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         Stockhausen Karlheinz:     more books (100)
  1. Texte, Bd.2, Texte zu eigenen Werken, zur Kunst Anderer, Aktuelles Aufsätze 1952-1962 zur musikalischen Praxis by Karlheinz Stockhausen, 1964
  2. Conversations with Stockhausen by Mya Tannenbaum, 1988-02-11
  3. Stockhausen 70: Das Programmbuch Koln 1998 (Signale aus Koln) (German Edition)
  4. Stockhausens Studie II (Schriftenreihe zur Musikpadagogik) (German Edition) by Winfried Burow, 1973
  5. Stockhausen serves imperialism, and other articles: With commentary and notes by Cornelius Cardew, 1974
  6. Internationales Stockhausen-Symposion 1998: Musikwissenschaftliches Institut der Universitat zu Koln, 11. bis 14. November 1998 : Tagungsbericht (Signale ... zur Musik der Zeit) (German Edition)
  7. Stockhausen: Eine Biographie (German Edition) by Michael Kurtz, 1988
  8. Stockhausen by Jonathan cott, 1973-08-13
  9. New Age Musicians: Karlheinz Stockhausen
  10. Stockhausen: A Biography by Michael Kurtz, 1993-02
  11. die Reihe 1. Electronic Music. by Karlheinz Stockhausen, 1958-01-01
  12. Karlheinz Stockhausen (1928-2007): Performing Score
  13. Compositions by Karlheinz Stockhausen: Klavierstücke, Klang, Licht, List of Compositions by Karlheinz Stockhausen, Freitag Aus Licht, Momente
  14. Commandeurs of the Ordre Des Arts et Des Lettres: David Bowie, Ray Bradbury, María Félix, Karlheinz Stockhausen, Patti Smith, Philippe Starck

21. K. Stockhausen - Advice To Clever Children
karlheinz stockhausen Advice to clever children Article from The Wire , November 1995 Earlier this year, Radio 3 sent a package
http://www.stockhausen.org/ksadvice.html
Karlheinz Stockhausen
Advice to clever children...
Article from "The Wire", November 1995
Earlier this year, Radio 3 sent a package of tapes to Karlheinz Stockhausen.
The tapes contained music by Aphex Twin, Plasticman, Scanner and Daniel
Pemberton. Then in August, the station's reporter Dick Witts travelled to
Salzburg to meet Stockhausen and ask him for his opinion on the music of
these four "Technocrats". But first, they talked about the German composer's
own youthful experiments in electronic synthesis...
DW: When you started as a composer, how different were the conditions from
today?
KS: I studied music as a pianist, and learning all the traditional Musik. We had about ten disciplines to study: choir, orchestra, conducting, piano was my main instrument, then musicology, harmony and counterpoint. I wrote several works in traditional styles, but also two works, so-called 'free compositions', one for orchestra and alto voice, a work which is still available on CD called the Drei Lieder. I started composing at the age of 20, 1948, the first time I considered my music to be of some general

22. The Unofficial Karlheinz Stockhausen Page
The best unofficial karlheinz stockhausen page, with a complete discography The Unofficial Website for karlheinz stockhausen Information. We Have Moved To A New Place! Click Here For. New stockhausen Page
http://www.geocities.com/Vienna/2047
The Unofficial Website for Karlheinz Stockhausen Information We Have Moved To A New Place! Click Here For New Stockhausen Page

23. Stockhausen, Karlheinz
stockhausen, karlheinz stockhausen, karlheinz. Period Early 20th Century. Born Wednesday, August 22, 1928 in Mödrath, Germany. As
http://stevenestrella.com/composers/composerfiles/stockhausenliving.html
Stockhausen, Karlheinz
Stockhausen, Karlheinz
Period: Early 20th Century
Born:
As of November 2003 this composer is still living.
To report updated information, please see the Contact Info page.
Nation of Origin: Germany
CLICK HERE for CDs of this composer.
CLICK HERE for Books about this composer.
CLICK HERE for Sheet Music by this composer.
Major Works:
Kontra-Punkte (1953) for chamber orchestra, 1st try at total serialism
Zeitmas (1956) for 5 woodwinds, a very succesful work Songs of the Youths (1956) combines traditional and electronic elements. Other Information: General Bibliography: Kennedy, Michael, The Oxford Dictionary of Music, Oxford University Press, 2nd Edition, 1997, ISBN: 0198691629 Sadie, Stanley and Tyrrell, John; Editors, The New Grove Dictionary of Music and Musicians, Groves Dictionaries, Inc., January 2001, ISBN: 1561592390 Slonimsky, Nicolas and Kuhn, Laura; Editors, Baker's Biographical Dictionary of Musicians, Gale Group, December 2000, ISBN: 0028655257 Slonimsky, Nicolas, ... Schirmer Books, July 1994, ISBN: 0028724186 Links to essays at other sites: Twentieth Century Music: An Introduction by Eric Salzman Please note: These links will open in a new window.

