UCSF Today -Print Version master Classes by renowned artists such as pianist Richard Goode Also in may, Cellist Yo Yo ma solos with the and better understand the concept of yin and yang http://pub.ucsf.edu/today/print.php?news_id=200104035
Faculty A trained Rhodes Piano Course teacher, pianist, vocal soloist Tienyin Chen (piano) BM, Piano, Thuhai University BM, Oberlin Conservatory of Music; ma in Music http://www.indianhillmusic.org/faculty.htm
Extractions: Indian Hill Music Center IHMC FACULTY BIOGRAPHIES Strings W B rass ... usic Therapy EARLY CHILDHOOD MUSIC Rebecca Carroll (piano, early childhood music) See Piano Susan Bonito (voice, early childhood music) See Voice Alice Burgé (early childhood music) B.A., Salem State College. Ms. Burgé is licensed and trained by Kindermusik International as an early childhood music teacher and plays oboe and guitar. She has extensive performance experience as a soloist and with ensembles including the North Shore Philharmonic and Marblehead Little Theatre, and is a founding member of the award-winning a cappella vocal group a.k.a. Pelican Groove. Judit Ernst (piano, early childhood music) See Piano
Extractions: Western Astrology As mentioned in the 1st lesson, Vedic astrology uses the same twelve zodiac signs as in Western astrology. The signs are a twelve-fold division of the zodiac no matter if the zodiac is a tropical or sidereal zodiac. Their meanings, as well, are virtually identical in both systems. However, the classical rulerships of the signs are used, instead of the modern rulerships of Chiron, Pluto, Uranus, and Neptune for Virgo, Scorpio, Aquarius, and Pisces respectively. Also, since Vedic astrology uses an Equal House system, one sign always correlates entirely to one house. A good basic metaphor for understanding the relationship between the signs, the planets and houses, in either the Vedic or Western system, is to think of watching a play on a theatrical stage. The planets are the characters in the play, while the houses are the stage set in which the planets or characters are acting. Lastly, the signs are the costumes that the planets are wearing, as well as the decor of the various stage sets or houses. Therefore, the signs add color to the basic inherent qualities of the planets and the houses.
Rockefeller Foundation of /Asunder, a work by choreographer yin Mie, composer Stephen Kaplin and mark Sussman, and pianist margaret Leng maYi Theatre Ensemble (New York, NY), for http://www.rockfound.org/display.asp?context=1&Collection=4&DocID=21&Preview=0&A
Homepage Bei Qian yin Michelle Aguillon Leslie Warren Josepff Zamparelli Chen Junli Alex Chen Nightclub pianist Ronald Grassi Society 276 Tremont Street Boston, ma 02116 http://www.internationalsociety.org/html/SilkRoad.htm
Graduate Handbook He is a concert pianist and a specialist in ying Quartet Timothy yin, violin; Janet ying, violin; Phillip Bede and her ma from University of Oxford, Christ http://www.fas.harvard.edu/~musicdpt/graduate/handbook.html
Extractions: A Handbook for Graduate Students 2003-2004 Welcome! This handbook was conceived of by graduate students in the Harvard Music Department for those students who will be entering in the upcoming year. The information contained within is far from exhaustive, but we hope that it will give you some idea of what to expect when you get here and that it will make your first days in the Department easier. We have arranged the book somewhat chronologically (especially sections III-V) to help prepare you for what you might encounter at any given stage of the curriculum. Home Undergraduate Study Graduate Study At A Glance ... Events Incoming Students 2002-2003: Emily Abrams Historical Musicology B.A. University of Durham, College of St. Hilde and St. Bede; M.A. University of Oxford, Christ Church, England Aaron Berkowitz Ethnomusicology B.A. George Washington University; M.D. Johns Hopkins Medical Davide Ceriani Historical Musicology B.A. Smith College; M.A. University of Florence, Italy Ellen Exner Historical Musicology B.A., B.M. University of Massachusetts; M.A. Smith College
Kansas City Star 03/23/2003 No Ivory Coast Pianists Find No Rodzinski said that between Kern and Ioudenitch a sort of yinyang dynamic But the pianist said he s trying to resist a buildup that could put I ma little bit http://www.artsjournal.com/music/redir/20030327-19233.html
