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Extractions: Engines James White Library Catalog AUTHOR TITLE SUBJECT WORD RECORD # View EDRA Collection View Entire Library Catalog Author Berman, Boris Title Notes from the pianist's bench / Boris Berman Published New Haven : Yale University Press, c2000 LOCATION CALL NO. STATUS General Reading/Top Fl AVAILABLE Description Subject Piano Instruction and study Piano Performance Bibliog. Includes bibliographical references (p. 211-213) and index
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Extractions: Pianist James Lent is winning acclaim for the exquisite sensitivity and vibrant energy of his playing. A top winner, Nathan Wedeen Award of the 1999 Concert Artists Guild Competition, where he also won the WQXR Prize, Mr. Lent is the recipient of numerous competition honors and awards. Most recently, he was a prize winner at the 2000 National Chopin Competition. He has also won top prizes at the 1999 and 1996 Washington International Piano Competitions, the Olga Koussevitsky Piano Competition and the Houston Symphony Ima Hogg National Young Artist Competition. Mr. Lent's orchestral appearances include the Vancouver Symphony, the Houston Symphony, the Shanghai Philharmonic, and the Indianapolis Chamber Orchestra, among others. His recital appearances include venues such as Weill Recital Hall at Carnegie Hall and Steinway Hall in New York, Jones Hall in Houston, and La Scala Chopin in Mexico City. His performances have been heard on New York's WQXR, National Public Radio's Performance Today, KUHF's Houston in Concert, and KRTS's Houston Symphony Series. Mr. Lent was a fellowship recipient at the Aspen Music Festival, the Norfolk Chamber Music Festival, the Sarasota Music Festival, and the Music Academy of the West in Santa Barbara. He recently served a second summer on the Associate Piano Faculty of the Sarasota Music Festival. In 2000, he served for a fourth summer on the faculty of the South Carolina Governor's School for the Arts where he also serves on the visiting artists faculty throughout the year.
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Extractions: A pianist with a broad and eclectic repertoire that ranges from the Classical period to the twentieth century and from art song literature to the Romantic concerto, Canadian pianist Stéphane Lemelin has received particular praise for his interpretations of Schubert, Schumann, Fauré and Ravel. He tours regularly in Canada and has given numerous performances in the United States, Europe and Asia. A frequent participant in summer festivals including the Lanaudière International Festival, Parry Sound, Domaine Forget, Ottawa, and Vancouver Chamber Music Festivals, he has collaborated with artists such as Donna Brown, Boris Berman, James Campbell, Jacques Israelievitch, Peter Schreier, Marc Grauwels, Martin Ostertag, Wolfgang Meier, and the St Lawrence and Muir String Quartets. He has appeared as soloist with most of Canada's major orchestras including the Montreal Symphony under Charles Dutoit. Recital engagements have included London's Wigmore Hall, the Phillips Collection in Washington, the Ladies Morning Musical Club in Montreal and the Vancouver Recital Society. Since the fall of 2003, he is a member of Trio Hochelaga, with violinist Anne Robert and cellist Benoit Loiselle. Stéphane Lemelin was born in Mont-Joli, Quebec, in 1960. After studying with Yvonne Hubert in Montreal, he worked with Karl-Ulrich Schnabel in New York, Leon Fleisher at the Peabody Conservatory, and Boris Berman and Claude Frank at Yale University where he received the Doctor of Musical Arts degree.
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Extractions: "Chamber music is meant to be played with friends and for friends," says Robert Martin, vice president for academic affairs and dean of graduate studies at Bard. "I so look forward to making music with Erica and Melvin, and the three of us are delighted to be offering this program to our many friends in the Bard community."
Extractions: In a series of dialogues with Martin Meyer, Brendel speaks about his life, the development of his career, his music-making, his travels, his poems and essays; about his childhood in Zagreb, adolescence in Graz, and experiences as a young man in Vienna ("I was in Vienna, but I was never a 'genuine' Viennese"); about literature, painting, architecture, and kitsch.
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Extractions: As a basic handbook for piano enthusiasts, this is an informative and well-researched volume. The first section offers capsule biographies of pianists through history, alphabetically arranged, that assess the stylistic or pianistic traits of each. Recordingsor, in the case of historical figures, contemporary reports on playing stylesare cited for documentation. The second section presents a critical survey of the important piano literature, solo and concerto, with a selective discography for each, based on the author's comparative listening... Now updated and expanded, the "New Hinson" is more useful than ever (with 120 more composers than before), guiding pianists to piano solo literature, for themselves and for their students. Maurice Hinson still answers the perennial questions of performers and teachers: What is available? How difficult is it? What are its special musical features? How can I reach the publisher?