24. Karlheinz Stockhausen's New Morphology Of Musical Time
karlheinz stockhausen's New Morphology of Musical Time A Comparison of Henry Cowell's Rhythmic Concept with stockhausen's (part 5)
http://www.music.princeton.edu/~ckk/smmt
Karlheinz Stockhausen's New Morphology of Musical Time
by Christopher K. Koenigsberg
Written at Mills College, December 1991
for David Bernstein's Seminar on 20th Century Theories of Musical Time.
Back to my music page
Back to my home page ...
Back to the ICMA Membership home page
Back to the SEAMUS (Society for ElectroAcoustic Music) membership page

25. GEMA-Nachrichten 157 - Ein Gespräch Mit Karlheinz
Aus dem Archiv der GEMA Biographische Daten und ein Gespr¤ch mit dem Kopf der Neuen Musik anl¤Ÿlich seines 70. Geburtstages.
http://www.gema.de/cgi-bin/hlsearch?d=/kommunikation/news/n157/k_stockhausen.sht

26. Stockhausen's New Morphology Of Musical Time, Serialism: C. Koenigsberg December
An overview of serialism, focusing on its history and theoretical evolution.
http://www.music.princeton.edu/~ckk/smmt/serialism.3.html
The Serial System of Composition
"Serial music is doomed to the same fate as all previous sorts of music; at birth it already harbored the seeds of its own dissolution." ([Ligeti], p. 14) Ideas inherited by Stockhausen, Pierre Boulez, Heri Pousseur, and other fellow composers in the 1950's, from earlier composers and teachers, like Arnold Schoenberg, Oliver Messiaen, and especially Anton von Webern, led to the style of compositional experimentation known in the literature as total, or integral, serialism. In ",,h ow time passes ..." ([Stockhausen1957]), Stockhausen frequently speaks of "serial principles", or the application of the "serial system" to a given set of elements of musical material. Yet these principles, and this system, are never defined by him. We deduce what he means by presenting some historical and theoretical background, culminating in the period of "total serialism" from 1949 1953 ([Gibbs], p. 59) and the evolutionary aftermath, of which his article is an important landmark. The latter part of "... how time passes ..." is devoted to finding a way of advancing beyond the limitations that this attempt at total control was found to impose on the music. H.H.Stuckenschmidt, present at the West German premieres, in the early 1950's, of the important works in the "total serialist" or "pointillist" style, writes

27. Stockhausen's New Morphology Of Musical Time, Comparison Of Cowell With Stockhau
A comparision of Cowell and stockhausen, from karlheinz stockhausen's New Morphology of Musical Time by Christopher K. Koenigsberg
http://www.music.princeton.edu/~ckk/smmt/cowell.comparison.6.html
A Comparison of Henry Cowell's Rhythmic Concept With Stockhausen's
In his treatise ([Cowell1930]) written in 1919 (but not published until 1930), Henry Cowell discusses the overtone series at length. He applies the overtone series to set up scales of metre, duration, and tempo, which are, in his treatment, the three elements that make up rhythm. "It is difficult to find musical means to which overtones do not apply, or may not be applied, as they may be used to measure all relationships of steady pitch, no matter how subtle are the degrees of pitch chosen; and all rhythmical relationships can be derived from overtones, as will be shown . .." ([p. 20]) Cowell mentions "undertones", descending sequences of partials, what Stockhausen refers to as "subharmonic series of proportions". To Cowell, they arise naturally from properties of acoustics, and they are related to overtones, or ascending sequences of partials, in ways that parallel the relationship of "minor" intervals to "major" intervals. He is on a quest for "new musical resources", as is Stockhausen in his search for ways to parameterize and unify the microstructure and macrostructure of sound, but Cowell does not share Stockhausen's view that "modes", like this series of undertones, are inappropriate in his music. Cowell sets up a scale based on tone-qualities (evidently referring specifically to the aspect of timbre dependent on the presence and relative amplitude of different harmonic overtones in a continuous tone). This characterization looks very much like the serial treatment of such a timbral parameter might look, except for the prominence of harmonic, instead of chromatic, qualities as his structural organizing principle:

28. Musica Classica - Classical Music - Klassische Musik - Karadar Bertoldi Ensemble
Musica Classica Classical Music Dictionary entry with life, important works, and illustrations.
http://www.karadar.net/Dictionary/stockhausen.html
Karlheinz Stockhausen (b. 1928) Life Best Works Photo Gallery Home Page Karlheinz Stockhausen Life
He studied with Martin at the Cologne Musikhochschule (1947-51), but the decisive stimulus came from his encounter with Messiaen 's Mode de valeurs at Darmstadt in 1951 . There he saw possibilities of long-range serial process which he pursued in Kreuzspiel (1951) and KontraPunkte (1952), both for piano-based ensemble. The latter piece was written during a period of study with Messiaen in Paris, and while there he made a first essay in electronic music. On returning to Cologne he continued this activity, notably in Gesang der Jünglinge for vocal and synthesized sounds on tape (1956). At the same time, he pursued the ramifications of serial instrumental music in a cycle of 11 piano pieces (1956), in Zeitmaße for wind quintet (1956) and in Gruppen for three orchestras (1957). In all these scores he began working with large groups of notes rather than with the isolated points that the avant garde had inherited from Webern and Messiaen.

29. Donaueschinger Musiktage - SWR.de
karlheinz stockhausen Musik als Visualisierung von Struktur und Bedeutung. Artikel von Rudolf Frisius.
http://www.swr.de/swr2/donaueschingen/archiv/1999/werkbeschreibung/lichterwasser
Radio Donaueschinger Musiktage Donaueschingen Service ... Programme seit 1921
KARLHEINZ STOCKHAUSEN
Lichter -Wasser Teil1 Einleitung
ist der Gruss vom Sonntag aus Licht. Seit 1977 komponiere ich das Werk Licht, Die sieben Tage der Woche, mit einer Superformel, die aus drei synchronen Formeln besteht.
(Beginnton der MICHAEL-Formel ist H),
Anfang und Ende sind aus den beiden Kern-Formeln M und E gebildet. Weiterlesen: Form Raumkomposition Texte Service
Lageplan
Hier finden Sie die Lage der Veranstaltungsorte in Donaueschingen.
Newsletter
English
Information in English Der SWR ist Mitglied der ARD Impressum

30. Karlheinz Stockhausen Interview
karlheinz stockhausen interview with Iara Lee for the Modulations film karlheinz stockhausen. Sad to say, this interview has been taken down at the request of KS. See Holger Czukay's article about stockhausen. Check out the rest of PERFECT SOUND FOREVER
http://www.furious.com/perfect/stockhauseninterview.html
Karlheinz Stockhausen
Sad to say, this interview has been taken down at the request of KS.
See Holger Czukay's article about Stockhausen Check out the rest of PERFECT SOUND FOREVER MAIN PAGE ARTICLES STAFF/FAVORITE MUSIC LINKS ... WRITE US

31. Karlheinz Stockausen (g. 1928)
Translate this page Europas, die Vereinigten Staaten und Kanada. Die Hauptwerke von karlheinz Stockausen. The most important works of K. stockhausen.
http://www.karadar.com/Worterbuch/stockausen.html
Komponisten Karlheinz Stockausen (g. 1928) Biographie Hauptwerke Photo Gallery Home Page Die Biographie von Karlheinz Stockausen Geboren 1928 (22.8) in Moedrath bei Köln. 1947 nach der üblichen Schulausbildung begann er an der Hochschule in Köln ein Fachstudium mit den Fächern Schulmusik, Klavier, Komposition und an der Universität mit Germanistik und Philosophie. 1951 bestand er das Staatsexamen mit Auszeichnung. 1950 Beginn des Kompositionsstudiums bei Frank Martin 1952 geht Stockhausen nach Paris, in die Citè Universitaire. Die Denkweise Messiaen s beeindruckt ihn starke Kontakte mit anderen französischen Musikern in Verbindung mit dem Studio für Musique concrète. Analytische Arbeiten führen Stockhausen zu physikalischen Untersuchungen, er führt erste Experimente synthetischer Klangherstellung auf elektronischer Basis durch. 1953 Rückkehr nach Köln, ständiger Mitarbeiter des Studios für elektronische Musik am Westdeutschen Rundfunk; erste Kompositionen mit elektrisch erzeugten Tönen. Vortrags- und Konzertreisen führen ihn durch fast alle Länder Europas, die Vereinigten Staaten und Kanada. Die Hauptwerke von Karlheinz Stockausen The most important works of K. Stockhausen

