Evgeny Kissin @ Bridgewater Hall TWINKLE evgeny kissin. kissin S recitals have acquired a ritual of their own inManchester. Because this astonishing virtuoso of a pianist still looks a little http://www.manchesteronline.co.uk/entertainment/music/livereviews/s/116/116255_e
The National Concert Hall | What's On / NSO Season 38 No. 1 Stravinsky Petroushka Suite solo piano version evgeny kissin, Piano. an astonishing virtuoso pianist his interpretation here was faultlessly http://www.nch.ie/whatson/default.asp?dtChange=1&mth=5&yr=2004&day=2
The National Concert Hall | News Room / Article Title News Room. Russian pianist, evgeny kissin, Completes a Sellout Seasonat the National Concert Hall. 13 April 2004. evgeny kissin, piano. http://www.nch.ie/news/article.asp?id=120
Gift Of Music - Evgeny Kissin DVD At Video Universe Gift of Music evgeny kissin description follows. pianist kissin performs Liszt, Gluck,Haydn, Beethoven, Schubert, Paganini and Chopin at his 1997 solo recital http://www.cduniverse.com/search/xx/movie/pid/1132128/a/Gift of Music Evgeny Ki
Extractions: (You save $2.59) Category Classical Classical Composers Chamber Music / Recitals Classical ... Pianists / Pianos Studio BMG Video Orig Year DVD Encoding Region 1 CDU Part# Catalog# Discs Street Date Apr 04, 2000 Rating Not Rated Also Known As Evgeny Kissin: The Gift of Music Running Time 104 Minutes Additional Info Widescreen Movie Details:
BILLBOARD 2004 evgeny kissin is, without question, one in a generationat least when itcomes to Romantic repertoire. This disc shows the 33year-old Russian pianist http://www.billboard.com/bb/billboard_members/currenteditorials/review_display.j
SFS Press Release FOR IMMEDIATE RELEASE, pianist evgeny kissin PERFORMS IN RECITAL OCTOBER29 IN DAVIES SYMPHONY HALL, San Francisco, September 30, 2003 http://www.sfsymphony.org/templates/pressReleasePrint.asp?releaseid=245
Guest Artists He was the first pianist to be invited to give a recital at the BBC Christopher Nupensdocumentary film, evgeny kissin The Gift of Music, has recently been http://www.sfsymphony.org/templates/router.asp?nodeid=2785&callid=87&roleid=1
Evgeny Kissin - Piano | Classical Music evgeny kissin piano. This outstanding Russian pianist performs a recital of shorterworks by Chopin, a sonata by Medtner, and Stravinsky s virtuosic Three http://www.rfh.org.uk/main/events/77879.html?section=classical&file=&month=&week
Evgeny Kissin - Beethoven Piano Concertos | Nov 7, 1997 Coupling Beethoven s earliest piano concerto with his last, pianist evgeny Kissinand conductor James Levine emphasize the difference between Beethoven s http://www.yaleherald.com/archive/xxiv/11.7.97/ae/kissin.html
Extractions: By Michael A. Lewanski, Jr. Coupling Beethoven's earliest piano concerto with his last, pianist Evgeny Kissin and conductor James Levine emphasize the difference between Beethoven's earlier and later styles with remarkable aplomb. No. 5, by contrast, is played with all possible pomp. The opening cadenzas and their return in the recapitulation are deservedly impressive as played by Kissin, and Levine gets a fiery, energetic sound from the Philharmonia. It is worth mentioning that there are several unstylistic tempo changes in the first movement, but when played so convincingly, they seem justified. The second movement contains some wonderfully sensitive playing from the orchestra and and great sense of direction on Kissin's part, which also occasionally disrupts the movement's serenity occasionally. The obviously contrasting last movement is played with a sustained energy not often heard in contemporary performances of Beethoven, and the famous finale does not sound like the stereotype it often does, but has a genuine heroic quality. Altogether, this is a wonderful release which will take its place among the greatest of these concertos'
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The Gift Of Music - Evgeny Kissin (DVD) The Gift of Music evgeny kissin (DVD) pianist kissin performs Liszt, Gluck, Haydn,Beethoven, Schubert, Paganini and Chopin at his 1997 solo recital at the http://luggage-business.outlet24shopping.com/p-830880-The-Gift-of-Music-_-Evgeny
