81. Decca Music Group - New Release CD 2 Beethoven “Kreutzer” Violin Sonata* Georg Kulenkampff violin Recorded inJune 1947 Violin Concerto mischa elman violin London Philharmonic Orchestra http://www.deccaclassics.com/newsandnewreleases/march2003/473127.html

Help Contact New Release New Releases Latest News Newsletters Soundtracks ... DVDs Search our Catalogue Detailed Search Original Masters: Sir Georg Solti (LIMITED EDITION) Composers Artists Catalogue Number: International Release Date: March 2003 Listen: TRACKLISTING CD 1 Brahms: The 3 Violin Sonatas* Georg Kulenkampff violin CD 2 Georg Kulenkampff violin Recorded in June 1947 Violin Concerto Mischa Elman violin London Philharmonic Orchestra Recorded in London, April 1955 CD 3 Schubert: Symphony No.5 Israel Philharmonic Orchestra Recorded in Tel-Aviv, May 1958 Recorded in London, Nov. 1952 Music for Strings, Percussion and Celesta London Philharmonic Orchestra Recorded in London, April 1955 CD 4 Recorded in Munich, May 1949 Strauss: Elektra (extracts)* Bayerisches Staatsorchester Recorded in Munich, Aug. 1952 RECORDING INFORMATION When Sir Georg Solti died in September 1997, a month before his 85th birthday, he had been an exclusive Decca artist for 50 years.

82. Decca Music Group - New Release July 1948 CD 2 Beethoven “Kreutzer” Violin Sonata* Georg Kulenkampff violinRecorded in June 1947 Violin Concerto mischa elman violin London Philharmonic http://www.deccaclassics.com/music/originalmasters/473127.html

Help Contact Terms of Use Sir Georg Solti Soundtracks DVDs Composers Genre ... Series Search our Catalogue Detailed Search ARTIST Sir Georg Solti WORKS The First Recordings as pianist* and conductor 1947-1958 CATALOGUE NUMBER LISTEN CD 1, Brahms: Violin Sonata TRACKLISTING CD 1 Brahms: The 3 Violin Sonatas* Georg Kulenkampff violin CD 2 Georg Kulenkampff violin Recorded in June 1947 Violin Concerto Mischa Elman violin London Philharmonic Orchestra Recorded in London, April 1955 CD 3 Schubert: Symphony No.5 Israel Philharmonic Orchestra Recorded in Tel-Aviv, May 1958 Recorded in London, Nov. 1952 Music for Strings, Percussion and Celesta London Philharmonic Orchestra Recorded in London, April 1955 CD 4 Recorded in Munich, May 1949 Strauss: Elektra (extracts)* Bayerisches Staatsorchester Recorded in Munich, Aug. 1952

83. Instruments - Vintage Violin Music Books Sheet Music OF OVERTURESVIOLIN PIANO -1913 FAVORITE ALBUM/VIOLIN PIECES~SHEET MUSIC~1937 Batchof 1930s Musical Publications Miscell mischa elman PIANO VIOLIN SHEET MUSIC http://www.baylornet.com/research/Vintage.Violin.Music.Books.Sheet.Music/item5/4

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84. Music Minus One Violin Music CD (MMOCD3101) See more info mischa elman Concert Favorites (2 CD Set)For Violin. mischa elman Favorite Encores (2 CD Set) For Violin. http://www.sheetmusicoutlet.com/mmo-violin-3.html

Free Shipping!! Just spend $25 and receive free Budget Shipping! U.S. Customers Only. 2+ Teacher Pricing on Sheet Music! Just order two or more copies of the same title and we will automatically give you 15% off list price on that title. Get Sheet Music From Your Favorite Music Artists A - Z A B C D ... Tune 1000 MIDI Files Music Minus One Violin J.S. BACH Violin Concerto in D minor (from Concerto No. 1 for Harpsichord, BWV1052) For Violin. Contains a printed score and a compact disc featuring the concerto in split-channel stereo with the violinist on the right channel; then again in a stereo accompaniment version minus the solo violin part. Published by Music Minus One. (MMOCD3107) See more info... KORNGOLD Violin Concerto in D major, op. 35 (Deluxe 2 CD set) For Violin. Includes a newly-engraved edition of the concerto on high-quality ivory paper, edited and with performance notes by Ms. Kouzmanova; and a digital stereo compact disc featuring a complete performance of the concerto with orchestra and soloist, followed by a second performance minus you, the soloist; plus a second compact disc containing a full-speed version of the complete concerto followed by a special -20% slow-tempo version of the accompaniment for practice purposes. The recording is thoroughly indexed for your practice and performance convenience. Published by Music Minus One. (MMOCD3166)

