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         Lockwood Annea:     more detail
  1. Annea Lockwood.(Annea Lockwood. Ear-Walking Woman)(Video recording review): An article from: Notes by Travis D. Stimeling, 2007-09-01
  2. EAR Magazine of New Music - Volume 16, Number 2: "Music & the Environment" - May 1991 by David Dunn, Annea Lockwood, et all 1991

21. Alexa Web Search - Subjects > Arts > ... > Composers > L > Lockwood, Annea
lockwood, annea Subjects Arts Composers L lockwood, annea. Sort byMost Popular. Bestselling Products in lockwood, annea.
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22. Music Composition - Lockwood, Annea Top Links
foo fighters lyrics. lockwood, annea Web Site Links. annea lockwood ( 1939- ) Biography and discography. annea lockwood and Ruth Anderson Sinopah Experimental
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Lockwood, Annea Web Site Links Annea Lockwood (1939- ) Biography and discography.
Annea Lockwood and Ruth Anderson: Sinopah Experimental
Review.
The Deep Listening Catalog - Annea Lockwood
Biography and discography.
CDeMUSIC: Annea Lockwood
Biography and discography.
Oodiscs #41: Thousand Year Dreaming
Information about Lockwood and the album Thousand Year Dreaming.
Annea Lockwood
Discography from EarthEar Records.

23. CDs By Lockwood, Annea - Tutti.co.uk
Back to Index of Composers Products by lockwood, annea. New Zealand WomenComposers, New Zealand Women Composers. *Listen to a sample extract
http://www.tutti.co.uk/shop.php/CDs/view_by_composer/Lockwood, Annea
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24. Musica Viva: Musica Viva: The Encyclopedia Of Music
Search results for lockwoodannea . lockwood, annea.b. 1939 Female composer. Back to top. Back to top,
http://www.musicaviva.com/encyclopedia/display.tpl?phrase=lockwood-annea

25. CDeMUSIC
Parts of it fully scored, parts improvised, annea lockwood has assembled Jon Gibson,Art Baron, Libby Van Cleve, JD Parran, Michael Pugliese, Scott Robinson
http://www.cdemusic.org/store/cde_search.cfm?keywords=alockwoodcds

26. EMF Institute: Aldrich & Annea Lockwood
NB Aldrich What is Sound Art? Introduction Interviews with Chris MannJeph Jerman Alvin Lucier Stephen Vitiello annea lockwood AL. Sound Art.
http://emfinstitute.emf.org/articles/aldrich03/lockwood.html

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What is Sound Art?
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Annea Lockwood AL. NBA. Could you describe your use of "linguistic" here? Is the language the musical structures that we have created and now use to describe 'musical' ideas (ie, scales, interrelated rhythmic patterns, large-scale forms, etc.)? AL. I think of music as built like a language because it is often structured to carry a flow of interrelated 'ideas' (rhythmic motifs, chord progressions, timbral ideas, etc.) which tend to create an audio narrative - often at the emotional level as well as perceptible structural levels. Feldman, in particular, is an exception to this, at least for me. NBA. Is Cage's work anti-linguistic in the sense that it purposefully sets out to select material and organize it in a new way? AL. Cage intended, as I 'read' him, to disrupt that narrative flow, letting 'sounds be sounds'. But it's hard not to hear/create connections when listening to a piece of his, simply because we're wired to look for them. NBA.

27. Details For Annea Lockwood And Thomas Buckner Performance At Other Minds 8, 2002
annea lockwood performs two pieces at the Other Minds Music Festival8 in San Francisco California. annea annea lockwood. Author
http://www.archive.org/audio/audio-details-db.php?collectionid=AnneaLockwood&col

28. Avantgarde Music. Annea Lockwood: Biography, Discography, Reviews, Links
annea lockwood (Copyright © 1999 Piero Scaruffi Legal restrictions Termini d uso ) The Glass World (Tangent, 1970) ** A Sound
http://www.scaruffi.com/avant/lockwood.html
Annea Lockwood
Piero Scaruffi
Legal restrictions - Termini d'uso The Glass World (Tangent, 1970) **
A Sound map Of The Hudson River (Lovely, 1990) ***
Thousand Year Dreaming (What Next, 1993) ***
Sinopah (XI, 1998)
Breaking the Surface (Lovely Music, 1999) Links Sound sculptor Annea Lockwood, born in New Zealand (1939) but relocated to New York (1973), began to explore natural sounds with her Glass Concerts (1966-1972), as documented on The Glass World (Tangent, 1970). A Sound map Of The Hudson River Thousand Year Dreaming If English is your first language and you could translate this text, please contact me Scroll down for recent reviews in english. Sinopah (XI, 1998), a split album with Ruth Anderson, contains Lockwood's 46-minute World Rhythms (1975), a live improvisation that broadcasts natural sounds, from volcanic eruptions to earthquakes to geysers to bonfires to waves to human breath. The continuum thus spans the dimensions of the human experience.
The album also contains Ruth Anderson's 23-minute Come Out Of Your Sleep Breaking the Surface (Lovely Music, 1999)

