Phorum - Klassikakzente - Meine Pianisten, 1. Teil pianist der Welt Reiner- Rachmaninoff 2 / Beethoven 5 (RCA Living Stereo) samuil feinberg (1890-1962 http://php.klassikakzente.de/phorum-3.3.2c/read.php?f=5&i=7721&t=7721
Masterpieces Of Non-standard Piano Repertoire feinberg, samuil Evgenevich (18901972). A pianist of the very first rank, a pedagogueresponsible for the Soviet theory of legato playing, and a composer who http://www.kith.org/jimmosk/piano.html
Jewish Pianists samuil feinberg; Vladimir Feltsman; Annie Fischer 2; Leon Fleisher; Yakov Flier; 10.See Lili Kraus Hungarian pianist, Texas Teacher, and Personality Extraordinaire http://www.jinfo.org/Pianists.html
Extractions: JEWISH PIANISTS Charles Alkan Vladimir Ashkenazy Emanuel Ax Victor Babin Gina Bachauer Dmitri Bashkirov Daniel Barenboim Simon Barere Lazar Berman Victor Borge Alexander Borovsky Alexander Brailowsky Yefim Bronfman Ignaz Bruell Shura Cherkassky Harriet Cohen Bella Davidovich Misha Dichter Samuil Feinberg Vladimir Feltsman Annie Fischer Leon Fleisher Yakov Flier Claude Frank Ignaz Friedman Emil Gilels Grigory Ginsburg Leopold Godowsky Alexander Goldenweiser Richard Goode Gary Graffman Mark Hambourg Clara Haskil Myra Hess Vladimir Horovitz Eugene Istomin Byron Janis Joseph Kalichstein William Kapell Julius Katchen Louis Kentner Evgeny Kissin Vladimir Krainev Lili Kraus Wanda Landowska Ruth Laredo Radu Lupu Hephzibah Menuhin Benno Moiseiwitsch Ignaz Moscheles Murray Perahia Menahem Pressler Michael Roll Moritz Rosenthal Anton Rubinstein Artur Rubinstein Nikolai Rubinstein Harold Samuel Artur Schnabel Peter Serkin Rudolf Serkin Solomon (Cutner) Wladyslaw Szpilman Mark Taimanov Carl Tausig Sigismund Thalberg Rosalyn Tureck Isabella Vengerova Alexis Weissenberg Paul Wittgenstein Maria Yudina
3 XCLASSICAL RUSSIAN PIANIST CDs For Sale - TradeMe.co.nz - New Zealand 3 xCLASSICAL RUSSIAN pianist CDs. The pianists on these CDs are; Mikhail Pletnev,Emil Gilels and samuil feinberg.They play Bach, Mozart, Beethoven, Weer, Liszt http://www.trademe.co.nz/Music-instruments/CD/Classical/0343-0891-1104-/auction-
Schepkin's Well Tempered Clavier, Book I Schepkin captures all this beautifully; he s a great badtimes pianist. 4. Also,has anyone listened to samuil feinberg s WTC lately? I hear every note sings. http://www.bach-cantatas.com/NonVocal/Klavier-WTC1-Schepkin.htm
Extractions: As promised, this begins my thorough review of WTC, Book I and Sergey Schepkin's new recording on Ongaku. First, some overall comments about the WTC. If you look at this body of works as a series of "miniatures", either you're not "getting it" or the performances are not sufficiently insightful. I think of each prelude and fugue as a musical journey through a key , with various emotional messages conveyed from Bach through the pianist: 1. Prelude in C - This is an amazing piece of music. In its elemental state and if played "straight, it can seem analagous to the playing of scales . The pianist's challenge is to dig into the work and bring to the surface as much of what's hidden as possible. Gould surfaces brilliantly the excitement, drive, and energy of the piece, while Jarrett surfaces the trance-like features. Schepkin plays the prelude well with a commanding bass line, and I did feel that I had been on a journey. But, he does not reach the heights displayed by Gould or Jarrett. On a scale of 1 to 4, Schepkin rates 2. Fugue in C - I call this the "steamroller" fugue. I look in a performance for the inexorable steam rolling effect of the bass line and the highlighting of the contrapuntal features. Schepkin does not succeed here. There's no magic - just a straight run-thru.
