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61. The Estate Project
INTRODUCTION by joseph Dalton A virtuoso pianist who also played and sang cabaret,he was propelled In keeping with a longstated practice of the Estate Project
http://www.artistswithaids.org/artforms/music/introduction.html
INTRODUCTION
by Joseph Dalton
When the Estate Project for Artists with AIDS was established in 1991, its first public face was a composer. Thirty-two year-old Kevin Oldham appeared on the cover of The New York Times on December 27, 1992, in an article announcing this new initiative to assist artists who face foreshortened lives in planning for the care and preservation of their creative legacies.
(click to view full article)
"Whether you stay alive or not seems to be the trivial part," Oldham told The Times . "It's your work itself that must have a life of its own. If I can make sure that my music will continue to have life, that seems to be the more important consideration."
The New York Times on December 27, 1992. Photo: Lee Romero/ The New York Times
For Oldham, AIDS had become a catalyst to take his muse more seriously. A virtuoso pianist who also played and sang cabaret, he was propelled by AIDS from being an occasional songwriter into a serious composer. As can be seen from his entry in this catalogue, virtually all of his works come from the last half-decade of his brief life. Oldham pursued music to the end. In January 1993, he checked himself out of a New York hospital to rehearse and perform his Piano Concerto with his hometown orchestra, the Kansas City Symphony Orchestra. The day after the performance he was admitted to a local hospital, where he died six weeks later.

62. OCA: Who We Are
Baritone Lawrence Tibbett, then early in his long and distinguished career (and later mostfamous artist to appear during this period was pianist joseph Hoffman
http://external.oneonta.edu/oca/oca_who_we_are.html
Who We Are and How to Contact Us
The Oneonta Concert Association began, in Oneonta, New York , as the Oneonta Community Concert Association in 1927, when it presented its first concert, bass Lawrence Tibbett, who was also just beginning his career. In the intervening years, more than three hundred concerts have been presented by the Association to tens of thousands of Oneonta area concert-goers. The list of artists is long and impressive, including pianist Leonard Pennario; violinist Jaime Laredo; cellists Colin Carr and Julian Lloyd Webber; vocalists Rise Stevens, Maureen Forrester, and Paul Robeson; orchestras from Munich, Buffalo, Indianapolis, and Stockholm; dance of the Royal Winnipeg and Indianapolis ballets, Alvin Ailey, and Joffrey II; multi-instrumental group Oregon; The Count Basie Orchestra; and chamber, folk, and jazz ensembles from around the world.
In the mid-1970s the Association ended its alliance with Columbia's Community Concert programs. As an independent organization, OCA has been able to bring artists from many agencies, greatly expanding the variety and quality of available talent. OCA's completely volunteer staffing allows most of its funds to be devoted to artist fees. The Board of Directors is proud to represent the OCA subscribers, and pleased to be able to offer the fine artists coming to Oneonta this and every season.
Our annual subscription drive establishes the Association's audience and funds before the concert season, permitting early guaranteed concert bookings, which gives us the best choice of artists at less cost. Because we book an entire series, the cost per program is only about $10 for adults and $5 for students. A family of four pays about $5 per concert per person - less than the cost of a movie. Everyone is invited to purchase a season subscription, and, of course, donations are appreciated and tax deductible.

63. Joseph Jarman Interview
So who is joseph Jarman? It took me a long time to reach the decision to retire InterestJarman s group with violinist Leroy Jenkins and pianist Myra Melford
http://www.furious.com/perfect/jarman.html
Joseph Jarman
photo by susannah sheppard
interview by Jason Gross (October 1999)
How would you picture a former member of the legendary Art Ensemble of Chicago, now in his 60's? Humbly and quietly enjoying the fruits of his labors? Well, certainly not what you'd expect of an AEC member. In the past year, I'd seen Joseph Jarman in two seemingly different guises that turned out to be very closely related to who he is and what he's about. At a performance at Manhattan's Lotus Music and Dance Studios, Jarman played an assortment of horns, woodwinds and percussion along with a singer, poet and dancer for a wonderful, inspiring show. Months later, he was doing the opening invocation for the Vision Festival with a group assembled from his temple who chanted along with him. Just before meeting up with him for an interview, I witnessed him teaching a martial arts class. The very sight of a small, thin man flipping huge young men around a room was astonishing. The group he taught showed him the proper respect not for a legendary musician (many didn't at first know about his past) but for a master of Japanese arts and spiritual meditation. This is what he has devoted his life to since leaving the Art Ensemble in 1993 and he has no regrets at all about it (though he certainly looks back at it fondly). So who is Joseph Jarman? Art Ensemble refugee? Bruce Lee? Dali Lama? All of the above and more, no doubt. I had to chance to chat with him about the breadth of his career shortly after one of the martial arts classes he teaches at his temple ('dojo'), now a modest one story building in Brooklyn.

