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         Crumb George:     more books (51)
  1. Vox Balaenae for Three Masked Players by George Crumb, 1972
  2. Makrokosmos. Volumeii. Amplified piano. < Facsimile printing from the manuscript by the composer. > by George Crumb, 1974
  3. Five Pieces for Piano by George Crumb, 1973
  4. Sonata for Solo Violoncello. < Edited by Camilla Doppmann. > by George Crumb, 1958
  5. Eleven Echoes of Autumn (Echoes I) by George Crumb, 1972
  6. Ancient Voices of Children. < A cycle of songs on texts by García Lorca. > Soprano, boy soprano, oboe, mandolin, harp, electric piano, percussion, etc by George Crumb, 1970
  7. Night of the Four Moons, Voice of the Whale by George Crumb, 1974
  8. Lux aeterna. For five masked musicians. Soprano, bass flute (and soprano recorder), sitar, and percussion (two players). [Score.] < Facsimile printing from the manuscript by the composer. > by George Crumb, 1972
  9. Madrigals I-IV by George Crumb, 1971
  10. Otherworldly Resonances by George Crumb, 2008
  11. Arcade the Comics Revue #5 by Art and Bill Griffith (Editor) George Di Caprio, R Crumb, Art Spiegelman, Spain Rodriguez, Justin Green, Bill Griffith, Willy Murphy, S Clay Wilson, Kim Deitch (Artists) Spiegelman, 1976
  12. Comics Journal Library, The, Vol. 3: R. Crumb by Milo, Ed. George, 2004-01-01
  13. Celebrating an American composer.(Entertainment): An article from: The Register-Guard (Eugene, OR)
  14. Apparition: Elegiac Songs and Vocalises for Soprano and Amplified Piano on Texts from Walt Whitman's "When Lilacs Last in the Dooryard Bloom'd." (book reviews): An article from: Notes by Steven Bruns, 1995-06-01

41. MusicMoz - Composition: Composers: C: Crumb, George
george crumb. From United States Period Early_20th_Century Years 1929 Pulitzer Prize Winner Top Composition Composers C crumb, george (13). Links (13).
http://musicmoz.org/Composition/Composers/C/Crumb,_George/
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42. George Crumb "Makrokosmos Vol. II"
Short review of Robert Miller's recording on vinyl for Columbia.
http://www.wfmu.org/~kennyg/popular/reviews/crumb.html
George Crumb
Makrokosmos Vol. II
Columbia. Robert Miller, piano.
I love Miller's performance of these crazy piano works. He is extremely animated and theatrical amidst the formidable obstacle course that the performer faces in this work. He is called to strum the strings inside the piano, scream, whoop and holler, preparing the strings, etc. In the 4th cut on side 1, the performer is instructed: "serene, desireless, like a Nirvana-trance!" O.K. Miller makes it work. it's really fantastic. I have become quite attached to these performances to the exclusion of all others. (LP)
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43. MusicMoz - Composition: Composers: C: Crumb, George: Links
Bibliography Annotations by Monica Steger (1997), with duplicate and additional annotations by Gi Lee (2000), of selected sources on george crumb s music.
http://musicmoz.org/Composition/Composers/C/Crumb,_George/Links/
about submit item become an editor feedback the entire directory only in this category Top Composition Composers C ... Crumb, George : Links Concise Annotated Bibliography - Annotations by Monica Steger (1997), with duplicate and additional annotations by Gi Lee (2000), of selected sources on George Crumb's music. George Crumb - (Official site) The definitive web site for information and discussion of the music of contemporary American composer, George Crumb. Includes biographical details, catalog of compositions, discography, bibliography, news and related information. George Crumb biography - Short biography (also available in German) at Edition Peters, George Crumb's publishers. George Crumb biography and interview - Short biography and interview (1999-11-29) with George Crumb (both in German only) at Klassik Online. George Crumb biography and works list - Basic information and partial list of compositions, with notes on "Black Angels". George Crumb CD reviews - Reviews of a few CDs and recording information for three major compositions. George Crumb mailing list - A small online community dedicated to discussion of the music of George Crumb.