Sleeve Notes - Alexandrov: Piano Music forgotten, even though he unlike Nikolai Myaskovsky and samuil feinberg, whodied as, for example, in the technically (for the pianist) very demanding http://www.hyperion-records.co.uk/notes/67328.html
Extractions: ANATOLY ALEXANDROV (1888-1982) Excerpts from the sleeve notes Having left school, Alexandrov initially received a private musical education. His mother, who had studied with Tchaikovsky, sent him in 1907 to Sergei Taneyev, the doyen of Moscows school of composition, who initially entrusted the budding composer to his progressively-minded pupil, Nicolay Zhilyayev (who fell victim to Stalins Reign of Terror in 1938). From 1908 Taneyev himself instructed him in counterpoint and composition. In 1910 Alexandrov was finally admitted to the Moscow Conservatoire where he was taught composition by Sergei Vasilenko and piano by Konstantin Igumnov (until 1915/16). From 1923 to his retirement Alexandrov himself taught composition at this most prestigious institution not only of the Soviet Union but also of the entire eastern bloc. Alexandrovs aesthetic development was influenced above all by the leading Moscow composers of the pre-Revolutionary Tsardom, in particular Scriabin and Medtner, who were described by Arthur Lourié as the diametrically opposed poles of Russian music at the beginning of the twentieth century. The names of Scriabin and Medtner stood on the one hand for the search for a new music that was characterized by ingenious exuberance and exceptional refinement of sound, and on the other hand for dense thematic concentration and spiritualization in the tradition of Beethoven. Rachmaninov, with his emotional directness and concern for melody, also had a deep and lasting influence on Alexandrov. The contradictory tendencies of Moscows musical culture clashed for Alexandrov in the two very different characters of his two composition teachers Taneyev and Zhilyayev:
Greenwood Publishing Group I1 Passionate Slav Vladimir M. Deshevov The Man of the Theater The ReluctantAvantGardists samuil E. feinberg The Post-Scriabin pianist Anatoliy N http://info.greenwood.com/books/0313267/031326709x.html
Extractions: Soviet and Russian music of the first third of the 20th centurywith the exception of the music of a few high-profile composers who were officially sponsored by the Stateis still largely unexplored territory, known only to a few specialists. Nevertheless, the music has considerable intrinsic value well beyond its curiosity appeal, and includes many pieces unaccountably forgotten and certainly worth reviving, to the ultimate enhancement of our concert repertoire. The study of this music also explains much about the foundations of Soviet culture and its subsequent suppression and decline under the Stalinist yoke. The purpose of this volume is to stimulate interest in this little-known area of Soviet/Russian music. The works charted here constitute a great flowering of avant-garde music which was then savagely dealt with for Stalin's political purposes.
