61. Jill Crossland Press Page her study in Vienna with renowned Mozartian paul baduraskoda. After her time withbadura-skoda, she worked with brother Neil, also a pianist, asked Crossland http://ying.server101.com/mediap.htm

'NEW ON THE SCENE' - Jill Crossland ONE STEP AT A TIME' as she tells Nina Large Making a name as a pianist on the international concert circuit requires a feisty blend of determination and tunnel vision ambition. Or so we are led to believe. But one pianist is fast proving that there is another way: Jill Crossland has been carving her own path through the competition for several years now and the release of her first CD with Warner Classics is testament to her success. Unlike others, Crossland has never really had a career game plan: Vienna inspiration Refreshing Bach Bach Lyrical spirit On disc J S Bach Goldberg Variations Warner Classics Apex 0927-49979-2 J S Bach Partita No 1 in B flat BWV825; English Suite No 2 in A min BWV807; Toccata in D BWV912, Chromatic Fantasia and Fugue in D min BWV 903 Calico Classics CCCR102 Mozart: Sonata K533/494; Beethoven: Sonata op 31 no 2; Sonata op 110 Calico Classics CCCR101 Back to top of page Back to press page Back to Home page

62. Classical MP3 Portal :: Classical MP3 Portal living in Vienna, Austria, where he came in 1998 as a Fulbright Scholar and thestudent of worldrenowned pianist and pedagogue paul badura-skoda, Frantz is http://www.parnasse.com/ca/html/modules.php?op=modload&name=Web_Links&file=index

63. Pianist Michael Badura-Skoda Gestorben - Kulturinformationszentrum Der Nmz Translate this page orf - Der Wiener pianist Michael badura-skoda ist 37-jährig gestorben. Der Sohn despianisten paul badura-skoda und der Musikwissenschafterin Eva badura-skoda http://www.nmz.de/nmz2/kiz/Forum1/HTML/002936.html

Sie befinden sich im Bereich des alten Kulturinformationszentrums der neuen musikzeitung. Verwenden Sie stattdessen bitte das neue Kulturinformationszentrum Kulturinformationszentrum der nmz Giftküche-Musiknachrichten Pianist Michael Badura-Skoda gestorben Profil Registrieren Voreinstellungen Hilfe ... UBBFriend: Senden Sie diesen Beitrag an einen Freund! Autor Thema: Pianist Michael Badura-Skoda gestorben nmz-red/orf unregistriert erstellt am 16. Oktober 2001 um 16:54 Uhr orf - Der Wiener Pianist Michael Badura-Skoda ist 37-jährig gestorben. Das meldet die Tageszeitung Die Presse in ihrer Ausgabe von Dienstag. Der Sohn des Pianisten Paul Badura-Skoda und der Musikwissenschafterin Eva Badura-Skoda ist bereits vergangenen Donnerstag (11.10.) im Wiener Wilhelminenspital einer schweren, bereits überwunden geglaubten Krankheit erlegen. Michael Badura-Skoda war auf dem Weg zum Durchbruch einer Pianistenkarriere. Er hatte mehrere CDs herausgebracht. Für kommendes Jahr war eine USA-Tournee mit seinem Duopartner Rico Gulda geplant - dem jüngsten Sohn von Friedrich Gulda - mit dem Badura-Skoda bereits zahlreiche erfolgreiche Auftritte absolviert hatte. Neben seiner Musikerlaufbahn war Michael Badura-Skoda auch als Pädagoge und als Berater des Musiksommer Klaus in Oberösterreich tätig. IP: gespeichert Alle Zeitangaben werden im GMT (DE) - Format dargestellt.

64. Centro Studi Italiani Opera Festival John Simmons (pianist/coach) has appeared in numerous recitals in Austria, Germany,Italy Kunst in Vienna, Austria, where he was a student of paul baduraskoda. http://www.operafestival.it/9_ing_pianists.htm