Yellow River News (Merrimack River Current, ma) Bitter end China) Building an orchestra Nov 4, 2003 The first climax came when famous pianist, 62year-old yin Chengzong and http://conservation.mongabay.com/files/Yellow_River.htm
News And Activities Arts on Jun 4. Featuring bassist Kwan Kungshing (ö®¥¦¨) violists Lau Sum-yin (¼Bµ`«Û) and pianist ma Cong (°¨ö{) plays excerpts from Liszt no. http://www.tinafu-music-critic.com/NewsandActivities.htm
Any-Day-in-History PAGE Of SCOPE SYSTEMS. TN, actor (White Shadow) 19 Kuan yin buddhist/taoist Garrick Ohlsson Bronxville NY, pianist (International Busoni 1971 Peter Schwab Boston ma, rower (Olympics http://www.scopesys.com/cgi/today2.cgi?askmonth=04&askday=03
Music Dept. Faculty - Aquinas College University of Chicago with a BA and ma in music compact discs under his own name Mirage, yinYang, and He is also pianist for many other small and http://www.aquinas.edu/music/biosmusic.html
Extractions: AQUINAS COLLEGE MUSIC DEPARTMENT Full-Time Faculty PAUL S. BREWER - Director of Instrumental Music Dr. Paul Brewer, Associate Professor and Director of Instrumental Music at Aquinas College holds a Doctorate of Musical Arts in Music Composition and Jazz Pedagogy from the University of Northern Colorado. Dr. Brewer also holds a Bachelors and a Masters degree in Music Education from the University of Central Oklahoma. In addition to his teaching duties, Dr. Brewer has been active as a professional trombonist since 1970. While jazz is his main musical endeavour, Dr. Brewer has also played in a variety of musical ensembles including everything from orchestral groups to rock and roll bands. His many years as a trombonist in musical theater productions gave Dr. Brewer the opportunity to work with celebrities such as Mickey Rooney, Ann Miller, Richard Harris, Robert Goulet, and many others. As a jazz performer Dr. Brewer has performed with such greats as J.J. Johnson, Max Roach, Urbie Green, Mel Torme, Randy Brecker, and many others. Among his many contributions to the field of jazz education, Dr. Brewer has been chosen three times to lecture at the prestigious International Association for Jazz Education annual conference (twice in New York City and once in Toronto). Dr. Brewer is also called upon each year to adjudicate jazz festivals and to perform as a guest soloist on public school jazz band concerts.
Chat Search - Whole Wheat Radio, Talkeetna - Alaska [www. Fineline, 1127am, I ma yin berry He tells the barman, Hey, I didn t want a million ducks. The barman replies, You think I wanted a 12-inch pianist? . http://www.wholewheatradio.org/wwchatsearch.php?userp=Guest
Live Music Directory The ByRegion Network Chepikova Piano in Any Style I ma Classically trained Available as a solo pianist or accompanist for any John2Ponies.com Shamvara.com SoulFolk.US yin-Yang.com. http://www.byregion.net/artists/categorypages/Live Music.html
Music In Israel 1995-1998 its director, the composer Professor Ami ma ayani, gave and record the works of the pianist Vladimir Horowitz Fleischer, Rachel Gal in, Hagar Kadima, yin am Lif http://www.mfa.gov.il/MFA/MFAArchive/1990_1999/1998/11/Music in Israel 1995-1998
Extractions: In the early years of the state, some 13 years after the central "towers" of music in Israel were built - the Israel Philharmonic Orchestra, which was founded in Tel Aviv in 1936 on the initiative of the Jewish violinist, Bronislav Huberman who brought the best Jewish players from Europe, and the Israel Broadcasting Authority Orchestra, which was founded in Jerusalem in the same year - every music loving citizen could travel to hear concerts performed, mainly by musicians from the "towers," and only seldom would he have to choose between two concerts on the same day. Today the situation is radically different. Anyone willing to devote an entire week to hearing the concerts given throughout Israel, could not manage it. Even hearing more than one concert a day, one could attend but a minuscule part of all the musical events in the country, which, geographically speaking, is one of the smallest among the countries of western musical culture, but one constantly expanding in breadth and depth. Those who are attracted to the various forms of Jewish religious music could attend one of the many synagogue services throughout Israel on Sabbath morning. Afterwards, they can choose one of the choral, orchestral, chamber, or solo concerts that regularly take place at the Tzavta Club in Tel Aviv, or in Beit Alon in the nearby town of Givatayim, or drive further afield.