85. The Strad Back Issues charting the violin’s role in American blues * Famous forebear Evan Drachmanis much more than Piatigorsky’s grandson * mischa elman - a lyrical legacy http://www.thestrad.com/bi/backiss_st02copy.html

Strad back issues To order, simply click on your prefered currency. Poster issue String player * Leonidas Kavakos - the Greek violinist whose career is in the ascendant * Yuri Gandelsman - the violist on his move into the world of chamber music with the Fine Arts Quartet String teacher * Perlman goes East - the violinist takes his summer music camp to China * Basics - Simon Fischer on hypo and hyper * In focus - a 1746 Spanish violin by Salvator Bofill of Barcelona * Hairy moments - the journey from the back of a horse to the bow maker Music matters * String orchestra gems - the forgotten repertoire that ought to be played * Swiss summer - music by the lake at the Lucerne Festival Regulars Soundpost / News and events / Competitions and awards / Rural resident / Basics / Concert, CD and Book reviews * Behind the scenes - truck driver Ken Graham on shifting orchestras US issue String player * Eroica Trio - the artists behind the image * Mischa Elman - a lyrical legacy on disc String teacher * Mancini Institute - the US summer school that concentrates on careers * Evan Drachman - the cellist on learning to find his own musical path * Basics - how to group notes together * American beauty - David Bromberg reveals his favourite instruments Music matters * Alto memorabilia - a tour of the Primrose International Viola Archive Regulars Soundpost / News and events / Competitions and awards / Rural resident / Basics / Concert, CD and Book reviews

86. Greatest Violin Encores At Edifying Spectacle Isaac Stern/Alezander Zakin; Nocturne No.8 in D flat, Op.27 No.2 mischa elman/MarcelVan Gool; Great Violinists Heifetz, Great Violinists Heifetz from Naxos. http://edifyingspectacle.org/thanks/asinsearch_B000056H33/

Greatest Violin Encores Edifying Spectacle Thanks for helping, Richard Home Music / Greatest Violin Encores Search All categories Baby Books Classical Music DVD Electronics Kitchen Magazines Office Products Popular Music Computers Software Toys Videos Video Games Cell Phones Books, Music, DVD Books DVD Magazines Popular Music ... Outdoor Living In association with Greatest Violin Encores Binding: Audio CD Published: 27 March, 2001 Greatest Violin Encores by: Henryk Wieniawski Niccolo Paganini Antonio Bazzini Jules Massenet ... Fryderyk Chopin Customer Reviews: Avg. Customer Rating: The BEST classical music CD on this planet!: I got this on a Monday and by Tuesday evening, I must have listened to it about 10 times. It is the absolutely best compilation of violin works by the best violinists that ever lived. Yes, there is surface noise due to the age of recordings (most were done during the 1930's and 1940's) but I was absolutely riveted by the music that I didn't even notice the surface noise. This is a CD you really find yourself listening to from beginning to end with no distractions (cooking, reading, etc.) because the music... more info Greatest selection of violin pieces played by the best: This is the greatest CD I have listened to ever. Francescatti is wonderful playing Wieniawaski's etude-caprice in A minor. Jascha Heifetz is great playing the 24th Paganini Caprice and the Bazzini, Massenet, are all great. My favorites are the Carmen Fantasia by Efrem Zimbalist and Scherzo Trantelle by Nathan Milstein. The Sarasate Zigenunerweisen by Efrem Zimbalist is marvelous. I recomend this CD to everybody.