Pianists: Tamir Chasson Festival edition: August 2004. Paul Dorgan, Pianist and Vocal Coach: Festival edition: July 2004. SUSAN SCHROEDER COBB, PIANO: Festival editions: July 2003, July 2004. Stephen Delaney Festival editions: February and August 2004. Linda Hirt , Coordinator of Voice and Opera Coach at DePaul University Festival editions: 2000, 2001, 2002, 2003, 2004. Jamie Johns , Pianist: Festival editions: July 2002, July 2003. Ernst Munneke , pianist. He studied with Alan Weiss, Jan Wijn and Håkon Austbø at the conservatories of Utrecht (BM) and Amsterdam (MM). He also studied lied-accompaniment with Rudolf Jansen. In 1992, he was a prizewinner at the ‘Bloemendaals Pianoconcours’ and he received the first prize and the press prize at the ‘Eemland Muziekconcours voor Piano’. Festival edition: August 2004. SUSAN SCHROEDER COBB, PIANO. Festival editions: July 2003, July 2004. John Simmons (pianist/coach) has appeared in numerous recitals in Austria, Germany, Italy, Denmark and the U.S. His studies include a piano performance diploma from the Hochschule fur Musik und Darstellende Kunst in Vienna, Austria, where he was a student of Paul Badura-Skoda. He was a pianist/coach for the Opera House in Graz, Austria for two seasons and a teaching assistant at the Hochschule in Graz. After returning to the U.S., he received a Master's Degree from Peabody Conservatory in Piano Performance as a student of Yoheved Kaplinksy. Most recently, Mr. Simmons was appointed to the coaching staff of Long Island University at the C.W. Post campus. He continues to be pianist for the Amalfi Coast Summer Music Festival in Salerno, Italy, and is on the musical staff of AIMS in Graz, the Spoleto Festival USA, the

65. Biographies of the Year and in subsequent international competitions, British pianist Sam Haywood Award,after which he moved to Vienna to study with paul baduraskoda. http://www.users.freenetname.co.uk/~lbmusic/biographies.htm

L eighton B uzzard M usic Fax: 01525 633375 E-mail: Mail@LBMusic.co.uk Biographical details of musicians and groups (in alphabetical order) Aria Concertata (Performance date 19th January 2002) Antonia Cviic Emma Murphy Nicholas Sringfellow began his musical studies at Chetham’s School of Music in Manchester. Whilst there he became interested in the Baroque cello and formed the New Kirckman Ensemble with whom he has recently recorded a CD of Handel Trio sonata for Meridian. He was a student of Clive Greensmith at the Royal Northern College of Music and went on to specialise in early music at the Royal College of Music under William Pleeth and Anna Shuttleworth. As a chamber musician he has performed widely throughout the UK, and in May 2001 he broadcast on BBC Radio 3 with the Amaryllis Ensemble, dedicated to ‘classical’ performances. Steven Devine received his early musical training at Chetham’s School of Music, Manchester, where he studied harpsichord, organ, piano and conducting. He continued his education at Oxford University and now divides his time between professional performances on the harpsichord, early piano and conducting, and as Assistant Curator of the Finchcocks Collection of historical keyboard instruments in Kent. As a harpsichordist, since he won first prize in the inaugural Broadwood Harpsichord Competition in 1993, he has performed extensively in Britain and Europe and has made recordings for Radio 3, Classic FM, WDR, Radio France and Channel 4. He plays regularly with artists such as Evelyn Tubb, Emma Kirkby and ensembles including the Parley of Instruments, the Consort of Musicke and Sprezzatura. His editions of 17th and 18th century repertoire, used by a widening circle of artists, include John Eccles’

66. WCLV - 10/06 - Monday Swiss pianist, conductor 18871982 Maria Jeritza - Moravian-born American soprano1927 (76) paul badura-skoda - Austrian pianist, music editor 1943 (60) Udo http://www.wclv.com/skin/blurb.php?sectionId=176&contentId=30908

67. Fortissimo Listening Group: Bibliography From Multnomah County Library Group, Join us for the Fortissimo lecture in March Speaker Susan DeWitt Smith,pianist Topic Classical Edited and with a commentary by paul baduraskoda. http://www.multcolib.org/guides/fortissimo/index1.html