64. Music Reviews
In the marvelous coda of his long career, joseph led by violinistturned-conductorjoseph Swensen. Concert review Power, precision are pianist Song s gifts.
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The Dale Warland Singers ended their 32-year history on a high note Sunday afternoon with a sold-out concert at Orchestra Hall. The audience gave Warland a standing ovation at his first entrance, a fitting tribute to a man who has enriched the Twin Cities music scene for so many years.
CD reviews: Avril Lavigne, Tamyra Gray, Method Man, Askeleton POP/ROCK Published May 30, 2004 Vänskä's 1st year a nice crescendo Osmo Vänskä's first season at the helm of the Minnesota Orchestra has been a major success: a series of performances never less than interesting and quite often revelatory, whether in new repertoire or old, all this buoyed by what looks to be an increasingly close and trusting relationship with an orchestra that has played all season at the very top of its form. Published May 28, 2004

65. Pianist Resources
Marguerite long French classical pianist; classical pianist marc anderson; pianist;download the jazz pianist; joseph backer classical pianist; la leggenda
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  • 66. Mischa Elman Concert Favorites, Music Minus One Violin
    joseph Seiger was chosen by the famous violinist Mischa Elman was during this timethat the pianist recorded four really been playing together for a long time.
    http://www.musicteachermag.com/html/reviews_mischaelman.html

    67. Whatsonwhen.com - Global Events Guide
    sing your heart out, along with Donny Osmond as joseph. Not so long ago, any nightwas an event in Records as the highest paid musician and pianist, lives on
    http://www.whatsonwhen.com/partners/freeserve/query.asp?month=6&overview=0&categ

    68. Professional Biography
    for New York City in 1983 and immediately began a long association with Buckner worksclosely with pianist joseph Kubera, who has been acclaimed as “one of
    http://interpretations.info/buckner_site/biography.htm
    Short Biography: (scroll down for long version) Baritone THOMAS BUCKNER has been recognized for his varied accomplishments as a performer, producer and promoter of some of the most creative and challenging music of our time. Since the 1960's, Buckner has been experimenting with creative voice techniques and improvisational settings that have become his trademark. A classically trained singer, he started his performing career in Berkeley, California, where he resided from 1967-1983. While there, Buckner founded 1750 Arch Concerts, which presented over one hundred music events a year for eight years, and 1750 Arch Records, which released over fifty albums. He was also vocal soloist and co-director of the 23-piece Arch Ensemble, which performed and recorded the work of contemporary composers.
    Upon arriving in New York City in 1983, Buckner began to work with the internationally renowned composer Robert Ashley. He has performed a leading role in every Ashley opera since that time, in performances throughout the world and on numerous recordings.
    Buckner works regularly with composers Roscoe Mitchell, Alvin Lucier, Bun Ching Lam, Stephen Dickman, Jerome Cooper, David Wessel, Tom Hamilton, Leroy Jenkins, Phill Niblock, and many others. His most recent performances include