44. George Crumb Annotated Bibliography
Annotations by Monica Steger (1997), with duplicate and additional annotations by Gi Lee (2000), of selected sources on george crumb's music.
http://theory.music.indiana.edu/isaacso/t556/crumb.html
T556 Annotated Bibliographies
George Crumb
Bass , Richard. "Models of Octatonic and Whole Tone Interaction: George Crumb and His Predecessors." Journal of Music Theory In this article, the author discusses the extent of which Crumb's compositions exhibit octatonic - whole-tone interplay and that certain aspects of which have their origins in the works of earlier twentieth-century composers. Bass states that "[Crumb's] successful combination of octatonic and whole-tone materials to construct larger musical units...transforms their earlier usage as experimental features of tonally transitional works into viable paradigms for post-tonal composition" (p.156-7). The focus of the article, then, is to examine pieces written by Crumb and his predecessors to discover the history of octatonic and whole-tone compositional techniques. Works used to illustrate the history of octatonicism and whole-tone systems are Scriabin's Preludes, op. 74; Debussy's Ce qu'a vu le vent d'Ouest and Feuilles mortes (from the first book of Preludes); Stravinsky's Petroushka; Scriabin's Piano Sonata No. 9, op. 68 (the Black Mass); Finney's 32 Piano Games and the 24 Inventions; and Crumb's "Music of Shadows (for Aeolian Harp)" from Makrokosmos, Volume I. (Monica Steger, 1997)

45. ElectronicsPlaza101 Product Not Found
crumb, george C crumb, george Featured Composers Classical Music Electronics Online Shopping Store Your one stop shopping place for all Electronics needs.
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46. CRUMB, George :Gilder-MusicWeb Dictionary Of Composers
crumb, george b Charleston, West Virginia, 24 October 1929. He was educated at the universities of Illinois (1953) and Michigan (1959
http://www.musicweb.uk.net/Classpedia/Crumb.htm
CRUMB, George
b Charleston, West Virginia, 24 October 1929
He was educated at the universities of Illinois (1953) and Michigan (1959) He was awarded the Fulbright Fellowship, the Koussevitzky Foundation, the Guggenheim Foundation, and the Pulitzer Prize of 1968. He was on the faculty of the University of Colorado from 1959 to 1964, professor at the University of Pennsylvania from 1965, and visiting professor at Harvard in 1968 and at Tanglewood in 1970. String Quartet Sonatina for unaccompanied cello Variazioni, for orchestra Five Pieces for piano Night Music 1, for soprano, celeste, piano and percussion Night Music 11, for violin and piano Four Nocturnes for violin and piano Madrigals, Book 1, for soprano, vibraphone and double-bass Madrigals, Book 11, for soprano, alto flute and percussion Eleven Echoes of Autumn, for violin, flute, clarinet and piano Echoes of Time and the River, for orchestra Songs, Drones and Refrains of Death, for baritone and instruments Night of the Four Moons, for ensemble Madrigals, Book VII, for soprano, harp and percussion

47. Vinyl Records And LP By Crumb, George
crumb, george. Vinyl Records and Rare LPs Ancient Voices Of Children Classical New LP Nonesuch H 71255 USA Sealed 1971 Original.
http://www.vinyl-records.biz/Crumb_George.htm
Crumb, George
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Ancient Voices Of Children
Classical New - LP Nonesuch H 71255 USA
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48. George Crumb
Translate this page Der Komponist george crumb - Edition Peters Biographie, Werkverzeichnis, Diskographie. george crumb wurde am 24. Oktober 1929 in
http://www.edition-peters.de/crumb/
George Crumb Werke Discographie English text
Edition Peters, Februar 1997

