Diana Krall - Temptation - Verve Records Betty carter s Finest Hour Betty carter Verve Records. Neil larsen (1) Hammond. Asa serious amateur jazz pianist, I have long admired Diana s incredible talent http://vervemusicgroup.com/product.aspx?ob=n&src=lb&pid=10940
Untitled Document Prutsman, piano; Robert McDuffie, violin; carter Brey, cello April 24 Pawel Checinski(Polish pianist) May 1 Rebecca Nagel (oboe) perform work by Libby larsen. http://www.free-times.com/Guides/Cultural_Season_03/music_03.html
Simmons College LS435 - Composers Homepages Composers Andrew carter Elliot carter Classical.net J. Gunnar Johansen pianist, Composer,Scholar, Humanist and L. Helmut Lachenman Libby larsen Some educational http://web.simmons.edu/~morrow/comp.html
CNM -- 1999-2000 Concert Information composers of our time including Libby larsen, John Harbison, Elliott carter, andLuciano both classical and jazz repertoire with pianist Arlene Schrut. http://www.uiowa.edu/~cnm/34.000427.html
Extractions: is a continuation of the ideas found in Vermont Counterpoint (1982), where a soloist plays against a pre-recorded tape. The soloist pre-records ten clarinet and bass clarinet parts and then plays a final 11th part live against the tape. The compositional procedures include several that occur in my earlier music. New York Counterpoint is in three movements: fast, slow, fast, played one after the other without pause. The change of tempo is abrupt and in the simple relation of 1:2. The piece is in the meter 3/2 = 6/4 (=12/8). As is often the case when I write in this meter, there is an ambiguity between whether one hears measures of three groups of four eighth notes, or four groups of three eighth notes. In the last movement, the bass clarinets function to accent first one and then the other of these possibilities, while the upper clarinets essentially do not change. The effect, by change of accent, is to vary the perception of that which in fact is not changing. (Steve Reich)
PLAYBACK CONCET the innovative and prolific jazz pianist/composer and previously honored Dizzy Gillespie,Benny carter, the Duke Libby larsen Named to Library of Congress Post. http://www.ascap.com/playback/2003/july/concert.html
Extractions: ASCAP/IAJE Commissioned Works Honors Marian McPartland in Toronto ASCAP member Marian McPartland, the innovative and prolific jazz pianist/composer and award-winning host of Piano Jazz, the NPR radio program which is celebrating its 25th year, was feted at this year's IAJE (International Association of Jazz Educators) conference in Toronto. McPartland was a featured artist in a concert and was interviewed by Tim Owens during a session of the conference. In addition, two new jazz works composed in celebration of McPartland's birthday and commissioned by the annual ASCAP/IAJE Commissions program, were premiered at the conference. The commissionees are Robin Eubanks in the Established Composer category and John Hollenbeck in the Emerging Composer category. McPartland was present for the premiere of both works in her honor: Full Circle (Eubanks) and Folkmoot (Hollenbeck). The ASCAP/IAJE commissions program, now in its sixth year, has previously honored Dizzy Gillespie, Benny Carter, the Duke Ellington Centennial, the Louis Armstrong Centennial and Dr. Billy Taylor, respectively. 2003 Guggenheim Fellowship Awards Results of the John Simon Guggenheim Memorial Foundation's seventy-ninth annual United States and Canadian competition have been announced. Among this year's Fellowship winners (pictured above, left to right) are ASCAP members Martin Bresnick, Alvin Singleton and Harold Meltzer for Concert music and Henry Threadgill for Jazz. Guggenheim Fellows are appointed on the basis of distinguished achievement in the past and exceptional promise for future accomplishment.
Washington Musica Viva Center Opera House Orchestra, and Carl Banner, pianist. Program Holy Roller byLibby larsen; Sonata for alto 18, 1998 Musicians Yvonne carter, artist/poet http://www.geocities.com/washingtonmusicaviva/previous_concerts.html
HA Reviews a couple of years ago, or carter s Night Fantasies ago the teenager Håkon Austbømade his debut as a pianist. Peter larsen Bergens Tidende (Bergen, Norway) http://home.wxs.nl/~austbo/review.html
Extractions: Mischa Spel - Het Parool (Amsterdam) (Festival Musica Sacra) Vingt Regards in a marathon session from eleven to one thirty at night he played out these emotions in all their gradations, he established musical connections and brought unity into Messiaen's vivid style. For the chosen ones present, this performance probably came closest to the sacred experience aimed at in this Maastricht festival.
