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         Petroglyphs:     more books (100)
  1. Petroglyphs, a further study: The 1978 report on the Black Canyon Project of the Mojave Desert (Quarterly / San Bernardino County Museum Association) by Wilson G Turner, 1979
  2. Chaco Culture National Historical Park: National historic park, Pueblo, Chaco Wash, Ancient Pueblo Peoples, Archaeoastronomy, Petroglyph, Fajada Butte, ... World Heritage Site, Hopi, Puebloan peoples
  3. Film fest looks at cultural legacy.(Festivals)(A special event for kids includes learning to make petroglyphs): An article from: The Register-Guard (Eugene, OR)
  4. Petroglyph National Monument, New Mexico: Draft, general management plan by United States. National Park Service. Denver Service Center, 1995-01-01
  5. Ethnic Museums in Minnesota: Native American Museums in Minnesota, Grand Portage National Monument, Jeffers Petroglyphs
  6. Petroglyph Study Expanded: The 1979 Report On The Black Canyon Project Of The Mojave Desert. (Volume XXlX, No 1, Fall 1981). by Wilson G. And Trupe, Beverly S. Turner, 1981
  7. A Teacher's Guide to Petroglyph National Monument by Robin White, Karen O'Brien, 1997-03
  8. PetroGlyph CD ROM by Eric H Christiansen, 2000-12-27
  9. Four Great Basin Petroglyph Studies. by Robert Heizer, 1974
  10. Lagomarsino Petroglyph Site, Storey County, Nevada by M. A., R. F. Heizer and A. B. Elsasser BAUMHOFF, 1958
  11. Etched in Time: The Petroglyphs of Val Camonica by Ludwig Jaffe, Mila Simoes de Abreu Angelo Fossati, 1991
  12. In the shadow of Celilo.(Outdoors)(New trails and restored petroglyphs reawaken a spiritual site near The Dalles): An article from: The Register-Guard (Eugene, OR) by Gale Reference Team, 2007-10-09
  13. Pictographs and petroglyphs of the high western plains (Archaeological survey of the high western plains) by E. B Renaud, 1936
  14. PETROGLYPHS: Ancient Language, Sacred Art by Sabra Moore, 1998

101. Anasazi 1100-1400 AD
Photos of Chaco Canyon, Anasazi foods and petroglyphs prepared for use in a college course. About 25 images. Also some preAnasazi desert archaeology and some slides about the Sinaguans.
http://sorrel.humboldt.edu/~rwj1/ana.html
DESERT CULTURE 800 - 100 B.C.
ANASAZI 1100-1400 A.D.
SINAGUA 500 - 1400 A.D.
Table of Contents

102. The Petroglyphs

http://collections.ic.gc.ca/petroglyphes/indexme.htm

103. Les Pétroglyphes En Ligne | The Petroglyphs On Line
Translate this page The Saint-Victor petroglyphs Les Pétroglyphes de Saint-Victor.
http://collections.ic.gc.ca/petroglyphes/
The Saint-Victor Petroglyphs

104. Landscape Photographs Of The Southwest By John Gregg Photography Including Grand
Landscapes of the southwest including Grand Canyon, Zion, Bryce national parks, and the Sierra mountains. petroglyphs from the Great Basin, and southwestern United States.
http://www.johngregg.com/
John Gregg Photogaphy Capturing the Light Enter Landscape images by John Gregg Photography, including Grand Canyon, Zion and Bryce National Parks. Also, Petroglyphs from the Great Basin and Southwest. John Gregg Photogaphy Capturing the Light Enter Landscape images by John Gregg Photography, including Grand Canyon, Zion and Bryce National Parks. Also, Petroglyphs from the Great Basin and Southwest.

