81. Robert J. Maxwell, Jr. Music Media Center -- Miniature Score Inventory Danse Macabre, Op. 40. 782. schoenberg, arnold. Variationen fur orchester. 783. schoenberg, arnold. Verklaerte Nacht. 784. schoenberg, arnold. Pierrot Lunaire. 785. http://library.furman.edu/depts/music/online/MiniScores/miniS.htm

Miniature Score Inventory The following is a list of all miniature scores that are available in the Maxwell Music Library. These are primarily for library use only, but we can make arrangments for them to be checked out in certain circumstances. A B C D E ... N O P Q R S T U V W X Y Z Miniature Scores Num. Composer Title Saint-Saens, Camille Le Carnival des Animaux Saint-Saens, Camille Danse Macabre, Op. 40 Schoenberg, Arnold Variationen fur orchester Schoenberg, Arnold Verklaerte Nacht Schoenberg, Arnold Pierrot Lunaire Schoenberg, Arnold Five Pieces for Orchestra Schoenberg, Arnold Quartett, Op. 7 Schoenberg, Arnold String Quartet II, Op. 10 Schoenberg, Arnold Five Pieces for Orchestra Schoenberg, Arnold String Quartet III, Op. 30 Scholz, Robert Andante and Allegro from 1st Orchestra Suite Schubert, Franz Symphony V, Bb major Schubert, Franz Streichquartett D minor posth. Schubert, Franz Streichquartett D minor posth. Schubert, Franz Quintett C major, Op. 163 Schubert, Franz Symphony No. 5 Bb major D 485 Schubert, Franz Streichquartett G major, Op.161 Schubert, Franz

82. ARNOLD SCHOENBERG: THE MINORITY OF THE "INCONCEIVABLE GOD" arnold schoenberg THE MINORITY OF THE INCONCEIVABLE GOD . 1 schoenberg, arnold arnold schoenberg on the Sacredness of Art. http://www.cesnur.org/2002/bauer.htm

ARNOLD SCHOENBERG: THE MINORITY OF THE "INCONCEIVABLE GOD" by J. Edgar Bauer A paper presented at The 1998 CESNUR International Conference, Center for Studies on New Religions, Torino, Italy "From such an institution [i.e. the Israel Academy of Music] must go forth true priests of art who confront art with the same sense of consecration that the priest brings to God´s altar. For, just as God chose Israel whose task is to preserve, in spite of all suffering, the pure, true, mosaic monotheism, so it behooves Israeli musicians to offer the world a model possessed of the unique capacity to make our souls function once more in ways apt to further the development of humanity toward ever higher goals." Arnold Schoenberg 1. The following remarks concerning Arnold Schoenberg´s reflections on the people of Israel as the minority of "the inconceivable God" concentrate on his treatment of the issue in the libretto of Moses und Aron th century. 2. Although Schoenberg was always very cautious in giving information about his private life and in spite of the precarious situation of research concerning his biography, his deeply religious character becomes evident to anyone confronting his numerous and constant efforts at articulating his own self-understanding. Without a doubt, the life of the Jewish-born Schoenberg was decisively influenced by his religious interests and options. At the age of 18 he converted to Protestantism in predominantly Catholic Vienna and in 1933 decided in Paris to return back to Judaism, as a reaction against the growing anti-Semitic tendencies he had been observing for years. Although raised in a Jewish-orthodox atmosphere, Schoenberg showed an early interest in Christian spirituality, especially that of the Quakers. His later correspondance reveals that his readings of Emmanuel Swedenborg, of Balzac´s Gnostic inspired novel "Seraphita" or of Rudolf Steiner had bearing on his aesthetic and musical conceptions.