Music Electronic Resources Library Fortissimo Home Oregon Symphony Lecture Series Fortissimo Listening Group Join us for the Fortissimo lecture in March: Speaker: Susan DeWitt Smith, pianist Topic : Classical period: Beethoven Piano Concerto No. 4 Date : March 26, 2003 Time : 6:30-7:30 pm Location : Multnomah County Central Library U.S. Bank Room 801 S.W. 10th Ave. Portland, OR 97205-2597 The Fortissimo Lecture Series talks are sponsored by the Multnomah County Library and the Oregon Symphony. All lectures are open to the public and free of charge. Check the Library catalog for current availability and to place holds on books and music that are checked out. Arrau, Claudio . Piano concerto no. 4 in G, op. 58 ; 32 variations on an original theme in C minor, WoO 80 [sound recording] / Ludwig van Beethoven. [S.l.] : Philips, p1986. Barenboim, Daniel . Klavierkonzerte 1-5 / [sound recording] = Piano concertos = Concertos pour piano : Beethoven. Hayes, Middlesex, England : EMI, p1987. 3 sound discs (180 min.) : Daniel Barenboim, piano and conductor ; Berliner Philharmoniker. Cliburn, Van

68. Martin Kasik, Pianist of Art, New York’s Morgan Library with YCA alumnus pianist Richard Goode in themasterclasses of Lazar Berman, Eugen Indjic, paul baduraskoda and Christian http://www.yca.org/kasik.html

MARTIN KASIK, pianist "Mr. Kasik plays with a resourceful technique, fluidity, a keen sense of color and intelligence. It is disarming to experience this serious young man with his delicate manner as he plays with such emotional involvement and pianistic care." "His performance of Bach's French Suite No. 6 was lively, buoyant and lyrical. Mr. Kasik is especially drawn to the Romantic repertory. His accounts of four Chopin works were poignant and supple, and in Rachmaninoff's Sonata No. 2, he came into his own. His impassioned, poetic approach served the music well." - THE NEW YORK TIMES CHOPIN - Piano Concerto No. 2 Download Real One Player BACH Concerto No. 5 in F Minor BEETHOVEN Concerto No. 1 in C major Concerto No. 2 in B-flat Major Concerto No. 3 in C Minor CHOPIN Concerto No. 2 in F Minor, Op. 21 GRIEG Concerto in A Minor, Op. 16 LISZT Concerto No. 1 in E-flat Major MARTINU Concerto No. 4 ("Incantations") Sinfonietta giocosa (concertante piano part) MOZART Concerto No. 20 in D Minor, K. 466

69. Bart Berman, Pianist [discography] 35; CD 1 5013; CD 2- 4822. Notes Endings by paul badura-skoda and Bart HollandFestival Artists conductor/pianist Reinbert de Leeuw, violinist Vera Beths http://www.notesonfranzschubert.com/discogra.htm

Bart Berman, discography At large, Bart Berman's discography reflects his specialization in Franz Schubert and modern music performance. Among his CDs and records solo albums, many piano duo performances (with Sara Fuxon in “Duo Beer Sheva”and with Meir Wiesel in “Duo 4”), as well as with various other artists, occasionaly as a member of larger ensembles. Table 1 contains all of Bart Berman's 14 audio units. When a picture appears in the leftmost column it is indicated that the unit appeared on CD, and likewise the right column indicates an analogue (long play record or audio tape) publication. Many of Bart Berman's records were re-issued on CD. In this case, there will be pictures in both columns. While some of the titles are easy to find at larger (web-)music distributors, others were made by specialized companies, whom at times published the CD or record in a limited quantity. At this site only links to Amazon Books and CDNow Geocities ' favorite retailers) were established. The links are given for the convenience of the reader of this page and do not imply a preference of the site manager, or an offer to buy products. CDs offered by by Amazon and CDNow are also offered by other retailers. The Frank Martin CD is widely offered by web-retailers but not by Geocities' favorites. In cases of hard to find audio units I have left my email as a reference, and will try to find a copy of the CD or LP when requested. Table 1: Bart Berman's disocgraphy sorted by music period

70. Solene Getenet, Young Pianist Now she is studying with Cyril Huvé, Nicholas Angelich and paul baduraskoda.In 1995, Solene began her career as a concert pianist. http://www.solene-getenet-pianiste.com/site_anglais/index_a.htm