÷ÉËÔÏÒ íÅÒÖÁÎÏ×: __ 'íõúùëá - ÷ú÷ïìîï÷áîîáñ ò Neuhaus book and then the book of samuil feinberg, and you with the advantages ofin the one of feinberg s. thinks that Neuhaus was a great pianist, let them http://www.zavtra.ru/cgi/veil/data/zavtra/03/489/71.html
Extractions: TEMPLEMAN LIBRARY UNIVERSITY OF KENT Theatre Collections : Programme Collection Berlin Programmes UKC/PRG/BURT/CON FRIE : F175378 Programme for a musical performed at the Friedenauer Theater in Berlin. The programme is undated. Friedenauer Theater, Rheinstrasse, Berlin, Germany LIBELEI or Flirtatiousness designer : Leder, Wolf, Herr UKC/PRG/BURT/CON RUS : F175351 Programme for a concert held in Berlin in 1946. The programme is printed in Russian. Berlin, Germany UKC/PRG/BURT/CON RUS : F175352 Programme for a concert held in Berlin in 1946. The programme is printed in Russian. Berlin, Germany UKC/PRG/BURT/CON RUS : F175354 Programme for a concert held in Berlin in 1946 (?). The programme is printed in Russian. Berlin, Germany
Sergio Fiorentino Memorial series, which has captured the insight of one of the greatest pianist of our on themodern piano has not sounded this good since samuil feinberg s recording of http://www.people.freenet.de/elumpe/Fiorentino.htm
Extractions: (from a conversation with his pupil and friend, pianist Alberto Neumann) "Ho ascoltato recentemente un pianista alla radio che mi ha impressionato molto: Sergio Fiorentino, lei lo conosce?" (Recently I listened to a pianist on the radio who impressed me very much: Sergio Fiorentino, do you know him?) T hese short statements by two pianists, considered by many as belonging to the league of the very greatest, will come as a major surprise to all those interested in the art of playing the piano. One can safely assume that both men did know what they were talking about. Contrary to their knowledge, until recent years, the name of Sergio Fiorentino was virtually unknown to a wider public. After tremendous success on concert stages of many European countries and through appearances in New York City and in South America in the late forties and early fifties, a chain of events caused Fiorentino to retreat from international concert life, dedicating most of his time to teaching at the Conservatory "San Pietro a Majella" in his native city and giving only the occasional concert and radio appearance in Italy.
Sfnet Näppäile www.imdb.com The pianist (2002) ja Browning; Ignaz Bruell; Shura Cherkassky;Bella Davidovich; Misha Dichter; samuil feinberg; Annie Fischer http://www.mphelsinki.net/t100065.html
Records International Catalogue March 2004 first movement and a rondo finale which both test the skills of the soloist (Fuchswas a brilliant pianist in his samuil feinberg (18901962) Piano Sonata No. http://www.recordsinternational.com/RICatalogMar04.html
Extractions: Home January 2004 January 2003 January 2002 ... December 1997 Mieczyslaw Karlowicz Rebirth Symphony NOTE: The Arizona Chamber Music Society Arensky/Taneyev CD should be shipping with your March orders. The Most Remarkable Symphonic Find in Years! New in the Villa-Lobos Symphony Cycle! HEITOR VILLA-LOBOS (1887-1959): Symphony No. 7, Sinfonietta No. 1. Collectors of Villa-Lobos' symphony cycle will know that it is here (and in his string quartets) that he wrote his most "absolute" music and, although, this 1945 symphony has its share of dissonances and sprinkling of modern effects (nothing much more scary than glissandi, really), its orchestration is a give-away as to its provenance; at times, it suggests Martinu on steroids in its rhythmically manic delight. The Sinfonietta comes from the same year as the first symphony (1916) and has a Mozartean grace (its themes are suggested by that composer) and lightness of touch. Stuttgart Radio Symphony Orchestra; Carl St. Clair. CPO 999 713 (Germany) Toch Symphony Cycle Completed! ERNEST TOCH (1887-1964): Symphony No. 1, Op. 72, Symphony No. 4, Op. 80. It's taken nine years but, at last, cpo's Toch symphony cycle is finished. The first is his longest - 37 minutes - but its neo-classical, sometimes Hindemithian personality is just what one would expect. Dating from 1950, it is distinguished by a very transparent orchestration throughout and much ingenious motivic working-out of its themes. The fourth comes from 1957 and is rather shorter but demonstrates Toch's ability to create a broad expressive palette with very economical means (this recording includes the brief spoken texts in honor of the symphony's dedicatee, Edward MacDowell's widow Marian originally intended by the composer to preface the final two movements). Berlin Radio Symphony Orchestra; Alun Francis. CPO 999 774 (Germany)
Piano Wizard's Guest Book soon My Emaildick_deadeye@myself.com Your favorite pianist(s) Sofronitsky Schubert, Beethoven on BMG/Philips/Dante/Arlecchino), samuil feinberg (in Bach http://www.geocities.com/Vienna/Strasse/8618/geobook.html
Extractions: Sir, you are obviously a pianist..and piano freak/connoisseur to a large degree. Do you teach? I see that you have no recording of Rach's Variations on a Theme of Corelli. Have you heard it? Would you rate Alicia deLarrocha and Ruth Laredo in your list of Good and Bad? Very nice website and informative. By the way! I have a snippet of piano music which no one can seem to identify. I recorded it from a classical radio station in 1980. Then it gathered dust. Recently, I sent a tape copy of it to the station nd they are a blank. Same for Capital University here in Columbus OH. Want to try? What's your mailing address? I'll send it. I want to buy the complete recording. Thanks.