    69. Recordings By James Boyk
    Virtuoso pianist superb recording most realistic and subtly nuanced piano soundI have heard on records in a long time joseph McLellan, The Washington Post
    http://www.cco.caltech.edu/~boyk/records.html
    James Boyk Home Concerts Private lessons Comments on James Boyk's other activities:
    Alive! with Music
    "I quickly augmented my collection of these fabulous James Boyk piano recordings."
    Gramophone (England) "Record to Die For" Stereophile "Boyk plays the very devil out of this sonata.... The piano sounds incredibly lifelike."
    Stereo Review "Unbelievably precise, his musical concept extraordinarily definite. We rank his 'Pictures at an Exhibition' among our reference recordings."
    HiFi Magazin (Hungary) "Desert-Island Disc" The Absolute Sound "Almost incredible fidelity...even more impressive is the integrity of the performance."
    High Fidelity "The interpretation is worthy of the extraordinary care that has gone into making this record, and the result is something to cherish."
    The Washington Post "Perhaps the most distinguished interpretation I've heard.... The feeling of 'coming close to the vision of the composer' is strongly present. In this live recording in front of a devoted audience, the playing is powerful and full of life, yet with no loss of concentration."
    (Sweden) "Critic's Choice" High Fidelity Where To Order
    Performance Recordings albums are available from the Caltech Bookstore , +626/395-6161; or direct from Performance Recordings

    70. Compare Prices And Read Reviews On The Pianist At Epinions.com
    It has been far too long since I had a joseph, my manager, is arranging my embeddinginto a Roman Polanski s surprise Oscar winner, The pianist with Adrien
    http://www.epinions.com/content_96685821572

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    Pros

    Adrien Brody. Sensitively conceived and directed. Cons Occasionally choppy and melodramatic. The Bottom Line Roman Polanski revisits his past in this narrative of a Jewish musician who survives the Holocaust in Warsaw. Full Review Plot Details: This opinion reveals major details about the movie's plot. It has been far too long since I had a chance to converse with all of my fans. I know some of you are concerned about my health after my misadventures with Celebrity Survivor . I am pleased to announce that I am entirely well and that I have enjoyed the fruit baskets immensely. I could have done without the three cases of Butter Pecan flavored Ensure from Margo Channing but I suppose it's the thought that counts. I sent it over to the gastrostomy ward so they could all have a little change of taste. I am back at home at Chateau Maine where I have been sorting scripts and have been completely caught up in 24/7 cable news coverage of political events in Iraq. I had an epiphany this past week and decided that the more frivolous projects I have been considering such as

    71. NPR : Performance Today For Friday, April 19, 2002
    Silverstein (SILver-steyen) has had a long and varied Schubert From a concert lastmonth, violinist joseph Silverstein and pianist Lee Luvisi (loo
    http://www.npr.org/rundowns/rundown.php?prgId=4&prgDate=19-Apr-2002

    72. Michael Gailit - Austrian Organist And Pianist - Various Reviews In English
    country and in others, as a pianist and organist The audience applauded long and withone accord, and St joseph s Church, BonnBeuel (Germany) A Performance of
    http://members.aol.com/gailit/kritik_e.htm
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    MICHAEL GAILIT
    Titular organist St Augustine's Church
    Conservatory of Music Vienna ( organ performance class
    University of Music Vienna (assistant professor of piano)
    Beckgasse 17/1/1, A-1130 Vienna, Austria
    Tel. (+43-1) 877 68 41, Fax (+43-1) 877 68 414, e-mail: gailit@aol.com REVIEWS
    Klosterneuburg, Babenberger Hall, 29 October 1999 W. A. Mozart: Concerto for 2 pianos and orchestra E Flat Major, K 365 Carl Orff: Carmina burana" for soloists, choirs and large orchestra
    A truly masterful performance! Innsbruck, St Nikolaus Church, 17 May 1999 International Organ Week: Michael Gailit at St. Nikolaus Entertaining, sensual, brilliant The Apokalyptychon" by the Austrian Rainer Bonelli (born 1954) is based on traditional forms (prelude - toccata - fugue), which however are full of familiarly modern content. The toccata, in particular, resembles the style of the rock organist Keith Emerson, which is not surprising when one remembers that Bonelli has also served his time as a pop musician. The exuberantly cheeky toccata by Messiaen student Jean Guillou (born 1930) followed on seamlessly, with its choppy rhythms and chromatic movements. Rainer Gstrein ("Tiroler Tageszeitung")
    Winterthur Town Church (Switzerland)
    A vivid performance The romantic organ Rita Wolfensberger
    A Remarkable Bach Recital
    A rich web of sound Sven Erik Jonsson
    Kevelaer St. Mary's Basilica (Germany)

    73. Celtic South Bend, IN - St Joseph, Indiana
    I have not been singing professionally for very long, but I have been in vocal trainingfor over 10 years pianist For Parties Minneapolis Central Mn, MN,
    http://www.gigmasters.com/Celtic/Celtic_SouthBend_IN.asp

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    If you are a returning user, sign in here . Don't know your password? click here South Bend > Live Music > Celtic > Here are the online press kits of 19 quality celtic musicians complete with photos, audio samples, songs lists and testimonials. Please check off all the names you wish to contact, and when you're finished, click the ' Done ' button below.