Joe Lovano Quartet Lights Fire At Tanglewood, 9/4/98 displayed his lyrical side on the Frank Sinatra tune, I ma Fool to pianist Cyrus Chestnut opened the evening with what turned out to be the yin to Joe http://www.berkshireweb.com/rogovoy/concerts/lovano1.html
Extractions: Joe Lovano Quartet lights fire at Tanglewood, 9/4/98 by Seth Rogovoy (LENOX , Mass., Sept 6, 1998) The Joe Lovano Quartet kicked off the weekend jazz festival in Ozawa Hall with the sort of exciting, in-the-moment improvisation that characterizes jazz at its best and which is seen all too rarely at Tanglewood. Lovano's group was both tightly controlled and musically loose and freewheeling, allowing the soloists to compose on-the-spot while the ensemble retained the swinging feel and the harmonic framework of the individual tunes. Lovano kicked off his set with "Fort Worth," one of his signature tunes, on which he alternated bebop lines with ascending and descending arpeggios, occasionally stopping to explore a particular riff he liked or stumbled upon. In the first of several demonstrations of the intuitive sympathy that existed among the players in Lovano's group, Lovano laid out while pianist Kenny Werner echoed his solo, constructing his own statement out of block chords and favored riffs. Lovano gave himself a workout on the second number, "Alexander the Great," which showcased his burnished tone, all elasticity and warmth, in the service of suggestively bent and slurred notes. Werner's accompaniment was particularly attuned to the rhythms laid down by drummer Idris Muhammad, with all his notes seemingly landing in the spaces the drummer carefully left open for him.
NEA: FY 2004 Multidisciplinary Grants Fine Arts Work Center in Provincetown, ma $25,000 To support $10,000 To support the tour of Kuanyin Our Lady Re-Creation, a new work by pianist and composer http://www.nea.gov/grants/recent/disciplines/Multi/04multi.html
Extractions: NEA Home Chairman's Forum About Us Grants News Room National Initiatives Lifetime Honors Publications NEA Partners Resources Features Support the Arts Search/Site Map Some details of the projects listed below are subject to change, contingent upon prior Endowment approval. Challenge America Creativity Services to Arts Organizations and Artists Panelists 509 Cultural Center
Untitled Document and presented a paper based on his ma thesis at the Hong Kong Academy for Performing Arts, Su yin also hosts his Two Pieces for Piano by pianist Jocelyn Swigger http://theory.esm.rochester.edu/dept_website/NEWSLETTERS/ESM.theory.97/students.