29. Annea Lockwood
Sinopah. annea lockwood World Rhythms; Ruth Anderson I come out of yoursleep. annea lockwood, tenchannel live improvisation Ruth Anderson, voice.
http://www.musiktexte.de/german/de/dept_143.html
Home CDs im Vertrieb
Sinopah
  • Annea Lockwood: World Rhythms Ruth Anderson: I come out of your sleep
World Rhythms originated as a ten-channel live improvisation in which the audience was surrounded by ten loudspeakers. The recorded sounds include volcanic eruptions, earthquakes, radio waves, geysers and pools, and tree frogs. These sounds are a physical manifestation of energies which shape us and our environment constantly, energies of which we are not always aware, but which powerfully influence and interact with the rhythms of our bodies. I come out of your sleep follows a tradition of sound poetry, or text-sound, begun in part by Kurt Schwitters’ Ursonate and expanded by composers such as John Cage, Charles Amirkhanian, and Jackson Mac Low. The piece is based on the speech vowels in Louise Bogan’s poem, Little Lobelia. The vowels are whispered and elongated; their shapes become breathed melodic arcs and tones, and that breathing becomes the core of a stylized meditation. “The music creates a space of safety. The sound can carry one to an altered state of consciousness . . . One can awaken from the listening feeling refreshed, as if sleep happened . . .” – Pauline Oliveros Annea Lockwood, ten-channel live improvisation

30. Annea Lockwood
annea lockwood, born in New Zealand and living in the United States, is perhapsmost infamously known for her Piano Transplants (196972), in which defunct
http://www.otherminds.org/shtml/Lockwood.shtml
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Annea Lockwood, born in New Zealand and living in the United States, is perhaps most infamously known for her Piano Transplants (1969-72), in which defunct pianos were variously burned, drowned in a shallow pond in Amarillo, Texas, and partially buried in an English garden. During the 1960s she collaborated frequently with sound-poets, choreographers and visual artists and created works like Glass Concert (1967), in which a variety of complex sounds were drawn from industrial glass products and shards, and then presented as an audio-visual theater piece. During the 1970s and 80s, Lockwood turned her attention to work focused on environmental sounds, life-narratives in installations, and performance works using low-tech devices like her Sound Ball , a foam-covered ball containing six small speakers and a radio receiver. She has also composed for acoustic instruments and voices, frequently incorporating electronics and visual elements. Thousand Year Dreaming (1991) is scored for four didjeridus, conches, frame drums, winds, and trombones, and incorporates slides of the Lascaux cave paintings;

31. Annea Lockwood
Sinopah album image. annea lockwood World Rhythms. From Sinopah Artist Website
http://greenmuseum.org/c/vop/lockwood.php
Sinopah album image
Annea Lockwood - World Rhythms From: Sinopah
Artist Website

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Annea Lockwood (New York and Montana, US) has performed her World Rhythms since 1975, combining field recordings of water, earthquakes, volcanoes, geysers, radio waves from pulsars, and other sources mixed live in multi channel sound. The gong adds a biorhythmic element: it is struck when the player can no longer sense his/her body's reactions to the last gong stroke. She is currently working on a Sound Map of the Danube River, with air mics and hydrophones, incorporating the river-experiences of people living on and from it, in many dialects. Previous ARTISTS Next

32. SHREDS OF EVIDENCE: FIRST AVENUE
OO 59 THE GLASS WORLD annea lockwood. You can find annea lockwood s ThousandYear Dreaming and further biographical information about her at OO 41.
http://www.oodiscs.com/oo59.html
O O #59 THE GLASS WORLD
Annea Lockwood
OO #59 is the re-issue of the seminal work of Annea Lockwood and a record of her early explorations of natural and found sounds. The Glass World originated in 1966 as a live, two hour performance work entitled, The Glass Concert , and was presented in over 70 concerts in England Scandinavia and Australasia, the final performance being at WBAI's Free Music Store in New York City in 1973. Many types, shapes and sizes of glass are used, singly or combined and are manipulated in a variety of ways so as to extract from them their latent sounds. The glass used has not been specifically prepared or shaped as with musical instruments; pieces of glass have been used which are not normally seen - fragments collected from factory floors, such as small glass discs which are rubbed together, and sea-green glass rocks which are knocked against each other; a thin glass rod is drawn across the edge of a large suspended pane, as a bow across a violin string; another pane, struck lightly like a gong is then raised and lowered in a water-filled tank, sending undulating reverberations through the glass and the water; the 'breathing machine' consists of two interlocking laboratory jars, one containing water and one air. Lockwood has been known for the last thirty years for her sensitive use of environmental and natural/found sounds that explore the music of the world around us. Out of print for many years, this recording documents her investigations into sounds drawn from glass. Using common objects and industrial castoffs, she unobtrusively allows them to sing their songs in an aesthetic with direct ties to post-Cageian art movements such as Fluxus.

