21. Happy Together - Wong Kar Wai Happy Together or Buenos Aires Affair is a film by Wong KarWai, the recipient of the Best Director Award at the 50th Cannes Film Festival http://www.geocities.com/Hollywood/Set/7914/happy.html

"Happy Together" or "Buenos Aires Affair" is a film by Wong Kar-Wai, the recipient of the "Best Director Award" at the 50th Cannes Film Festival Click to download Poster (59K) Happy Together's Trailer - Cannes version (20.1M) Last updated 8/13/97, Since 7/28/1997 comment or something, sign my guestbook

22. Wong Kar-wai Wong Karwai. Wong Kar-wai (?, Mandarin Wáng Jia Wèi, born in 1958) is a Hong Kong film director. wong kar wai by Jean-Marc Lalanne et al. http://www.fact-index.com/w/wo/wong_kar_wai.html

Main Page See live article Alphabetical index Wong Kar-wai Wong Kar-wai ) is a Hong Kong film director Born in Shanghai China . He moved to Hong Kong with his parents at the age of five and graduated from the Hong Kong Polytechnic College in graphic design in . After graduation, he enrolled in the Production Training Course organized by Hong Kong Television Broadcast LTD and became a full-time scriptwriter. Between and , he wrote about ten scripts, covering an array of genres from romantic comedy to action drama. Of these, he considered Final Victory Patrick Tam ) his best script. Since , Wong Kar-wai has directed seven feature films and won numerous awards, including the best director's prize at the 1997 Cannes Film Festival for Happy Together Wong Kar-wai's latest film is In the Mood for Love science fiction film for release in In Wong Kar-wai directed the short-film The Hire: The Follow as part of the BMW films initiative. Table of contents 1 Feature-Films Filmography 2 Awards 3 External Links 4 Further Reading Feature-Films Filmography Eros (2004) (filming) (2004) (filming) In the Mood for Love Happy Together Fallen Angels Ashes of Time ... Days of Being Wild As Tears Go by Awards Best Director, 1997

23. So, When Will We See Wong Kar Wai's 2046? - NOV 18, 2003 So, when will we see wong kar wai s 2046? By CHANG MAY CHOON. FOUR years, $20 million, countless delays and scores of bad press later http://newpaper.asia1.com.sg/hey/story/0,4136,41452,00.html

MAY 31, 2004 MON SEARCH So, when will we see Wong Kar Wai's 2046? By CHANG MAY CHOON FOUR years, $20 million, countless delays and scores of bad press later, Wong Kar Wai's epic sci-fi movie, 2046, looks almost ready to face the world. And when it finally opens - fingers are crossed for a January date - the anticipation will be pretty incredible. After all, this film is practically swimming with A-list stars. Count them: Takuya Kimura from Japan, Tony Leung Chiu Wai, Maggie Cheung and Carina Lau from Hong Kong, Faye Wong and Zhang Ziyi from China, and Chang Chen from Taiwan. Of course, as with any painstaking film that Hong Kong's best-loved auteur makes, the world waits with bated breath. What's more historical perhaps is just how long it took him to make this film. Adding to the enigma is the secrecy surrounding the plot. Now, Kar Wai's new, longest-in-production work, is just a few steps away from being done. He held a press conference, along with his star-studded cast two weeks ago in Shanghai, where the finale is being filmed. But the question on everyone's lips must surely be: Why has it taken so long?

24. Wong Kar-wai: Time, Memory, Identity In just four films which are highly derivative of existentialist European cinema and literature, wong kar wai has imposed his Eastern sensibility and stamped http://www.kinema.uwaterloo.ca/toh951.htm