    74. BBC Radio 4 - Thinking Allowed - 18 December 2002
    Goon Show fame, alongside Django Reinhardt and with a long association with withIan Carr (trumpeter and author), Julian joseph (pianist and presenter
    http://www.bbc.co.uk/radio4/factual/thinkingallowed_20030129.shtml
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    PROGRAMME FINDER: A-Z Directory Listen Again What's On Listings Presenters PROGRAMME GENRES: Arts and Drama Science History Factual TOP PROGRAMMES
    THIS WEEK: Reith Lectures The Archers Today Programme Woman's Hour ... Help Like this page? Send it to a friend! THINKING ALLOWED MISSED A PROGRAMME? Go to the Listen Again page PROGRAMME INFO Wednesday 16.00-16.30 Laurie Taylor leads a weekly discussion on topical issues within our academic institutions and research bodies. Contact Thinking Allowed LISTEN AGAIN Listen to Thinking Allowed for 29 January 03 PRESENTER LAURIE TAYLOR Laurie's biography Laurie's interview What do you know about Laurie "I'm the poor woman's Joan Bakewell!" Laurie Taylor PROGRAMME DETAILS 29 January 03  Caribbean Jazz: A Life Laurie Taylor goes head-to-head with Coleridge Goode , a man who's been at the heart of the British jazz world for over fifty years.  He's known as a 'prince' among bassists. Coleridge left his native Jamaica for Britain in the 1930s and can still recall his astonishment at cobblestones and the feeling of having the only black face in Glasgow. Glasgow was where he first heard the music that would change his life, a syncopated rhythm pouring out of his newly acquired Crystal Set. Later in London he would go on to witness and participate in some of the key jazz moments of the 20th century including playing in the Ray Ellington Quartet of Goon Show fame, alongside Django Reinhardt and with a long association with the now legendary Joe Harriott.

    75. Sejm Remembers December 13, 1981; Roman Polanski's Pianist
    in July 2000, aged 88, living just long enough to the dead as a result of the pianist sfilmic apotheosis TUESDAY, DECEMBER 10, 2002, 630 PM joseph and Rebecca
    http://users.erols.com/mietek/test/show_news.php?id=news120602.html

    76. Babel: Roundtable: May 1999: The State Of Classical Music: Foreword
    the Van Cliburn Competition, she has long served on joseph Fabio, a New York realestate developer international critical acclaim and featured pianist John Bell
    http://www.towerofbabel.com/roundtable/classicalmusic/
    May 1999 The State Of Classical Music: A Prognosis For Its Future In The 21 st Century By John Bell Young Featuring: John DesMarteau: Producer, President of Americus Records Hugh Downs : Co-anchor of ABC-TV News Live From Lincoln Center Joseph Fabio : Real estate developer, record producer, patron of the arts Constance Keene: Pianist, recording artist, professor: Manhattan School of Music Edvard Lieber : Pianist, composer, filmmaker, recording artist Bradley Pennington: Executive Director: Boston Bel Canto Opera Joanna Porackova: Dramatic soprano Paul Sperry: Tenor, recording artist, professor of voice at the Juilliard School John Bell Young: Pianist, recording artist, critic for American Record Guide, Opera News, Babel FOREWORD St. Petersburg Times in 1997, as timely as they are prescient. In discussing the role of the arts in contemporary society, and particularly in an America obsessed with fame and the sybaritic pleasures of youth, he said: Who Killed Classical Music?