49. Crumb, George Music
Shopping Savvy Music, Add to Favorites. crumb, george. Picture. Tools. Law Books. Cooking Books. crumb, george (8 CDs), Pg. 1 of 1, more info on Black Angels.
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50. Crumb,George
crumb,george (1929). Sex, Male. Comments, Eleven echoes of autumn. Written, 1965. Duration, 1600. Comments, Publisher, CF Peters.
http://www.woodwind.org/Databases/Composers/Names/002457.html
Find: The Database Home Page < Crumb,David To the Index Crusell,Bernard Heinrik >> Crumb,George (1929-) Sex Male Comments Eleven echoes of autumn
Written Duration Comments Publisher C. F. Peters
Inst. Alto Flute, Clarinet in Bb, Piano, Violin Grade Comments Prepared on Sat Feb 28 20:37:15 2004

51. Crumb, George - Kelsy's Gifts
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52. Castle Classics Crumb, George
G crumb Unto the Hills. Black Angels Ann crumb, soprano; Miro Quartet Label - Bridge. Cat. No. G crumb Makrokosmos - I, II - Toros Can, piano
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53. Crumb, George : Queer Pop Culture
crumb, george. queerpopculture.com Thanks for helping. In association with. Browse crumb, george. All Works by george crumb. Browse more
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54. Jpc - Music à La Carte - Crumb, George (geb. 1929): Makrokosmos I & II

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55. Crumb, George
crumb, george (1929 ). American composer, known for his use of unusual vocal and instrumental effects (including electronic manipulation
http://www.cartage.org.lb/en/themes/Biographies/MainBiographies/C/Crumb/e1.html

56. ReR Megacorp: CRUMB, GEORGE/EARL BROWN: Zeitgeist, Corroberee, Celestial Mechani
crumb, george/EARL BROWN Zeitgeist, Corroberee, Celestial Mechanics. Quantity in Basket none Code MODE 19 Price £12.50 Shipping Weight 0.00 pounds.
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57. Sanctuary Classics - Product Details
george crumb Voice of the Whale. Conchord / Andrew Russo. (CD BBM1076). Established 10,000 BC) Taurus’ – crumb, george (b.1929); 1
http://www.sanctuaryclassics.com/product_details.php?productId=5431

58. Ccm :: Crumb, George Crumb, George Henry Crumb
crumb, george Henry 1929 USA, Charleston. Title, Parts. Night music I. Soprano and chamber ens. 1963 rev1976, La luna asoma Susan Narucki, Speculum Musicae.
http://composers-classical-music.com/c/CrumbGeorgeHenry.htm
Crumb, George Henry 1929- USA, Charleston
Title Parts
[] Night music I. Soprano and chamber ens. 1963 rev1976 La luna asoma
Susan Narucki, Speculum Musicae 4 Nocturnes "Night music II". Violin and piano

