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         Moore Undine Smith:     more detail
  1. I Will Trust in the Lord
  2. Oh, That Bleeding Lamb (St Olaf Choral)
  3. I Believe This Is Jesus (Concert)
  4. Virginia State University Faculty: Edgar Toppin, Carolyn R. Payton, Martin David Jenkins, Clarence Cameron White, Undine Smith Moore, Rose Browne
  5. Long Fare You Well SATB by Undine Smith Moore, 1978-01-01
  6. Lord, we give Thanks to thee. For SATB chorus a cappella. Text: Leviticus 25: 9 by Undine Smith Moore, 1973
  7. Tambourines to Glory. For SATB chorus a cappella. Poem by Langston Hughes by Undine Smith Moore, 1973
  8. The Lamb. Anthem For S. S. [Words by] William Blake by Undine Smith Moore, 1958
  9. ART SONGS AND SPIRITUALS BY AFRICAN-AMERICAN WOMEN COMPOSERS by Undine Smith Moore, Julia Perry Various Composers: Betty Jackson King, Florence Price Margaret Bonds, 1995

61. Music Composers
Translate this page Monteverdi, Claudio. Moondog. moore, Douglas. moore, undine smith. Mozart, FranzXaver. Mozart, Leopold Johann Georg. Mozart, Wolfgang Amadeus. Mumma, Gordon.
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  • Albert, Stephen ... Book ActorActressGallery.com ArtistActorActress.com CalvaryMusic.Org Cheap Consumer Electronics Bill88.com Link-Web.Net
  • 62. American Music Teacher: From Spirituals To Symphonies: African-American Women Co
    WalkerHill concentrates on eight composers undine smith moore, Julia Perry, MargaretBonds, Irene Britton smith, Dorothy Rudd moore, Valerie Capers, Mary
    http://articles.findarticles.com/p/articles/mi_m2493/is_3_52/ai_94932873
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    YOU ARE HERE Articles American Music Teacher Dec, 2002 Content provided in partnership with
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    Tell a friend Find subscription deals From Spirituals to Symphonies: African-American Women Composers and Their Music - Book Review
    American Music Teacher
    Dec, 2002 by William Chapman
    by Helen Walker-Hill. Greenwood Press (88 Post Rd. West, P.O. Box 5007, Westport, CT 06881-5007), 2002. 480 pp., $99.95. Helen Walker-Hill's fascinating new book, From Spirituals to Symphonies: African-American Women Composers and Their Music, is a must-read. The cover succinctly describes the book as a "unique, extensively researched examination of the history and scope of musical composition by African-American women focusing on the implications of race, gender and class for their musical creativity." It is an impressive work that will appeal to musicians as well as the general public. From Spirituals to Symphonies reads effortlessly. The flow of the language is easy; the composers dealt with are quoted often, and the almost up-to-the-minute information is very refreshing. The reader will be held captive by the good balance between the objective and subjective and will be left with so much more information than imagined, including a new perspective on composers who have been unjustifiably neglected. The book also will, hopefully, encourage the search for more diversity in art music by the teacher, the student and general music lover.

    63. Søgeresultat - Bibliotek.dk
    Press Sprog Engelsk Emne musikhistorie ; komponister ; kvindelige komponister ;kvindelige musikere Indhold Historical overview ; undine smith moore (190489
    http://bibliotek.dk/vis.php?base=dfa&field1=lem&term1=kvindelige musikere

    64. Composers ... M-R
    moore, undine smith (AfricanAmerican, 1904-1989) A composer and educator, she studiedat Fisk, Juilliard, the Manhattan School, Columbia and Eastman and after
    http://www.womensmusic.com/mr.html
    We welcome any corrections or additions to information about
    a composer or composition on Eine kleine Frauenmusik:
    please feel free to e-mail your questions or comments
    Search alphabetically by composer
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    Maconchy, Elizabeth (English, 1907-1995)
    She was of Irish descent and began to compose when she was only six, She attended the Royal College of Music where she studied with Charles Woods and Ralph Vaughn-Williams. She was living in London, had married and had a work performed on the Promenade Concerts in London when she became ill with tuberculosis and went to the country to recover. She never returned to London, but had two daughters and continued to compose. After WW II she won several prestigious awards and became the first woman Chair of the Composers' Guild of Great Britain. Bartok was a strong influence on her style. She wrote operas, theatre works, song cycles, and choral pieces, but she considered her 13 string quartets her best work.
    String Quartet, no. 5, #12, Unicorn-Kanchana DKP 9081