105. Summer Lake Inn: Lodging, Fishing, Bed And Breakfast, Birding, Hiking, Cycling,
Evidence of their reverence for the land abounds in the revealingand wellpreserved petroglyphs. The area around Summer Lake is
http://www.summerlakeinn.com/petroglyphs.html
For thousands of years Summer Lake has been an important region for humans. Native Americans lived and hunted here while the Ice Age lakes were slowly drying up. Evidence of their reverence for the land abounds in the revealing and well-preserved petroglyphs. The area around Summer Lake is one of the richest in the world for petroglyphs and other evidence of an earlier people who lived here. In the quiet of evening with the purest of skies above, you may hear the echo of ancient folks still ringing in the clear air. From bluffs near the Chewaucan River to Hart Mountain and all over Lake County, petroglyphs are abundant. Images depicting hunting, wildlife and many other scenes have been etched into the stone leaving a message for those who come later. The petroglyphs' meanings are sometimes obvious, such as a sheep nursing its kid or lightning and rain descending from a cloud, but often they are a mystery. Why were these enigmatic messages left here? What did they mean to their creators? What do they mean for us? This mystery transports you into an older time - a time before the white man came to Summer Lake, a time of survival depending upon your own skills. With the sounds of modern wildlife surrounding you and the air as clean and clear as thousands of years ago, pondering these mysteries seems natural. Somehow the connection with the ancient peoples brings a renewed sense of wonder - the majesty of rain walking across the land, the renewal of life in the spring, and the depth of the sky.

106. Petroglyphs
The petroglyphs of Indian Cave, Nebraska. Needless to say, the petroglyphswere probably unmolested for more than a thousand years.
http://www.birdingamerica.com/Nebraska/petrogly.htm
The Petroglyphs of Indian Cave, Nebraska Needless to say, the petroglyphs were probably unmolested for more than a thousand years. Visitors of the last century or two, however, seem to have been unable to resist adding their own bit of art, or self-promotion. Here are a few of the better preserved images. BirdingAmerica HOME

107. Kurt Roll Primitive Design: Sterling Silver Jewelry, Southwestern Designs, Petro
Handcrafted sterling silver pins, pendants, earrings and pewter medallions based on unique images inspired by ancient petroglyphs.
http://sd.znet.com/~krdesign/
Kurt Roll Primitive Design creates handcrafted sterling silver jewelry based on unique images inspired by ancient petroglyphs. The collection includes sterling silver earrings, pins, pendants, and pewter medallions. For more information, please contact:
Kurt Roll Primitive Design
10932 Avenida Playa Veracruz
San Diego, CA 92124
Phone: (858) 541-0332
Fax (619) 390-0828
E-mail: krdesign@znet.com About the Artist Jewelry Collection Comments ... Order Form
Site design by: MindCastle Interactive Designs

108. Petroglyphs And Pictographs
petroglyphs at Tsankawi, NM The petroglyphs at Tsankawi are incised. The Puye Ruinswhich are not far from Tsankawi also have numerous incised petroglyphs.
http://www.niler.com/tsankawi.html
Rock Art in the Southwest
Petroglyphs at Tsankawi, NM
The petroglyphs at Tsankawi are incised. Most of the rock art in the southwest is pecked into the desert varnish which coats boulders over a period of many years.
Incised images are carved into the soft sandstone and are often hard to see, depending on the nature and the direction of the light.
The Puye Ruins which are not far from Tsankawi also have numerous incised petroglyphs. One example is shown on the next page.
Click HERE to go to next page
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PREVIOUS Click HERE to return to content page

109. Rock Art Of Missouri
A short essay on the current conditions of the state's petroglyphs. Features an image gallery of drawings and photographs.
http://www.geocities.com/Athens/Aegean/1384
Petroglyphs, Inscriptions, Pictographs
Mounds, Monuments, Tablets
Rock Art of Missouri and Vicinity
EARLY AMERICAN BILLBOARDS
Nearly everyone is fascinated by the carvings and paintings of animals and symbols left on rocks by
early Americans. Much time has been spent to understand what they mean, but it is generally
accepted by the academic community that we really don't know, except for those recent enough
that Native Americans can interpret. When we see modern graffiti, we condemn the vandalism and want the perpetrator to be fined and
repair the damage. I was shocked a few years ago when I saw approximately 900 square feet of such
desecration gouged into the sandstone face of a Missouri River bluff. I had heard about carvings of
animals at this location, and wanted to see and photograph them in an effort to better understand this
medium of communication. On my third trip there I felt I had found most of the animals and symbols that were readable and I
began searching among the carvings of Bill, Fred, and Alice to see what they so carelessly had

