81. Pieces Of Eight of the festival will bring marilyn nonken, who performs This season nonken is touringwith a program of will perform with guest pianist Christopher Oldfather. http://www.news.ecu.edu/poe/poeonline/MARCH2003/newmusic.html

New Music: Born in East Carolina By Michael Crane "There has always been new music," says East Carolina composer and professor Ed Jacobs. "And there will always be new music." To consider the latest in new compositions, Jacobs hosts an annual festival, NewMusic@ECU, which brings acclaimed composers and performers from around the world to Greenville. The free festival includes concerts, lectures, and master classes for students, professionals and the public. "If you're looking for a piece that will impact your heart and mind and will be as powerful as anything you've ever heard come to the Festival's opening concert where you'll hear "Quartet for the End of Time," Jacobs said. Written by Olivier Messiaen while the composer was interned in a Nazi labor camp, the work is a landmark of 20th century music. "It is an incredibly emotional experience, religiously inspired and uniquely profound," Jacobs said. The 40-minute piece stands alone on the program, but will be introduced by Dr. James Grymes, guest scholar and musicologist on the faculty of UNC-Charlotte at the March 19 opening concert at 8 p.m. The NewMusic@ECU Festival is a tremendous opportunity for all listeners to hear how today's composers are bringing together influences from so many different cultures and styles.

82. Mikhashoff Trust: Awards for graduate school tuition University of York · marilyn nonken (New York NY NY),artist s fees 1997 Awards Students · Andrey Kasparov, pianist, for doctoral http://www.mikhashofftrust.org/awards.html

YVAR MIKHASHOFF TRUST FOR NEW MUSIC Home page Past awards Funding and application information Yvar Mikhashoff's Compositions (NEW) 2004 Awards Individuals Organizations 2003 Awards Individuals Organizations 2002 Awards Individuals Organizations 2001 Awards Individuals Organizations 2000 Awards Individuals Organizations 1999 Awards Individuals Organizations 1998 Awards Individuals Organizations 1997 Awards Students Young Professionals Organizations 1996 Awards Students Young Professionals Organizations info@mikhashofftrust.org Yvar Mikhashoff Trust for New Music P O Box 8 Forestville NY 14062 USA Phone: (716)965-2128 Fax: (716)965-9726

83. IRCAM@Columbia 1999 was utilized in every piece; and this pianist, Ensemble 21 s codirector and risingstar on the new music performance scene, marilyn nonken, deserves special http://www.leeds.ac.uk/cmj/reviews/24-2/e-columbia-ircam.html

Vol. 24 Issue 2 Reviews Reviews Events IRCAM@Columbia 1999 IRCAM@Columbia 1999 Columbia University, New York City, 15-21 November 1999 The Music of Jonathan Harvey Ensemble 21; techical assistance, IRCAM Reviewed by Christopher Bailey (New York, New York, USA) The first concert of IRCAM@Columbia was devoted to the music of composer Jonathan Harvey; the works performed ranged from fairly recent (1994) to relatively well-established (1980). Mr. Harvey has had several residencies at IRCAM, and the influence of the techniques he has learned and utilized there could be heard both directly, in the case of works featuring electronics, like Mortuos Plango, Vivos Voco and Tombeau de Messiaen , and indirectly, in the case of works like The Riot and Nataraja The latter, a fiery duet for flute and piano, opened the concert, played brilliantly (as was the entire program) by Ensemble 21. As is often the case, the pianist was utilized in every piece; and this pianist, Ensemble 21's co-director and rising star on the new music performance scene, Marilyn Nonken, deserves special kudos for her unceasing energy and vitality in performance throughout the evening. Nataraja is a work filled with wonderfully varied textures and scintillating instrumental writing, weaved together into a clear, satisfying kinetic-formal design. This listener heard perhaps a whiff of Karlheinz Stockhausen's

84. World-searches.com: Entertainment/Music/Instruments/Keyboard/Piano/Pianists NeuhausItalia, is dedicated to this Russian pianist and teacher. nonken, MarilynSpecializes in modern music Information, discography, repertoire, concerts. http://www.kangaroo-directory.com/Entertainment/Music/Instruments/Keyboard/Piano