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Extractions: produced with ReaderWare TITLE ARTIST LABEL COMPOSER DATE RUNNINGTIME VALUE VALUEDATE COPIES UPC ISBN LCCN DEWEY USERNUMBER FORMAT SERIES SOUND RATING CONDITION CATEGORY LOCATION KEYWORDS PLAYED PRINT HTMLEXPORT COMMENTS DATEENTERED SOURCE ROWKEY CART ORDERED DISKCOUNT ARTISTURL CONDUCTOR 808:88:98-10 Years Of 808 State 808 State Universal Records CD Stereo Dance/Electronica : UK Techno N Y Y 808:88:98 is a greatest hits compilation, but features one new song, "Crash," and new mixes of "Pacific" and "Cubik" which will be available in the US exclusively on this release. Additional personnel: MC Tunes, Bjork, UB40, M. Doughty, Louise Rhodes, James Dean Breadfield (vocals). Engineers include: G. Massey, M. Haas, A. Fisch, A. Stone, D. Kadar. Includes liner notes by John McCready. Tower Records N Out From Out Where * Amon Tobin Ninja Tune USA CD Stereo Dance/Electronica : Electronica N Y Y Personnel: Amon Tobin, MC Decimal R. Tower Records N Tales Of Ephidrina Amorphous Androgynous Astralwerks CD Stereo Dance/Electronica N Y Y This collection of hypnotic tracks is actually the work of the prolific electronic mad scientists Future Sound of London. It's a wild ride, full of dense sonic tapestries and snaky dance pulses. The underlying sonic texture of the album is an aqueous one, which is set loose from the opening bleats of "Liquid Insects." With its soupy acid-stew gurgles and thunderclaps, one almost imagines the song being broadcast from the surface of Jupiter. Other rapturous tracks include "In Mind," where an electronic melange of bleeps and tweets is grafted over the sound of an underwater heartbeat. The electronic string-led "Mountain Goat" almost sounds like something culled from the Windham Hill catalog. "Auto Pimp" sounds very much like what its title implies, except that high-pitched synth sounds lend the track more of a trance-like bearing. Both "Swab" and "Fat Cat" will please denizens of the dance floor, with the songs' rolling beats and dense, light-saber like sweeps of sound.
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Extractions: Boris Bekhterev was born to a family of musicians. He began studying music at the age of five and was educated at Moscow's Gnessin School of Music, being awarded a medal of merit at his graduation. He continued to improve his mastery until attaining a doctorate with outstanding results at Moscow's Tchaikowsky Conservatoire, studying under thefamous Maestro J. Milstein. In 1970, having won first prize in the Soviet Pianists' Competition, he began giving concerts both as a soloist and in duo with the violinist Vladimir Spivakov. Boris Bekhterev has played at some of the most prestigious concert halls in the Soviet Union, in Europe (Vienna's Konzerthaus, The Accademia di Santa Cecilia (Rome), La Scala Theatre in Milan), in the United States (New York's Carnegie Hall), in Japan and other nations. He boasts a very wide repertoire which extends from the baroque style of Bach and Scarlatti, through Classicism and Romanticism, touching on French Impressionist culture, and arriving at the modern and contemporary composers. A large part of his repertoire consists of works by Russian composers. He has played with many orchestras in the Soviet Union and with chamber orchestras such as the Virtuosi of Moscow, the English Chamber Orchestra, the Franz Liszt Chamber Orchestra of Budapest and the Prague Chamber Orchestra. From 1972 to 1986 he taught at the Moscow Conservatoire. During that time, he also ran the Academie Internationale of Tours (France) advanced courses for four years.
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Extractions: NEXT UP TOP RESUME: 3/95 Maggi Payne e-mail address: maggi@mills.edu EDUCATION 1972 M.F.A., Mills College (electronic music and the recording media) 1970 M. Music, University of Illinois at Urbana 1969 Yale University 1968 B. Music (with distinction), Northwestern University HONORS, AWARDS, DIRECT GRANTS 1994-1995 Faculty Research Grant with Professor David Bernstein, Mills College 1993 Barlow Competition, third place winner for DESERTSCAPES 1989-1990 NEA Composer's Grant 1987 NEA Interdisciplinary Arts Grant 1987 Mention, 15th Int'l Electroacoustic Music Competition, Bourges, France, 1987 1983-1985 Artist-in-Residence, EXPLORATORIUM 1983 Mellon Grant (video) 1983-1984 Western States Regional Media Arts Fellowship Grant (video) 1982 2nd prize winner, 3rd Concorso International. "Luigi Russolo" per giovani compositor di Musica Elettro acoustica 1979-1980 National Endowment for the Arts Composer's Grant 1972 Mills Crothers Award for outstanding composer, Mills College 1970-1972 full fellowship and teaching assistantship, Mills College
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