Biography Newspapers Cuttings Repertoire Concerts ... Links . Now she is studying with and Paul Badura-Skoda. In 1995, Solene began her career as a concert pianist. She performed in two concerts with the orchestra in Versailles and Paris (Cortot Concert Hall) and also performed in several recitals, among others in Rennes, Paris and surroundings. In 1996, she was went on her first musical tours through Martinique, Tahiti and Belgium, and she also played in the Gaveau Hall in Paris. In March 1999, Solène won the First Prize in the "Claude Kahn competition", then she stood out at the "International Liszt Festival in Munster" and got the gold medal in the Boulogne-Billancourt National Academy. In 2000, Solène got a first Prize at the "Sucy-en-Brie competition", a first medal in the "Claude Kahn four hands competition", the honorary prize at the "Royaume de la Musique competition" and the first prize (with one consent) at the " Saint-Nom-la-Bretèche competition". She has also been the recipient of various international prizes : in Germany (French-German competition) and Italy (Premio Gramsci competition). In the beginning of 2001, she got many prizes including prizes in the "Wurmser", "Vulaines" and "French-Chinese" competitions.

71. "A Treasure Trove Of Rare, Exceptional And Sometimes Forgotten Recordings 2. There are however no data about the pianist Kurt Appelbaum with apparently abandonedthe project and substituted Appelbaum for paul baduraskoda but Demotte http://www.xs4all.nl/~rabruil/treasures.html

T he T reasure T rove LP LIST C ONTRIBUTORS THE LONG PLAYING RECORD GUIDE ... 7" RECORD GALLERY A sultry night with Curzon and Jorda in the Spanish Gardens When Falla started working on this composition he gave it the title "Nocturnes" which still indicates the atmosphere of the three sections. Most pianists and conductors play the work in a well structured manner and even sometimes with a certain straightforwardness. Curzon and Jorda however work together in a fine tuned atmospheric recording. Jorda is a conductor from the old school and he takes time for phrasing and subtle dynamic variations and so achieves a sense of sultry and mysteriousness, the air bearing heavy scents. It is a rendition which was hardly experienced before (and after, I must say). This performance shows once more all too clear how crucial the cooperation is of all the musicians involved. A true treasure that was well recorded with the piano well embedded in the orchestra. High Fidelity Beethoven The liner notes of Westminster WL 5075 deal extensively with the structure and the nature of Beethoven's Op. 111 and Op. 2 No. 2. There are however no data about the pianist Kurt Appelbaum with whom Westminster started a complete cycle of Beethoven Sonatas. From six discs produced only the one containing Sonatas Nos. 9 and 24 was well received (WL 5090). Westminster apparently abandoned the project and substituted Appelbaum for Paul Badura-Skoda but Demotte says that the wisdom of this choice was to be questioned because Badura-Skoda was much too young.

72. [Frank Martin: Musik F. Klavier & Orchester | Badura-Skoda, Benda | Ogg 8.3] - H Translate this page 2 Danse de la Peur (f. 2 Klaviere u. kleines Orchester) paul badura-skoda, Klavier(No Société de Musique de Chambre, in der er bis 1937 als pianist tätig war http://www.p2pworld.to/history/topic/108320-1.html

Tanja - 16 sucht eine(n) Mann PLZ - Bereich: 6 Jetzt per SMS anflirten Tina - 25 sucht eine(n) Mann PLZ - Bereich: 2 Jetzt per SMS anflirten sucht eine(n) Mann PLZ - Bereich: 4 Jetzt per SMS anflirten Schliessen Thema ansehen: ( Mit Farben und Bildern ) Seiten: http://www.p2pworld.to History Releases Musik/Hörspiel Geschrieben von: WeirdMusicMafia Frank Martin (1890-1974): Danse de la Peur (f. 2 Klaviere u. kleines Orchester) Paul Badura-Skoda, Klavier (No.2) Sebastian Benda, Klavier Orchestra della Svizzera Italiana Christian Benda Aufnahmen: Lugano, 1999, ASV, DDD Rip: EAC 0.9b4 secure

73. Aufbau, New York-Berlin, Issue 04, February, 2003 Translate this page AUFBAU - March 6, 2003 Tanz auf den Tasten. Ob Adagio oder Maestoso, ob Mozart,Schubert oder Frank Martin der pianist paul badura-skoda hat es im Griff. http://www.aufbauonline.com/2003/issue05/1_3.html

