RONDO-Archiv: Vergleich, Liszt, H-Moll-Sonate Translate this page Die CD Rubinstein RCA/BMG 09026 62590 2 (1965). 12. Kein pianist diesesJahrhunderts ist der Sonate gerechter geworden als emil gilels. http://www.rondomagazin.de/klassik/cdgalerie/liszt.htm
Extractions: Inhalt CD-Galerie Archiv-Inhalt Titelseite/Inhalt A ls Ringen einer leidenschaftlichen Seele um das Ideal wurde Franz Liszts h-Moll-Sonate bezeichnet. Was immer man von solchen Deutungen halten mag, außer Frage steht, daß dieses Werk der Extreme mit seinen jähen Stimmungswechseln und seiner monumentalen Form von jedem Interpreten Außerordentliches fordert. Als Franz Liszt 1852 mit der Komposition seiner Klaviersonate in h-Moll begann, lagen seine Triumphe als "Pop-Star" der Pariser Romantik und die dazu geschaffenen Bravourwerke hinter ihm. Nun saß er als Hofkapellmeister in Weimar und rang mit dem Schatten Beethovens, indem er sein bedeutendstes Klavierwerk schlicht "Sonate" nannte und den geplanten bombastischen Schluß zugunsten eines akkordischen Verdämmerns verwarf. Wer indes eine Sonate klassischen Zuschnitts erwartet, dürfte verwirrt sein. Die h-Moll-Sonate, an deren Beginn drei Themen exponiert werden (eines davon, der berühmte "Hammerschlag", bohrt sich sofort ein), kann man entweder als einsätzige Sonatensatz-Fantasie oder auch als Verschmelzung vierer Sätze begreifen. Klassische Themenentwicklung gibt es nicht, sondern ein Gespinst von Verwandlungen dieser Motive, die ständig in anderen Masken daherkommen. Für Statistiker: 81 Prozent der Takte sollen Varianten dieser Keimzellen sein. Doch wer würde ein derart feuriges, grandioses Klavierwerk so strukturell hören?
WholeNote Discoveries emil gilels is an example of a most paradoxical musical destiny. The OdessabornSoviet pianists reputation was largely due to his superb interpretation of http://www.thewholenote.com/discoveries_may_04/discoveries_dotm.html
Extractions: Two new Beethoven CDs by Stephen Kovacevich and Anton Kuerti are no less appealing. In fact the programs presented on each CD are as diverse as the character of their performers, and yet both embody versions of the Beethovenian ideal. The Los Angeles-born Kovacevich, noted particularly for his profound and often radical approaches to the music of Beethoven, breathes a new life into the earliest sonatas (Op. 2). Anton Kuerti has lived in Canada for the past 35 years and is admired all through the musical world for being what one can call an educated, open-minded pianist. The expression of the soul. While his analytical approach may not appeal to everyone, listening to his rubato in the Fugue of Op.110 or the way he builds up the Adagio ma non-troppo of the same sonata, to
Classical Net Review - Gilels - Recital In Florence The other was emil gilels. This CD preserves a recital that gilels gave in Florence,Italy on November 6 At that time, the pianist was in his mid30s, and still http://www.classical.net/music/recs/reviews/m/m&a01102a.html
