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Benjamin Walter:     more books (103)

Moscow Diary by Walter Benjamin, 1986-07-01 Necessary Angels: Tradition and Modernity in Kafka, Benjamin, and Scholem by Robert Alter, 1991-03-01 Necessary Angels: Tradition and Modernity in Kafka, Benjamin, and Scholem by Robert Alter, 1991-03-01 Walter Benjamin's Philosophy: Destruction and Experience (Warwick Studies in European Philosophy) The Writer of Modern Life: Essays on Charles Baudelaire by Walter Benjamin, 2006-11-15 Gesammelte Schriften. 7 Bde., in 14 Tl.-Bdn. by Walter Benjamin, Theodor W. Adorno, et all 1991-08-01 Walter Benjamin and the Antinomies of Tradition by John McCole, 1993-04 The Angel of History: Rosenzweig, Benjamin, Scholem (Cultural Memory in the Present) by Stephane Moses, 2008-12-11 Correspondence 1930-1940 by Gretel Adorno, Walter Benjamin, 2008-03-11 Moskauer Tagebuch (Edition Suhrkamp ; n.F., Bd. 20) (German Edition) by Walter Benjamin, 1980 Walter Benjamin: Selected Writings, Volume 2: Part 1: 1927-1930 by Walter Benjamin, 2005-06-15 Benjamin Franklin - An American Life by Walter Isaacson, 2004

lists with details

41. Walter Benjamin,"The Work Of Art In The Age Of Mechanical Reproduction"
    by walter benjamin, 1937. 5 main ideas TO flash movies that illustrate these ideas. click on the number to go to the flash movie.  
    http://pages.emerson.edu/Courses/spring00/in123/workofart/benjamin.htm
    
    Extractions: by Walter Benjamin, 1937 5 main ideas: TO flash movies that illustrate these ideas click on the number to go to the flash movie click on the keyword to go to that part of the essay To an ever greater degree the work of art reproduced becomes the work of art designed for reproducibility The film responds to the shriveling of the aura with an artificial build-up of the "personality" outside the studio. The equipment-free aspect of reality here has become the height of artifice; the sight of immediate reality has become an orchid in the land of technology. Magician and surgeon compare to painter and cameraman. By close-ups of the things around us, by focusing on hidden details of familiar objects, by exploring commonplace milieus under the ingenious guidance of the camera, the film, on the one hand, extends our comprehension of the necessities which rule our lives; on the other hand, it manages to assure us of an immense and unexpected field of action. . . . With the close-up, space expands; with slow motion, movement is extended. KEY CONCEPTS: TO images original aura cult value ... dadaism THE COMPLETE TEXT (Footnote numbers appear thus: . The notes are at the end of the file.) PREFACE I II III ... NOTES "Our fine arts were developed, their types and uses were established, in times very different from the present, by men whose power of action upon things was insignificant in comparison with ours. But the amazing growth of our techniques, the adaptability and precision they have attained, the ideas and habits they are creating, make it a certainty that profound changes are impending in the ancient craft of the Beautiful. In all the arts there is a physical component which can no longer be considered or treated as it used to be, which cannot remain unaffected by our modern knowledge and power.

42. Other Voices 1.1 (March 1997), The Dialectics Of Allegoresis: Historical Materia
    I. Allegories of Historical Materialism. Allegoresis and collection are the twin foci around which the elliptical writings of walter benjamin orbit.  
    http://www.othervoices.org/parkerj/benj.html
    