83. Castle Classics Schoenberg, Arnold (Austro-Hungarian 1874-1951) Castle ClassicsClassical SACDSchoenberg, arnold (AustroHungarian 1874-1951). Castle ClassicsClassical SACDSchoenberg, arnold (Austro-Hungarian 1874-1951). http://shop.castleclassics.co.uk/acatalog/SchoenbergSACD.html

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84. Castle Classics Schoenberg, Arnold (Austro-Hungarian 1874-1951) Castle ClassicsClassical CDComposers Sschoenberg, arnold (Austro-Hungarian 1874-1951). No. - CHAN9616. Including arnold schoenberg Verklärte Nacht, Op. http://shop.castleclassics.co.uk/acatalog/Schoenberg__Arnold__Austro_Hungarian_1

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85. SCHOENBERG, Arnold, 1874-1951 ( X3228 ) NRAM schoenberg, arnold, 18741951 ( X3228 ). NRAM Reference X3228 Name schoenberg, arnold, 1874-1951 Type of record Papers Dates http://www.nram.org.nz/e/8/x3228.html

SCHOENBERG, Arnold, 1874-1951 ( X3228 ) NRAM Reference Name SCHOENBERG, Arnold, 1874-1951 Type of record Papers Dates covered Quantity 8 items Level of description Collection Location University of Auckland Library. Description Includes a letter, worksheet, signed programme and photographs. Schoenberg was a prominent European composer. ComposersAustria Access conditions Not restricted Last Update 1 May 2000 NRAM www.nram.org.nz

86. - Great Books - arnold schoenberg (18741951), arnold schoenberg, (less frequently spelled Schönberg) (born, September 13, 1874, died July 13, 1951 http://www.malaspina.com/site/person_1029.asp

Arnold Schoenberg Arnold Schoenberg, (less frequently spelled Schönberg) (born, September 13, 1874, died July 13, 1951) was a composer, born in Vienna, Austria. He was largely self-taught, and in his twenties lived by orchestrating operettas while composing works such as the string sextet Verklärte Nacht (Transfigured Night) in 1899. Much of his work was not well received and in 1907 his Chamber Symphony was an abandonment of tonality. He created the twelve-tone method of composition (which later grew into serialism), and founded the so-called Second Viennese School. He taught and greatly influenced Anton Webern and Alban Berg. He was forced into exile by the Nazis in 1933, settled in California and became a US citizen in 1941. He died in Los Angeles, California. [ This article is licensed under the GNU Free Documentation License and uses material adapted in whole or in part from the Wikipedia article on Arnold Schoenberg Browse: Books Research Links Related Music Links 20th Century Music

87. ResAnet Results Summary Translate this page Search Term(s) schoenberg, arnold, 1874-1951, 75 matches found. Recordschoenberg, arnold, 1874-1951. Recordschoenberg, arnold, 1874-1951. http://www.amicus.nlc-bnc.ca/wbin/resanet/resultsm/l=0/d=1/r=0/s=s/n=NK/h=10/t=3

Sort By: Title Author Date Search Term(s): Schoenberg, Arnold, 1874-1951 matches found Schoenberg, Arnold, 1874-1951. Theory of harmony / Arnold Schoenberg ; translated by Roy E. Carter. Berkeley: University of California Press, 1978. North Texas State University. Music Library. The Arnold Schoenberg-Hans Nachod collection / [compiled by] John A. Kimmey, Jr. Detroit : Information Coordinators, 1979. Schoenberg, Arnold, 1874-1951. Style and idea : selected writings of Arnold Schoenberg / edited by Leonard Stein ; with translations [from the German] by Leo Black. London : Faber, 1975. Schoenberg, Arnold, 1874-1951. Arnold Schoenberg letters / selected and edited by Erwin Stein ; translated from the original German by Eithne Wilkins and Ernst Kaiser. London : Faber and Faber, 1974, c1964. Schoenberg, Arnold, 1874-1951. Kammersymphonie für 15 Soloinstrumente, Op. 9 / von Arnold Schönberg. Verb. Ausg. Wien : Universal-Edition, c1912. Bach, Johann Sebastian, 1685-1750. Komm, Gott, Schöpfer, heiliger Geist : Choralvorspiel / von Joh. Seb. Bach ; Instrumentiert von Arnold Schönberg. Wien : Universal-Edition, c1925. Bach, Johann Sebastian, 1685-1750. Schmücke dich, o liebe Seele : Choralvorspiel / von Joh. Seb. Bach ; Instrumentiert von Arnold Schönberg. Wien : Universal-Edition, c1925.