Wong Kar-wai: Time, Memory, Identity Toh Hai Leong SPRING 1995 HOME I N HIS brilliant triad film debut As Tears Go By , the Hong Kong's maverick filmmaker Wong Kar-wai seeks to challenge popular audience expectations of the genre. A story about male bonding in which two friends are hired by the triads to carry out a murder, the film was selected by the informed programmer of the 13th Hong Kong International Film Festival (1989) to represent new Hong Kong films of the 1990s. The choice was prophetic in highlighting the thirty-one-year-old director as a new and exciting film talent. The following five years have seen Wong achieve an eclectic oeuvre of films which departs from the tidal wave of fast-paced Hong Kong films packed with sex and violence. In As Tears Go By , Wong Kar-wai takes the courageous position of showing more interest in the existential motivations and feelings of the film's two protagonists (Andy Lau and Jacky Cheung) than in the workings of the triads and their victims. The film's violence is never gratuitous and excessive. Indeed, Wong uses the frenzied hand-held slow-motion photography to convey the indecisiveness of the young assassins. Already in this film, his famous trademark of the "cool" anti-hero has surfaced. Andy Lau portrays the slick and unruffled partner who refuses to be romantically committed to his lover (Maggie Cheung in a low-key performance). His coolness is counterpointed by the hot-headed spontaneity of Fly (Jacky Cheung) who is always looking for trouble.

25. Space Age Bachelor: Wong Kar-Wai At The Airport Wong KarWai at the Airport By Jason Anderson Anguish and alienation have rarely seemed as attractive as they do in the films of wong kar wai. http://www.space-age-bachelor.com/features/98/wkw.htm

Wong Kar-Wai at the Airport By Jason Anderson Anguish and alienation have rarely seemed as attractive as they do in the films of Wong Kar Wai. In the Hong Kong director's previous films of this decade-Days of Being Wild, Ashes of Time, Chungking Express and Fallen Angels-characters divulge their feelings only in voiceovers, remaining pensive, solitary and gorgeous to the end. Even the most ardent lovers rarely get to meet. Time and place conspire against everyone. While they have the advantage of actually knowing each other, the lovers in Happy Together, Wong's latest, are only marginally better off. The flighty Ho Po-Wing-played by Leslie Cheung, best known in the West for Chen Kaige's Farewell My Concubine-and the sullen Lai Yiu-Fat-Tony Leung of John Woo's Hard Boiled and most of Wong's previous films-make love only once, vigorously and in the first scene. They've come from Hong Kong to Argentina to "start over," but instead everything quickly unravels. In Buenos Aires, Leslie becomes a hustler and Tony works as a doorman for a tango bar. Their relationship erodes in the worst possible environment- alienated in a foreign city and confined together in Tony's tiny apartment while Leslie convalesces after being beaten by a trick, they are unable to tear away from each other so they can only tear AT each other. "To me the film is not a love story," says Wong in a phone interview from New York late last year. "It's something like a love story AFTER. We started where a love story normally ended because I think most people would like to tell a story how these two guys met in Hong Kong and they fall in love and their problems living together so they run away from Hong Kong and they live happily together in Buenos Aires. So we try to start at this point. And to me the story is about how a person quits his habits. Just like a guy who smokes a lot and he knows it's not good for his health but somehow he's addicted to this habit, and when some force is joined in and he has enough energy to quit this habit."

26. MSN Entertainment - Celebs: Wong Kar-Wai Wong KarWai. More About this Actor (www.kino.com). Five Star Laser Features wong kar wai wong kar wai s movies on DVD and VCD. All original from Hong Kong. http://entertainment.msn.com/celebs/celeb.aspx?c=264220

27. Zeta Filmes - Interview - Wong Kar Wai http://www.zetafilmes.com.br/interview/wongkarwai.asp?pag=wongkarwai

28. DISPATCH FROM CANNES: Festival Waits For Delayed Wong Kar Wai Film And Moore Ant DISPATCH FROM CANNES Festival Waits for Delayed wong kar wai Film and Moore Anticipates US Deal for Fahrenheit . by Eugene Hernandez. http://www.indiewire.com/onthescene/onthescene_040519cann.html