AUFBAU - March 6, 2003 Tanz auf den Tasten Charakteristisch für ihn ist schon die kleine, amüsante Geste zu Beginn des Programms: „Da mein 50. Jubiläum in der Carnegie Hall ein glücklicher Anlass ist", sagt er, „möchte ich der ernsten Mozart-Fantasie in c-Moll etwas Leichtes, Fröhliches voranstellen". Setzt sich beschwingt an den Flügel und spielt eine tänzerische Beethoven-Polonaise in C-Dur. Und wie geplant, das Publikum ist auf den Abend eingestimmt. Nicht, dass er so etwas selbst erzählte. Am Telefon in New York spricht er ebenso uneitel wie er auf der Bühne der Carnegie Hall konzertierte. Als Jury-Mitglied bei Pianisten-Wettbewerben, so erzählt er freimütig, halte er es mit dem berühmten Arthur Schnabel. Dieser habe manchmal freudig ausgerufen: „Endlich eine falsche Note"! Fazit: Musikalität geht immer vor Technik. Glanzpunkt in der Carnegie Hall war die „Fantasy on Flamenco Rhythms" von Frank Martin. Rumba-Rhythmen, zuerst langsam, dann pochend, durchziehen das Werk, Badura-Skodas Finger und Hände tanzen sie auf den Tasten. Synkopierte Akkorde wechseln mit elegischen Melodien, man hat die Bewegungen einer Flamenco-Tänzerin vor Augen. Für eine solche — so erzählt der Pianist — habe Frank Martin seine „Fantasia" auch geschrieben: die eigene Tochter Teresa. Gewidmet hat er sie Paul Badura-Skoda. Support AUFBAU!

74. Autographs, Signed Photographs And Letters From AMI ANSELL, John (1874 ) Composer Conductor. Ink signature on a slightly irregularlyclipped piece. £5. badura-skoda, paul (1927- ) Austrian pianist. http://www.ami-autographs.com/mucisclassic.htm

Music - Classical Music Please click on any letter to go to that section. Items with underlined titles link to an image which will open in the main window. Clicking on the currency symbols at top-right will open a converter in a new window. A glossary can be accessed by clicking on 'glossary' at lower left. These windows will remain open until you close them. A B C D ... Signatures BERKELEY, Lennox (1903-1989) British Composer. Signed 4 x 6 photograph of the composer in a head and shoulders pose. Wearing a black bowtie and herring bone jacket, Berkeley casts his eyes downwards in this image by photographer Camilla Jessel. Signed in black ink across a light area of the image and dated 1978 in his hand. In very fine condition. BLISS, Arthur (1891-1975) British Composer, Master of the Queen’s Musick. A.L.S., Arthur Bliss , three pages, 8vo, Marlborough Place, London, 15th October 1961, to Mr. Fowle. Bliss thanks his correspondent for the first proofs of the Prelude and Interlude from The Beatitudes and continues to state that he will meet him soon to discuss them and other matters. The composer adds

75. Pianist Paul Badura-Skoda Wird 75 Translate this page pianist paul badura-skoda wird 75 Der vielfach ausgezeichnete pianistbadura-skoda feiert am Sonntag seinen 75. Geburtstag. In Konzerten http://www.vol.at/Pubs/Redaktion/Seiten/Musik/Musik-117382.shtm

Home Service News Marktplatz ... MUSIK Pianist Paul Badura-Skoda wird 75 Der vielfach ausgezeichnete Pianist Badura-Skoda feiert am Sonntag seinen 75. Geburtstag. In Konzerten in Telfs, Wien und Linz ist er in den nächsten Monaten zu erleben. Die Musikerpersönlichkeit blickt auf mehr als 50 Jahre internationale Konzerttätigkeit zurück, die ihn mit berühmten Komponisten und Dirigenten verband. Zahlreiche Platteneinspielungen machten ihn auf der ganzen Welt bekannt. In Konzerten in Telfs, Wien und Linz ist Badura-Skoda in den nächsten Monaten live zu erleben. Am 6. Oktober 1927 geboren, begann Paul Badura-Skoda als knapp Sechsjähriger das Klavierspiel. Auch technisch war der Sohn eines Ingenieurs begabt, doch seine tiefen Erlebnisse in der Kriegszeit, als er in Wien Konzerte u.a. von Edwin Fischer hörte, ließen ihn die Musikerlaufbahn einschlagen. „Die Konzerte kurz vor und nach dem Ende des Krieges sind mir bis heute unvergesslich. Ich möchte behaupten, dass noch nie mit einer solchen Hingabe musiziert wurde,“ sagt Badura-Skoda in einem Interview. 1945 begann er unter schwierigen Bedingungen zu studieren: „Weder im Konservatorium, noch zu Hause wurde geheizt, weil das Heizmaterial so knapp war. So habe ich nur schnelle Stücke geübt, denn bei den langsamen wären mir die Finger an den Tasten angefroren.“ Dadurch habe er sich aber seine gute Klaviertechnik erworben. Bereits nach zwei Jahren erhielt Badura-Skoda den Ersten Preis beim Österreichischen Musikwettbewerb, ein Stipendium für einen Meisterkurs bei Edwin Fischer in Luzern. Fischer prägte den jungen Musiker stark.