Extractions: Michael Buchler is a visiting faculty member in music theory at the University of Iowa School of Music. He recently completed his dissertation "Relative Saturation of Subsets and Interval Cycles as a Means for Determining Set-Class Similarity." This year he presented a paper at the New York State Music Theory Society in Rochester, NY, and will also deliver a paper at the Society for Music Theory conference in Phoenix. Guy Capuzzo won an Eastman Graduate Teaching Assistant Prize for 199697. He read a paper at the 1997 MTSNYS conference entitled, "Pitch-Space Ordering Types in the Recent Solo Music of Elliott Carter." A second paper, entitled "Three Dilettantes, Two Recording Contracts, One Chronic Schizophrenic: Some Issues Raised by The Shaggs and Wesley Willis," was read at an Eastman Theory Symposium. Guy's second book, Theory for the Contemporary Guitarist, is enjoying strong sales both in the U.S. and internationally, and is being translated into German for a 1998 release there. Having passed the PhD Qualifying Exams in May of 1997, Guy is working on a dissertation on Carter's recent music. He is writing in New Jersey, Heidelberg, and Basel. Ed Jurkowski, who has been teaching at Lethbridge in Canada for a year now, writes that things are going well: "We've settled into Lethbridge pretty nicely. Our house is about a 15 min. walk to the University. We live a little less than an hours drive to the Waterton mountain range. It's truly quite a spectacular sight. Colleen's been able to find employment. She's teaching in the Psychology department of the local college. She's classified as a sessional instructor, but the amount of teaching she has been offered is pretty much a full-time load. Joren ... well what can I say? He just keeps getting cuter every day. He's 2-1/2 now, is into pretend play a lot, and just will never stop talking."
Honolulu Star-Bulletin Features together with artists like YoYo ma, Elly Ameling 19, of Taiwan; and Zhou Jia yin, of China featuring Sergiu Comissiona, conducting, and pianist Jon Nakamatsu http://starbulletin.com/1999/08/24/features/story1.html
Extractions: Star-Bulletin HONG KONG Raymond Sarreal sits in a green and black chair gently blowing into an old flute on the cluttered second-floor hallway of the Hong Kong Academy for Performing Arts. The dark eyes of the promising 13-year-old Philippines musician appear crossed as he watches his fingers manipulate the flute while trying desperately to capture the notes teacher Bernard Goldberg has patiently prodded him to find. Sarreal, the youngest member of this year's renowned Asian Youth Orchestra, doesn't seem bothered by the faint cacophony of orchestral sounds from the 15 music rooms lining the hall, teachers' instructions to students, even some laughter. Sarreal over and over again attempts to find the note, frowning and shaking his head. Several minutes pass and the boy's eyes sparkle when he hits the chord. "Yes, yes," the boy says with a grin.
IvyMedia - IvyMedia eCommerce and Content management Solution Provider. Cambridge, ma. Working with Amati Conservatory, IvyMedia today started to sell yin Chengzong concert at Violinist Cho-Liang Lin http://www.ivymedia.com/ps/p1/476.html
Extractions: IvyMedia to sell Yin Chengzong concert at Carnegie Hall on Feb 21 January 13, 2003. Cambridge, MA. Working with Amati Conservatory, IvyMedia today started to sell Yin Chengzong concert at Carnegie Hall on Feb. 21, 2003. This the second Carnegie Hall concert and the second Yin Chengzong concert IvyMedia has marketed so far. Yin Chengzong at Carnegie Hall on Feb 21, 2003 Separately, IvyMedia teamed up with Chinese Performing Arts to co-market a concert by Violinist Cho-Liang Lin and Pianist Andre-Michel Schub at Sanders Theatre at Harvard University. Violinist Cho-Liang Lin, Pianist Andre-Michel Schub at Sanders Theatre on Feb 1 About IvyMedia IvyMedia Corporation is a premier provider for easy-to-use and affordable e-commerce and content management solutions. IvyMedia has developed a cost-efficient online ticketing service that makes bus operators to use the similar online reservation systems operated by major airliners. This online ticketing service has also been adopted by many event organizers for ticketing events such as concerts and conferences. Travel service providers, florists and event organizers are welcome to partner with IvyMedia to provide this low-cost and easy-to-operate online ticketing service (contact: marketing@ivymedia.com or 1-617-354-2101).