Back Issues Also, Bill carter offers a thoughtful analysis of Ken a sterling reputation as asolo pianist and dream Also, Danish jazz aficionado John larsen shares his http://www.mississippirag.com/backissues.html
Extractions: How to Order Use our search engine to find what's in previous issues Bob Byler tells how New Jersey's Midiri Brothers (reedman Joe and multi-instrumentalist twin brother Paul), have won fans with an exciting repertoire played by talented bandmates in their swinging sextet and vibrant big band. Also, there's a story on vocalist Lorraine Feather (who writes witty lyrics to classic jazz melodies), an interview with trumpeter Mario Guarneri from the Southland Stingers of the '70s, and news about the Bunk Johnson Collection in New Iberia, La., and the Alan Lomax Collection at the Library of Congress. Pianist Carl Sonny Leyland has earned kudos for his skill in playing blues and boogie woogie, but he's also admirably adept in other styles and in demand as a festival headliner. His interview reveals a perceptive, eclectic musician who brilliantly describes his views on music. Also, read about New Orleans-born bassist Pat Cooke, who's played with the greats, including Johnny Dedroit, Irving Fazola, Al Hirt and "Hot Lips" Levine. More delights: A North Carolina Jazz Fest photofeature and an interview with German ragtime/jazz broadcaster Jochen Jungk. Chip Deffaa interviews Bobby Short , the classy pianist/vocalist whose love of early jazz and America's Songbook gave birth to a unique career that established him as a top cabaret performer. Did you know he was a child star in vaudeville, headed the campaign for a Duke Ellington statue in New York's Central Park, plays sizzling jazz piano, and records with top jazz artists? Also, meet eclectic violinist/saxist
Palo Alto Weekly Entertainment Listings Classical guitarist Canute larsen plays Fridays and Saturdays 6 pianist Thomas Schultzperforms works by Brahms For more information, call Tom carter at 9618903 http://www.paloaltoonline.com/weekly/morgue/listings/1995_Jan_20.entertainment.h
Extractions: Alice's Restaurant 17288 Skyline Blvd., Woodside. Grateful Dead Night every Monday, live music/open mike, 8 p.m.-2 a.m. Call 851-0303. British Bankers Club 1090 El Camino Real, Menlo Park. Call 327-8769. Live music Fri. and Sat. Gypsy, Jan. 20; David Martin's House Party, Jan. 21; Jesse Charles, Jan. 27 and Plaid's, Jan. 28. The Edge 260 California Ave., Palo Alto, 324-EDGE. DJ music and dancing or live band starts at 9 p.m., weekend nights until 3 a.m. Marilyn Manson and guests, with Spitkiss, Jan. 22; The Cramps, Jan. 25; Bad Manners, Jan. 26. Fanny and Alexander 412 Emerson St., Palo Alto. Call 326-7183. O'Connell's Bar and Restaurant 518 Bryant St., Palo Alto. Call 326-2000. Resident Aliens, Jan. 20-21 and The Corps, Jan. 26-28. St. Michael's Art Cafe 806 Emerson St., Palo Alto, 326-2530. Avalon Rising, Jan. 20; Tony Khalife and Celso Alberty, Jan. 21; Sage Gentlewing, Jan. 22; Irish Jam with Tom Culbertson, Jan. 23; Love Slaves, Jan. 25; Heather Alexander, Jan. 26 and Red Brick Straw, Jan. 27. Alberto's 736 W. Dana St., Mountain View. Call 968-3007.