Extractions: Once upon a time (almost half a century ago, to be exact), there were two Soviet pianists who were, because of the reputations that preceded them, the subjects of intense curiosity in the United States. One was Sviatoslav Richter. The other was Emil Gilels. Eventually, both of them arrived in America. Until that time, pianophiles and record collectors had to content themselves with muffled Soviet recordings, and with tapes from live concerts. The latter, in particular, were passed from fan to fan with a mixture of secrecy and awe, as if the tapes were suppressed relics, icons from Russian Orthodox churches. This CD preserves a recital that Gilels gave in Florence, Italy on November 6, 1951. At that time, the pianist was in his mid-30s, and still four years away from his first appearance in the United States. It is easy to hear what all the excitement was about. Gilels was a pianist who inspired awe in his audiences. One is reminded of Shakespeare's
Extractions: TOP PRODUKTE Fujitsu/ Siemens AMILO K ab 999 EUR Sony "DSC-P72" ab 299 EUR Mikrowelle silber mit Grill, 1000 W Grill, 800 W Mikrowelle, 17 Liter Garraum, drehbarer Glasteller ab 49.99 EUR Ein Pianist (v. frz pianiste ) ist ein Künstler , der (berufsmäßig) Klavier spielt. Table of contents showTocToggle("show","hide") 1 Bekannte klassische Pianisten:
Konzertführer Klavierkonzerte Translate this page Johannes Brahms war ebenfalls ein großartiger pianist und doch zeigen seine Konzertekeine emil gilels hat es oft eingespielt, unerreicht ist aber nur die 48er http://home.t-online.de/home/weberconnect/kk.htm
Extractions: „E-Musik" - was für ein schreckliches Wort, „klassische Musik" - ebenfalls viel zu eng gedacht. Wie kommt jemand dazu einen solchen Konzertführer zu schreiben? Zum einen ist da natürlich die Liebe zur Musik, zum anderen sieht man ja den Bedarf an sich selbst - wer lernt nicht gerne neue Musik zum Geniessen kennen - und zu guter Letzt gehört immer auch ein wenig Sendungs- bzw. Mitteilungsbewußtsein dazu. Vorab, wenn sie meine Ausführungen kommentieren wollen oder einen Tip haben, schicken Sie mir eine E-Mail. Email an Stephan Am Anfang habe ich gedacht: Was für eine Mammutaufgabe? Sicher wäre es dies, wenn man alle Konzerte auch nur erfassen wollte. Andererseits stellt man fest, daß es soviele berühmte, viel gespielte Klavierkonzerte gar nicht gibt. Viele berühmte Komponisten sind zudem als Schöpfer von Klavierkonzerten gar nicht in Erscheinung getreten, wie Schubert, Wagner, Bruckner, Strauß oder Mahler, andere nur am Rande wie Richard Straus und Strawinsky. Selbst Klaviertitanen wie Chopin oder Liszt haben zwar unzählige Klavierwerke geschrieben, jedoch nur je zwei (echte) Konzerte. Auch wurde das Klavier erst relativ spät erfunden, also Fehlanzeige bei älteren Komponisten wie Bach, Scarlatti, Vivaldi oder Händel. Der Führer geht chronologisch vor, wodurch sich automatisch auch zumindest eine gewisse Stilklassifizierung ergibt. Wiener Klassik Der vielleicht erste wirklich bedeutende Komponist von Klavierkonzerten ist Joseph Haydn, und doch geht es ihm nicht viel anders als mit seinen Sinfonien: Wirklich bekannt oder gar populär sind sind nur wenige (z.B. die Sinfonie mit dem Paukenschlag), zu sehr stehen sie im Schatten von Mozart und Beethoven. Wenn letztere nicht so überragend wären, müßte man eigentlich sagen „zu unrecht": Einige Konzerte sind durchaus einfalltsreich, unterhaltsam, spannend, schön. Als Nicht-Haydn-Spezialist würde ich das 20. Klavierkonzert empfehlen, was genau diese Kriterien voll erfüllt. Gut ist z.B. die Aufnahme mit Emil Gilels und Rudolf Barschai.
