the "human torches." The tellers lining up outside the auditorium to thank the audience and to receive praise which I hope becomes a Tellabration tradition.
Art Lande Discography pianist, composer. Ron Miles, trumpet; Tom myers, alto saxophone; Fred Hess, tenorsaxophone; Art Lande, piano; mark Simon, bass; Rudy Royston, drums. http://mysite.verizon.net/vze8f4kf/lande.htm
Extractions: compiled by Dan Kurdilla : updated December 6, 2003 Note: This discography is 'unofficial'; I have no contact information for any musician mentioned herein. Recordings I own are indicated by blue titles. Information on other recordings is basically hearsay, so I welcome additions and corrections. E-mail with any info you'd like to provide. Jazz Meeting Volume 1 Four Leaf Clover FLC5019 (Sweden) [LP] For Jackie Phunky Physicist Harvest Machine Transmogrification Piccolo Blues Still Life recorded August 31, 1973, Stockholm Ted Curson, trumpet; Bjorn Lindh, flute; Christer Ecklund, tenor and soprano saxophones; Janne Schaffer, guitar; Lee Schipper, vibraphone; Art Lande, piano; Stefan Brolund, electric bass; Ola Brunkert, drums Art Lande/Jan Garbarek: Red Lanta ECM 1038 [LP/CD] 1. Quintennaissance 2. Velvet
Gershwin By Rodney Greenberg: LINKED BOOK & CD REVIEW:- Of course Bernstein made his mark as a complete all round musician as composer,conductor, pianist and teacher. of this new study is Paul myers who is a http://www.musicweb.uk.net/film/lenny.htm
Extractions: This is the latest in Phaidon's 20th Century Composers series - all the books are produced in the award winning format of 240 pages in semi-hard back covers with an outline coverage of the composer's life and a non-technical analysis of the works with bibliography, discography and list of works. This new book concentrates on "Lenny" as a composer and the list of his works is quite surprising in its scope and volume, including three symphonies and other orchestral works, operas, musicals, and church and chamber music. Of course Bernstein made his mark as a complete all round musician - as composer, conductor, pianist and teacher. I always remember him with affection in the latter capacity having been bowled over and much influenced by his remarkable series of lectures entitled "The Unanswered Question". The only film for which Bernstein composed an original score was On The Waterfront . But of course much of his work as a conductor of opera or concert works is available on video. More specifically his major stage works have been filmed: On The Town in 1949, with Frank Sinatra, Gene Kelly and Jules Munchin (from which a substantial amount of Bernstein's original music was dropped); and, of course, in 1961
Mikhashoff Trust: Awards University · Aaron Cassidy (Buffalo NY), for June In Buffalo 2002 attendance ·Jeff myers (Rochester NY), for John mark Harris, pianist, for study http://www.mikhashofftrust.org/awards.html
MusicalOnline: Composers Muller, Alexandre; myers III, M. Richard specializing in Celtic Rolf; Walton,William; Joseph Waters; Weber, mark - composer, conductor and pianist. http://www.musicalonline.com/musicians/Composer/
Extractions: Web Concert Hall.com Classifieds Weather ... Directory Composer Links top mol s Composers Classical Composers (Mostly living composers) Classical Composers Abundo Badong, Ninfa (1935-1993) - one of the leading creative forces in modern Philippine music. She composed the music for the opera and epic Ibalon. John Luther Adams Web Site of composer-pianist-conductor Miguel del Aguila . Contains biographical information, a list of his recordings, and booking information. Robert Avalon - bio, list of works, recordings and listening samples, concerts of his music, tours, regularly changing essays on music by the composer Dr. Yoon-il Auh - Korean-American composers. Juilliard trained... interesting life achievement... Janice G. Augustus , site contains bio and lists of violin compositions. Jeff Alu , Composer of music in various styles, from orchestral to jazz Larry Austin Composer-pianist Robert Avalon John Bacon Jr. Cyro Baptista Berman, Bart ... Fred Jonny Berg - writes music for different ensembles, from solo piano to symphony orchestra. Dan Berggren (of Fredonia, NY) writes songs in the folk tradition with special attention to the natural world and local heroes
Harold Arlen - What's New UPSTATE STANDARDS With pianist Tony Caramia School of Music s most versatile facultyartists Tony Caramia and mark Kellogg celebrated myers, FL Oct http://www.haroldarlen.com/whats-new.html
Extractions: June 1 - 12, 2004 Broadway and cabaret veteran Robert Ray joins Emmy winner Joseph Litsch in presenting a new cabaret musical featuring six terrific singers, including Charleston's own Ann Caldwell and a six-piece orchestra. The show follows Arlen's career from his early Broadway and Cotton Club years where he composed such hits as "Get Happy," "Stormy Weather" and "I've Got the World on a String" to his later years in Hollywood with such great standards as "Blues in the Night," "Accentuate the Positive," "That Old Black Magic" and his Academy Award Winner, "Over the Rainbow." Beautifully costumed and performed, this show is produced and directed by the same creative team that brought last year's hit, "Too Marvelous for Words" to the Piccolo Spoleto Festival. Click here for further information and to purchase tickets.