59. Crumb, George - References Adler, Samuel. The Study Of
crumb, george references Adler, Samuel. The Study of Orchestration. 2nd Ed. george crumb is included in this text regarding texture, color, and rhythm.
http://www.ibiblio.org/pub/academic/music/American-Music-Resource/bibliographica
4/93Crumb, George - references Adler, Samuel. The Study of Orchestration. 2nd Ed. WW Norton and Co., 1989. A general orchestration book intended as a teaching text. To explain orchestrational techniques, Adler includes excerpts from composers works. George Crumb is included in this text regarding texture, color, and rhythm. Anderson, Ruth. Contemporary American Composers: A Biographical Dictionary. Boston: Hall and Co., 1976. Arnold, Denis, ed. New Oxford Companion to Music. NY: Oxford University Press, 1983. Baker, Theodore. Baker's Biographical Dictionary of Musicians. Edited by Nicholas Slonimsky. NY: Schirmer, 7th ed., 1984. Baron, Johm. Chamber Music: A Research and Information Guide. NY: Garland Publications, 1987. Similar to the reference book written by Duckles. General subject headings contain numerous annotated entries. Bedford, Frances and Robert Conant. Twentieth Century Harpsichord Music. Hackensack, NJ: Joseph Bronin, Inc., 1974. A listing of music composed for the harpsichord since 1900. Some incipits and rhythmic listings are included. Most entries are annotated regarding the style, level of difficulty, and the performance medium if other than solo. Berger, Melvin. Guide to Chamber Music. NY: Dodd, Mead and Co., 1985. Annotated lists of chamber works from the Baroque to 1980. In reference to this paper, some of the widely known 20th century composers are listed, including George Crumb. A better reference for string, piano and woodwind players interested in chamber music before 1900. Bohle, Bruce. The International Cyclopedia of Music and Musicians.NY: Dodd, Mead, and Co., 1985. Borroff, Edith . Music in Europe and the United States: A History. 2nd Ed. NY: Arfsley House, 1990. A general period history covering Western European, Asian, African, and Central American music's development and impact on music in the United States. Some 20th century composers are included, notably, Mr. Crumb. British Broadcasting Company Music Library. Chamber Music Catalogue. London: BBC, 1965. Bull, Storm. Index to Bibliographies of Contemporary Composers. 1987. Burbank, Richard. Twentieth Century Music. NY: Facts on File, 1984. A listing of music performances, locations, performers, and other pertinent items relating to music and its performance since 1933. Butterworth, Neil, ed. A Dictionary of American Composers. NY: Garland Publications, 1984. Cattell, Jaques, ed. American Society of Composers, Authors and Publishers Biographical Dictionary. NY: RR Bowker, 1980. Chase, Gilbert. America's Music: From the Pilgrims to the Present. 3rd Ed. NY: McGraw- Hill, 1987. Intended as a general history of American music. The focus is United States music traditions and the formations of strictly American compositions. Claghorn, Charles. Biographical Dictionary of American Music. West Nyack, NY: Parker Publishing, 1973. Cummins, David and Denis McIntire. International Who's Who in Music and Musicians Directory. 12th ed. Cambridge, England: International Who's Who, 1991. Current Biographical Yearbook. NY: , 1974. Daniels, David, ed. Orchestral Music. Metuchen, NJ: Scarecrow Press, 1982. Frank, Gerhart and J. Altman. Kurzgefasstes tonkunstler-lexikon. Wilhelmshaven: Heinrichshofen Verlag, 1974. Gilder, Eric. The Dictionary of Composers and Their Works. NY: Holt, Reinhart and Winston, 1986. Gleason, Harold and Warren Becker. 20th Century American Composers, Music Literature Outlines. ser. iv., 2nd Ed. Bloomington, IN: Frangipani Press, 1980. Reference lists to other sources of information on 20th century United States composers and the publishers of their works. Greene, Frank. Composers on Record. Metuchen, NJ: Scarecrow Press, 1985. Reference lists to other sources of information on 20th century United States composers and the publishers of their works. Grout, Donald. A History of Western Music. 3rd Ed. NY: WW Norton and Co., 1980. A general period history of the development of "Western Music" (music in the United States). This text has a heavy slant toward vocal music, especially during the Classic and Romantic periods. Twentieth century United States composers are included in regard to significant compositions and/or styles. Hall, Charles, ed. A Twentieth Century Music Chronicle: Events 1900-1988. NY: Greenwood Press, 1989. Hamm, Charles. Music in the New World. NY: WW Norton and Co., 1983. Similar to Gilbert Chase's book in scope. Major focus is on the development of Music in the United States. Heintze, James. American Music Studies: A Classified Bibliography of Masters Theses. Detroit, MI: Information Coordinators, Inc., 1984. Hitchcock, Hugh. Music in the United States: A Historical Introduction. 