Bela Hartmann - Pianist: Schubert Series pianist Béla Hartmann, prizewinner at the International Schubert Competition ofSchubert scholars and performers such as paul baduraskoda, Maurice Brown and http://www.belahartmann.com/series.html
Extractions: WITH A COMPREHENSIVE SURVEY OF THE DANCES FOR PIANO [after breakfast] Gahy played us two wonderful sonatas by Schubert and some of his German Dances (Franz v. Hartmann, Diary, Febuary 6th, 1827) A series of eight full recitals, each concert consisting of two or three sonatas, the remainder of the programme being made up of assorted Waltzes, Landlers, Ecossaises, Minuets etc. The series is inspired by the quote above, describing a Schubertiade, a concert held in the presence of Schubert and his friends, in which the Hungarian pianist Joseph Gahy, a friend of Schuberts, played a programme similar to the concerts in this series. The concerts will present all completed sonatas and complete movements of sonata fragments in chronological order. The sonatas will be intermingled with most of, but not all of, Schuberts ca. 400 Dances for piano. Pianist: Béla Hartmann, prizewinner at the International Schubert Competition, Dortmund, 1997, semi-finalist, Leeds International Pianoforte Competition 2000. Provisional Programme: Sonatas in E (D157), C (D279) and A Minor (D537)
T561 - HATTEN - FALL 2003 Music Library Reserve Books And Scores Interpreting Bach at the keyboard / paul baduraskoda ; translated by AlfredClayton. Barth, George, 1950- The pianist as orator Beethoven and the http://www.dlib.indiana.edu/variations/reserves/old/fall03/t561mlo.html
Extractions: William and Gayle Cook Music Library Abbate, Carolyn. Unsung voices : opera and musical narrative in the nineteenth century / Carolyn Abbate. Princeton, N.J. : Princeton University Press, c1991. xvi, 288 p. : music ; 24 cm. Agawu, V. Kofi (Victor Kofi) Playing with signs : a semiotic interpretation of classic music / V. Kofi Agawu. Princeton, N.J. : Princeton University Press, c1991. x, 154 p. : ill., music ; 25 cm. Allanbrook, Wye Jamison. Chicago : University of Chicago Press, 1983. xii, 396 p. : ill. ; 24 cm. Bach, Carl Philipp Emanuel, 1714-1788. Essay on the true art of playing keyboard instruments, translated and edited by William J. Mitchell. [1st ed.] New York, W. W. Norton [1949] xiii, 449 p. port., music. 24 cm. Badura-Skoda, Eva. Interpreting Mozart on the keyboard / Eva and Paul Badura-Skoda ; translated by Leo Black ; new preface by Eva Badura-Skoda. New York : Da Capo Press, 1986. ix, 319 p., [2] leaves of plates : ill. ; 24 cm. Badura-Skoda, Paul. Interpreting Bach at the keyboard / Paul Badura-Skoda ; translated by Alfred Clayton.