Grigory Gruzman, Pianist A magnificent performance by a passionate pianist. NiceMatin (France). From the verybeginning one is reminded of emil gilels. Grigory Gruzman was born in St. http://www.pianisten.de/gruzman/e-home.htm
Extractions: Grigory Gruzman Pianist zur deutschen Übersetzung Westdeutsche Zeitung (Germany) Gruzman is above all else a sensitive and poetic artist who has at his command a perfect technique and mastery of classical music. The Sunday Times It was a marvellously splendid evening. No wonder with a soloist of this caliber. Strains of seldom heard purity. A magnificent performance by a passionate pianist. Nice-Matin (France) Grigory Gruzman gave a splendid recital in the "Salle Picasso". His playing is full of contrasts, his pianissimo is truly moving. His technique allows him to simply ignore difficult passages. From the very beginning one is reminded of Emil Gilels. Grigory Gruzman was born in St. Petersburg in 1956. At the age of five he was taught his first piano lessons and due to his outstanding talent he was soon admitted into the special music school for gifted children in St. Petersburg. While attending school he appeared more than 300 times on stage in different Russian cities. Grigory Gruzman studied with Prof. Gregory Haimowsky at the Academy of Music in Jerusalem and then with Prof. Vitalij Margulis at the College of Music in Freiburg (Germany), where he obtained the artistic exam as well as the concert exam. Gruzman is the prizewinner of the international piano competitions in Monza and Vercelli (Italy).
Russian & Soviet Music - Classic Svetlanov Page by Hiroshi Hayashi (in Japanese); Evgeny Svetlanov, Director, pianist,Composer and Singer - by Larisa Roshchina. emil gilels (1916-1985) emil http://www.slavweb.com/eng/Russia/music/class-e.html
CAPLEX Nettleksikon Www.caplex.no Artikkel. gilels, emil, 191685, sovj. pianist. Flere internasjonale priser.Omfattende konsertvirksomhet i vestlige land. Utskriftsvennlig versjon. http://www.caplex.net/web/artikkel/artdetalj.asp?art_id=9305810
Pianist Een professioneel optredende pianist die klassieke muziek uitvoert begint vaak opzeer emil gilels; Jacob Gimpel; Misha Goldstein; Richard Goode; Glenn Gould; Lola http://www.guajara.com/wiki/nl/wikipedia/p/pi/pianist.html
Extractions: Een pianist is een persoon die de piano bespeelt. Ook de naam voor een marconist die tijdens de 2de Wereldoorlog als ondergrondse medewerker of spion werkte. Een professioneel optredende pianist die klassieke muziek uitvoert begint vaak op zeer jonge leeftijd te spelen, soms op driejarige leeftijd. Vele bekende klassieke componisten waren zelf kundige pianisten, bijvoorbeeld Sergei Rachmaninov, Wolfgang Amadeus Mozart Franz Liszt Frederic Chopin en Robert Schumann. Hieronder volgen opsommingen van pianisten die: Table of contents showTocToggle("show","hide") 1 Pianisten die klassieke muziek spelen 4 Pianisten die blues muziek spelen Martha Argerich Claudio Arrau Vladimir Ashkenazy Gina Bachauer Wilhelm Backhaus Daniel Barenboim Simon Barere Bart Berman Boris Berman Idil Biret Jorge Bolet Alfred Brendel Bruno Canino Robert Casadesus Shura Cherkassky Dino Ciani Van Cliburn Jean-Philippe Collard Clifford Curzon Bella Davidovich Alicia de Larrocha Vasso Devetsi Peter Donohoe Barry Douglas Severin von Eckardstein Hans Eijsackers Vladimir Feltsmann Annie Fischer Edwin Fischer Leon Fleischer Walter Gieseking Emil Gilels Jacob Gimpel Misha Goldstein Richard Goode Glenn Gould Lola Graham Gary Graffman Helene Grimaud Friedrich Gulda Horatio Gutierrez
Classic Archive - André Cluytens / Emil Gilels (2003) Cluytens conducts, and the soloist is the great Russian pianist emil gilels(19161985). The focus here is entirely on gilels, and rightly so. http://www.michaeldvd.com.au/Reviews/Reviews.asp?ID=4455
Tiscali - Search Translate this page 21.gilels, emil Recht große Liste mit Aufnahmen des pianisten, sortiert nach dem 24.Harden,Wolf Der Hamburger pianist ist erfolgreich solistisch tätig, sein http://directory.tiscali.de/World/Deutsch/Kultur/Musik/Genres/Klassische_Musik/I
Extractions: This is a very finely played CD of these 3 great sonatas by Beethoven. Gilels uses a great deal of color throughout the works. The playing on this CD of my favorite recordings of these pieces. The Appassionata has many other rival recordings, but I believe the Waldstein and the Les Adieux stand alone. Overall a great recording!!!