3rd Ed. Englewood Cliffs, NJ: Prentice-Hall, 1988. Like Hamm, Chase, Borroff and others, the main focus is regarding influences on musical development in the United States. Hitchcock does, however, explain the developments leading to effecting American Music. Hitchcock, Wiley and Stanley Sadie, eds. The New Grove Dictionary of American Music. 4 Vols. London: Macmillan Press, 1986. Howe, Hubert. Electronic Music Synthesis. NY: WW Norton and Co., 1975. Jacobi, Hugh. Contemporary American Composers Based at American Colleges or Universities. Paradise, CA: Paradise Arts Publications, 1975. Kamien, Roger. Music: An Appreciation. NY: McGraw-Hill, 1988. As in the Politosky, Galway and O'Brien, this is a general text on the recognized period histories in music. The section on 20th century music focuses on American contributions to sound, texture, and innovations. Kay, Ernest, ed. International Who's Who in Music. 11th ed. Cambridge, England: Melrose Press, 1988. Kennan, Kent and Donald Grantham. The Technique of Orchestration. 4th Ed. Englewood Cliffs, NJ: Prentice-Hall, 1990. As with Adler and Blatter's texts, the intent of this book is for classroom use in the teaching of orchestration. Crumb's music is listed for its contributions to color, rhythm, texture, and effects in notation. Machlis, Joseph. The Enjoyment of Music. 5th Ed. NY: WW Norton and Co., 1984. As in the Politosky, Galway and O'Brien, this is a general text on the recognized period histories in music. The section on 20th century music focuses on American contributions to sound, texture, and innovations. Mead, Rita. Doctoral Dissertations in America; A Classified Bibliography. Borrklyn: Institute for Studies in American Music, 1974. Moore, Douglas. A Guide to Musical Styles. N: WW Norton and Co., 1985. Form and analytical techniques are discussed in this text. While the primary focus is on the classic forms, some 20th century techniques are included. Morehead, Philip. The New American Dictionary of Music. NY: Dutton, 1991. Similar to the New harvard Dictionary, Morehead's book includes terms and musical examples. In addition, some brief biographies of composers are listed. Morton, Brian and Pamela Collins, eds. Contemporary Composers. Chicago: St. James Press, 1992. Brief biographies of composers from 1900 - 1991. Myers, Kevin. Index to Record Reviews Based on Material Originally Publishd in Notes: The Quarterly Journal of the Music Library Association Between 1949 and 1977. Boston: GK Hall, 1978. The annotation is precisely listed in the title. O'Brien, James. The Listening Experience. NY: Schirmer Books, 1987. As in the Politosky, Galway and O'Brien, this is a general text on the recognized period histories in music. The section on 20th century music focuses on American contributions to sound, texture, and innovations. Pavlakis, Christopher. The American Music Handbook. NY: Free Press, 1974. Politoske, Daniel. Music. 4th Ed. Englewood Cilffs, NJ: Prentice-Hall, 1988. As in the Kamien, Galway and O'Brien, this is a general text on the recognized period histories in music. The section on 20th century music focuses on American contributions to sound, texture, and innovations. Press, Jaques, ed. Who's Who in American Music. 2nd Ed. NY: RR Bowker Co., 1985. Sadie, Stanley, ed. The New Grove Dictionary of Music and Musicians. 20 vols. London: MacMillan, 1980. Salzman, Eric. Twentieth Century Music: An Introduction. 3rd Ed. Englewood Cliffs, NJ: Prentice-Hall, 1988. Designed for use in a music appreciation classroom, Kerman briefly touches on the outstanding figures in each music period. The 20th century includes recordings of Ancient Voices of Children by George Crumb. Slonimsky, Nicholas . Supplement to Music Since 1900. NY: Scribner's Sons, 1971. Slonimsky, Nicholas, ed. Baker's Biographical Dictionary of Musicians. 8th ed. NY: MacMillan, 1991. Stolba, K Marie. The Development of Western Music. Englewood Cilffs, NJ: Prentice- Hall, 1990. An outline history of music. As in Grout's text, Stolba defines history through the recognized periods. Stolba goes further to separate each period into instrumental and vocal sections. Her approach includes more information on 20th century composition. Stone, Kurt. Music Notation in the Twentieth-Century. NY: WW Norton and Co., 1983. Similar to the sections in Adler and Blatter regarding notation. Thompson, Oscar. The International Cyclopedia if Music and Musicians. 11th Ed. NY: Dodd, Mead, 1985. Vinton, John, ed. Dictionary of Contemporary Music. NY: Duton and Co., 1974. Warfield, Gerald. Writings on Contemporary Music Notation: An Annotated Bibliography. Ann Arbor, MI: Music Library Association, 1976. A comprehensive bibliography covering material from 1950-1975, and selected listings back to 1900. Zalkind, Ronald. Contemporary Music Almanac 1980-81. NY: Schirmer Books, 1980. Zuck, Barbara. A History of Musical Americanism. Ann Arbor, MI: UMI Research Press, 1980.