88. KUChLib Composer Last Name De Profundis, schoenberg, arnold, 43, 06, 115, Der Mai Tritt Ein Mit Freunden, schoenberg, arnold, 34, 06, 14, Es Gingen Zwei Gespielen Gut, schoenberg, arnold, 40, 06, 41, http://www.ku.edu/~choirs/ChoralLb/LibCLastS.htm

Composer Last Name - S TITLE COMPLAST COMPFIRST VOICING PUBLISHER COPIES FILEPERIOD FILENO The Dream Tree Sainte-Marie Buffy SSA Ben Allaway Up Where We Belong Saint-Marie Buffy SATB CPP Belwin 5016UC1X Carl Strommen Ave Verum Corpus Saint-Saens Camille SATB Lawson-Gould 51521 Swan, The Saint-Saens Camille G. Schirmer French Chansons Saint-Saens, Faure, Debussy SATB Hal Leonard, 08718019 Brown, Timothy Ave Maris Stella Salas Esteban SATB Walton W2974 Frank Pooler I Have Had Singing Sametz Steven SSATB Hinshaw HMC-1330 Al pan de los cielos San Jeronimo Cristobal de SSAABB Manuscript Paul Laird Out of the Cradle Sanders Robert L. Agnus Dei Sandstrom Sven-David SSAATTBB Walton WH-201 Joseph and the Amazing Technicolor Dream Sanford Any Dream Will Do Sanford Bill SATB Belwin Mills AP 122 Bill Sanford Close Every Door to Me Sanford Bill SATB Belwin Mills AP 121 Bill Sanford Joseph's Coat Sanford Bill SATB Belwin Mills AP 123 Bill Sanford Song of the King and Pharoahs Number Two Sanford Bill SATB Belwin Mills AP 120 Bill Sanford Breath of God Sateren Leland Christmas Canticle Sateren Leland Jerusalem My Happy Home Sateren Leland SATB Augsbur 11-1324 Seek Not Afar for Beauty Sateren Leland Thee, Lord, Most Holy

89. Arnold Schoenberg: Composer, Bureaucrat arnold schoenberg Composer, Bureaucrat. by Brad Edmonds. Nearly everyone who has taken a college music appreciation course has heard http://www.lewrockwell.com/edmonds/edmonds14.html

Arnold Schoenberg: Composer, Bureaucrat by Brad Edmonds Nearly everyone who has taken a college music appreciation course has heard of Arnold Schoenberg, the composer credited with developing the 12-tone serial(ism) technique for composing music. What is not known by most people outside the college music scene is that Schoenberg provides an exemplary model for the freedom-gobbling bureaucrats in Congress. The serialist composer lays out the 12 pitches of the chromatic scale in whatever order he desires. The composer then writes his music, using this 12-tone "row" repeatedly, usually exclusively. To create a greater source of material, the composer can use the row backwards or upside down as well as in the original form, but the order is maintained so that a given pitch, say C, doesn’t happen twice before every other pitch has been heard. The composer can have many versions of the row happening at once in different instruments. By contrast, in a Bach fugue in the key of C, every other pitch derives its meaning from its relationship to C. The casual listener knows when a phrase has ended in Bach much more readily than in serial music. A significant difference between tonal music, such as that of Bach, and serial music is that with tonal music, even the inexpert listener will have some idea whether the music was any good. With serial music, even the professional musician can have difficulty identifying famous works versus random, computer-generated sounds.