    Extractions: I. Allegories of Historical Materialism A llegoresis and collection are the twin foci around which the elliptical writings of Walter Benjamin orbit. The former, as a mode of criticism, transforms the latter practice into a version of materialist historicism: The period, the region, the craftsmanship, the former ownershipfor a true collector the whole background of an item adds up to the magic encyclopedia whose quintessence is the fate of his object There are two particularly good ways of collecting books, Benjamin explains. One, the most praiseworthy, is to write them oneself. Another is to inherit. He synthesizes the two in his own criticism by writing what he has inherited, (quotations, ideas, images) and adding what he has written to his collection of books. Here is how "Unpacking my Library" ends: For inside [the collector] there are spirits, or at least a little genii, which have seen to it that for a collectorand I mean a real collector, a collector as he ought to beownership is the most intimate relationship that one can have to objects. Not that they come alive in him; it is he who lives in them. So I have erected one of his dwellings, with books as the building stones, before you, and now here he is going to disappear inside, as is only fitting (67). I will address later the significance of the repeated attempt to define "true" collection, but for now I want to emphasize how once Benjamin's essay becomes a part of his collection, the author (the speaking voice, but speaking of himself in the third person as he becomes other) is dialectically folded into the objects which surround him. Man can only become fully alive to himself when he sees his relation to the past. The way to approach that past, however, is through objects, which, in the Western, post-Kantian tradition, ought forever to alienate a subject from his own historical constitution. Unless, as the above quotation demonstrates, that subject is an Hegelian (that is, dialectically reasoning) collector of objects who, by writing what he has inherited and then collecting what he has written, inherits himself and his past in all its fullness.

43. Nach Perlen Und Korallen Tauchen In Der Meerestiefe Des Geistes
    Rezension von walter Benjamins Gesammelten Briefen, Band III, 19251930 von Gustav Falke f¼r die Berliner Zeitung.  
    http://www.berlinonline.de/berliner-zeitung/archiv/.bin/dump.fcgi/1997/1206/maga

44. Philosophie-Seiten: Walter Benjamin
    Translate this page walter benjamin. Philosophen und Philosophinnen. Hannah Arendt. Aristoteles. Augustinus. Francis Bacon. walter benjamin. Jeremy Bentham.  
    http://www.philo.de/Philosophie-Seiten/personen/benjamin.shtml

45. The New York Review Of Books: The Marvels Of Walter Benjamin
    Review. The Marvels of walter benjamin. By JM Coetzee. by walter benjamin, edited by Marcus Bullock, edited by Michael W. Jennings.  
    http://www.nybooks.com/articles/13960
    
    Extractions: @import "/css/default.css"; Home Your account Current issue Archives ... Review By J. M. Coetzee Selected Writings, Volume 1: 1913-1926 Edmund Jephcott, Harry Zohn, and others. by Walter Benjamin, edited by Marcus Bullock, edited by Michael W. Jennings. Translated from the German by Rodney Livingstone, Stanley Corngold, Belknap Press/Harvard University Press, 520 pp., $37.50 Selected Writings,Volume 2: 1927-1934 by Walter Benjamin, edited by Michael W. Jennings, edited by Howard Eiland, edited by Gary Smith. Translated from the German by Rodney Livingstone and others. Belknap Press/Harvard University Press, 870 pp., $37.50 The Arcades Project by Walter Benjamin, Translated from the German and French by Howard Eiland, by Kevin McLaughlin Belknap Press/Harvard University Press, 1,073 pp., $39.95 must be saved. It is more important than I am." 6413 words The full text of this piece is only available to subscribers of the Review 's electronic edition . To subscribe or learn more about the electronic edition, please click here . (If you're already a subscriber to the electronic edition, please

46. Walter Benjamin On Book Collecting
    walter benjamin on book collecting. walter benjamin Unpacking my Library A Talk about Book Collecting, in Illuminations, Engl. trans.  
    http://130.238.50.3/ilmh/Ren/benj-bookcoll.htm
    
    Extractions: Walter Benjamin on book collecting Pop.culture - Walter Benjamin-links "I have made my most memorable purchases on trips, as a transient. Property and possession belong to the tactical sphere. Collectors are people with a tactical instinct; their experience teaches them that when they capture a strange city, the smallest antique shop can be a fortress, the most remote stationery store a key position. How many cities have revealed themselves to me in the marches I undertook in the pursuit of books!" Walter Benjamin : "Unpacking my Library" O bliss of the collector, bliss of the man of leisure! Of no one has less been expected, and no one has had a greater sense of well-being than the man who has been able to carry on his disreputable existence in the mask of Spitzweg,'s "Bookworm." For inside him there are spirits, or at least little genii, which have seen to it that for a collector - and I mean a real collector, a collector as he ought to be - ownersliip is the most intimate relationship that one can have to objects. Not that they come alive in him; it is he who lives in them. So I have erected one of his dwellings, with books as the building stones, before you, and now he is going to disappear inside, as is only fitting.