MV3, With Gordon Rumson And Keith Bramich Site at www.affordablearts.com/html/ornstein_archive.htm M V article at www.mvdaily.com/articles/1999/12/ornstein.htm.paul Badura Skoda pianist and Scholar. http://www.mvdaily.com/articles/2001/01/mv3.htm
Extractions: GORDON RUMSON writes: The web allows many creative people the chance to promote their works around the globe, establishing connections in far-flung locales that would have been next to impossible a dozen years ago. At present the range of materials is large, but not complete. Or completely overwhelming. There are still hundreds of composers, artists, poets and such who are not online. But there is a start to it now. The formats vary widely: RealAudio, MIDI, audio files, MP3, MPEG and so on. And there are few established traditions about how to set up sites for ease of navigation. I'll try to warn you if something odd is going on and what your browser might need to do that's extra or unusual. Flynn is a UK-based composer of what he calls World Orchestral Music, an amalgam of many ideas and influences. He's been composing since the late 70s so he is no newcomer and his largest work is the Wexford Symphony , given here in painfully brief sound files (MP3) examples. It's impossible to tell how it succeeds in total so would some creative, enterprising impresario PLEASE program this work? The last thing the world needs is another symphony gathering dust so JUST GET ON WITH IT!! Flynn seems to like to take the bad-boy/angry man attitude, but his works, like
Musical Autographs: Catalog 48 $20 105. baduraskoda, paul- SP 4 x 6 photo of the smiling Austrianpianist making a point d/s in Spanish to Arminda Canteros 1987 http://www.rgrossmusicautograph.com/instrument48.html
Extractions: AmazonUS $41.50 (content page views available) Paul Badura-Skoda is a well-known pianist, fortepianist and harpsichordist. He has recorded many discs of music by Mozart, Beethoven and Schubert, and has also recorded Bachs partitas. This book is a presentation of the issues involved in performing and interpreting Bachs keyboard music. Badura-Skoda draws on his 40 years of experience playing Bach, as well as a great deal of research by himself and others. There are many issues around Bachs keyboard music, beginning with the age-old question of which instrument to play it on: harpsichord or piano (or clavichord, or fortepiano, or lute-harpsichord ). Badura-Skoda shows himself to not be a fundamentalist in this matter, but presents both sides of the arguments about this and other performance practice issues.
Pianist Jo Dusseldorp en vervolgde zijn studie met een speciale beurs van het ministerievan WVC in de Meisterklasse van de beroemde pianist paul Badura Skoda in Essen http://www.roostenzangers.dse.nl/artleiding.htm
Extractions: Na zijn studie voerde hij enkele gesubsidieerde projecten uit. Zo deed hij onderzoek op het gebied van de muziekwaarneming en de muziekakoestiek op het Instituut voor Perceptie Onderzoek te Eindhoven. Bij de klokkengieterij Koninklijke Eijsbouts b.v. te Asten onderzocht hij de "Akoestische consequenties van de corrosieve aantasting van luidklokken en beiaarden ten gevolge van de luchtverontreiniging". "Tussen de bedrijven door" behaalde hij aan het Maastrichts Conservatorium het praktijkdiploma koordirectie. Hij nam enkele malen deel aan de Kurt Thomas zomercursus in Den Haag en hij was actief cursist tijdens een practicum orkestdirectie bij het Limburgs Symfonie Orkest te Maastricht. Als zanger, pianist-begeleider en dirigent is hij betrokken geweest bij diverse amateurkoren en een jeugdensemble. Sinds 1 januari 2000 is hij tevens dirigent van het mannenkoor "De Brabantzangers".
Jill Crossland Pianist Biography After winning the Edward Boyle Scholarship, Jill studied in Vienna with paul BaduraSkodaand performed throughout Austria as soloist and chamber player. http://ying.server101.com/about.html
Extractions: BIOGRAPHY See instant summary 'at a glance' HERE Go straight to developments in 2004 HERE Jill Crossland was born in Yorkshire, and began playing the piano at the age of four. She studied at Chethams School and the Royal Northern College of Music, with Charles Hopkins and Ryszard Bakst. While a student, Jill performed the complete cycle of Bach's '48 Preludes and Fugues' from memory, won the Pinsen Book Prize for her Bach playing, and was a semi-finalist at the VIIth International Bach Competition, in Leipzig. After winning the Edward Boyle Scholarship, Jill studied in Vienna with Paul Badura-Skoda and performed throughout Austria as soloist and chamber player. Jill has now performed extensively throughout the UK, including at the Royal Festival Hall. She has given concerto performances with the City of Bradford CO and the Manchester Camerata, with whom she appeared at the Last Night of the Proms in Leeds Town Hall. Jill is a Steinway Artist and has given a recital in Steinway Hall to promote the 32 Short Films on Glenn Gould. Jill has performed abroad in Switzerland, the Czech Republic, and in Amsterdam and Den Haag as part of the Anglo-Dutch Piano Platform. Jill has been much in demand as a chamber player, and has given numerous duo recitals as well as piano duet concerts with her brother Neil. She has undertaken frequent freelance engagements with the LSO, working with, among others, Vadim Repin, Kent Nagano, Yuri Bashmet, Michael Tilson-Thomas, John Adams and Sir Colin Davis.