THE COMPOSER AND THE PERFORMER By samuil feinberg. However, no matter how great the abilities of the performer a pianist, violinist, singer, conductor no matter how diverse the http://www.math.uchicago.edu/~ryzhik/Feinberg1.html
Extractions: THE COMPOSER AND THE PERFORMER By Samuil Feinberg Introduction An artist of a plastic art form, whether a painter, a sculptor, or an architect, is the sole creator of the material object. There is no need for an intermediary or interpreter between the author and the spectator. True, in order to finalize his project an architect (and sometimes a sculptor) turns to the help of experienced workers who realize his models and sketches in stone and wood. But their work is purely that of the craftsman and does not involve any new, additional creative impulses. The situation in music is entirely different. The composer needs an intermediary-performer, a creative interpreter of his composition. The word "performer" does in fact express the essence of the artistically significant and intensely creative process of musical interpretation. The more perfect, complete and brilliant the performance of an artist, the more exposed is his artistic persona. He is not an "executor" of another's will; rather the mind of the composer should become the performer's own, and blend with the individual traits of his talent, with his own artistic aspirations. The performer gains strength and courage in this unity, which is necessary for the concrete realization in sound of the ideas and images contained in the work. Even composers who have the necessary instrumental proficiency and technique are still not always the best performers of their work. In such cases, the composer has somehow exhausted his main source of creative force in the composition process.
Cheapest Products Made By Arbiter Zodiac Recordings Andre Marchal; Arbiter Bach The First Recordings samuil feinberg; recitalBenno Moiseiwitsch; Arbiter - Chopin The mythic pianist Vladimir de http://www.charlies-cheapest.co.uk/zBrandProdListArbiter.htm
Extractions: Home Contact Us Bookmark this Page Add Url ... Fridges, Freezers, Fridge-Freezers Please see the following great online shops for some great deals on Arbiter products... The following is a list of products available online by Arbiter Alphabetical List of Brands... A B C D ... Z Please see one of these online stores for some great deals on Arbiter stuff. Arbiter - Bach Bach Recital Mieczyslaw Horszowski Arbiter - Bach Busoni and his Legacy Ferruccio Busoni Rosamond Ley Arbiter - Bach The 1956 Zodiac Recordings Andre Marchal Arbiter - Bach The First Recordings Samuil Feinberg Arbiter - Beethoven Brunoo Walter in Concert Bruno Walter Bronislaw Huberman Arbiter - Beethoven Busch Quartet Live Busch Qt Rudolf Serkin Arbiter - Beethoven Horszowski plays Beethoven Mieczyslaw Horszowski Arbiter - Beethoven Huberman: Concert and Recital Recordings Bronislaw Huberman Arbiter - Beethoven Instrumental Works Leo Sirota Arbiter - Beethoven Paul Jacobs in Recital Paul Jacobs Arbiter - Beethoven The Pietro Scarpini Edition Wilhelm Furtwangler Pietro Scarpini Arbiter - Berlioz Orchestral Works Bruno Walter Arbiter - Borden Chamber Works Mother Mallard's Portable Masterpiece Company Arbiter - Brahms Schnabel plays Chamber Music Artur Schnabel Joseph Szigeti Arbiter - Brahms The Lost Legend of Cairo Ignace Tiegerman Arbiter - Busoni The Legendary Busoni Recordings Paul Jacobs Arbiter - Buxtehude Instrumental Works Andre Marchal Arbiter - Chaliapin Edition 1902-1908 Feodor Chaliapin