32. Nuova Pagina
Translate this page karlheinz stockhausen. (n. 1928). La vida de karlheinz stockhausen. Inicialmente stockhausen estuvo influido por la musica de Webern y por el serialismo.
http://www.karadar.com/Diccionario/stockhausen.html
Diccionario de la Música Clàssica Languages Karlheinz Stockhausen (n. 1928) Vida Obras principales Photo Gallery Home Page La vida de Karlheinz Stockhausen
Inicialmente Stockhausen estuvo influido por la musica de Webern y por el serialismo. Estudió con Messiaen en 1952, y en sus trabajos más tempranos, como Spiel y Kreuzspiel, muestran la influencia de estos dos maestros. Fue uno de los pioneros de la música electrónica. El trampolín de este nuevo arte fue el Estudio de música electrónica, creado en Colonia en el año 1953. Anteriormente había estudiado fonética y teoría de la información y la comunicación en la Universidad de Bonn. Stockhausen es un compositor conceptual; sus textos y sus diseños musicales reflejan conceptos musicales de oriente y occidente, así como verdades espirituales del este y el oeste. Cada composición es una completa reconsideración del término "música", incorporando la tradición europea y no europea, la última tecnología musical y un amplio registro de culturas musicales. Stockhausen saca todo el partido posible a las nuevas técnicas, sin renunciar por ello a los instrumentos tradicionales.

33. Karlheinz Stockhausen's New Morphology Of Musical Time
Paper by Christopher K. Koenigsberg.
http://www.music.princeton.edu/~ckk/smmt/index.html
Karlheinz Stockhausen's New Morphology of Musical Time
by Christopher K. Koenigsberg
Written at Mills College, December 1991
for David Bernstein's Seminar on 20th Century Theories of Musical Time.
Back to my music page
Back to my home page ...
Back to the ICMA Membership home page
Back to the SEAMUS (Society for ElectroAcoustic Music) membership page

34. Klassik.com: Stockhausen, Karlheinz (Komponist, *1928)
karlheinz stockhausen. karlheinz stockhausen. Kunstpreis der Stadt Köln. Magazin Kritiken karlheinz stockhausen.
http://www.klassik.com/magazin/people/template.cfm?KID=380&people=composer&CFID=

35. Karlheinz Stockhausen
Biography and summaries of various pieces including examination of certain keyboard techniques.
http://www.xs4all.nl/~gaud/oud/biobak/s/stockhak.htm

36. Stockhausen, Karlheinz (* 1928), Komponist (Composer)
Translate this page karlheinz stockhausen (Komponist) - Lebensdaten - Informationen - Werke - lieferbare CD-Aufnahmen Bücher - Noten - Biografien - weiterführende Links
http://www.komponisten.at/komponisten/211.html
komponisten.at - Verzeichnis ausgewählter Komponisten A B C D ... Suchen
Suche nach: Startseite Stockhausen, Karlheinz Karlheinz Stockhausen
geboren am 22. August 1928 in Köln.
Er war Schüler von Frank Martin, Olliver Messiaen, 1970-1977 Professor an der Kölner Musikhochschule; maßgebender Vertreter der seriellen und elektronischen Musik.

37. Karlheinz Stockhausen
Filmography at IMDb with musical and onscreen credits.
http://us.imdb.com/name/nm0830838/
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Karlheinz Stockhausen Amazon.com Video DVD Soundtrack Also available: Books Filmography as: Composer Himself Composer - filmography
  • In Absentia (2000) American Nightmare, The (2000) Modulations (1998) Helicopter String Quartet (1995) (as K. Stockhausen) Walkabout (1971) Chinoise, La (1967) ... aka Kinesiskan (1967) Marciano, El (1965) Parque de juegos, El (1963)
    • Filmography as: Composer Himself Himself - filmography
  • Kontakte (1998) (V) (voice) .... Himself Sonic Acts: From Stockhausen to Squarepusher (1998) .... Himself Modulations (1998) .... Himself

    • 38. Universal Edition Musikverlag
    Translate this page karlheinz stockhausen. Lebenslauf. Kompositorische Wandlungen. stockhausen, karlheinz - Gruppen. stockhausen, karlheinz - Klavierstueck2. Labelinfos unter Tonrechte.
    http://www.uemusic.at/truman/en_templates/view.php3?f_id=151

    39. Universal Edition Musikverlag
    Translate this page karlheinz stockhausen (*1928). Werkliste. Adieu, Nr. stockhausen, karlheinz - Gruppen. stockhausen, karlheinz - Klavierstueck2. Labelinfos unter Tonrechte.
    http://www.uemusic.at/truman/en_templates/paste.php3?template=werk_list&komp_uid

    40. CDs - Stockhausen, Karlheinz >> CD / Musik / Günstig
    stockhausen, karlheinz Was suchen Sie? . PRODUKTFINDER , CDs - stockhausen, karlheinz.
    http://musik.online-sparer.com/musik18/cd1715.htm
    ::: Sie befinden sich hier: CD / Musik / günstig >>> CDs - Stockhausen, Karlheinz Was suchen Sie? >> [ PRODUKTFINDER ] CDs - Stockhausen, Karlheinz Auswahl CDs - Oratorien (berblick) ... CDs - Orchestre National de France CDs - Stockhausen, Karlheinz bei Online-Sparer.com - IMPRESSUM

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