Hendry Wijaya, Pianist - Asbury Park, New Jersey as, Lillian Freundlich, Peter Frankl, Charles Rosen, Michael Ponti, paul BaduraSkodaand Robert he was invited to study with renowned pianist, Constance Keene http://www.pianoteachers.com/hendry_wijaya.htm
Extractions: Pianist Home New Jersey About the Teacher Hendry Wijaya, a young pianist from Indonesia, first attracted attention in 1996 when he won the Artists International's "Young Artist Piano Award" and made his critically acclaimed New York Recital debut at Carnegie Hall's Weill Recital Hall. "Hendry Wijaya may well be one of the greatest pianists to come out of Indonesia today", says the Indonesian Observer. Hendry began his musical training at the age of two with his mother. He gave his first public performance at the age of four that was broadcast on RRI, Radio Republic of Indonesia. At the age of six, Hendry joined the Junior Original Concert (JOC); a group of composers for gifted children under the age of fifteen, through competitive auditions from Yamaha Music Foundation. At the age of twelve Hendry obtained the highest grade eight piano diploma from the Royal Schools of Music-London. A few years later, he was awarded an Advanced Certificate and the Licentiate of the Royal Schools of Music (L.R.S.M.) Diploma in piano performance with highest distinction from the Associated Board of the Royal Schools of Music, which consists of the Royal Academy of Music, Royal College of Music, Royal Northern College of Music and Royal Scottish Academy of Music and Drama. He was chosen to play in master classes given by world-renowned artists such as, Lillian Freundlich, Peter Frankl, Charles Rosen, Michael Ponti, Paul Badura-Skoda and Robert Weirich, among others.
PIANOnews Leseprobe Translate this page paul badura-skoda Ja. Dazwischen war allerdings noch ein ganz wichtiger WienerPianist Otto Schulhof, übrigens nicht verwandt mit dem Prager Komponisten http://www.pianonews.de/leseprobeaktuell4.htm
Extractions: Paul Badura-Skoda Von: Robert Nemecek Er ist eine lebende Legende. Seit bald 60 Jahren auf den Podien der Welt zu Hause, hat Paul Badura-Skoda noch mit den ganz Großen des 20. Jahrhunderts, Furtwängler, Szell oder Oistrach, musiziert, war er in der Schallplattenarena einer der am häufigsten aufgenommenen Pianisten und überdies einer, der das Wort Werktreue stets so ernst nahm - und nimmt - wie kaum ein Zweiter. Noch heute verbringt er unzählige Stunden und Tage in Bibliotheken und Archiven, um heraus zu bekommen, was der Komponist denn nun wirklich geschrieben hat. Seine Erkenntnisse gehen entweder in Noteneditionen oder in Bücher und Aufsätze ein, die sowohl durch ihre klare Gedankenführung als auch durch ihren prägnanten Schreibstil bestechen. Am 6. Oktober 2002 ist Paul Badura-Skoda 75 Jahre alt geworden. Wir trafen den Pianisten in Köln und unterhielt uns mit ihm. PIANONews: Herr Badura-Skoda, Sie haben vor kurzem Ihren 75. Geburtstag gefeiert und können auf ein wahrlich erfülltes Pianistenleben zurückblicken. Das ist vielleicht eine gute Gelegenheit, um einige Stationen Ihres wahrhaft bewegten Pianistenlebens noch einmal Revue passieren zu lassen und daran einige Fragen anzuschließen. Die erste wichtige Station in Ihrer Karriere war das Wiener Konservatorium, wo Sie die Fächer Klavier und Dirigieren belegt haben. Im Falle des Klavierstudiums kommt dabei ein Name ins Spiel, den hierzulande die wenigsten kennen werden: Viola Thern. Wer war Viola Thern und welche Bedeutung hatte sie für Sie?