47. The Work Of Art In The Age Of Mechanical Reproduction
    The Work of Art in the Age of Mechanical Reproduction. walter benjamin. (Note Footnote numbers appear thus 1 . The notes are at the end of the file.)  
    http://bid.berkeley.edu/bidclass/readings/benjamin.html
    
    Extractions: "Our fine arts were developed, their types and uses were established, in times very different from the present, by men whose power of action upon things was insignificant in comparison with ours. But the amazing growth of our techniques, the adaptability and precision they have attained, the ideas and habits they are creating, make it a certainty that profound changes are impending in the ancient craft of the Beautiful. In all the arts there is a physical component which can no longer be considered or treated as it used to be, which cannot remain unaffected by our modern knowledge and power. For the last twenty years neither matter nor space nor time has been what it was from time immemorial. We must expect great innovations to transform the entire technique of the arts, thereby affecting artistic invention itself and perhaps even bringing about an amazing change in our very notion of art." * Paul Valery, PIECES SUR L 'ART, "La Conquete de l'ubiquite," Paris. *Quoted from Paul Valery, *Aesthetics*, "The Conquest of Ubiquity," translated by Ralph Manheim, p. 225. Pantheon Books, Bollingen Series, New York, 1964.

48. Andreas Höflich: Zu Walter Benjamin, Das Kunstwerk Im Zeitalter...
    Translate this page Fußnoten. 1. benjamin, walter Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit, Frankfurt 1968, 2. Auflage. (Alle  
    http://www.beckmesser.de/theorie/benjamin.html
    
    Extractions: 1. Einleitung 2. Das Kunstwerk und der Verlust seiner Aura Der Text von Walter Benjamin aus dem Jahre 1935 beschreibt die einschneidenden Veränderungen der Arbeitswelt durch Automatisierung und Kapitalisierung, die sich mit zeitlicher Verzögerung auf den Bereich der Kunst auswirken. Dieser Wandel - in seiner ökonomischen Begründung und im gesellschaftspolitischen Zusammenhang - ist Gegenstand Benjamins Analyse. Die auf diese Weise von Benjamin extrahierten "Entwicklungstendenzen der Kunst unter den gegenwärtigen Produktionsbedingungen" (2) werden von einem Phänomen dominiert: dem "Verfall der Aura" (3). Als Bündelung diverser Veränderungen, die dem Kunstwerk im Zeitalter der technischen Reproduzierbarkeit widerfahren, wird dieser Ausdruck notwendigerweise mehrdeutig. "Das Hier und Jetzt des Kunstwerks" (4) als historische Trägersubstanz, die seine Autorität und Echtheit ausmacht, geht durch die Reproduktion verloren. Benjamin schickt voran, daß Kunstwerke schon immer reproduziert wurden, jedoch als Übung von Schülern, und von Meistern zur Verbreitung der Werke. Auch Musik wurde immer schon reproduziert, da als Überlieferung ja nur der Notentext vorhanden war. Der gesamte Bereich der Echtheit entzieht sich aber der technischen Reproduktion. Laut Benjamin erhält die manuelle Reproduktion gegenüber dem "Original" seine Autorität aufrecht. Bei der technischen ist dies nicht der Fall, da sie dem Original gegenüber selbstständiger ist, als die manuelle. Dies beruht auf zwei Dingen:

49. St1hobel.phl.univie.ac.at/~weidner/homepage.htm
    Internationale walter benjamin Gesellschaft Translate this page Internationale walter benjamin Gesellschaft http//walter-benjamin.org/.  
    http://st1hobel.phl.univie.ac.at/~weidner/homepage.htm

50. Benjamin, Walter
    benjamin, walter. A principal preoccupation of the theory and criticism of walter benjamin (18921940) is criticism itself. For benjamin  
    http://www.press.jhu.edu/books/hopkins_guide_to_literary_theory/walter_benjamin.
    