Untitled Document Translate this page in den Sinn Alexander Goldenweiser, Heinrich Neuhaus, samuil feinberg, KonstantinIgumnow und wie möglich zu gestalten, erhält jeder pianist Unterricht von http://www.internationale-klavierakademie.de/verein.htm
JEWISH MUSIC INSTITUTE - Suppressed Music, Newsletter 7 part in these concerts, among them the pianists Maria Yudina and samuil feinberg,the cellist He made his first public appearance as a pianist at the age of ten http://www.jmi.org.uk/suppressedmusic/newsletter/ifsm_news7.html
Extractions: edited by Martin Anderson Editorial Peter Gellhorn and Spoli Mills Geraldine Auerbach of the IFSM was in near-constant touch with Spoli Mills for the planning of a special Mischa Spoliansky tribute day, intended to feature his Symphony (as yet unperformed), his piano works, his cabaret songs and a theatre piece to be commissioned about him. Her untimely and unexpected death has increased our resolve to present this event at the South Bank Centre in November 2005. , the fruits of the IFSM's two concerts in the Wigmore Hall in June 2002, is at last available (details under Recordings, below Continental Britons , has proved extremely heartening: they have shown flexibility, open-mindedness and a concern for quality which encourages us to look forward to working with them in the future. As promised in the last issue, this IFSM e-newsletter has been prepared with the intention of getting news to its readers in a timely manner. Accordingly, the article on Szymon Laks intended for this issue has again been postponed so as not to hold up the rest. CPO CDs , and all but No. 5 have now been recorded) have been instrumental in re-establishing Wellesz's reputation as a major twentieth-century symphonic voice.
Shop.bookworms.org - Appian ( Apr ) Music I hadn t heard of this pianist until acquiring this disc but then went on themodern piano has not sounded this good since samuil feinberg s recording of http://shop.bookworms.org/aws.cgi/mode_music/kind_ManufacturerSearch/search_Appi
Extractions: Etudes, Op. 10: No. 4 In C Sharp Minor Etudes, Op. 10: No. 5 In G Flat (Black Key) Etudes, Op. 10: No. 8 In F Etude No. 3 In F, Op.25 Mazurka No.7 In F Minor, Op.7-3 Mazurka No.27 In E Minor, Op.41-2 Mazurka No.32 In C Sharp Minor, Op. 50-3 Scherzo No.4 In E, Op.54 Sonata No.2 In B Flat Minor, Op.35 (Funeral March): Grave - Doppio movimento Funerailles (Harmonies poetiques et religieuses, S.173-7) Sonata In B Minor, S.178: Lento assai - Allegro energico - Grandioso Sonata In B Minor, S.178: Andante sostenuto - Quasi adagio Sonata In B Minor, S.178: Allegro energico - Piu mosso Sonata In B Minor, S.178: (cantando espressivo) - Stretta quasi Presto - Presto - Prestissimo Sonata In B Minor, S.178: Andante sostenuto - Allegro moderato - Lento assai
Busoni :: Weihnachtsgeschenke.us :: Musik (Klassische) Translate this page Charles-Valentin Alkan, Ferruccio Busoni, samuil Yevgenyevich feinberg, Leopold Godowsky 8.Musik (Klassische) Daniel Pollack, pianist 1958 and http://www.weihnachtsgeschenke.us/cat-mode-classical_de-search_type-ArtistSearch
Suchfunktion Translate this page den Sinn Alexander Goldenweiser, Heinrich Neuhaus, samuil feinberg, Konstantin Igumnow möglichzu gestalten, erhält jeder pianist zwei Unterrichtseinheiten http://www.miz.org/cgi-bin/details.pl?x=ikapohl1310195111