HDNet Films Picks First Three Projects: Drama, Comedy, and Doc Short But Not Slight; The Evolving Landscape for Short Films - more BIZ - A Symphony of Unlikely Desire: Roger Michell's "The Mother" ... - more ON THE SCENE - Special Coverage ... Awards Watch Berlin Box Office Buyers Buzz Cannes Distributors Documentary Festival Guide iPOP Photos Monthly Park City Queer Cinema Theatrical Releases Toronto Tribeca Weekly Schedule World Cinema There are 1 member and 41 visitors online now. DISPATCH FROM CANNES: Festival Waits for Delayed Wong Kar Wai Film and Moore Anticipates U.S. Deal for "Fahrenheit" by Eugene Hernandez Michael Moore talks about his new film, "Fahrenheit 9/11", during a session with journalists on Wednesday at the Majestic Hotel in Cannes. Photo by Eugene Hernandez/indieWIRE. Conspicuously absent on the Croisette this year is director Wong Kar Wai whose latest film is apparently not quite finished. The movie had been set to debut for press early tomorrow morning here in Cannes . That showing, and other daytime screenings of the highly anticipated movie, have been canceled because the filmmaker has not yet delivered the movie. The director has been working down to the wire to finish the movie, with subtitle work being completed now in Paris and a print said to be arriving at the festival sometime on Thursday. The evening gala competition premiere is expected to happen as scheduled but the delay has hampered buyers plans to see the movie, not to mention the large gathering of media that have been anxiously awaiting "2046" as one of the most anticipated films in Cannes.

29. Wong Kar Wai Translate this page WONG KAR-WAI WONG JIAI-WEI. http://perso.club-internet.fr/pserve/WongKarWai.html

WONG KAR-WAI WONG JIAI-WEI BIOGRAPHIE FILMOGRAPHIE PHOTOS EN CONSTRUCTION DOCUMENTS DIVERS ARTICLES INTERVIEWS LIENS Mesure d'audience et statistiques Classement des meilleurs sites, chat, sondage

30. Filmtagebuch: Deutscher Kinostart Für 2046 (Wong Kar Wai, HK 2004) Translate this page maschera radio. exploitika fluffertrax fritz jazzradio wärmstens empfohlen. Deutscher Kinostart für 2046 (wong kar wai, HK 2004). http://filmtagebuch.blogger.de/stories/104001/

navigation » About/Impressum » Alle Filme » Berlinale 2004 » Buchbesprechungen ... » Wunschliste suche blogs akzeptanzstelle argh! asian instant noodle soups belle de jour ... volker radke film und so ain't it cool angelaufen artechock asiandvdguide ... wikipedia - portal film frühstückstisch berliner zeitung chicago suntimes faz frankfurter rundschau ... zeit filmzeitschriften cineasia epd-film f.lm - texte zum film filmbulletin ... filmforum (eingestellt?) filter (eingestellt!) ikonen nachtblende revolver schnitt ... steadycam filme besorgen absolutMedien adrenafilm bibliothekenverbund berlin cd-wow ... videodrom links bobtorture.de der filmgelehrte christian keßler die cineastischen 4 humanist ... mario bava - la maschera radio exploitika fluffertrax fritz jazzradio wärmstens empfohlen Nach Jahren der Produktionszeit ist Wong Kar Wais neuer Film Prokino-Verleih hat nun auch einen deutschen Starttermin bekanntgegeben: Das lose Sequel zu Wong Kar Wais fantastischem In the Mood for Love (HK 2000) soll am 13.01.2005 in die hiesigen Kinos kommen. Noch lange hin, vielleicht tut sich da ja noch was... Edit: Hier eine erste Presseschau zum Film.

31. Natural Born Viewers - Wong Kar Wai « wong kar wai », Welcome Guest. Please Login or Register. May 15 th , 2004, 0415am. Author, Topic wong kar wai (Read 369 times). James Guest, http://nbv.suddenlaunch2.com/index.cgi?board=general&action=display&num=10782251

32. Celebrities @ Hollywood.com-Featuring Wong Kar-Wai. Celebrities, News, Gossip, V , Guide to Hotels, Vacations Lodging. •, DSL. Wong KarWai Vital Stats Birth Name wong kar wai Birth Place Shanghai, China. http://www.hollywood.com/celebs/detail/celeb/1116675

News, May 28: Moore Has Unused Footage of Beheaded American, Radcliffe Predicts Harry Potter's Death, "Idol" Finale Ratings Down, More "Raising Helen" Premiere Photos "Soul Plane" Interview Video News, May 27: Fantasia Crowned New "Idol," Jackson's Lawyers Want Evidence Turned Over, MTV Nixes "Super Size Me" Ads, More... ... DSL Wong Kar-Wai Vital Stats: Birth Name: Wong Kar Wai Birth Place: Shanghai, China Bio: Wong Kar-wai is a rare commodity within the Hong Kong film industry: a maker of "art" films. Moreover, he makes these films with studio backing and all-star casts and some of these projects have even made money. In an entertainment arena dominated by over-the-top actioners, florid melodramas and broad comedies, this is no small achievement. For Wong, genre has merely provided a template through which he works out his ongoing thematic preoccupations such as the transitory nature of experience, the importance of memory, the influence of pop culture and the lasting sting of rejection. More...