Extractions: This is a superb collection from a man who was, by any measure, one of the supreme keyboard artists of the 20th century (and whose life was criminally shortened by medical malpractice at a Moscow hospital). Gilels versatility is evident, and his rich tone, elegant phrasing and thundering virtuosity are undeniable. That said, I would like to take issue with a few of the previous reviewers statements. First, to say that Gilels didnt tour much "during the Soviet years" (the only years he was alive; when else would he have toured?) is patently false. Gilels was one the best-travelled performers of his time. Second, to say that he was not a typical "Russian" pianist is an extraordinary statement. Gilels was trained by Heinrich Neuhaus (that most Russian of teachers) and was criticized when he made his 1955 New York debut for a lack of subtlety (which he was to remedy within a few years) that was widely attributed to his narrow, exclusively Russian training. Finally, to say that Gilels made few recordings is ridiculous. The mans repertory was huge (from Bach and Scarlatti to Shostakovich and Prokofiev) and he left a recorded legacy that few pianists can rival.
Extractions: 1. Byron Janis, Pianist. Chicago Symphony Orchestra, Fritz Reiner, Conductor. RCA Victor Red Seal Living Stereo 62691 (Stereo). Originally released 1957. 2. Sergei Rachmaninoff, Pianist. The Philadelphia Orchestra, Eugene Ormandy, Conductor. RCA Victor Red Seal 56659 (Mono). Recorded 4 December 1939 Columbia Masterworks IM-38672 (Digital Stereo). Released 1983. 4. Artur Rubinstein, Pianist. Chicago Symphony Orchestra, Fritz Reiner, Conductor. RCA Victor Red Seal RCD1-4934 (Stereo). Recorded 9 January 1956. 5. Artur Rubinsten, Pianist. The Philadelphia Orchestra, Eugene Ormandy, Conductor. RCA Victor Red Seal 63060 (Stereo). Recorded 23 November, 1971. Piano Concerto No. 3 in D Minor, Op. 30.
Alexander Siloti: Lost In The Stars I heard emil gilels play a piece by a Russian composer named Siloti and begun to rediscoverthe wonder of Siloti s achievement as pianist, conductor, impresario http://www.siloti.com/cgi-bin/intro.php
Extractions: Outside Links Emil Gilels introduced us. It was in 1973 when Gilels came to town, offering a recital which included Petroushka and Les Images. He was in glorious form, commanding all the dynamic expression, the sheer aliveness in rhythm and ardor for which he was so rightly celebrated. At concert's close the audience jumped to its feet, yelling applause and clapping rhythmically, thus to honor him with one of his own country's traditions. Siloti, left, with student Rachmaninoff What followed is what amazed. His first encore consisted of a work I had never heard. It seemed to rise from the Well-Tempered Clavier, but wasn't the same at all. Some exquisite hand had redrawn it in a way I couldn't imagine. At this encore's end, the audience offered a greater tribute yet: silence, stillness, a vast sigh, and only then a rolling and tidal ovation. This small encore had stolen the show. Backstage afterward, I asked Gilels about it. "The music is out of print. He never made records. No one knows him now. This was Siloti."