    65. List Of Composers Of African Descent
    1917 1995); Roscoe Mitchell, USA (born 1940); Thelonious Monk, USA(1917 - 1982); undine smith moore, USA (1905 - 1989); Jose Nunes
    http://www.worldhistory.com/wiki/L/List-of-composers-of-African-descent.htm
    World History (home) Encyclopedia Index Localities Companies Surnames ... This Week in History
    List of composers of African descent
    Composer s of African descent, including African American composers, include:

    66. Sheet Music Plus - A Christmas Alleluia (Mary, What You Going To
    A Christmas Alleluia (Mary, What You Going to Name That Pretty Little Baby?) (6PACK)- By moore, undine smith, arr, For SSAA/SSAA, unison chant group, and
    http://wwws.sheetmusicplus.com/sheetmusic/detail/TC.TC-139.html
    Shopping Cart Order Status Help Home Budget Shipping FREE on USA orders over $25 - ends May 27! details
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    as low as US$2.99 Teachers ! Save up to 15% when you buy 2+ copies of the same title. see details Have a Website? Earn cash. Join our Affiliate Program Our Guarantees Money back guarantee Low price guarantee ... guarantee Worry Free Shopping Your privacy 3 ways to pay Easy returns Testimonials ... Certified by... Need Help? Help Directory Shipping Returns Contact us ... ...more help A Christmas Alleluia (Mary, What You Going to Name That Pretty Little Baby?) (6-PACK) List price $9.00 Your price $7.65 You save 15% Ready to buy? (you can remove it later) Tell-A-Friend about this title Lead time before shipment: 2 to 3 weeks Customer rating: Add a review for this title! About A Christmas Alleluia (Mary, What You Going to Name That Pretty Little Baby?) (6-PACK) By Moore, Undine Smith, arr. For SSAA/SSAA, unison chant group, and soprano solo a cappella. Spiritual. Level: Medium. Published by Treble Clef Music Press. (TC-139) 6-PACK includes six original copies of this piece.

    67. AFROCENTRIC VOICES In "Classical" Music
    Carter, Maria Corley, R. Nathaniel Dett, Roland Hayes, Hall Johnson, Betty JacksonKing, Robert Mac Gimsey, undine smith moore, Julia Perry, and Hale smith.
    http://www.afrovoices.com/
    NEWLY PUBLISHED!
    African Americans have had a profound impact on the development of music in the United States. While their role in the history of American popular and folk music is now generally acknowledged and appreciated, their influence within the "classical" music world has received little attentioneven within the African American community. Afrocentric Voices focuses on African American performers and composers and on the vocal music forms they influenced, especially opera, art songs and Negro spirituals composed for concert performance. The musicians profiled here not only opened pathways for today's young African Americans through their own accomplishments, they advised and encouraged youth with lectures and master classes, articles and books. Many of them established scholarships and competitions for young musicians whose talents and desires lead them to seek out careers in "classical" music. These artists showedand continue to show the African American community that support of their young artists is important and does yield positive results. Presented here is an extensive bibliography of books and other research resources. There is a smallbut growinglist of