87. Alexander Markov - Reviews Mr. Markov scoops and slides with an emotional intensity that has all but vanishedfrom contemporary violin playing. Somewhere mischa elman is smiling. The http://www.alexandermarkov.com/reviews.htm

CRITICAL ACCLAIM "The most exciting violin recital this listener has heard in quite some time. Mr. Markov's playing is marked by a Romantic effusion that comes so naturally it never seems vulgar or affected. He seems to have stepped directly out the past: although he is a young man - he plays like an old 78 recording come to life, without the pop and sizzle of shellac. Mr. Markov scoops and slides with an emotional intensity that has all but vanished from contemporary violin playing. Somewhere Mischa Elman is smiling." The New York Times The New York Times New York, Sunday, May 10, 1998 Classical Briefs By David Mermelstein Philharmonic Orchestra, conducted by Lawrence Renes. Erato 0630-17878-2; CD. Vieuxtemps: Violin Concertos Nos. 2, 4, 5 Alexander Markov, violinist; Monte Carlo Though less well remembered than such iconic figures as Paganini and Sarasate, Henri Vieuxtemps was among the most famous virtuoso fiddlers of the 19th century. And like his more illustrious colleagues, he was also a gifted composer; best known naturally, for fiendishly difficult concertos. In this century, Heifetz was Vieuxtemps' most celebrated exponent, but artists as varied as Vasa Prihoda and Sarah Chang have recorded his concertos. Now comes Alexander Markov, a Russian-born American, with volatile accounts of the Second, Fourth and Fifth Concertos.

88. All Things Strings: Reviews with Jascha Heifetz, perhaps the most widely admired of all violinists. The sweettoned,unabashedly sentimental mischa elman was Heifetz’s exact opposite. http://www.stringsmagazine.com/issues/strings94/reviews.shtml

document.write(code); Excerpted from Strings magazine, May/June 2001, No. 94 On Record LEGENDARY VIOLINISTS OF THE PAST A Guide to the Best of the Recent Reissues by Edith Eisler There has been a surge of interest in the great violinists of the past recently, as if audiences have tired of the undifferentiated, mass-produced–sounding performances often heard today and begun yearning for the "good old days" when players could be clearly identified by their tone and personality. The resulting flood of reissues on compact disc offers a fascinating look at the style and characteristics of the greatest violinists of the last century. In this selective report on the concerto repertoire, I hope to reclaim some less-known players and stimulate further explorations. The earliest violinist recorded here is Carl Flesch (1873–1944), who is remembered mainly as a great teacher but whose recording of the Beethoven and Brahms Concertos (

89. Buy VIOLIN Scores : CLASSICAL $29.98 See more - Buy online. mischa elman Concert Favorites (2 CD Set).mischa elman Concert Favorites (2 CD Set) For Violin. Classical (chamber). http://www.buy-scores.com/html/56.htm

SHEET MUSIC SHOP GUIDE (World Wide Shipping) Search Sheet music with Di-Arezzo Search Sheet music with SheetMusicPlus Search Sheet music with Musicnotes About ? About ? About ? BEGINNER / EASY ... Quintets VIOLIN CLASSICAL SHEET MUSIC Sheet music with audio CD / Multimedia CD Sheet music with video tape / Video tape only COLLECTIONS Music Minus One for VIOLIN Mel Bay for VIOLIN VIOLIN BEST SELLERS ! document.write(''); bascule('searchStatus', encours); VIOLIN - CLASSICAL Adam, Adolphe Charles Albeniz Bach Beethoven ... Weill, Kurt Budget Shipping FREE on all orders over $25 (USA only) (AMERICAN COMPANIES) About ? Prices may have changed on the official site. Beautiful Music for Two Violins, vol. II: 2nd position For Violin. Classical (duets). Contains printed music score and a compact disc featuring all the works in split-channel stereo, with the first violin on the right channel, the second violin on the left. By adjusting the balance, the soloist can remove either violin and play the other. Published by Music Minus One $29.98 - See more - Buy online

90. Buy VIOLIN / FIDDLE Scores, Sheet Music : CLASSICAL mischa elman Concert Favorites (2 CD Set). mischa elman Concert Favorites(2 CD Set) For Violin. Classical (chamber). Includes a http://www.buy-scores.com/boutique-uk-style.php?CATEGORIE=80&style=2&start2=200

91. Leopold Auer VIOLIN PLAYING As I Teach It artistic excellence for the nineteenth century, but also trained many of the violinistswho surpassed that level in the twentieth. mischa elman, Jascha Heifetz http://www.midi-classics.com/p1495.htm