Tracklist Joan Records 3 The name of evgeny kissin needs little introduction universally acknowledged Nowin his early thirties kissin is the most sought after pianist of today http://www.joanrecords.com/productdetail.php?jr=92118
Welcome To Piano.com Kimbell, Edmund offers information on the American countertenor and pianist. kissin,evgeny Klein, Andreas - provides information, audio clips, and pictures http://www.piano.com/pianist/pianist_classical.cfm
Mathaba.Net Russian pianist evgeny kissin tells about his art and work Posted 01/02 FromGuardian The prodigy In a rare interview, the Russian pianist evgeny kissin http://www.mathaba.net/0_index.shtml?x=30774
MDR.DE: Dirigent Justus Frantz Feiert Geburtstag Translate this page musikalischen Karriere. Zu seinen Entdeckungen zählen die Star-GeigerinMidori, der pianist evgeny kissin und der Violinist Maxim Vengerov. http://www.mdr.de/brisant/promi-klatsch/1388595.html
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The Michigan Daily Online He is now 26, and still growing as an artist and performer. Courtesy of BMGClassics pianist evgeny kissin appears at Hill Auditorium tonight. http://www.pub.umich.edu/daily/1998/apr/04-13-98/arts/arts4.html
Extractions: Daily Arts Writer Beethoven, Brahms and Liszt, all great composers of the past, will visit Hill Auditorium tonight with a promise of perfection. Their piano pieces will be delivered by an artist whom Anton Nel, an associate professor of piano at the School of Music, calls "one of the greatest talents of the century." Evgeny Igorevich Kissin, an improviser on the piano at the age of three, received international attention when, at 12, he performed Chopin's Piano Concertos Nos. 1 and 2 with the Moscow Philharmonic. He was the child prodigy of the piano world, in his youth listening to recordings and replaying the music he heard by memory. He is now 26, and still growing as an artist and performer. Pianist Evgeny Kissin appears at Hill Auditorium tonight. Born in Moscow, Kissin grew up with the Russian piano tradition, familiar with former greats Anton Rubinstein and Vladimir Horowitz. He plays in the Romantic tradition, and, New York Times critic Harold Schonberg argues, with "constant, delicately applied fluctuations of tempo, held under a perfect synthesis of emotional and intellectual control." Kissin's talents have taken him all over the world, in cities like Berlin, Budapest and Boston. His 1990 debut at Carnegie Hall was a sold-out affair, producing a recording that earned him a Grammy Award nomination.
Small Encomia By Jay Nordlinger of them appeared within two weeks Mitsuko Uchida, a Japanese pianist, long resident isadmired for his Chopin and chamber playing; and evgeny kissin, a former http://www.newcriterion.com/archive/18/jan00/nordling.htm
Extractions: by Jay Nordlinger O Impoverished as we are in pianists, there are some interesting and creditable ones on the scene. At Carnegie Hall recently, three of them appeared within two weeks: Mitsuko Uchida, a Japanese pianist, long resident in Europe, who is known particularly for her Mozart; Emanuel Ax, an American, born in Poland, who is admired for his Chopin and chamber playing; and Evgeny Kissin, a former child prodigy, now twenty-nine, from Russia, who is the object of rapture and delirium everywhere. Mitsuko Uchida, decidedly, is not of this tradition; she is a clean, careful, and modest pianist. Uchida offered an unusual program in New York, or rather, she presented it in an unusual order: a Chopin sonata, Webern, Mozart, and, to conclude, a late Schubert sonata. Her Chopin was the B Uchida, however, has a severely limited technique, meaning that she can barely handle much of the mainstream repertory. The Chopin sonata was all but beyond her. She is exceptionally tight in the arms, which restricts her movement and deprives her of fluidity. She appears to sit too close to the keyboard, and her shoulders are hunched. Her entire piano-playing apparatus seems cramped. To be sure, she usually manages to get through difficult passages, but not without awkwardness and strain. H er main problem in the first movement of the Chopin lay in the octaves: she could not coax a singing line out of them. It is easier, of course, to produce such a line with single notes, but Chopin demands that it be done with octaves as well. Uchida did not play those octaves