    68. Julia Perry, Florence Price, Margaret Bonds, Valerie Capers
    RealMedia, violin. undine smith moore (19041989) Before I d Be aSlave (1953) (336), mp3 (21) or RealMedia, piano. Rachel Eubanks
    http://www.leonarda.com/le339.html
    CDs, recordings, African-American women composers, women's studies, women's music, women's history, classical music
    Kaleidoscop e
    Music by African-American Women
    Music by 14 African-American women composers. Helen Walker-Hill, piano; Gregory Walker, violin. Leonarda Catalog #LE339. Total Time 72:27 Leonarda Home Page Composers' bios Musicians' bios . MP3s can be downloaded; RealMedia is streaming audio. A free version of RealMedia Player is available from Real. See links.html . CDs are $15.99. Order Form
    COMPOSERS, MUSIC AUDIO SAMPLES INSTRUMENTS Irene Britton Smith (20th C.)
    Sonata for Violin and Piano
    Allegro cantabile
    Andante
    Vivace (:16) or
    Real Media
    (both samples) violin and piano Dorothy Rudd Moore (b.1940)
    Three Pieces for Violin and Piano
    Vignette
    Episode Caprice (:15) or RealMedia violin and piano Julia Perry Prelude for Piano (2:00) (1946, rev. 1962) (:16) or RealMedia piano Betty Jackson King Spring Intermezzo from Four Seasonal Sketches (:23) or RealMedia piano Margaret Bonds Troubled Water (4:52) (pub. 1967)

    69. Leonarda African-American Index, CDs, Recordings
    Composers Irene Britton smith, Dorothy Rudd moore, Julia Perry, Betty Jackson King,Margaret Bonds, Lettie Beckon Alston, undine smith moore, Rachel Eubanks
    http://www.leonarda.com/af-am.html
    African-American Composers and Performers
    on the Leonarda Record Label
    FOR MORE INFORMATION, CLICK ON CATALOG NUMBER or LINKED NAMES of INDIVIDUAL AFRICAN-AMERICANS. Souvenirs #LE344 compact disc Total Time 71:07
    Roger Rundle, piano R. Nathaniel Dett, Gershwin The Vocal-Chamber ART
    Music by Judith Lang Zaimont #LE343 compact disc Total Time 71:52.
    Singers: Elena Tyminski, Charles Bressler, Price Browne, Berenice Bramson, David Arnold. Conductor (Songs of Innocence): Roger Nierenberg. Instrumentalists: Judith Lang Zaimont, piano; Patricia Spencer, flute; Barbara Bogatin, cello; Nancy Allen, harp; Sara Cutler, harp; Zita Zohar, piano; Jonathan Haas, percussion Composer: Judith Lang Zaimont
    Kaleidoscope
    Music by African-American Women #LE339 compact disc (click here for composer bios for this CD)
    (solo piano; violin and piano; solo violin) Total Time 72:27
    Helen Walker-Hill, piano; Gregory Walker , violin Composers: Irene Britton Smith, Dorothy Rudd Moore, Julia Perry, Betty Jackson King, Margaret Bonds, Lettie Beckon Alston, Undine Smith Moore, Rachel Eubanks, Valerie Capers, Lena Johnson McLin, Regina Harris Baiocchi, Dolores White, Nora Douglas Holt, Florence Price Women's Voices
    Five Centuries of Song #LE338 compact disc (soprano and harpsichord; soprano and piano) Total Time 58:15

    70. Florence B. Price
    of Rivers Art Songs by AfricanAmerican Composers by Leslie Adams, Margaret Bonds,Charles (composer) Brown, Cecil Cohen, undine smith moore, Robert Owens
    http://www.reversephonedirectory.com/products/?mode=classical&search_type=Artist

    71. EXTENTIONS OF THE TRADITION
    4!. The work is to honor four incredible artists who influenced my life as a musicianThelonious Monk, Gil Evans, undine smith moore, and Jaco Pastorios.
    http://innova.mu/notes/510.htm
    EXTENSIONS OF THE TRADITION THE CHAMBER WORKS OF WILLIAM C. (BILL) BANFIELD ART IS NOT A PASTIME, BUT A PRIESTHOOD. J. Cocteau EXTENSIONS Using research in the aesthetics, theology, and ethnomusicology, as well as field work in West Africa, I have been attempting to create a compositional method which, while informed by my ethnicity, still speaks universally. I use the term augmentation to describe this process of taking cultural material from vernacular musical languages and conventions and fashioning them into concert works. Extensions of the Tradition , then, is my attempt to use augmentation to accomplish the following goals: first, to link myself as a present-day creator with past traditions and tradition-bearers and then, second, to comment musically on what those traditions might mean for the vitality of our community today. Finally, I wish to place my work in the context of a larger community of artists so that together we can expand our creative vision (as an extention of our humanity) for the benefit of coming generations. Notes by Composer: Four Persons . (1989; for piano, oboe, clarinet, bassoon)