76. Leticia Gómez-Tagle,pianist She later studied with the Mexican pianist Manuel Delaflor and pursued She participatedin piano master classes by Orlando Otey, paul baduraskoda, Jorg Demus http://www.intac.com/~ionian/LeticiaGomezTagle.html

Leticia Gómez-Tagle - Pianist Born in Mexico City, Leticia Gómez-Tagle had her first piano lessons at the age of 8 with Prof. Trinidad Ramos. She later studied with the Mexican pianist Manuel Delaflor and pursued music theory with Prof. Angel Esteva Loyola. By the age of thirteen, she began to perform in different cities of Mexico. She participated in piano master classes by Orlando Otey, Paul Badura-Skoda, Jorg Demus and Gyorgy Sandor. She won several prizes in national competitions in Mexico, on radio, TV, and at the University of Puebla, as well as in the Sala Chopin competition, for which she was awarded a scholarship to study at the Academy of Music and Dramatic Arts in Vienna, Austria. She attended piano master classes given by Prof. Michael Krist, studying Performance, achieving highest honors in Pedagogy, and receiving her diploma in 1991. She participated in several international competitions in Italy, Belgium, Spain, and in 1990 in the Chopin International Competition in Warsaw, Poland. Since then she has performed in many different cities in Europe and has been soloist with several orchestras in Mexico (Orquesta Filarmónica de la ciudad de Mexico, Orquesta Sinfónica del I. P. N., Orquesta Filarmónica de Querétaro). Since 1996 she has been asked to give piano master classes to students at conservatories throughout Spain. Currently, she resides in Vienna and is professor of piano at the School of Music in Linz, Austria. Click here for an MP3 DEMO Clubnachrichten, G. Hauer, October 2000, Vienna

77. Mastroyiannis(dino) musical abilities are absolutely up to an international level. paul baduraskoda(14/8 was of an extremely difficulty, was performed by a first-class pianist. http://www.musiciansgallery.com/start/keyboards/pianists/mastroyiannis(dino).htm

Pianist Dino Mastroyiannis CONTACT: Dino Mastroyiannis Concert Pianist 121A, Gallias St. GR-382 22 Volos Greece Tel-1: +30 421 39420 Tel-2: +30 944 424317 Fax: +30 421 39420 EMAIL-1 EMAIL-2 WEBSITE Dino Mastroyiannis is a famous pianist from Volos, who possesses a very special position among to the Greek pianists in the latest years. Dino Mastroyiannis has given recitals and chamber-music recitals in various towns of Greece and abroad. He has cooperated as a soloist with many orchestras, such as the Slovak State Philharmonic Orchestra Kosice (Slovak Republic), the Macedonian Philharmonic Orchestra (Republic of Macedonia), the State Philharmonic Orchestra "Oltenia" (Romania), the Plovdiv Philharmonic and the Vratca Philharmonic Orchestra (Bulgaria), the Thessaloniki State Orchestra (Greece), the Volos Symphony Orchestra (Greece) etc., always extracted flattering reviews from the press and also from famous pianists and musicologists of international reputation, such as Paul Badura-Skoda, Roberto Szidon, Konstantin Ganev, George Hadjinikos etc. He has recorded many times for the Greek Broadcasting (ERA) and performed for the Greek Television (ET3). Among his best collaborations are counting two great concerts as a soloist with the Skopje Philharmonic Orchestra, after which he came to terms with the most flattering criticisms from the critics and the audience. The orchestra was conducted by Angel Shurev (Director of the Belgrade Philharmonic Orchestra, Yugoslav F.R.) and by Vladimir Altschuler (Conductor of the St.-Petersburg Philharmonic Orchestra, Russia).