Auer - VIOLIN PLAYING Leopold Auer VIOLIN PLAYING As I Teach It Leopold Auer (1845—1930) belonged to that select company of violin virtuosos who not only established the level of artistic excellence for the nineteenth century, but also trained many of the violinists who surpassed that level in the twentieth. Mischa Elman, Jascha Heifetz and Efrem Zimbalist (Sr.) were among Auer’s students. Himself a pupil of the great Joseph Joachim, Auer will always be regarded as one of the most important violin pedagogues in history. Receiving poor direction at an early age is disastrous for a violinist. As Auer says, “There is no instrument whose absolute mastery at a later period presupposes such meticulous care and exactitude in the initial stages of study as does the violin.” With this book every beginning violin student will have the benefit of the finest guidance. Unabridged (1980) republication of the 1960 Lippincott edition, a republication of the original (1921) edition. xii + 99pp. 5 3/8 x 8 1/2. Paperbound ISBN 0—486—23917—9 Order Now!

92. Great Violinists Of The Bell Telephone Hour Great Violinists of the Bell Telephone Hour performances by Isaac Stern / ZinoFrancescatti / Michael Rabin / mischa elman / Erica Morini / Yehudi Menuhin http://www.askshop.co.uk/info/search.php/action/awSearchProducts/keywords/Great

shopping search and directory Great Violinists of the Bell Telephone Hour Great Violinists of the Bell Telephone Hour VAI performances by : Isaac Stern / Zino Francescatti / Michael Rabin / Mischa Elman / Erica Morini / Yehudi Menuhin / David And Igor Oistrakh / Ruggiero ... ships 5-6 days Crotchet Partner Program search for: Great Violinists of the Bell Telephone Hour Verdi Great Stars of Opera - Volume I Bell Telephone Hour Chorus Leontyne Price VAI arias from Madama Butterfly. Natoma. La Traviata. Die Fledermaus. La Cenerentola. Il Trovatore. Aida.Turandot. Tosca. Lucia Di ... ships 5-6 days Crotchet Partner Program search for: Verdi Great Stars of Opera - Volume I Bell Telephone Hour Chorus Leontyne Price Great Pianists Of The Bell Telephone Hour VAI performances by : Claudio Arrau / Jorge Bolet / John Browning / Robert Casadesus / Van Cliburn / Lorin Hollander / Jose Iturbi / Byron Janis / Grant Johannesen / Philippe ... ships 5-6 days Crotchet Partner Program search for: Great Pianists Of The Bell Telephone Hour Massenet Great Stars of Opera - Volume 2 Bell Telephone Hour Chorus Giuseppe di Stefano VAI arias from - Manon. Adrianna Lecouvreur. Il Barbiere Di Saviglia. Carmen. La Boheme. Pagliacci. Boris Godunov. Aida. Tosca. Un Ballo in Maschera. Gotterdammerung. Tristan Und ...

93. Violinist Johannes Brahms), Leopold Auer (who taught many famous violinists of following MischaElman; Carl Flesch; Pamela Frank; Mayumi Fujikawa; Zino Francescatti; Ivry http://www.fact-index.com/v/vi/violinist.html

Main Page See live article Alphabetical index Violinist A violinist is an instrumentalist who plays the violin . The terms fiddler or fiddle player are also used. In classical music the "fiddle" terms are usually somewhat informal or jokey: they are more standard expressions in folk music. In between there are nuances of meaning and usage which are difficult to formalize. Composer-violinists were common in the Baroque era - Antonio Vivaldi Arcangelo Corelli and Pietro Locatelli all played the violin. In the early 19th century, Niccolo Paganini did much to expand the instrument's technique. Other notable 19th century violinists include Joseph Joachim (who was friends with Johannes Brahms Leopold Auer (who taught many famous violinists of following generations), Pablo de Sarasate and Eugene Ysaye Among significant later players are: Joshua Bell Willi Boskovsky Sarah Chang Stephanie Chase Vassar Clements (Bluegrass, Country, Jazz) Mischa Elman Carl Flesch Pamela Frank Mayumi Fujikawa Zino Francescatti Ivry Gitlis Stephane Grappelli (jazz) Arthur Grumiaux Ida Haendel Hilary Hahn Jascha Heifetz Bronislav Hubermann Monica Huggett Leila Josefowicz Nigel Kennedy Leonid Kogan Herman Krebbers Fritz Kreisler Gidon Kremer Jan Kubelík Tasmin Little ... Nathan Milstein Viktoria Mullova Anne Sophie Mutter Jeannette Neveu David Oistrakh Itzhak Perlman Oscar Shumsky Nils-Erik Sparf Simon Standage Isaac Stern Josef Suk Henryk Szeryng Jacques Thibaud Maxim Vengerov Pinchas Zukerman Popular music violinist, including fiddlers

