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81. Turner Classic Movies This Month Article
22 of his greatest songs and excerpts from five of his instrumental pieces, performedby such noted Gershwin interpreters as pianist oscar levant, singers Al
http://www.turnerclassicmovies.com/ThisMonth/Article/0,,24010|24020|24016,00.htm
Format HTML Text All Schedule Website Multimedia Jerome Kern Lovely to Look At You Were Never Lovelier Rhapsody in Blue ... Flower Drum Song RHAPSODY IN BLUE
"Even the lies about Gershwin were being distorted."
- Oscar Levant's comment on how far the film Rhapsody in Blue veered from the truth about George Gershwin's life.
Hollywood had expressed interest in doing a biography of America's most influential modern composer ever since his untimely death in 1937, but it took eight years to finally get the story on the screen. Part of that time was consumed in legal affairs, obtaining the rights to the Gershwin musical library, but it was just as difficult coming up with a screenplay from a life that was notably devoid of conflict. If what they ended up with was a fiction with the Gershwin name attached, at least Rhapsody in Blue (1945) featured 22 of his greatest songs and excerpts from five of his instrumental pieces, performed by such noted Gershwin interpreters as pianist Oscar Levant, singers Al Jolson and Anne Brown and conductor Paul Whiteman.
Various writers on the Warner Bros. lot labored over the story for years. When playwright Clifford Odets took over the project, he drove his fellow writers crazy playing recordings of Gershwin's music all day to get in the mood. The result was an 800-page screenplay about class struggle, featuring the young Gershwin's battle to rise from poverty to gain international acceptance as a composer. Most readers thought it was more about Odets than Gershwin, so Warners assigned another writer to the project and used portions of Odets' screenplay a year later for another picture with a musical background

82. CBC News - Viewpoint: Larry Zolf
oscar levant, the legendary concert pianist and wit of books, movies and AmericanTV panel shows, always left everybody laughing at his dry, acerbic wit which
http://www.cbc.ca/news/viewpoint/vp_zolf/20020402.html
CBCCat = "Sports,News,Arts,Kids,Interactive"; Sports = "Hockey,Baseball,Football"; News = "Canada,World,SciTech,Local,Consumers,SpecialReports,Business"; Arts = "ArtsNews,Infoculture,Music,Books,ArtsFeatures"; Kids = "CBC4Kids,PreSchool,Teachers"; Interactive = "MessageBoards,Forums,Games,Media"; document.write(""); document.write(""); 07:30 PM EDT Jun 04
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Viewpoint

LARRY ZOLF:
Ezra Levant is no Oscar Levant
Ezra Levant, who suddenly caved in and abjectly surrendered his Alliance candidacy in Calgary Southwest to his leader Stephen Harper, is no Oscar Levant. Oscar Levant, the legendary concert pianist and wit of books, movies and American TV panel shows, always left everybody laughing at his dry, acerbic wit which put down everybody and mostly himself. What was good for the goose was good for the gander. Levant, a lawyer, threatened to sue Chuck Strahl, then an Alliance MP, for disparaging comments. But it’s not in the courts that Ezra Levant has made his mark. It is in politics that he’s unique and a rising star. To be so charismatic and to be so Jewish in Calgary is a tale worth exploring in some depth. Alberta was not always hospitable to members of what John Diefenbaker always called “the Hebraic Persuasion.” A dislike of Jews and a belief in an international Jewish banking conspiracy were staples of Social Credit theory as practised by premiers ‘Bible Bill’ Aberhart and Ernest Manning, Preston’s father. Edith Gostick, a Calgary Social Credit member, was an avowed anti-Semite; her son Ron was for many years the publisher of the anti-Semitic Canadian Intelligence Service.