Palo Alto Weekly Entertainment Listings Classical guitarist Canute larsen plays Fridays and Saturdays 68 pianist, Linda Wenstrand,soprano and Fredrick Weldy, pianist, Oct. Call Tom carter at 961-8903 http://www.paloaltoonline.com/weekly/morgue/listings/1994_Sep_30.entertainment.h
Extractions: Alice's Restaurant 17288 Skyline Blvd., Woodside. Grateful Dead Night every Monday, live music/open mike, 8 p.m.-2 a.m. Call 851-0303. British Bankers Club presents live music Fri. and Sat. nights. 1090 El Camino Real, Menlo Park. Call 327-8769. California Cafe Bar and Grill, 700 Welch Road, Palo Alto, 325-2233. Live music from the baby grand piano Thurs.-Sat. 6:30-10 p.m. 3877 El Camino Real, Palo Alto, 858-1141. The Edge 260 California Ave., Palo Alto, 324-EDGE. DJ music and dancing or live band starts at 9 p.m., weekend nights until 3 a.m. Ronnie James Dio and Motherhouse, Oct. 2; Supersuckers and The Spit Muffins, Oct. 10. 651 Emerson St., Palo Alto, 321-3030 Dinner jazz in the garden Sundays 4-7 p.m. Fogg's 303 Bryant St., Mountain View, 390-9696. Jazz and swing for listening and dancing by Don Conway's Jazz Octet, String of Pearls, Tuesdays 7:30-11 p.m. JJ's 165 E. El Camino Real, Mountain View, 968-2277. Elvin Bishop, Sept. 30. Jose's Caribbean Restaurant 2275 El Camino Real, Palo Alto, 326-6522.
The OUT LIST Fred Hersch, Grammynominated jazz pianist and composer carter Heyward, lesbianEpiscopal priest and writer Billy of Green Party Jack larsen, actor (Jimmy http://www.gay.alb.de/infos/outlist.htm
Previous Events 2002-2003 Dillard, Conductor Works by Dett, carter, Joubert, Moore Americana Dr. Robert CarrolSmith, pianist, Dr. Tod music director Music of Copland, larsen and Bowles http://www.artsongupdate.org/Calendar/PreviousEvents2002-2003.htm
Jazz History 1920-1940 a reputation as a jazz pianist by 1925 Earl Hines, Don Redman, Benny carter, ColemanHawkins and Svein Øvergaard, Kalle Engstrøm, Karsten larsen, Willie Vieth http://www.jazzbasen.no/jazzhistorie_1920_1940_eng.html
Extractions: Jazz in Norway 1920 - 1940 The Pioneering Years - before 1923 The end of World War One also marked the start of the history of European "jazz". The newest American craze hit the continent in a matter of months after the November 1918 cease-fire - and by 1919 "jazz" was the tag for anything "new". Original Dixieland Jazz Band came to England in early 1919, and their records were also distributed in Scandinavia in the same year. Swedish singer Ernst Rolf recorded with "Swedish Jazzband", and Sidney Bechet started touring Europe - also gaining recognition in more "serious" musical circles. To the common man, "jazz" was much more than just the music itself. The word "jazz" covered everything that was wild, new and modern, particularly in connection with dancing and noisy musical effects. "Jazz dance" was introduced in Scandinavia in 1919, and the Christmas ball at Frogner school in Kristiania (as Oslo was still called at the time) featured a demonstration of the new dance in vogue. In Trondheim, a mandoline band named "The Jazzband" led off the students' cabaret - the name of which was simply JAZZ. Even if jazz hit in a sudden wave after the war, people were prepared for it through knowledge of early American show music - which was rooted in the folk music of the American negro. Minstrel shows and groups performing negro spirituals had been touring Europe in the 1800s. "Cakewalk" and ragtime were introduced in the 1890s - first and foremost by way of the famous marching bands. Norwegian composer Oscar Borg introduced the cakewalk song "Georgia Camp Meeting" in 1897, and Norwegian recordings of this song have been found on cylinders dating from 1906. From 1908 and on, Norwegian accordeonists recorded numerous rags and other jazzrelated numbers. In 1913, The Norwegian American Line inaugurated their scheduled passenger services across the Atlantic, thereby also increasing import possibilities for records and sheet music.
No Sense Of Place klip fra 40´erne med en pianist jeg selvfølgelig Typefaces Designed for the ScreenMatthew carter, Type Designer link to this entry google it Hans larsen. http://www.nosenseofplace.com/2002_08_01_arkivindex.php
Extractions: The Russian-Yewish writer, Asimov who lived in NY all is life was indeed an interesting personality. That in spite of the fact that he spent a major part of his life in front his typewriter. He simply loved to write. That reflects in his enormous production (almost 500 titles!) but also in the way he threated his fans. Every single day, during a period of 50 years, he recieved between 5 and 20 fan-letters which he replied on every single one!