Emil Gilels of the Kogangilels combine; it s a great dynasty. The dynasty also includes Kogan smother, violinist Elizabeta gilels, and uncle, pianist emil gilels http://emil-gilels.music-savings.com/
Extractions: A B C D ... Z Artist or Album: Emil Gilels - Tchaikovsky: Piano Concerto No. 1 / Violin Concerto List Price: Price: Average Customer Rating: Release Date: 05 April, 1991 Availability: Usually ships within 24 hours Label: Sony Media: Audio CD David Oistrakh was one of those violinists beloved by people who don't especially like violinists. Don't get me wrong, plenty of violin aficionados love him too. But the fact that he played with such warmth of tone and musicality, never indulging in the screeching cat-music stuff that some violinists think sounds flashy, makes him uniquely listenable to folks not into violin playing for its own sake. Perhaps the fact that he was also a distinguished conductor had something to do with it, for he always seems to know where he ishow everything fits together. His performance of the Tchaikovsky Violin Concerto is a case in point: soulful, exciting, never ragged or overblown. Add Emil Gilels' epic rendering of the Piano Concerto and how can you refuse? David Hurwitz Emil Gilels CDs: Tchaikovsky: Piano Concerto No. 1 / Violin Concerto
Munzinger Personen - Emil G. Gilels pianist und Klavierpädagoge. EmilG. gilels sowjetrussischer pianist und Klavierpädagoge. http://register.munzinger.de/personen/00/000/007/00007784.shtml
Extractions: The fabulous technical equipment, glorious sound, and passionate temperament of Emil Gilels particularly suited him to the biggest pieces in the piano repertory. It was for this reason that, unlike most of his Russian compatriots, he never programmed much Chopin. The works he recorded in the studio and performed (at least in New York) were restricted to a few big piecesthe E Minor Concerto, the two mature sonatas, the G Minor Ballade, and an occasional polonaise. In his last years, however, Gilels became a more pensive player, who could create magic spells in smaller forms such as Grieg's "Lyric Pieces" and Brahms' Intermezzi. The pianist's relatively early deathhe was only 68 when he died in 1985robbed his admirers on this side of the Atlantic from hearing him apply his newly acquired poetic and sensitive powers to more of Chopin's music. That is why Vol. 3 in Doremi's Emil Gilels Legacy is so valuable. This transcript of his 1975 recital in the Helsinki Festival contains, so far as one can tell, Gilels's only known recorded performances of any Chopin mazurkas or Impromptu. In the A-flat Impromptu, this legendary virtuoso completely eschews bravura. Instead of the customary pianistic impudence, what one hears is softly persuasive and intimate. Three mazurkas (in A minor, Op. 7, No.2; C Major, Op. 24, no. 2; and F Major, Op. 68, No. 3) are equally delicate, sensitive, and unhurried. The rest of the disc contains repertory (Chopin's G minor Ballade and C minor Polonaise and the Beethoven Sonatas Nos. 12 and 16) recorded elsewhere by Gilels in much better sound.
E_Stadt Zwickau - Ehrungen/Auszeichnungen - Robert-Schumann-Preis 1972. Ekkehard Otto, Zwickau, singer Maria Maksakova, Moscow, singer and pedagogue.1973. emil gilels, Moscow, pianist Elisabeth Breul, Leipzig, singer. 1974. http://www.zwickau.de/sprachen/english/e_visitenkarte/e_ehrungen_auszeichnungen/
Extractions: Stephan-Roth-Citizen-Medal Robert Schumann Prize of the City of Zwickau Robert-Schumann "Winner of the Robert Schumann Prize of the City of Zwickau .... (respective year)" . The prize is awarded to outstanding singers, musicians, conductors, orchestras, musicologists and institutions in Germany and abroad who deserve special credit for spreading the musical works of Robert Schumann or researching his life and work. Proposals for awarding the prize are prepared and made by the board of the Robert Schumann Society of Zwickau (Robert-Schumann-Gesellschaft Zwickau e.V.) Georg Eismann Zwickau, musicologist
Stadt Zwickau - Ehrungen/Auszeichnungen - Robert-Schumann-Preis - Preisträger Translate this page und Komponistin 1972 Ekkehard Otto, Zwickau, Sänger Maria Maxakowa, Moskau, Sängerinund Pädagogin 1973 emil gilels, Moskau, pianist Elisabeth Breul, Leipzig http://www.zwickau.de/bildung_kultur/kultur/auszeichnungen_preise/robertschumann