Untitled Document Deze Oostenrijkse pianist werd geboren als jongste zoon van de beroemde pianistPaul baduraskoda en zijn echtgenote Eva, doctor in de muziekwetenschappen en http://www.limburg.be/casino/skoda.html
Classical Net - Beethoven Piano Sonatas: Overview Of Recordings She is a pianist for the ages. It made me want to cry. I have mixed feelings aboutPaul baduraskoda s cycle on Astree - a sign in its favor, actually. http://www.classical.net/music/comp.lst/articles/beethoven/psonatas.html
Extractions: Piano Sonatas: An Overview of Selected Recordings By Ron Drummond Any complete recording of a cycle as diverse as Beethoven's is going to be uneven, period. You will not find a be-all end-all. Nevertheless, I do think it's useful to have a complete recording by one artist, for the insights a single, refined sensibility can bring to Beethoven across the full range of his sonatas. But one should also consider supplementing a complete recording with additional recordings of individual sonatas by various performers. Of complete sets, I highly recommend Richard Goode on Elektra/Nonesuch. Goode has been praised in almost all quarters as perhaps the finest surveyor of Beethoven's sonatas since Schnabel. He has all the chops and a wealth of feeling and insight to convey. The recording is state of the art. Though superb throughout, Goode is at his best in Sonatas 12-18. Another cycle which alas is not yet complete is Jean Bernard Pommier's on Erato. Three multi-disc volumes (of an eventual four) have been released so far, and I for one am eager to have that last volume! Where Goode takes a Romantic approach to Beethoven, Pommier achieves an almost ideally Classical equipoise. He is fleet, sensitive, flexible, and very expressive. The recorded sound is among the best I've heard in piano recordings. Pommier is at his best in the first ten sonatas (works which I have a particular fondness for), but the later works are wonderful as well. As for supplemental recordings:
ÖJ-Österreich-Woche 01.10.-07.10.2002 Translate this page paul badura-skoda im Interview. Wien - Der angesehene und erfolgreiche WienerPianist Prof. paul badura-skoda feiert am 6. Oktober 2002 seinen 75. http://www.oe-journal.at/Aktuelles/1002/W1/15_zBadura021002.htm
Extractions: Übrigens, bei einem Hauskonzerte sagte Joseph Krips zu mir: "Also junger Mann, Sie sind ja der geborene Dirigent! Kommen Sie nächste Woche zu mir, ich mache Sie zu meinem Assistenten!" Das war ein einmaliges Angebot, meine Klavierlehrerin ist vor Entsetzen fast in Ohnmacht gefallen. Es gab lange Familienberatungen, ob der Junge Pianist oder doch Dirigent werden soll. Die Sache war schnell entschieden, denn meine Klavierlehrerin hat den Sieg davongetragen. Krips war mir nicht böse, sondern hat mich unter anderen zum London Symphonie Orchester, nach Buffalo, zum Orchestre de Paris, nach Amsterdam und natürlich in Wien zur Uraufführung von Frank Martins Klavierkonzert eingeladen. Sehr fördernd für meine Karriere wirkte sich auch die Erfindung der Langspielplatte aus. Rasch wurde ich Hauspianist einer der wichtigsten Plattenfimen, nämlich Westminster. Eine meiner ersten Platten-Erfolge war eine Aufnahme des Forellenquintetts mit den Philharmonikern, dann folgte ein Klavierkonzert von Rimsky-Korsakow und von Skrjabin. Ein großer Erfolg war ein Mozart-Klavierkonzert, das in Amerika höchste Begeisterung hervorgerufen hat, so fragte dort die Presse: "Wer ist denn dieser unbekannte Badura, Badura-Skoda oder nur Skoda?"