    Extractions: A principal preoccupation of the theory and criticism of Walter Benjamin (1892-1940) is criticism itself. For Benjamin, in its broadest sense critique means that nothing can simply be taken as given. Any text or artifact always demands something more, exceeds itself, in a movement that structures not only literature and culture but also history itself. As early as his dissertation, Der Begriff der Kunstkritik in der deutschen Romantik [The concept of aesthetic criticism in German Romanticism] (1920), Benjamin explored the notion of critique as ("fulfillment," "completion"), claiming with the Romantics (primarily Friedrich Schlegel) that critique was immanent to the movement of art itself and thus less something contingent to art than its necessary supplement. There would be no art without critique, not because critique has priority over art but because the artifact is itself unfinished, already critical from the start. In an essay on Johann Wolfgang von Goethe 's Elective Affinities (1922) that Hugo von Hofmannsthal called "epoch-making," Benjamin insisted on the difference between critique and commentary, the former concerned with "truth content," the latter with "subject matter." Against the tradition of monumentalizing biography that dominated Goethe criticism, Benjamin saw the work's history as a "funeral pyre," at which the commentator could study the wood and ashes, while the critic "is concerned only with the enigma of the flame itself, . . . the truth whose living flame goes on burning over the heavy logs of the past and the light ashes of life gone by" (quoted in

51. Walter Benjamin
    materialist. by James Surowiecki. walter benjamin SELECTED WRITINGS, VOLUME 1 19131926, edited by Marcus Bullock and Michael W. Jennings.  
    http://www.bostonphoenix.com/alt1/archive/books/reviews/02-97/BENJAMIN.html
    
    Extractions: Reviews Literary Calendar Authors in town Events by Location ... Hot Links by James Surowiecki WALTER BENJAMIN: SELECTED WRITINGS, VOLUME 1: 1913-1926, edited by Marcus Bullock and Michael W. Jennings. The Belknap Press of Harvard University Press, 527 pages, $35. WORDS OF LIGHT: THESES ON THE PHOTOGRAPHY OF HISTORY, by Eduardo Cadava. Princeton University Press, 203 pages, $29.95. Walter Benjamin committed suicide in 1940 without ever making it to America. He never produced a systematic work of criticism on 20th-century mass culture. Until the 1970s almost none of his writings had been translated into English. And yet, when the history of American cultural studies finally gets written, Benjamin undoubtedly will be one of its crucial figures. All of which makes the publication of an ambitious new edition of Benjamin's selected writings a genuinely exciting event. In place of a limited selection of Benjamin's more immediately accessible pieces, American readers now have the chance to wander the full range of his work, and to gain a real sense of the often contradictory but always provocative combination of philosophy, criticism, and cultural history that it offers. Benjamin's influence has grown steadily since his essays became available in English, and a recent flood of books about him and his writings including the charming but thin Momme Brodersen biography from Verso testifies to his continued importance. From the start, film theorists, cultural historians, and literary critics seized upon this thinker who combined theoretical rigor and Left politics with often dramatic insights into the workings of culture generally and popular culture specifically. Writing in a historical moment when new technologies of mass reproduction were altering the terrain of daily life, Benjamin probed the relationships between high and low culture, between Romanticism and modernity, between literature and film. In doing so, he helped frame the central questions of what we now know as cultural studies, even if he never offered anything resembling a comprehensive theory of culture.