110. Petroglyphs And Pictographs
Rock Art in the Southwest. Rock Art Gallery at Chaco Canyon. The next 18 pagesillustrate rock art from 12 different sites in Arizona and New Mexico.
http://www.niler.com/petroglyphs.html
Rock Art in the Southwest
Rock Art Gallery at Chaco Canyon
The next 18 pages illustrate rock art from 12 different sites in Arizona and New Mexico.
Click HERE to go to next page Click HERE to return to content page

111. Indian Symbols
Graphical interface for interpreting common symbols used in petroglyphs and other Native American Art.
http://www.indiansummer.com/symbol.htm
Indian Symbols Click on a symbol for a larger image with description Additional Information Menu! Indian Symbols Fetishes Kachinas Story Tellers ... E-mail Us

112. Side Canyon: Rock Art - Get Sites, Organizations, Links, Books And Videos.
Explore petroglyphs and pictographs of the American Southwest with Side Canyon. Sites, tours, news and events, photographs, organization listing, suggested books and videos, links.
http://www.sidecanyon.com/features/rockart.htm
home travel
store
photo gallery ... trading post Rock Art USA l inks
International Links

Gallery
...
News

Our interest in rock art began more than years ago with a photograph of the All American Man , a remarkable pictograph in Canyonlands, Utah. Since then rock art has taken us to many unforgettable places
"Side canyon" became the symbol for our quest one day in Death Valley when we were looking for a pictograph site near Split Mountain. The information we had told us to "look in a side canyon for minor caves under overhanging rocks". It seemed simple enough when the day began but we soon discovered we were surrounded by side canyons and all of them had minor caves and overhanging rocks. We spent a long day looking for the right one. Some sites are found without searching, some will not be found no matter how long we search. Light conceals and then reveals it. Trees and brush hide it. Trails lead uphill and into the sun. It is usually either hot and dusty or cold and windy. Every day ends late.
  • What is rock art?

113. Rupestre - Rock Art & Petroglyphs
Translate this page a Rock Art site - un sito rupestre.
http://rupestre.net/
a Rock Art site - un sito rupestre
RockArtNet
Orme dell'Uomo
Rockart Bulletin
ARchivio Online
Salvaschermo
ALPI Rock Art
Didattica - scuole
European Rock Art Books Libri by
Footsteps of Man - Le Orme dell'Uomo

p.zza Donatori di Sangue 1 25040 - Cerveno (BS) - ITALY (Valcamonica) +39 0364433983 fax +39 0364434351

114. The Equinox Project
Reports and resources from volunteer group investigating Inyo site rock art and petroglyphs.
http://www.equinox-project.com/
This is a unique web presentation. Here you will find material that is presented nowhere else. We have discovered, or more properly re-discovered, a true animation that is designed to function on the equinox. This discovery is of serious historic importance. It explains the root religious beliefs of the Native Americans. This is a first. No one where else is this information available. The Equinox Project is proud to make this presentation. We are dedicated to the preservation of this endangered artifact and the philosophies it represents.
It was Dr. Barry Fell, the renowned epigrapher, who wrote of the location in his book, Saga America . Archaeologists had previously looked at the stone cut writings on the site and reported it to be typical Indian 'doodlings' and nothing special. When investigated by somewhat more open minded epigraphers, it was found that Inyo is a complete solar observatory. The equinox, solstice(s) and cross quarter(s) are all noted by specific heliolithic (sun and stone) displays. Also notable is the fact that there is an image of Lugh, a deity of undeniable Celtic origins inscribed there in antiquity. This compliments the images of Ogmios, also Celtic and identified by Dr. Fell, found a days walk to the south.
Epigraphy, the study of stone carved messages (a cousin of paleography) is cause for these discoveries. What has been found and identified strengthens the cause of cultural diffusion. Often the claims of anti-diffusionists rely on the arguement of independent invention. However, this theory fails when the existence of Old World writing ststems, especially the Celtic writing system, ogam (or ogham), is noted. Duplication of a complete writing system is simply and logically impossible. So is the 'invention' of the universal religion. Finding these icons puts serious doubt into the accuracy of what is propounded as