Klassik.com: Beethoven, Ludwig Van (Komponist, 1770-1827) Translate this page Biographie. Der Komponist und pianist Ludwig van Beethoven wurde am 17. 1795trat Beethoven erstmals als pianist mit eigenen Kompositionen auf. http://magazin.klassik.com/people/template.cfm?KID=126&PEOPLE=composer
Klassik.com: Ravel, Maurice (Komponist, 1875-1937) Translate this page Fauré. Als pianist und Dirigent seiner Werke machte er sich vor allemaußerhalb Frankreichs, in England und den USA, einen Namen. http://magazin.klassik.com/people/template.cfm?KID=273&people=composer
Extractions: My Best Sellers Rick Derringer Guitar Solo From Crider Signatures Album - Rick Derringer With Kevin Crider John Williams - Concerto For Michele Zukovsky Mvt 3 Piano Ver - Michele Zukovsky Bad Back Blues Featuring Steve Morse On Guitar - Kevin Crider 3g Mp3 Ringtone Pachelbel Canon - David Blumberg Mars - Holsts Planets Suite (3g Ringer) - David Blumberg Bad Back Blues - Kevin Crider W/ Steve Morse Bach Fugue Bwv 543 - David Blumberg Where Have All The Rock Clubs Gone - Guitar Solo By Jeff Watson - Kevin Crider Free-loadin Ferrari Featuring Brad Gillis Of Ozzy Fame - Kevin Crider Free-loadin Featuring Brad Gillis - Kevin Crider
Extractions: Paola Alessandra Tròili pianista Hanno detto.. Concerti Programmi proposti Repertorio ... Come contattare / How to reach Paola Alessandra Tròili Paola Alessandra Tròili nasce a Bologna da una famiglia dellalta borghesia e viene educata allarte dalla più tenera età. La madre pittrice, il padre professore universitario, autore di importanti saggi nel campo scientifico sono stati attenti a non disperderne le doti. Inizia quindi fin da piccola a sentire lesigenza di esprimersi in arte, e pur essendole state riconosciute poliedriche tendenze (canto recitazione), si dedica appassionatamente al pianoforte, tanto da esibirsi fin da piccola e a tenere il suo primo importante concerto alletà di 10 anni. Si iscrive quindi al Conservatorio G.B. Martini di Bologna, ma in seguito ad una audizione con il M° Bruno Canino, viene dallo stesso chiamata a proseguire gli studi a Milano nella sua classe al Conservatorio superiore di musica G. Verdi dove si diploma brillantemente. Come effettiva segue seminari e corsi di perfezionamento con Paul Badura-Skoda, Jörg Demus e Michele Campanella. Attualmente, studia a Milano composizione con Bruno Bettinelli ed a Monaco di Baviera frequenta la Musikhoshule con il pianista Gherhard Oppitz.
Extractions: "Bei Beethoven muss das Klavier krachen", hatte einst Edwin Fischer gegenüber seinen Schülern geäußert. Wer sich heute die wenigen überlieferten Beethoven-Sonaten dieses Jahrhundertpianisten anhört, wird seine Aussage nicht allzu wörtlich nehmen können. Fischer war ein großer formaler Gestalter, aber eben auch ein sensitiver Pianist mit bewegenden lyrischen Qualitäten - und diese hat er seinen Schülern weiter zu geben verstanden. In Notentextfragen gilt Badura-Skoda als internationale Autorität, und so bereiten seine auf dem Bösendorfer Imperial entstandenen Aufnahmen ein geradezu philologisches Hörvergnügen. Dass er bei aller drängenden Motorik und gestochen scharfer Pianistik niemals die emotionalen Grenzen sprengt, immer auch der Seele der Musik auf der Spur ist, macht ihn zu einem großen Gestalter. Dieser Beethoven-Zyklus berauscht nicht durch gigantisch gewuchtete Klavierdramen, er beglückt durch den tiefen Ernst und die Klarheit der musikalischen Sprache."