    77. Gordon Beeferman, Composer & Pianist
    not all red, white, blue By joseph DALTON, Special to its elevenminute duration not so long as to duo of percussionist Arnal and pianist Beeferman presents
    http://gordon.inkbox.org/reviews.html
    Reviews Albany Symphony Orchestra
    Troy Savings Bank Music Hall, March 2003
    Anita Cheng Dance, Merce Cunninghan Studio, January http://www.villagevoice.com/issues/0305/jowitt.php ... http://www.geocities.com/soho/square/6100/drumduet.htm Albany Symphony Orchestra
    Troy Savings Bank Music Hall, March 2003
    http://www.timesunion.com/AspStories/story.asp?storyID=116014
    All-American music not all red, white, blue
    By JOSEPH DALTON, Special to the Times Union
    First published: Sunday, March 16, 2003
    TROY Forget about Europe. That seems to be the current message from our President and for one night a year, that's just what the Albany Symphony Orchestra does. As part of its monthlong Key American Music Festival, the ASO's Friday concert featured all-American music for orchestra. The evening commenced with the U.S. premiere of a work by the ASO's composer in residence Michael Torke titled "An American Abroad" (so much for ignoring Europe). It was a 20-minute romp through orchestral color and winsome melodies. The structure seemed intuitive, as if the composer's mind and imagination were wandering. Though syncopated brass wore out their welcome after several entrances, the more pensive sections, like the oboe solo and the long melodies for strings, were attractive and engaging. Gordon Beeferman, only 27 [sic], was represented with a new work commissioned by the ASO and BMI titled "Morbidity and Mortality Report." Cast in four short movements, it wasn't nearly as gruesome as the title or even the composer's description would lead one to expect. Beeferman showed knowledge and skill of the orchestra, creating vivid scenes in miniature. The doomed Russian submarine Kursk was evoked through breathy wind playing, clicking and tapping, and a chilling single use of the cymbal. A fight scene was unpredictable but ultimately brutal. Beeferman lent some welcome grit to a program overly dominated by the sunny and accessible side of American music.

    78. Music Reviews
    it should be played very slowly, with the pianist told to I then learned from JosephSilversteiin in Florida that this ve loved Handel’s music for a long time
    http://www.hometheaterhifi.com/volume_10_2/feature-article-interview-awadagin-pr
    Feature Article
    Interview: Pianist Awadagin Pratt May, 2003
    Jason V. Serinus
    EMI recording artist Awadagin Pratt, 37, is a rare phenomenon a multi-talented musician and conductor whose race, casual appearance, dreadlocks, and first name Awadagin (pronounced ah-wah-DAH-jin, named for a friend of his father’s who was born in Sierra Leone) attract as much attention as his considerable artistry. To Pratt, however, race is almost beside the point. While he well understands that the paucity of African-American concert artists is a subject deserving attention, and has experienced his unfair share of housing discrimination and police harassment (including an unjustified night in the Baltimore jail, which ended when the administration at Peabody Institute where he was a student contacted the State Attorney’s Office and demanded his release), he considers his race and appearance ancillary to his musicianship. I conducted a series of phone and e-mail exchanges with Pratt shortly before he gave a March 2003 performance of Beethoven’s Piano Concerto No. 3 in C minor, Op. 37 with the Hartford Symphony. This was followed by an April 3 stint as both conductor and pianist with the New Mexico Symphony.

    79. Joseph First Chapter
    joseph P. ~ a tale of losers and of love ~ by George Kempis © 2004. 1. Through The Smoke Dimly. If on that fateful day you entered the office of C. the aforementioned melon, one joseph P. Happenstanche. thing is long, and it has a top to it, which is open. joseph looks into
    http://www.esporo.com/Hyperlink Pages/Joseph Happenstanche.htm
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    80. Year 2001 MUSICIANS Milestones ~ AMUSIClassical Directory
    most respected Wagner singers of her time, died in a Stuttgart hospital after a longillness. 04 AUG 2001 COOPER, joseph (pianist and Broadcaster)b 7 OCT 1912
    http://members.tripod.com/perfartists/obits2001.html
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    INDEX
    Recent Classical Musician Deaths ~ 2001
  • 31 DEC 2001 RUBINSTEIN, Aniela (Wife of pianist Artur hostess). Born in Vilnius, Lithuania, in 1908. She died in New York, aged 93. The London Times
  • 29 DEC 2001 ASAHINA, Takashi (Conductor). Died at a Kobe hospital was known for his dignified conducting. He specialized in the works of Beethoven, Brahms and Bruckner. ~ age 93. Guardian Obit, AP
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