78. Notes On Franz Schubert By Pianist Bart Berman are Willy Rehberg Schott Edition, Ernst Krenek Universal and paul baduraskodaHenle. CURRENT ENSEMBLES Duo 4 , with pianist Meir Wiesel Abbie de Quant http://www.geocities.com/Vienna/1938/completing

NOTES ON FRANZ SCHUBERT Completing the Unfinished Sonatas by Bart Berman Schubert’s unfinished piano sonata pose a problem for performers: should incomplete sonata movements be played at all, or should they only be performed up to the very point where the composer ceased writing them? Should they be performed with someone else’s ending, based on the thematic material Schubert left us? Among those who tried to compose endings to the sonata movements discussed above, are Willy Rehberg [Schott Edition], Ernst Krenek [Universal] and Paul Badura-Skoda [Henle]. Henceforth I will analyze the best known uncompleted sonata, piano sonata in C major, D 840 and its completion. The principal theme in the first movement ( Moderato ) is a 4/4 melody , reminiscent of the A-minor sonata D 845, composed in the same year 1825. But unlike D 845’s melancholic mood, this one has a brighter, happier atmosphere. The theme is then repeated in a march-like manner, after which both second theme and codetta, leading into the key of G major, turn out to be variations of the same principal theme. Add to this the subsequent Development section’s sole dependence on motives already heard, and a definition of the whole movement as monothematic suggests itself strongly. This section features the martial character of the principal theme’s continuation, together with an almost orchestral sense of drama. The Recapitulation omits the initial, more intimate setting of the principal theme, only to return at the final moments of the Coda.

79. PF Music Land baduraskoda, paul. Interpreting Bach at the Keyboard. Eigeldinger, Jean-Jacques.Chopin pianist and teacher as seen by his pupils. http://pfwonderland.bizland.com/musicstudies/mystudies/Punctuation1.htm

[About the notion of Punctuation and Phrasing The meanings behind slurs, fingering, and motif development Pei-Fen Chen Treatises since the 18 th century have provided clearer ideas and instructions for music interpretation. However, there are always no definite answers of articulation and phrasing for a specific style of a composer. F. Couperin's L'art de toucher le clavecin may have introduced some of his contemporaries' performing habits, but it also presented more of his own techniques. Furthermore, it is hard to ascertain if J. S. Bach favored using a harpsichord or a clavichord in playing some of his keyboard works, so Rosalyn Tureck's interpretation of Bach's music with the harpsichord would be one possibility. How about C. P. E. Bach's ? It revealed some of J. S. Bach's revolutionary ideas of performance practice, but the theory can sometimes be harmonized with the music of later composers in the 19 th century too.

80. Albert Sassmann - Klavier's Dreambook Translate this page Homepage URL http//www.badura-skoda.com. Comments The official Homepage ofthe Viennese pianist paul badura-skoda is online under www.badura-skoda.com. http://books.dreambook.com/albertsassmann/vendeg.html

Albert Sassmann - Klavier Welcome to Dreambook , a nifty new free service from: New Dream Network Dreamhost , and Dreamservers If you have a minute, please sign my Dreambook too! Name: Johann Sebastian Kann E-mail address: jskann@gmx.at Homepage URL: http://augenblix.wu-wien.ac.at/usr/h97a/h9709116/ Comments: Sehr schön, etwas schwarz. Da sollte etwas hellere Farbe und mehr feminines rein. Siehe unteren Teil meiner Homepage. Monday, February 21st 2000 - 10:30:37 AM Name: Mirjam Neururer E-mail address: Mirjam.N@gmx.de Comments: Hatte leider noch nicht das akustische Vergnügen Dein Werk bzw. Deine Werke zu genießen... ich muß Dir jedoch wirklich zu Deiner Homepge gratulieren!!! Deine investierte Zeit hat sich wirklich gelohnt! Toll! Mirjam Tuesday, February 22nd 2000 - 12:51:00 PM Name: gernot. E-mail address: gernot.steiner@xpoint.at Comments: SO jetzt hat dich dein Papa auch gesehen und es hat ihm gut gefallen!!! tschüss gernot Wednesday, February 23rd 2000 - 07:43:17 PM Name: Peter Forgach E-mail address: aktpforgach@mail.datanet.hu Comments: Szia Albert!

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