94. Judaic Treasures Of The Library Of Congress: George Gershwin a humorous takeoff on the names of four famous Russian violinistsMischa elman, Jascha Heifetz, Toscha Seidel and Sascha Jacobsen. http://www.us-israel.org/jsource/loc/Gershwin.html

Judaic Treasures of the Library of Congress: George Gershwin Early in life, George Gershwin (1898-1937) frequented the Yiddish theaters on Second Avenue in New York's Lower East Side and was much taken with the music of Joseph Rumshisky. In 1915, Boris Thomashevsky, reigning star of the Yiddish Theater, invited Gershwin and Sholem Secunda to collaborate on a Yiddish operetta. Gershwin was willing, but Secunda refused to join with a young, musically untrained, publishing-house pianist. Later in life, when he was already a successful writer of popular songs, Gershwin signed a contract with the Metropolitan Opera to write an opera based on Ansky's Dybbuk and was ready to go to Europe to study Jewish music, but having learned that the rights to the play had already been given to Ludovico Rocca, he withdrew Gershwin's idiom was the American scene and its music. Beginning with jazz and popular songs, he broadened his talents thematically and musically, until they culminated in his greatest work, the opera Porgy and Bess (1935).

95. Louis Kaufman - Chronology Later performs chamber music in New York as violinist or violist with MischaElman, Fritz Kreisler, Jascha Heifetz, Gregor Piatigorsky and Pablo Casals. http://www.louiskaufman.com/louiskaufman_chronology.htm

LOUIS KAUFMAN (1905 - 1994) It was Louis Kaufman, perhaps more than any other single performer, who gave American film music its voice. Jim Svejda, from the foreword of Louis Kaufman A Selected Chronology Born in Portland, Oregon, May 10, 1905, to Isaac Kaufman and Paulina Adler Kaufman, recent immigrants from Romania in 1903. Issac Kaufman opens hat store. At age 5 returns with family to Romania for two years. Fascinated by Romanian Gypsy violinists at his Uncle Herman's wedding, Louis insists he wants to study the violin. Family returns to Portland, Oregon where his father again opens a hat store. Louis begins violin studies First tour in Oregon and Washington during Christmas vacation with Philip Pelz. Six month tour with classic dancer Rozika (Rheingold) on West Coast Vaudeville Pantages circuit. Likes Los Angeles sandy beaches and ice cream best. Visiting Portland while touring, Efrem Zimbalist and American violinist Maude Powell hear the young Kaufman play and urge his family to send him to New York City for further study with Franz Kneisel. Arrives in NYC, studies with Kneisel for 8 years at the Institute of Musical Art and at Blue Hill, Maine for summer studies and chamber music every evening. Later performs chamber music in New York as violinist or violist with Mischa Elman, Fritz Kreisler, Jascha Heifetz, Gregor Piatigorsky and Pablo Casals

96. Classical Music - Andante - Joseph Szigeti: Violin of Fritz Kreisler; he never could summon the lush, highly caloric tone of MischaElman. to suggest that he was a musician first and a violinist second, for his http://www.andante.com/article/article.cfm?id=20611

97. String History FAQ's of value. In Europe, however, violin soloists such as mischa Elmanand Samuel Gardner continued to play on the gut e string. And http://www.damianstrings.com/sh-faq.shtml

Damian Dlugolecki - Stringmaker String History FAQ's Q. When did violinists switch to the steel e" string? A. During the last decade of the 19th century there were two notable players, Willy Burmeister and Anton Witek, who because of excessive persiration, began to use the steel e" string when playing in public. But the use of gut e" a' and d' continued to be widely used until World War I, when shortages of material and the disruption of international commerce made it difficult to obtain high quality gut strings. At this time many violinists were forced by necessity to begin using the steel e" string, adapting to it rather quickly. Among these players were Jascha Heifetz, Fritz Kreisler, Maud Powell, Jacques Thibaud. It must be said that there were many players who were critical of the steel e" string, stating that the "wire string sounds distinctly different to the artist than does a the American violinist was quite eloquent on the matter: "The whole question as to whether gut or wire strings are to be preferred may, in my opinion, be referred to the violin itself for decision. What

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