115. ROCK ART In The Alps - Monte Bego Petroglyphs
by Footsteps of Man. See Also Mt. Bego petroglyphs in Italiano or en FrançaisMt. Bego and Valcamonica are the two most important alpine rock art sites.
http://rupestre.net/alps/bego.html
EuRA - Rock Art in the Alps
by Footsteps of Man Mt. Bego Petroglyphs
in Italiano
or en Français
Mt. Bego and Valcamonica are the two most important alpine rock art sites. Regarding the quantity and the quality of engraved rocks we can't find any equal in the other alpine valleys.
In Valcamonica some 200-300.000 engraved figures are estimated to exist, while in Mt. Bego 35,000 engravings were traced (and counted). Natural blackboards It is often claimed that this huge concentration was due to the presence of two open air sanctuaries, or sacred mountains.
Although we may consider the possible religious meanings as very important in the choice of this site by the prehistoric artists, we must also consider that the rocks, sandstone in both Mt. Bego and Valcamonica, are not exfoliated, not too hard, and are perfectly polished by the glacier, showing most surfaces similar to a natural blackboard, ready to receive the signs engraved by alpine cultures.
So we must find in the rock itself the main ground for such a large concentration of pecked figures.

116. Rock Art
Photographs by Brian and Dave Lee of petroglyphs, pictographs, cave paintings, mostly Archaic styles of the Southwestern U.S.
http://www-personal.umich.edu/~bclee/rockart/rockart.html

Rock Art
Photo by Dave Lee, web page by Brian Lee
Petroglyphs, Pictographs, Cave paintings, etc.
(Mostly Archaic styles of the Southwestern U.S.)
Updated Sept 2003
(Photos page updated Sept 2003) Welcome to BCLee's rock art page. My focus in these pages is on the Barrier Canyon Style (BCS) of rock art, a carefully composed and visually stunning style occuring mostly in Utah, much of which is likely between 2000 and 4000 (although some claim up to 8000) years old. If I ever get the time I'll also add information about other southwestern rock art, particularly other archaic styles and anything else that either relates to Barrier Canyon style or that I happen to have a good picture of. (Like Dave's photo of the TV sheep above.) And maybe someday I'll actually write something.

Photo Collection

Other Rock Art Web Sites

What's next: In Sept of 2003 Amy and I visited Utah for a week and took many new pictures. All of Amy's pictures are with a digital camera, and I've started adding those already. After a number of failed attempts to get my prints and sildes scanned (commercial scanners seem incapable of scanning rock art, all I got were shades of brown brown cliff face, brown pictograph, brown trees, brown sky . . . you get the idea) I finally got my own (slide-capable) film scanner, so I've been adding more of my own (film-based) photos as well. So far the results are much better that I've seen from any photo shop, but I'm still learning. home
rock art
Why are you here? / What does it all mean? /

117. Welcome To Jeffers!
Quick list of businesses, churches, organizations, and events in Jeffers, Minnesota. Brief introduction to the Jeffers petroglyphs.
http://rrc2.rrcnet.org/~jeffers/
Jeffers, Minnesota 56145
Jeffers is located in Cottonwood County on Minnesota Highway 30, just 4 miles west of U.S. Highway 71. Mayor: Brad Prins Feature attractions in our area are the
Jeffers Petroglyphs
, where you will find unique Indian carvings on hard red rock; the Red Rock Dells County Park, with a distinctive waterfall; and the Schoper-Bush Reservoir, a man-made lake behind an earthen dam constructed for flood control but with many recreational uses.
Retail and Service Businesses
American Legion Club Anderson-Schmidt Funeral Chapel Ag Venture Seeds Jeffers City Cafe Determan Tractor Repair Farmers's Co-op Oil Association Huls Construction Roger Haar, State Farm Insurance Hubley Repair Interstate Power Company Jeffers Dray Line Red Rock Central Schools Jack's Oil Jack's Plumbing, Heating, Hardware Jeffers Implement Jeffers Shoe Store Jeffers Liquor Store
(The Slipper Inn) Janelle Klips and Kurls Lehamn Machine and Welding Lyle's Repair Marilyn's Beauty Shop Miller's Repair Mountain Power New Vision Cooperative Elevator Pudenz Body Shop Pudenz Construction Prins Construction Red Rock Rural Water Richard's Repair Ryker's City Meats State Bank of Jeffers South Central Electric Therkelsen Construction RRCNET Trotter and Smith Trucking
Normal business hours for Jeffers businesses are 8 a.m. to 5 p.m. Monday through Saturday. Some may be open earlier or stay open later; some close Saturday afternoons.