83. Fascinating Rhythms
who were both associates and admirers oscar levant and Vernon pit Schoenberg, whobriefly gave levant composition lessons as an actor and popconcert pianist.
http://www.newyorkmetro.com/nymetro/arts/music/classical/reviews/288/
dqmcodebase = "/js/nav/" The Kerry 'Intern' Speaks
Falsely accused of having an affair with John Kerry, she sifts through the mud.
The Source of the Trouble

How the same talents that caused Judith Miller to get the story also caused her to get it wrong.
Now Playing The Agronomist Bon Voyage Breakin' All The Rules Bulgarian Lovers ... All Listings Classical Music Review Fascinating Rhythms Another concert in the unfolding celebration of George Gershwin's music finds parallels in the works of Oscar Levant, Vernon Duke, and Maurice Ravel. By Peter G. Davis Left-handed complement:Ursula Oppens, with Dennis Russell Davies at Carnegie Hall. L etting go of the 1998 George Gershwin centenary is proving to be difficult, if forgivably so. There is still plenty to learn about this most popular of serious American composers, especially the exact nature of the scores he wrote for his many Broadway shows. The American Composers Orchestra 's recent tribute, conducted by Dennis Russell Davies in Carnegie Hall, wasn't able to go into that, but the music was choice and the context fascinating. This was not just another run-through of overplayed Gershwin concert classics but an attempt to locate the composer amid the music of three contemporaries who were both associates and admirers: Oscar Levant and Vernon Duke, who, like their mentor, traveled between high- and lowbrow circles with varying degrees of discomfort, and Maurice Ravel, a fastidious classicist whose symbiotic relationship with Gershwin has yet to be properly studied.

84. Gershwin: Rememberence & Discovery
the recently discovered Two Waltzes in C being one of oscar levant s favorites VirgilThomson once told me that levant was the only pianist who accurately
http://www.classical-music-review.org/reviews/Gershwin.htm
Classical Music Review: New Releases George Gershwin - Rememberence and Discovery, Vol. 2. S'wonderful?; Funny Face; Maybe; Soon; I'll Build a Stairway to Paradise; But Not for Me; Someone to Watch Over Me; Who Cares?; Rialto Ripples; How Long Has This Been Going On ?; Jazzbo Brown Blues; For You, For Me, Forever More; Isn't It A Pity; Love is here to Stay; Rhapsody in Blue (solo). Richard Glazier, piano; Centaur CRC 2486. 63'31". American concert pianist Richard Glazier has a special affection for the Gershwin songbook he's loved American musicals from an early age and he communicates that in this program of 15 tunes, 10 of which are versions by arrangers like the recently renowned Artis Wodehose she masterminded Nonesuch's two piano roll CDs of Gershwin materialMaurice C. Whitney, and MGM house arranger Saul Chaplin (he performed those duties in the film of The Sound Of Music (1965).) Glazier evokes a perfect period feel in each number when that's called for especially in the first few and that's a large part of their charm, though his most impressive "interpretations" come in the "stylized by Stan Freeman" ones which are in the modern jazz idiom, and in Gershwin's "Jazzbo Brown Blues" which the composer originally intended as a solo piano opening to his folk opera Porgy and Bess (1934) its director Rouben Mamoulian (1898-1987), who helmed many famous Hollywood films includiing Garbo's

85. ASI Satellite Collections L
oscar levant was an American pianist, composer, and author who studied briefly (19351937)with Schoenberg in Los Angeles. He commissioned Schoenberg s Op. 42.
http://www.usc.edu/isd/archives/schoenberg/sat-l.htm
ASI Satellite Collections L
Lambro, Phillip, 1935- [
Collection, 1945-1997: 2 folders (211 leaves, 6 recordings)
Phillip LambroAmerican composer and conductor who recorded for the film industry. He worked in the publicity department of G. Schirmer (Schoenberg's primary American publisher) in New York (1960-1963).
Contents
  • excerpt of memoirs documenting Lambro's time at G. Schirmer (2 versions: 81 and 77 leaves), including transcripts and photocopies of Schoenberg/G. Schirmer correspondence
  • catalog, G. Schirmer (photocopy) (ca. 1949)
  • correspondence (41 items: 1945-1997)
  • programs (7 items: 1964-1987)
  • publicity brochure on Lambro (3 copies)
  • recordings (6 cassettes, noncommercial)
Correspondents
  • ASI (R. Wayne Shoaf (1 item: 1990))
  • Phillip Lambro (3 items: 1990, 1997)
  • Los Angeles Philharmonic Orchestra Trumpet Section (Irving Bush (1 item: 1981))
  • G. Schirmer (Hans Heinsheimer (14 items: 1947-1950))
  • Arnold Schoenberg (21 items: 1945-1950)
  • Leopold Stokowski (1 item: 1963)
(updated 19 September 1997) Back
Lateiner, Jacob, 1928- [