GR MUSIC: Composers & Musicians Carlos, Wendy; carter, Elliott; carter, Elliott Basic Lansky, Paul; larsen, Libby;Lauer, Elizabeth; Lewis, George electric viola; Marilyn Nonken, new music pianist; http://users.rcn.com/gremusic/compsers.html
Strathmore : Calendar : 2005 Calendar Of Events Symphonic Blockbusters Piotr Gajewski, conductor; carter Brey, cello and this giftedyoung pianist/vocalist/ composer The Future of Fire; larsen, SongDances to http://www.strathmore.org/calendar/2005_calendar_events.asp
The Band | House Of Swank Robin is a classically trained pianist whose musical career spans over 30 years,including the aforementioned Combo Chuggy carter, John larsen, Ricky at http://houseofswank.home.att.net/bandmain.html
Extractions: Marcel is one-half of Swank's songwriting team and the primary arranger and producer. His virtual obsession with the works of Antonio Carlos Jobim provides the band's impetus. Both of his parents were baritone ukulele players and taught him to play as a child. After five years with the wacky swing band Combo Holiday, Marcel and Robin left the group, eventually forming House of Swank. Robin is the other half of the songwriting team and the band's lead vocalist. Yes, that's Portuguese she's singing on "Desafinado." She actually speaks Portuguese, having lived for a number of years in Brazil, the very birthplace of the Bossa Nova. Robin is a classically trained pianist whose musical career spans over 30 years, including the aforementioned Combo Holiday. Without Bob and his Ibanez jazzbox there could be no House of Swank. Although how he went from jamming on Grateful Dead tunes with his hippy friends to studying the techniques of Wes Montgomery and Barney Kessel remains a mystery.
200 Famous Women 1933) US Jazz singer, pianist, composer, songwriter; Taylor (1900-1985) Englishnovelist; carter, Angela (1940-1992 1918-) US novelist; larsen, Nella (1891 http://www.creativequotations.com/women-az.html
Extractions: Creative Women by Profession and Last Name Abbott, Berenice US photographer Arbus, Diane US photographer Barry, Lynda US cartoonist, writer Carr, Emily Canadian artist, writer Chanel, Coco French fashion designer Head, Edith US costume designer Hepworth, Dame Barbara English sculptor Kent, Corita US graphic artist Kollwitz, Kathe German artist Lin, Maya Ying US architect, sculptor Moses, Grandma US folk painter Nevelson, Louise US sculptor, painter O'Keeffe, Georgia US painter Schiaparelli, Elsa Italian-French designer Signoret, Simone German actress Vanderbilt, Gloria US designer, poet BUSINESSWOMEN, ECONOMISTS, EXECUTIVES... Arden, Elizabeth US cosmetics executive Ash, Mary Kay US businesswoman Fields, Debbi US business executive Fitz-Gibbon, Bernice US advertising executive Gilman, Charlotte Perkins US economist, lecturer, author, feminist Graham, Katharine US newspaper executive Heath, Jinger
Harlem Renaissance PS3523 A7225P3 (DHUF) larsen, Nella. BR563 N4W8 1972 (DHUU) Woodson, carter G. TheMisEducation of the Music on My Mind The Memoirs of an American pianist. http://www.founders.howard.edu/moorland-spingarn/harlem.html
Extractions: Howard University, Washington, DC The materials in this section are available in the Howard University libraries (DHUUIF/R/L/W/E), in the Channing Pollock Theater Collection (DHUP), in the Moorland-Spingarn Research Center (MSRC), and/or in the Afro-American Studies Resource Center at Howard University. Call numbers and location symbols for the materials have been included to facilitate access. Additional materials and more information about the items which follow are available at the individual library locations. Historical Studies Anderson, Jervis. This Was Harlem. New York: Farrar, Straus, Giroux, 1982. F128.68 H3A65 1982 (DHUP) Aptheker, Herbert. A Documentary History of the Negro People in the United States, 1910-1932. Secaucus, NJ: Citadel, 1973. E185 A58 (DHUU) Bontemps, Arna, ed.