33. MIT Libraries' Catalog - Barton - Full Catalog - Full Record
lockwood, annea, 1939 Ear-walking woman. lockwood, annea, 1939- Thousand yeardreaming ensemble. Selections. lockwood, annea, 1939- Ear-walking woman.
http://library.mit.edu/F/300313?func=full-set-set&set_number=045519&set_entry=00

34. MIT Libraries' Catalog - Barton - Full Catalog - Full Record
k Selections. 70012, a lockwood, annea, d 1939 t Ear-walking woman. 70012, a lockwood, annea, d 1939- t Thousand year dreaming ensemble. k Selections.
http://library.mit.edu/F/300313?func=full-set-set&set_number=045716&set_entry=00

35. For Annea Lockwood
For annea lockwood. Premiered October, 1996. Tom Dambly trumpet Mara Fox- trombone Toyoji Tomita - trombone annea lockwood - recorded voice.
http://users.lmi.net/~mgheart/writtenmus/Annea1.html
For Annea Lockwood Premiered: October, 1996 Tom Dambly - trumpet
Mara Fox - trombone
Toyoji Tomita - trombone
Annea Lockwood - recorded voice Mother of introspection, who, in the guise of questions asked, asked actual questions. The text for these pieces were written during her brief stay here at Mills. The text, read by the namesake, is set within three different "environments;" sonic and spatial manifestations of performer relationships. The use of brass instruments was suggested by Annea's The Thousand Year Dreaming April 10, 1995 April 17, 1995 May 10, 1995
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36. Annea Lockwood
The River Archive. by annea lockwood From The Cassette Mythos, Autonomedia1990. The River Archive I started it back in about 1966
http://www.halcyon.com/robinja/mythos/AnneaLockwood.html
The River Archive
by Annea Lockwood From: The Cassette Mythos, Autonomedia 1990 The River Archive I started it back in about 1966-67 recording a series of Welsh and Scottish rivers/streams/springs. Why? Well, I'm a New Zealander, and rivers are a major part of New Zealand life, especially if, like my family, you do a lot of climbing, etc. Very powerful, New Zealand rivers. Also, I'd been reading about the use of riverine environments for healing in Chaldes, in a book by John Michel (English writer), just when I myself was thinking a lot about sound as energy-form, its various effects on the body, etc. So the Archive was both an absurd project (since it intends to include all the world's rivers) and a practical projecta way of studying water sounds and their physiological effects. I've not counted how many rivers the Archive now has, contributed by friends and acquaintances, as well as my own collecting. Countries include Great Britain, New Zealand, Australia, the U.S., Austria, India, and Canada. I make installation works using the Archive and have done four different types of installations so far with it: Play the Ganges Backwards One More Time, Sam

37. EAR/Rational Music!
lockwood, annea 1000 Year Dreaming WN10 CD $13.00 A gorgeous 45 minute opusfor multiple didjeridoos, trombones, conch shells, contra bass clarinet
http://www.ear-rational.com/detail.php?id=4596&searchparm=:L&order=&offset=280

38. Sonomu: Annea Lockwood / Ruth Anderson
your cart is empty feedback queries. for general site comments, queries and feedback.annea lockwood / Ruth Anderson. related to annea lockwood / Ruth Anderson.
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39. Annea-lockwood FREE ALBUM,MP3 ALBUM,FULL ALBUM,Free Mp3 Download,MP3s,Songs,Lyri
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40. Women & Music : Annea Lockwood's Burning Piano, Scruffed Stones, And Noble Snare
Women Music annea lockwood s Burning Piano, Scruffed Stones, and NobleSnare Feminist Politics and Sound Sources in Music. @ HighBeam Research.
http://static.highbeam.com/w/womenampmusic/january011999/annealockwoodsburningpi
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  • Current Article: Annea Lockwood's Burning Piano, Scruffed Stones, and Noble Snare: Feminist Politics and Sound Sources in Music.
Start W January 01, 1999 Annea Lockwood's Burning Piano, Scruffed Stones, and Noble Snare: Feminist Politics and Sound Sources in Music.
Annea Lockwood's Burning Piano, Scruffed Stones, and Noble Snare: Feminist Politics and Sound Sources in Music.
LEE, MICHAEL
January 01, 1999
lockwood, piano burning, piano, music, annea lockwood, piece, snare drum, work, sound sources, score, glass concerts, objects, cartridge music, amazonia dreaming, experimental music
DURING THE 1960S AND 1970S, experimental composer Annea Lockwood
charted a bold path in terms of her relationship with sound and its
sources. From her works featured in Source magazine through her
environmental soundscapes to her present practice, Lockwood has
faithfully nurtured her creative relationship with unexpected source
the sound source for discussion will not be easy, as her striking work

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