90. M502 - NOBLITT - FALL 93 Music Library Reserve Recordings schoenberg, arnold, 18741951. Concertos, piano, orchestra, op. schoenberg, arnold, 1874-1951. Moses und Aron Moses und Aron sound recording / schoenberg. http://www.dlib.indiana.edu/variations/reserves/old/fall93/m502nmlr.html

M502 - NOBLITT - FALL 93 Music Library Reserve Recordings Berg, Alban, 1885-1935. CD .B493 A.1-16 Listen to online copy Berg, Alban, 1885-1935. "Lulu"-Suite ; Three pieces for orchestra, op. 6 ; Five orchestral songs, op. (20th century classics) CD .B493 Ge.3 Listen to online copy Berg, Alban, 1885-1935. Kammerkonzert : for piano and violin with 13 wind instruments ; Concerto for Berg. New York : CBS Masterworks, p1986. CD .B493 G4.1-3 Listen to online copy Berg, Alban, 1885-1935. CD .B493 A.1-22 Listen to online copy Berg, Alban, 1885-1935. CD .B493 A.2-10 Listen to online copy Berg, Alban, 1885-1935. Lulu suite / Berg. Theme and variations, op. 43b / Schoenberg. Im Sommerwind LP-S .B493 G2.1 Berg, Alban, 1885-1935. Music of Alban Berg. (Columbia masterworks) LP .B493 G.1 Berg, Alban, 1885-1935. London : London, p1984. CD .B493 G4S1.1-12 Listen to online copy Berliner Philharmoniker. prf. Schoenberg. Hamburg : Deutsche Grammophon, p1987. CD .B51465 G.1 Listen to online copy Cherkassky, Shura. prf CD ZK1.97 Listen to online copy Manzoni, Giacomo, 1932- Masse : omaggio a Edgard Varese / Giacomo Manzoni. Kammersymphonie : op. 9 /

91. M502 - BORG - SUMMER 2003 Music Library Reserve Recordings schoenberg, arnold, 18741951. Cabaret songs sound recording ; Songs, op. schoenberg, arnold, 1874-1951. Chorus music sound recording / arnold schoenberg. http://www.dlib.indiana.edu/variations/reserves/old/summer03/m502mlr.html

William and Gayle Cook Music Library M502 - BORG - SUMMER 2003 Reserve Recordings Berg, Alban, 1885-1935. Altenberglieder [sound recording] ; 7 frühe Lieder ; 3 Orchesterstücke, op. 6 ; 3 Stücke aus der "Lyrischen Suite" / Berg. London : London, p1993. 1 sound disc (66 min., 15 sec.) : digital, stereo. ; 4 3/4 in. CD .B493 Ge.8 Listen to online copy in VARIATIONS Berg, Alban, 1885-1935. Wozzeck [sound recording] / Alban Berg. Hamburg : Deutsche Grammophon, p1988. 2 sound discs (89 min.) : digital, stereo. ; 4 3/4 in. CD .B493 A.1-16 Listen to online copy in VARIATIONS Berg, Alban, 1885-1935. Wozzeck / Berg. Erwartung / Schoenberg. New York, N.Y. : London, [1988], p1981. 2 sound discs : digital, stereo. ; 4 3/4 in. CD .B493 A.1-22 Listen to online copy in VARIATIONS Berliner Philharmoniker Orchesterstücke [sound recording] = Orchestral pieces / Berg, Webern, Schoenberg. Hamburg : Deutsche Grammophon, p1987. 1 sound disc : digital, stereo. ; 4 3/4 in. CD .B51465 G.1 Listen to online copy in VARIATIONS Otter, Anne Sofie von Love's twilight [sound recording] : late Romantic songs / by Berg, Korngold, Strauss. Hamburg : Deutsche Grammophon, p1994.