60. Crumb, George - Dissertations And Theses Bass, Richard. Pitch
crumb, george dissertations and theses Bass, Richard. Pitch Structure in george crumb s Makrocosmos Volumes I and II. Ph.D. Dissertation
http://www.ibiblio.org/pub/academic/music/American-Music-Resource/subject-index/
4/93Crumb, George - dissertations and theses Bass, Richard. "Pitch Structure in George Crumb's Makrocosmos Volumes I and II." Ph.D. Dissertation, University of Texas at Austin, 1987. Chun, Young. "The Extension of Piano Technique in Compositions by George Crumb for Solo Piano." DMA Dissertation, The University of Wisconsin- Madison, 1982. DeBaise, Joseph. "George Crumb's Music for a Summer Evening, a Comprehensive Analysis." Ph.D. Dissertation, The University of Rochester, The Eastman School of Music, 1982. Dobay, Thomas. "Small-Scale Structural Principles in the Chamber Music of George Crumb." Ph.D. Dissertation, University of Southern California, 1979. . "Harmonis Matter and Usages of the Lorca Cycle by George Crumb." Ph.D. Dissertation, University of Southern California, 1982. Faulkner, Susan. "An Analysis of George Crumb's Makrocosmos II and its Relationship to Makrokosmos I and III." DMA Dissertation, University of Cincinnati, 1980. Fry, Johnathan. "New Musical Notation: a Bibliography." Ph.D. Thesis, The University of Rochester, Eastman School of Music, 1977. From the author's summary: "This bibliography deals with the writings on new symbols as they are used by composers today and the allied subjects of interpretation, inadequacies in traditional notation, reform and new systems." This paper does not include ethnomusicological, computer, or analytical notations." Houston, Robert. "Contemporary Analysis of Selected keybaord Compositions of Chopin, Brahms, and Franck as Translated by Clair Omar Musser, Earl Hatch, and Frank MacCallum together with Three Recital Works by Bartok, Crumb, Myoshi, Kraft, and Others." DMA Dissertation, North Texas State University, 1980. Matthews, Neil. "George Crumb's Makrocosmos Volumes I and II; Considerations for Performance, Including Observations by David Burge, Robert Miller, and Lambert Orkis." DMA Dissertation, University of Oklahoma, 1981. McGee, William. "Textural and Timbre as Formal Determinants in Selected Music of George Crumb." Master's Thesis, University of Arizona, 1979. . "An Expanded Concept of Timbre and its Structural Significance with a timbral Analysis of George Crumb's Night of Four Moons." Ph.D. Dissertation, University of Arizona, 1982. Ott, David. "The Role of Texture and Timbre in the Music of George Crumb." Doctoral Dissertation, University of Kentucky, 1983. Reuter, Rocky. "Part I: Evocation as a Compositional Device, Part II: Concerto for Chamber Orchestra (Original Composition)." DMA Composition, Ohio State University, 1986. Rouse, Christopher. "The Music of George Crumb: Stulistic Metamorphosis as Reflected in the Lorca Cycle." DMA Composition, Cornell University, 1977. Sams, Carol Lee. "Solo writing in Selected Works of Berio, Crumb and Rochberg." DMA Dissertation, University of Washington, 1975. Schultz, Donna. "Set Theory and its Application to Compositions by Five 20th Century Composers." Ph.D. Dissertation, Michigan State University, 1979. Shuffett, Robert. "The Music, 1971-75, of George Crumb: A Stylistic Analysis." DMA Dissertation, Peabody Conservatory, 1979. Simoni, Mary. "Computer Analysis of Atonal Music: An Application Program Using Set Theory." Ph.D. Dissertation, Michigan State University, 1983. Synnestvedt, Peter. "A Study of Three Contemporary American Works for Orchestra (Bassett, Crumb, and Schuller)." DMA Dissertation, University of Cincinnati, 1987. Takenouchi, Aleksei. "Numbers and Proportions in George Crumb's Solo Piano Compositions." DMA Dissertation, Northwestern University, 1987.

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