HOME ADD A LINK MODIFY A LINK NEW LINKS ... LOGIN Search the entire directory only this category More search options Top Entertainment Music ... Piano : Pianists Categories: Agents and Managers Biret, Idil Brendel, Alfred Directories ... Sgouros, Dimitris Links: Pages: Lear, Angela Official Web site of British Pianist with information about her research as a Chopin scholar and performer. http://classicalmus.hispeed.com/lear/ (Added: Tue Jan 01 2002 Hits: 3 Rating: 0.00 Votes: 0) Rate It Review It Ledyaykin, Mikhail Website offers recordings in RealAudio format, repertoire, biography, photographs and recent engagements. http://www.geocities.com/mledyaykin/ (Added: Tue Jan 01 2002 Hits: 11 Rating: 0.00 Votes: 0) Rate It Review It Leeb, Christina (b.1976) Young austrian pianist; her repertoire also includes chamber music and vocal/instrumental accompaniments. http://members.chello.at/h.swietly/leeb (Added: Tue Jan 01 2002 Hits: 9 Rating: 0.00 Votes: 0) Rate It Review It Leonhardt, Trudelies Fortepianist. Biography, discography, sound clips. http://home.worldcom.ch/tleonhar/

85. Miller Theatre Of Columbia University American Spiritual Works of Michael Finnissy Charles Ives pianist marilyn Nonkentackles Charles Ives Concord Sonata, perhaps the greatest American piano http://www.cs.wisc.edu/~yacomink/MillerArchive/Miller2000/pr.html

American Spiritual: Works of Pianist Marilyn Nonken tackles Charles Ives' "Concord Sonata," perhaps the greatest American piano work of the last century; then, with bells on her fingers, she takes up deconstructed Morris dancing as heard through the ears of England's Michael Finnissy. Charles Ives Second Sonata Concord, Mass., 1840-1860 (1915) Michael Finnissy: North American Spirituals (1998) Kemp's Morris (1976) Marilyn Nonken, piano Tickets: $17 Leo Ornstein and George Antheil Celebrating the Centennial of George Antheil and the 108th Birthday of Leo Ornstein Leo Ornstein's 1915 work Suicide in an Airplane announced a futurist aesthetic that paved the way for George Antheil, the self-proclaimed "bad boy of music." At 108 years old, Ornstein has still never been on an airplane; he will listen to the concert by webcast from his home in Wisconsin. Ornstein Suicide in an Airplane (1915) A Morning in the Woods (1971) Antheil Airplane Sonata (1922) Sonata Sauvage (1922) Sarah Cahill, piano

86. , , By (10/03/02) FRIDAY OCTOBER 4 marilyn nonken A student of the legendary David Burge, this virtuosopianist serves up a formidable program of contemporary solo piano music. http://www.thestranger.com/2002-10-03/concerts.html

Vol 12 No. 3, Oct 3 - Oct 9 2002 Enter search words: CONCERTS THURSDAY OCTOBER 3 SEATTLE SYMPHONY A Symphonic Requiem, Variations on a Theme of Howard Hanson A Carlo Scarpa (Luigi Nono) or Sun-treader (Carl Ruggles). Pre-concert lecture starts one hour prior to performance. Also Fri Oct 4 at 8 pm and Sun Oct 6 at 2 pm. Benaroya Hall, 200 University St, 215-4747, 7:30 pm, $11-$75. FRIDAY OCTOBER 4 MARILYN NONKEN A student of the legendary David Burge, this virtuoso pianist serves up a formidable program of contemporary solo piano music. Nonken tickles and thunders the ivories with David Rakowski's appealing and sometimes knotty Etudes , Jason Eckhardt's Echoes' White Veil , Michael Finnissy's North American Spirituals , Paul Nauert's A Collection of Caprices , and Allegro Penseroso by that grand old man of American serialism, Milton Babbitt. A must for piano fanatics. Brechemin Auditorium, UW campus, 685-8384, 8 pm, $8/$10. CCRK Most free improvisers are too busy practicing or hustling gigs to learn the art of naming the band. Instead of the traditional [insert name] duo/trio/what-have-you, Jesse C anterbury, Mark

87. Boston Microtonal Society/Musicians/Eckardt Recently released recordings include Echoes White Veil by pianist marilyn Nonkenon CRI (877) and Transience by Makoto Nakura on Helicon/Kleos (KL 5116). http://bostonmicrotonalsociety.org/Pages/MusiciansPages/Eckardt.html