52. Walter Benjamin - Biografie Rasscass
    Translate this page walter benjamin. Der Schriftsteller walter benjamin war einer der bedeutendsten Literatur- und Kunstkritiker in den 20er Jahren des 20. Jahrhunderts.  
    http://www.rasscass.com/templ/te_bio.php?PID=1122&RID=1

53. Benjamin, Walter
    encyclopediaEncyclopedia benjamin, walter. benjamin, walter, 1892–1940, German essayist and critic. Related content from HighBeam Research on walter benjamin.  
    http://www.infoplease.com/cgi-bin/id/A0807026.html
    
    Extractions: Benjamin, Walter Benjamin, Walter, , German essayist and critic. He is known for his synthesis of eccentric Marxist theory and Jewish messianism. In particular, his essays on Charles Baudelaire and Franz Kafka as well as his speculation on symbolism, allegory, and the function of art in a mechanical age have profoundly affected contemporary criticism. Benjamin was influenced by his close friendship with the historian of Jewish mysticism Gershom Gerhard Scholem . In 1933, he moved to France because of the rise of the Nazis. When the Nazis invaded France, he fled to Spain, was denied entry, and committed suicide. See collections of his essays edited by H. Arendt (1968, 1978); his Moscow Diary (1966, tr. 1994) edited by Manfred R. and Evelyn M. Jacobson;

54. Banco De Imagens -Walter Benjamin
    Translate this page benjamin, walter - (1892-1940).  
    http://www.consciencia.org/imagens/banco/A-D/benjamin.html

55. Walter Benjamin
    walter benjamin im Kontext, Frankfurt/M. 1985.  
    http://www.uni-essen.de/literaturwissenschaft-aktiv/Vorlesungen/poetik/benjamin.
    
    Extractions: 26.09.1940, Port-Bou / Spanien Philosoph, Essayist und Literaturkritiker Der wichtigste Ideengeber der neueren deutschen Literaturwissenschaft war ein 'gescheiterter Germanist'. Walter Benjamins Dissertation Der Begriff der Kunstkritik in der deutschen Romantik (1920) wurde von der Fachöffentlichkeit kaum wahrgenommen, seine Habilitationsschrift Ursprung des deutschen Trauerspiels (1928) von der Frankfurter Universität sogar abgelehnt. Unter immer schwierigeren Bedingungen schlug Benjamin sich in der Weimarer Republik und nach 1933 im Pariser Exil als Essayist ( Einbahnstraße , 1928) und Literaturkritiker durch. Sieht man vom großen, allerdings fragmentarisch gebliebenen Projekt des sogenannten Passagenwerks ab (Nachlaßpublikation 1983), so mußte er seine theoretischen Ansprüche und Argumente nun in kurzen literarischen Essays und Rezensionen entfalten oder besser gesagt 'verstecken'. Dabei verbindet er auf überraschende Weise Denkmotive marxistischen wie auch jüdisch-messianischen Ursprungs. Stilistisch vollzieht er eine Wendung von der philosophisch-spekulativen Sprache des Frühwerks zu einer Ausdrucksweise, die deskriptiv und detailgenau, thesenhaft pointiert und 'einfach' zugleich ist (und deshalb bis heute so gern zitiert wird). Mit seinem Motto "Die entscheidenden Schläge werden mit der linken Hand geführt"

56. Walter Benjamin: work Of Art In The Age Of Mechanical Reproduction
    walter benjamin work of Art in the Age of Mechanical Reproduction. 1/23/02. Click here to start.  
    http://coscc.cc.tn.us/~lenig/SPEECH2AFOLDER/INDEX.HTM

57. La Presencia De Baltasar Gracián En Walter Benjamin
    Translate this page 113-150. -benjamin, walter, El origen del drama barroco alemán , traducción de José Muñoz Millanes (Madrid Taurus, 1990). -Gesammelte  
    http://www.lehman.cuny.edu/faculty/guinazu/ciberletras/v1n1/ens_08.htm
    