    72. The Negro Spiritual
    arranger of “Give me Your Hand, “My Good Lord Done Been Here,” “Good News”Fredrick Hall’s “Yonder Some Day;” undine smith moore’s “I Just
    http://www.dogonvillage.com/negrospirituals/one/pg7.htm
    The Negro Spiritual
    Coming Home and includes Gospel-Spirituals Bay Area based Emitt Powell and the Gospel Elites recorded a CD at home for the first time in June, 1999; the album is entitled, Coming Home Powell, who was exposed to Negro Spirituals early in life in the Methodist Church in the South, recorded a variety of spirituals on an earlier CD, God is Great
    Abide With Me: A Collection of Spirituals and Hymns Featuring 10 New arrangements of Moses Hogan and works by: Boatner, Morris, Deas, Moore, Hall and Lyte Compact Disc Review: Signed
    JohnPatton, Jr.,
    Retired Professor Clark Atlanta University
    Atlanta, Georgia Moses Hogan Choral Clyde Owen Jackson Go Down Moses The Negro Spiritual Honored ...
    Dogon Village

    73. Minnesota Spokesman-Recorder - ENTERTAINMENT
    WITNESS will also feature the late undine smith moore’s (19041989) Scenes fromthe Life of a Martyr, an extended contemplation of the life of Dr. Martin
    http://spokesman-recorder.com/news/Article/Article.asp?NewsID=38261&sID=37

    74. Touch The Spirit
    Jester Hairston) Daniel, Servant of the Lord (Arr. undine smith moore)Deep River (Arr. Harry T. Burleigh) Jacob’s Ladder (Arr.
    http://www.pipeorgancds.com/touchspirit.html
    I Hear a Voice A-Prayin’: Houston Bright
    Wide, deep, troubled water: John Jacob Niles
    Who’ll Be a Witness (arr. Wendell Whalum)
    You Must Have That True Religion (arr. Roland M. Carter)
    Ride the Chariot (arr. William Henry Smith)
    I Can Tell The World (Arr. Jester Hairston)
    Daniel, Servant of the Lord (Arr. Undine Smith Moore)
    Deep River (Arr. Harry T. Burleigh)
    Jacob’s Ladder (Arr. Calvin Hampton)
    Balm in Gilead (Arr. Bruce Saylor)
    Sometimes I Feel (Arr. Alice Parker and Robert Shaw) City Called Heaven (Arr. Hall Johnson) Here’s One (Arr. William Grant Still) I Don’ Feel No-ways Tired (Arr. Jacqueline B. Hairston) Take My Mother Home (Arr. Hall Johnson) Touch the Spirit