86. Letters To Schoenberg: 1942
1942?.., Langridge, Roy, I am a student of music and a pianist and am begin. 1942.08.22,levant, oscar, Delighted with manuscript, forgive delay, have bee.
http://www.usc.edu/isd/archives/schoenberg/ltrto42.htm
Letters to Schoenberg (arranged by date)
undated BACK
Letters to Schoenberg (arranged by correspondent
Letters from Schoenberg (arranged by date ; arranged by correspondent
Letters to Schoenberg: 1942
Date Writer Writer's Company First line of letter Engel, Carl Thanks for letter fifteenth received this morning Greissle, Felix schon bevor wir Deinen Brief erhielten, hatten wir Kostal, Irwin Some time ago, you were kind enough to send me a c Langridge, Roy I am a student of music and a pianist and am begin You will find here the Concerto I have told you ab Greissle, Gertrud Many thanks for your gifts, for the boys as well a Greissle, Gertrud Reis, Claire R. League of Composers The League of Composers is now planning its very i LC There were received from you on January 5, with yo Am enclosing notes of Chorus[?] now in its period Mottram, H.M. Milwaukee Friends of Mus At a recent meeting of the Program Committee of th Reis, Claire R. League of Composers The League of Composers is delighted to have your Stein, Erwin I was delighted to receive your letter and to lear Janssen, Werner

87. Los Angeles Philharmonic Association - Piece Detail
oscar levant (19061972), pianist, raconteur, and friend to the stars of Hollywoodand Broadway, whose dissipations were as celebrated as his verbal sallies
http://www.laphil.org/resources/piece_detail.cfm?id=671

88. "Oscar Levant Show, The" (1958)
"oscar levant Show, The" (1958) Cast, Crew, Reviews, Plot Summary, Comments, Discussion, Taglines, Trailers, Posters, Photos, Showtimes, Link to Official Site, Fan Sites The oscar levant Show'
http://us.imdb.com/title/tt0278226
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[TV-Series 1958-1960]
Add to MyMovies IMDbPro Professional Details Genre: Family Music (more)
User Comments: Oscar goes wild (more)
Credited cast: Oscar Levant Host rest of cast listed alphabetically June Gale Co-Host (as June Levant) (more) Country: USA Language: English Color: Black and White Sound Mix: Mono OSCAR LEVANT...

89. Pianist Adrien Brody Oscar Winner Dvd
pianist Adrien Brody oscar Winner Dvd. THE pianist Adrien Brody oscarWinner DVD New. 5.1, french detail, and holocaust survivor lipman.
http://www.themoontemple.com/web/pianist.adrien.brody.oscar.winner.dvd.item24.42
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90. Oscar Levant :: Online Encyclopedia :: Information Genius
oscar levant. Online Encyclopedia. oscar levant was both a pianistand an actor, better known for his character than music. He was
http://www.informationgenius.com/encyclopedia/o/os/oscar_levant.html
Quantum Physics Pampered Chef Paintball Guns Cell Phone Reviews ... Science Articles Oscar Levant
Online Encyclopedia

Oscar Levant was both a pianist and an actor , better known for his character than music . He was born on December 27 to a musical family in Pittsburgh, Pennsylvania Levant moved to New York with his mother in after the death of his father. He began studying under Zygmunt Stojowski, a well established piano pedagogue. In 1928 Levant traveled to Hollywood where his career turned for the better. During his stay, he met and befriended George Gershwin Around Levant began composing on a serious note. This led to a request by Aaron Copland to play at the Yaddo Festival of contemporary American music on April 30 of that year. Successful, Levant began on a new orchestral work, Sinfonietta During the years of and , Oscar Levant syndicated his own talk show, The Oscar Levant Show . The show was highly controversial, finally being taken from the air after a comment in regards to Marilyn Monroe ; 'Now that Marilyn Monroe is kosher, Arthur Miller can eat her.' He later refuted he "hadn't meant it THAT way." Several months later, the show was rebroadcasted in a slightly revised format. The show was now taped to use as a buffer to Oscar's antics. This however, failed to prevent Oscar from making some comments of