118. PETROGLYPHS
petroglyphs. Welcome to the Valley of Fire! You re looking at Native Americanpetroglyphs or pictures that have been carved into the sandstone.
http://ccsd.net/schools/jspark/petro.html
PETROGLYPHS
Welcome to the Valley of Fire! You're looking at Native American petroglyphs or pictures that have been carved into the sandstone. Most archaeologists believe that people have been in the Valley of Fire for about 4,000 years, going back to a time when this place was wetter and cooler than today. Both the Anasazi and the Paiute peoples lived here.
As with Red Rocks, there are many petroglyph sites in the Valley of Fire. If you come, don't miss the Lost City Museum in Overton. Just a few miles northeast of the Valley of Fire, this museum has an great collection of local Native American artifacts. There is even a reconstructed Anasazi Pueblo . Since the Valley of Fire state park is only about an hour North of John S. Park, it is a popular place for field trips.
Return to the main gallery
The above photos were taken by Ryan Dwyer. While they may be shared, credit must be given to the photographer. Information on this page was extracted from Nevada's Valley of Fire: the story behind the scenery , by G. William Fiero and edited by Mary L. Van Camp. KC Publications. Eighth printing, 1998.

119. Petroglyph Boulders And Sacred Stones Of The Upper Midwest
Regional analysis of petroglyphs by Kevin L. Callahan, Anthropology Department, University of Minnesota.
http://www.geocities.com/Athens/Acropolis/5579/midwestboulders.html
Petroglyph Boulders and Sacred Stones of the Upper Midwest
(c) 1997 Kevin L. Callahan , Anthropology Department, U of MN
Photo of Theodore H. Lewis
St. Paul Weekly Pioneer Press (Aug. 6, 1905) and Winchell (1911).
Minnesota Historical Society: St. Paul
Distribution Maps of Inscribed and Painted Boulders of the Upper Midwest and North America
MINNESOTA
Farmers in Minnesota often cleared agricultural fields of glacial erratics by drilling triangular holes and blowing them apart with dynamite. Farmers rock piles may reveal a wider distribution of the cup marked boulder phenomenon if a survey is made of these boulder remains, such as they are.
Newport, Minnesota
Click here for information regarding Minnesota's Sacred Red Rock boulder and Dakota religious beliefs related to boulders or Spirit Island, Mille Lacs, Minnesota Dakota sacred painted boulders were historically reported at Shakopee, Lake Minnetonka, Eden Prairie, Birch Island Lake, Winona, St. Peter, and between South St. Paul and Mendota. Many of these were stolen or removed.
The Buffalo Dance
Pipestone, Minnesota

120. Untitled Document
petroglyphs The Stories They Tell. Copies of the petroglyphs Activity Sheet (oneper student), or Word document on computer for them to type responses onto.
http://www.cdpheritage.org/educator/petroglyph.html
www.cdpheritage.org Previous Page
Petroglyphs- The Stories They Tell
Focus of Lesson: To discover petroglyphs as a primary source, to learn to describe petroglyphs and to identify what they are trying to communicate (the main idea), and to identify the unique way that different cultures record their history. Standard Assessed: History Standard 2: Students know how to use the processes and resources of historical inquiry.
2.2 Students know how to interpret and evaluate primary and secondary sources of historical information.
Grades K-4
  • describing sources of historical information;
    identifying the main idea in a source of historical information; and
    identifying ways different cultures record their history.
Standards to be Addressed: History Standard 2.2 (see above)
Information Literacy Standard 1: The information literate student accesses information efficiently and effectively.
Information Literacy Standard 2: The information literate student evaluates information critically and competently. Assessment:
A petroglyph activity sheet will be used to record students descriptions of the primary source, identification of the main idea, and identifying how different cultures record their history.

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