    Extractions: Lehman College, and The Graduate School, CUNY Menosprecio de corte y alabanza de aldea de II Agudeza y arte de ingenio , Agudeza y arte de ingenio . de lo admirable o maravilloso. III El drama barroco alemin (Trauerspiel : literalmente, "obra de teatro luctuosa"), ponen en crisis el ethos IV Die literarische Welt Pensieri GS III Pensieri y el Oraculo manual (Briefe IV, Die literarische Welt GS VI En otra carta del 25 de junio de 1932 comunica a Gershom Scholem sus planes para honrar al genius loci Manual, (Briefe -IV, Scholem (Briefwechsel Benjamin-Scholem, Frankfurter Zeitung Obras completas Ibizenkische Folge o Suite ibicenca. V El primero de ellos se llama El planteamiento inicial es el mismo que en El Trabajos citados Estudios literarios (Madrid: Editorial Gredos, 1976), pp. 113-150. -Benjamin, Walter, -Gesammelte Schriften III: Kritiken und Rezensionen . Herausgegeben von Hella Tiedemann-Bartels (Frankfurt am Main: Suhrkamp Verlag, 1972). Gesammelte Schriften VI . Herausgegeben von Rolf Tiedemann und Hermann Schweppenhduser (Frankfurt am Main: Suhrkamp Verlag, 1985).

58. K.i.s.s. About BENJAMIN
    kiss of the panopticon benjamin, Special Topics ~ Focus on walter benjamin. and The Work Works Cited. benjamin, walter. The Work of  
    http://www.geneseo.edu/~bicket/panop/benjamin.htm
    
    Extractions: Benjamin, a German Jew and close associate of the Frankfurt School in interwar Germany, was a contemporary of such prominent Frankfurt School luminaries as Theodor Adorno Max Horkheimer , and Georg Lukacs ; yet his work is now probably more widely known, certainly in Anglo-American circles, than that of his one-time colleagues. Indeed, something of a cult has grown around this man whose reputation soared more than a generation after he committed suicide on the Franco-Spanish border in September 1940, believing himself to be near capture by the Gestapo. As recently as the 1960s, a cultural and media theorist as notable as Marshall McLuhan could argue seriously that he had never heard of Benjamin or his work (even though much of McLuhan's own writings appear to draw heavily on concepts first advanced by Benjamin). Such an assertion by any serious cultural theorist would be unthinkable today. Benjamin's ideas have, in recent years, been recognized as central precursors to

59. Walter Benjamin Memorial, Portbou, Spain
    http://www.usc.edu/dept/comp-lit/tympanum/3/portbou.html

60. Reinhard Döhl: Walter Benjamins Rundfunkarbeit
    Translate this page benjamins weitreichende Einschätzung der technischen Reproduktionsmittel und deren Auswirkung auf das Kunstwerk Grund genug, in walter benjamin nicht nur den  
    http://www.stuttgarter-schule.de/benjamin.htm
    
    Extractions: Eine der ersten Rundfunksendungen Benjamins, "Johann Peter Hebel" (3), deutet bereits das Besondere von Benjamins Rundfunkarbeit an. Zweitens, weil sich die Einsicht, Hebel habe Forschung In einem ersten Versuch "Zu Walter Benjamins Rundfunkarbeiten" (8) hebt Sabine Schiller hervor: Es seien versuche. Unerreicht seien experimentiere verbinde und erprobe versuche sei Nachdem Benjamin sich 1925 entschlossen hatte, anstelle einer schreibt er im Februar 1925 dem Freunde Gershom Scholem, durch den Rundfunk 'quatschenden' 3. nennt der Brief mit Ernst Schoen einen Freund Benjamins, dessen rundfunkpraktische Erfahrungen sich auch in der Rundfunkarbeit Benjamins niedergeschlagen haben. zu versuchen. Hier wird man Folge von Mustern und Gegenmustern der Verhandlungstechnik "das Mannigfaltigste auf gute Art sich zueinander finden zu lassen.

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