91. Cloon031500
One of each evening s highlights was a film clip from An American in Paris featuringOscar levant. The pianist is playing Gershwin s Concerto in F and, in
http://www.cincypost.com/living/2000/cloon031500.html

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This Oscar was all too human
Column by Nick Clooney
Visits with the Cincinnati Pops are always adventures. For instance, the ''Nights With Oscar'' concerts on March 5 and 12 took on an entirely new meaning as the story of a human Oscar nearly upstaged the famed golden statuettes. One of each evening's highlights was a film clip from ''An American in Paris'' featuring Oscar Levant. The pianist is playing Gershwin's Concerto in F and, in the scene, fantasizes that he is not only the soloist, but the conductor, the string section, the tympanist, several other orchestra members and, ultimately, the appreciative audience shouting ''Bravo!'' It is a very funny scene and we on stage were enjoying it as much as the audience. I was sitting very close to the string section and caught the eye of Don Gibson, who told me Levant had once performed that very concerto with the Cincinnati Symphony Orchestra and had created a storm of controversy. Of course, I was intrigued and, after the concert, Don promised to bring me a part of Levant's biography dealing with the incident. The young conductor who did such a fine job leading the Cincinnati Pops through the minefield of time-critical motion picture soundtracks, John Morris Russell, was drawn into the conversation, too. He was as interested as I. And why not? Oscar Levant was one of those personalities whose towering talent is rivaled by an equally towering eccentricity.

92. Oscar Hammerstein II - Encyclopedia Article About Oscar Hammerstein II. Free Acc
His grandfather, oscar Hammerstein, Sr., was an opera This article is about operaas came back to New York, he started working as a rehearsal pianist, but it
http://encyclopedia.thefreedictionary.com/Oscar Hammerstein II
Dictionaries: General Computing Medical Legal Encyclopedia
Oscar Hammerstein II
Word: Word Starts with Ends with Definition Oscar Hammerstein II July 12 July 12 is the 193rd day (194th in leap years) of the year in the Gregorian Calendar, with 172 days remaining.
Events
  • 1690 - William of Orange's army wins the Battle of the Boyne as reckoned under Gregorian calendar.
  • 1759 - British cannon start firing on French at Quebec, from Lévis,_Quebec.
  • 1812 - Americans invade Canada at Windsor,_Ontario.
  • 1862 - Medal of Honor authorized by the U.S. Congress.

Click the link for more information. Centuries: 18th century - 19th century - 20th century Decades: 1840s 1850s 1860s 1870s 1880s - Years: 1890 1891 1892 1893 1894 -
Events
  • January 5 - Dreyfus Affair: French officer Alfred Dreyfus is stripped of his rank and sentenced to life imprisonment on Devil's Island
  • February 14 - First showing of Oscar Wilde's last play

Click the link for more information. August 23 August 23 is the 235th day of the year in the Gregorian Calendar (236th in leap years), with 130 days remaining.
Events
  • 1328 - Battle of Kassel: French troops stop an uprising of Flemish farmers
  • 1566 - Calvinists are granted rights in the Netherlands
  • 1614 - The University of Groningen is established
  • 1617 - In London, the first one-way street is established

93. George Eastman House Peers And Predecessors Series
Jump to image. Avedon, Richard American (1923). TITLE ON OBJECT OscarLevant, pianist. April 9, 1972 gelatin silver print 37.7 x 37.5 cm.
http://www.geh.org/taschen/htmlsrc14/m197600470002_ful.html
Peers and Predecessors
George Eastman House
Still Photograph Archive
Full Catalog Record Go to: Home Index Checklists Thumbnails ...
Jump to image
Avedon, Richard
American (1923-) TITLE ON OBJECT: Oscar Levant, Pianist April 9, 1972
gelatin silver print
37.7 x 37.5 cm.
Gift of the photographer
GEH NEG: 29383
BIBLIOGRAPHIC REFERENCES:
EXHIBITION HISTORY: "Acquisitions 1973-1980", US, NY, Rochester, GEH - Brackett Clark Gallery, June 12 - September 20, 1981.//
DeCordova Museum June 1980 INSCRIPTION: verso-(handwritten in ink) "Oscar Levant 4/9/72" (signed) "Avedon" (rubberstamp) "This photograph may not be used for publication without the written permission of Richard Avedon" NOTES: Catalogued 4/86, DZ. Title, date and related information provided by Avedon's studio. Photograph taken in Beverly Hills, California. SUBJECTS: personage, actor / Levant, Oscar personage, musician / Levant, Oscar
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Reposition image
Go to: Home Index Checklists Thumbnails The contents of this site, including all images and text, are for personal, educational, non-commercial use only. The contents of this site may not be reproduced in any form without the permission of the George Eastman House.