    75. Hampton University - Department Of University Relations
    will be Lettie Beckon Alston, associate professor and composer in residence at OaklandUniversity in Rochester, Mich.; the late undine smith moore, formerly a
    http://www.hamptonu.edu/News_Publications/1998_99_Black_Women_Composers.html
    Press Release Archives 2001 - 2002 Press Releases 2000 - 2001 Press Releases 1999 - 2000 Press Releases 1998 - 1999 Press Releases 1997 - 1998 Press Releases
    January 4, 1999 HU MUSIC DEPARTMENT HOSTS BLACK WOMEN COMPOSERS SYMPOSIUM Hampton, VA - Hampton University’s Department of Music will sponsor the Second Symposium of Black Women Composers Feb. 15 - 17. The symposium will consist of three days of performances, research and analyses of compositions by African-American women composers, many of whom will be in attendance. The lectures and concerts will be held in Armstrong Hall’s Dett Auditorium and Little Theatre and the Memorial Church. The symposium will feature Helen Walker Hill, America’s foremost scholar on black women composers, as the symposium musicologist. Featured composers will be Lettie Beckon Alston, associate professor and composer in residence at Oakland University in Rochester, Mich.; the late Undine Smith Moore, formerly a professor theory at Virginia State University; and Valerie Capers, a jazz pianist/composer from New York. Evening concerts beginning at 8 p.m. in the Little Theatre will be open to the public. General admission is $5 and $1 for students. The Feb. 15 concert will feature chamber, choral and solo compositions by Moore. Alston, a noted pianist, will perform her compositions on Feb. 16; and The Valerie Capers Jazz Trio will perform on Feb. 17.

    76. :: Ez2Find :: M
    John (5), Molter, Johann Melchior (4) Monk, Meredith (2) Monteverdi, Claudio GiovanniAntonio (12) Moondog (9) moore, Douglas (6) moore, undine smith (3) Morley
    http://ez2find.com/cgi-bin/directory/meta/search.pl/Arts/Music/Composition/Compo
    Guide : M Global Metasearch
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    A B C D ... M¸ller, Peter Related Categories Arts: Music: Composition: Composers: Contemporary: M Last update: 17:14 PT, Monday, March 1, 2004 Help build the largest human-edited directory on the web. Submit a Site Open Directory Project Become an Editor
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    77. Washington Men's Camerata 2002 I, Too, Sing, America
    The combined choir of more than 200 singers will also perform music by MargaretBonds and undine smith moore, and each group will perform a solo segment as
    http://www.camerata.com/sing_america-02.html
    Music Inspired by the Langston Hughes Centenary
    Stephen Salters, baritone
    Non-Subscription Concert
    Sunday, October 6, 2002
    3 p.m.
    The Dekelboum Concert Hall of the Clarice Smith
    Performing Arts Center, College Park, MD
    In a special collaborative concert, the Camerata joins the Lesbian and Gay Chorus of Washington, the Washington Women's Chorus, and the Heritage Signature Chorale to present the east coast premiere of "Suite Death" by Dr. Ysaye Barnwell of Sweet Honey in the Rock. Based on the poetry of D.C. native Langston Hughes, the work was written in honor of the 100th anniversary of his birth, and will feature baritone Stephen Salters, who sang the premiere performance in 2001. The combined choir of more than 200 singers will also perform music by Margaret Bonds and Undine Smith Moore, and each group will perform a "solo" segment as well. The Camerata will sing the only three published settings of Hughes poetry for men's chorus, by Anthony Donato, Ray Green and John W. Work. This many-faceted concert is co-presented by the Washington Performing Arts Society and underwritten by a grant from the Bridge Builders Fund. For information or tickets call (301) 405-ARTS or visit www.claricesmithcenter.umd.edu

    78. Moses Hogan Chorale And Countertenor Derek Lee Ragin (Saint Paul Sunday)
    broadcast will hear an historically varied program of works by both familiar andless wellknown composers and arrangers from undine smith moore s I Just
    http://saintpaulsunday.publicradio.org/features/9709_ragin/ragin.shtml
    Let the Spirit Move You!
    Saint Paul Sunday Welcomes
    New Orleans' Moses Hogan Chorale and Countertenor Derek Lee Ragin
    by Vaughn Ormseth
    The Spirit, says the Bible, moves in mysterious ways. Listeners to public radio's chamber series Saint Paul Sunday will hear soul-stirring proof of this ancient wisdom this Sunday. That day, the New Orleans-based Moses Hogan Chorale, an ensemble specializing in African-American spirituals, joins forces with the internationally acclaimed countertenor Derek Lee Ragin. The countertenor voice a rare male voice that sings in high alto and soprano ranges is seldom-heard beyond a narrow early repertoire. Ragin will explore some wonderful new musical territory. If a classical black-Southern choir and a countertenor seem an unlikely alliance at first, hold on. Audiences have thrilled to the partnership's concerts in both Europe and the United States, and critics have praised it for its deft integration of musical styles. On Saint Paul Sunday, Ragin and the Chorale will perform traditional spirituals in their purest, usually unaccompanied forms, a repertoire that embraces some of this country's earliest and most affecting musical roots.
    Spirituals' American Niche Hogan, a pianist, conductor and arranger based in New Orleans, draws a sharp distinction between spirituals and later musical outgrowths such as gospel. Original spirituals, he says "contained a lyrical quality and dealt with a variety of emotions. The songs were termed spirituals because of the relationship between the type of song and the Holy Spirit." Having evolved within the inhuman conditions of slavery, spirituals "were consistently employed in the quest for freedom," but also, Hogan adds, "in religious services, and to educate, gossip, reprimand, signal, or to aid in story-telling. They functioned as a means of educating slaves about their own affairs."