Jason Eckardt I am constantly inspired by the rich harmonic possibilities offered by microtonal intervals and the facility with which today's players can perform them. Aesthetically, I am drawn to a variety of microtonal music, ranging from ethnic music (gagaku, gamelan, and pansori) to the composed works of Michael Finnissy, Harry Partch, and Tristan Murail. My use of microtonal intervals has always been structural, rather than ornamental. Tangible harmonic relationships are created by Mod24 interval-class invariances within pitch-class set types manipulated in various ways. Thee pitch-class sets are then distinguished on the musical surface using other parameters: rhythm, timbre, register, articulation, and amplitude. The choice of pitch-class set types is determined by a generating set from which subsets and supersets are created. By imbuing these smaller and larger derived sets with all or some of the intervallic content of the generating set, the harmonic environment of the work is characterized by the emphasis or suppression of certain interval classes. Sets are articulated musically by exploiting changes in musical parameters from gesture to gesture, phrase to phrase, and section to section. This encourages the perception of related grouping structures on local and global levels. Despite the technical accomplishment of musicians dedicated to performing microtonal works, some microtonal figures are still impractical on traditional instruments. Additionally, I do not want to discard the timbral vitality of keyboard and percussion instruments simply because they are limited to semitones. To address these issues, I often create two groups of pitch-class sets as the harmonic material for my works: one semitonal and one quartertonal. These are also related by interval class content; semitonal sets are often subsets of larger-cardinality quartertonal sets. By interchanging the two kinds of sets within passages, I achieve a harmonic continuity that facilitates rapid figurations in the instruments in all registers, while successfully integrating semitonal instruments when I choose to use them.

88. »çÀÌÆ®·Î ±¸¼ºÇÑ ¼¼°è¹®Çп¹¼úµµ¼­°ü PianistEmanuel AxPianist PianistErik NilssonPianist(SE)marilyn NonkenPianistGuiomar NovaesPianist(BR)(d. 1979)Ignacy PADerewskiPianist(PL)(d. 1941)Jon Kimura ParkerPianist http://school.pressian.com/dictionary/art_music_07.htm

Dance Music Art (Painting, Sculpture, Architecture) Literature (Poetry, Fiction, Essay) ... Film Music piano link Mark Anderson:Pianist Apion Piano Web Site Martha Argerich:Pianist(AR) Martha Argerich's Music(AR) ... Juana Zayas:Pianist opera link 10 Lieder Singers The African-American Art Song Alliance Donnie Ray Albert:Baritone Elly Ameling:Soprano(NL) ... The Fritz Wunderlich Page(DE)

89. Classical Music - Andante - Web Directory Burtis, Herbert. Concert organist, pianist, and vocal teacher. Catalog by ArtistMarilynNonken. page at Lovely Music See cached version. CHRISTINA PETROWSKA. http://www.andante.com/Directories/Web/index.cfm?iTopID=12

90. NewMusicBox- The Web Mag From The American Music Center Covering New American Mu Martha Braden. What I look for from a pianist s point of view is The pianist needsto monitor levels of musical difficulty, length, quality, and abstraction. http://www.newmusicbox.org/page.nmbx?id=54hf05

91. Salvatore Martirano: Colleagues & Former Students Lab; John Melby professor of music, U of I at CU; marilyn Nonkenpianist; Ron Pellegrino, President of Electronic Arts Productions; http://ems.music.uiuc.edu/~martiran/HTdocs/friends.html

Friends, Colleagues, Former Students, and Other Links This list is incomplete and in-progress. We use this list as our own hyperlink list, but it also serves to help connect Sals former colleagues and students. If you belong on this list and you do not find yourself, e-mail us at esofea@ix.netcom.com . Please include the URL for your homepage and any organizations you are affiliated with. Also see the EMF's Internet Directory Larry Austin, Co-founder and President of CDCM Consortium To Distrubute Computer Music Robin Bargar, a member of the NCSA Audio Group Brian Belet, Music Systems Coordinator for the at San Jose State University CREAM, Center for Research in Electro-Acoustic Music Joel Chadabe, President of the Electronic Music Foundation CMP, the Computer Music Project of the University of Illinois at Champaign-Urbana, host of this site! Steve Curtin, former student, currently Software Engineer at Ensoniq Corporation Donnecha Dennehy, former student Jay Eckardt, Winner, Martirano Memorial Prize, 96 Steve Everett,

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