92. Schoenberg,Arnold schoenberg,arnold (18741951). Sex, Male. Comments, Serenade, op. 24 IV. movement Sonnet from Petrarca. Written, Duration, Comments, Publisher, W. Hansen. http://www.woodwind.org/Databases/Composers/Names/008802.html

Find: The Database Home Page < Schoeck,Othmar To the Index Schollum,Robert >> Schoenberg,Arnold (1874-1951) Sex Male Comments Serenade, op. 24 IV. movement: Sonnet from Petrarca Written Duration Comments Publisher W. Hansen Inst. Clarinet in Bb, Basset Horn, Mandolin, Guitar, Violin, Viola, Cello, Double Bass Grade Comments Wind Quintet, Op. 26 Written Duration Comments Lengthy, ambitious work in 12-tone serial style. Difficult. Second movement requires piccolo instead of flute. If your quintet wants to be known as adventurous interpreters of 20th century music, you need to perform this work sometime. Once you sink your teeth into it, there's a lot to like. The second movement proves that Schoenberg had a sense of humor. Publisher Andraud Durand Universal Wiener Philharmonischer Inst. Piccolo/Flute, Oboe, Clarinet in Bb, Bassoon, Horn Grade Comments Prepared on Sat Feb 28 20:37:15 2004

93. MCO / Repertoire S To Z Schoek, Otmar (18861957) Summer Night, performed September 27, 1994 Conductor Simon Streatfeild - schoenberg, arnold (1874-1951) Transfigured Night, op. http://www.manitobachamberorchestra.org/musicstoz.html

Saint-Saens, Camille (1835-1921) LeCarnaval Des Animaux, performed October 18, 1989 Conductor: Simon Streatfeild Soloist(s): Mr. James Anagnoson,piano; Mr. Leslie Hinton,piano Sallinen, Aulus (1935-) The Nocturnal Dances of Don Juanquixote (chamber music III), performed May 13, 1997 Conductor: Simon Streatfeild Soloist(s): Alexander Baillie Salzedo, Carlos Scintillation for solo harp, performed December 10, 1985 Soloist(s): Erica Goodman, harp Samuel-Rousseau, Marcel (1882-1955) Pastoral Variations for harp and strings, performed August 12, 1999 Conductor: Simon Streatfeild Soloist(s): Rita Constanzi Sandrin, Pierre (0-1561) Selections (see memo), performed April 23, 1987 Soloist(s): New World Consort Schafer, R. Murray (1933-) Concerto for harpsichord and eight wind instruments, performed February 20, 1980 Conductor: Gurevich Schafer, R. Murray (1933-) In Memorium: Alberto Guerrero, performed October 29, 1980 Conductor: Gurevich Schafer, R. Murray (1933-)

94. Sheet Music Plus Results Sechs Kleine Klavierstucke, Op. 19 (score) By schoenberg, arnold (18741951). For piano solo. 11 (score) By schoenberg, arnold (1874-1951). For piano solo. http://www.sheetmusicplus.com/a/phrase.html?id=33170&phrase=Schoenberg

95. Arnold Schönberg Epoch Modern Country AustriaUSA. arnold Schönberg (1874-1951). Detailed Information about. http://w3.rz-berlin.mpg.de/cmp/schonberg.html

Epoch: Modern Country: Austria-USA Detailed Information about Picture Gallery List of Works Bibliography Introduction (born Vienna, 13 September 1874; died Los Angeles, 13 July 1951). Austro-Hungarian composer, an American citizen from 1941. He began violin lessons when he was eight and almost immediately started composing, though he had no formal training until he was in his late teens, when Zemlinsky became his teacher and friend (in 1910 he married Zemlinsky's sister). His first acknowledged works date from the turn of the century and include the string sextet as well as some songs, all showing influences from Brahms Wagner and Wolf . In 1901-3 he was in Berlin as a cabaret musician and teacher, and there he wrote the symphonic poem Pelleas und Melisande , pressing the Strauss ian model towards denser thematic argument and contrapuntal richness. He then returned to Vienna and began taking private pupils, Berg and Webern being among the first. He also moved rapidly forwards in his musical style. The large orchestra of Pelleas and the Gurrelieder , and for the next few years he lived in the new, rarefied musical air. With tonality had gone thematicism and rhythmic constraint; works tended to be short statements of a single extreme musical state, justifying the term 'expressionist' (Five Orchestral Pieces; Three Pieces and Six Little Pieces for piano). The larger pieces of this period have some appropriate dramatic content: the rage and despair of a woman seaching for her lover (

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