    79. Spirituals At Riverside: Touch The Spirit
    Arrangements by Jester Hairston, Jacqueline B. Hairston, undine smith moore, WilliamHenry smith, Houston Bright, John Jacob Niles, Harry T. Burleigh, William
    http://www.ohscatalog.org/spiratrivtou.html
    Ride the Chariot
    I Hear a Voice a-Prayin’
    Wide Deep Troubled Water
    Deep River
    Here’s One
    Balm in Gilead
    Who’ll Be a Witness
    I Can Tell the World
    City Called Heaven
    Jacob’s Ladder
    Daniel, Daniel, Servant of the Lord You Must Have That True Religion Take My Mother Home Sometimes I Fell I Don’ Feel No-Ways Tired Spirituals at Riverside: Touch the Spirit Evocative and powerful in their art and sound, the 56 singers of the Choir of Riverside Church, New York City, joined by six soloists, perform spirituals with a successful balance of virtuosity, dialect, and style. Helen Cha-Pyo, conducts; Timothy Smith, piano. Arrangements by Jester Hairston, Jacqueline B. Hairston, Undine Smith Moore, William Henry Smith, Houston Bright, John Jacob Niles, Harry T. Burleigh, William Grant Still, Bruce Saylor, Wendell Whalum Hall Johnson, Calvin Hampton, Roland M. Carter, Hall Johnson, and Alice Parker/Robert Shaw. Compact Disc JAV-116

    80. IISWM Scores I-P
    New York, Carl Fischer. (photocopy). moore, undine S. No title. , MORRISSEY, Wendy. SonicMeditations . smith Publications. Sound Patterns . OSAWA, Kazuko.
    http://library.csun.edu/spcoll/fdgds12b.html
    Library of the International Institute for the Study of Women in Music. Music Scores
    Prepared by Arnold Chinn.
    Edited by Tony Gardner
    Composers I-P
    [ I ] [ J ] [ K ] [ L ] ... [ P ] Composers A-H Composers Q-Z IISWM Index I NO FILES Top of page Top of page KESSLER, Minuetta. Top of page Top of page MACAULAY, Janice. "Seven Love Poems of Emily Dickinson". For soprano and piano. "The Most Pathetic Thing I Do". "Wild Nights- Wild Nights!". "You Said That I 'Was Great' -One Day-". MACCARTENEY, Laura Pendleton. "Songs and Silhouettes". The Willis Music Company. MACGILLIVRAY, Allister. "Song for the Mira". Elmer Iseler Choral Series. MACHOLD, Ella Cornelia. "Schlummer Lied". MANA-ZUCCA. "Happy Times". G. Schirmer, Inc. "The Big Brown Bear". G. Schirmer, Inc. "Wistaria". Boston Music Company. "Your Quest". G. Schirmer, Inc. MANNING, Kathleen Lockhart. "In The Luxembourg Gardens". "The Maid of Mystery". "Nostalogia". MAPES-BOUCK, Marian. "Nobody Loses All The Time". "Though Love Be But A Day". , MARBE, Myriam.

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