94. Al Jolson - KMH
From October 2, 1947, through May 26, 1949, Al Jolson, along with pianist OscarLevant, welcomed a variety of guests from the stage, screen, and radio to
http://www.jolson.org/works/radio/kmh.html

95. 118-RhapsodyBlue
The summary for this Japanese page contains characters that cannot be correctly displayed in this language/character set.
http://www5a.biglobe.ne.jp/~philorch/Review/118RhapsodyBlue.htm
George Gershwin: Rhapsody in Blue
May 20, 1945
Oscar Levant, piano
  • Columbia CL-700 (US) / LP
January 4, 1967; Recorded at Philadelphia Hotel, Philadelphia
Complete uncut version, scored by Ferde Grofe
Produced by Andrew Kazdin
Philippe Entremont, piano
  • Columbia MG-30073 (US) / LP (An American in Paris; Concerto in F for Piano and Orchestra; Porgy and Bess)
  • Sony Classical SBK-62643 (US) / CD* (Falla: Nights in the Gardens of Spain)

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Ormandy‚Í1945”N‚Æ1967”N‚ɘ^‰¹‚µ‚Ä‚¨‚èAƒsƒAƒjƒXƒg‚Í‚»‚ꂼ‚êOscar Levant‚ÆPhilippe Entremont‚Å‚·B44”NŠÔ‚Ì’†‚Å‚Q‰ñB‚µ‚©‚àAGershwin‚̍ì•i‚Å•¡”‚̘^‰¹‚ª‚ ‚é‚Ì‚Í‚±‚Ì‹È‚¾‚¯‚Å‚·BGershwin‚Í1898”N¶‚Ü‚ê‚Å‚·‚©‚çA‚Ü‚³‚ÉOrmandy‚Æ‚Í“¯¢‘ãB1937”N‚É–S‚­‚È‚Á‚Ä‚¢‚é‚Æ‚Í‚¢‚¦A•Ä‘‚É—ˆ‚½“–Žž‚ÌOrmandy‚©‚ç‚·‚ê‚Ζ³Ž‹‚Å‚«‚È‚¢‘å‚«‚È‘¶Ý‚¾‚Á‚½‚Í‚¸BOrmandy‚ª‚»‚ê‚قǐϋɓI‚ÉŽæ‚èã‚°‚È‚©‚Á‚½‚̂ɂ́A‰½‚©Ž–î‚ª‚ ‚Á‚½‚Ì‚Å‚µ‚傤‚©B
¡Ormandy and Gershwin
—¼ŽÒ‚É’¼Ú‚̐ړ_‚ª‚ ‚Á‚½‚©‚Ç‚¤‚©‚Í‚í‚©‚è‚Ü‚¹‚ñB‚µ‚©‚µA‚Ç‚¤‚àOrmandy‚ÍGershwin‚̉¹Šy‚ðˆÓŽ¯“I‚É”ð‚¯‚Ä‚¢‚½‚炵‚¢‚Ì‚Å‚·BOrmandy‚Í‚»‚à‚»‚àJazz‚ðŒ™‚Á‚Ä‚¢‚Ü‚µ‚½BGil Johnson‚ª‚±‚ñ‚È‚±‚Æ‚ðŒ¾‚Á‚Ä‚¢‚Ü‚·B He (Ormandy) hated anything that had to do with jazz. He could barely stand "An American in Paris." That's as far as he would go. He had to play mental games to do Gershwin, I think. Maybe he didn't like that part of his past or something.

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