33. Wong Kar Wai Fans - A Xanga Blogring This ring is for fans of wong kar wai, a true artist. search all blogrings. wong kar wai Fans Join this BlogRing!......wong kar wai Fans http://www.xanga.com/blogrings/blogring.asp?id=4034

34. Wong Kar-wai by Elizabeth Wright profile of director wong kar-wai wong kar-wai. ( Wang Jiawei) wong kar-wai is undeniably an auteur of striking and salient cinema, standing apart from much mainstream Hong Kong http://www.sensesofcinema.com/contents/directors/02/wong.html

Wong Kar-wai (Wang Jiawei) b. 1958, Shanghai, China. by Elizabeth Wright Elizabeth Wright recently completed her honours year in film studies at Monash University (Melbourne). Her thesis focused on the film aesthetic of Wong Kar-wai. filmography bibliography articles in Senses web resources Wong Kar-wai is undeniably an auteur of striking and salient cinema, standing apart from much mainstream Hong Kong cinema. Wong belongs to the mid-1980s Second New Wave of Hong Kong filmmakers who continued to develop the innovative and fresh aesthetic initiated by the original New Wave. The Second Wave, which includes directors such as Eddie Fong, Stanley Kwan and Clara Law, is often seen as a continuation of the first as many of these directors worked as assistants to First Wave directors such as Tsui Hark, Ann Hui and Patrick Tam (with whom Wong worked and collaborated). The innovation of this group of filmmakers was linked to the social and political issues facing Hong Kong as well as an artistic impetus. The uncertainty with which Hong Kong citizens faced the 1984 Sino-British Agreement outlining the handover of Hong Kong to China forced Hong Kong residents and filmmakers alike to confront and examine their relationship with China. This issue was translated into film by the Second Wave of cinema but done so "with introspection rather than outright cynicism" that "brought Hong Kong cinema to a new level of maturity".

35. The Cinema Of Wong Kar-wai - A 'Writing Game' by varous writers A symposium on the Hong Kong filmmaker wong karwai and shooting haphazardly, in constant improvisational mode, wong kar-wai has brought to our cinema screens over the http://www.sensesofcinema.com/contents/01/13/wong-symposium.html

The Cinema of Wong Kar-wai – A ‘Writing Game’ compiled by Fiona A. Villella Collaborating with stock company (Chris Doyle, William Chang, Maggie Cheung, Tony Leung) and shooting haphazardly, in constant improvisational mode, Wong Kar-wai has brought to our cinema screens over the last ten years images of modern living, urban alienation, and forlorn love in a dazzlingly intimate, fluid, poetic and fragmented formal register. A call was recently put out for impressionistic contributions on any aspect of Wong’s career: a single film, a particular character, a moment, a stylistic aspect, the way his work gets critically discussed, his key collaborators, his shooting style and so on. Each entry was required to centre upon, or use as a starting point, a one-word title. The final statements collected below range from the personal to the political, the deeply heartfelt to the bluntly critical. The Entries: Backside Blue Creation Dali-esque Time ... Wrongheaded Happy Together Ashes of Time Chungking Express Fallen Angels WONG KAR-WAI filmography: As Tears Go By (1989), Days of Being Wild (1990), Ashes of Time (1994), Chungking Express (1994), Fallen Angels (1995), Happy Together (1997), In the Mood for Love (2000)

36. BOMB Magazine: Wong Kar-wai By Liza Bear wong karwai by Liza Bear. Director wong kar-wai on the set of In the Mood for the Mood for Love, wong kar-wai's latest masterpiece of suave innuendo http://www.bombsite.com/karwai/karwai.html

Wong Kar-wai by Liza Bear Director Wong Kar-wai on the set of In the Mood for Love , a USA Films release. All images courtesy of Wang and Gluck. Set in the straitlaced and gossipy Hong Kong of the early sixties, In the Mood for Love Known for his unique visual flair, Wong Kar-wai, whose career began as a graphic designer and screenwriter, here abandons the impressionistic flamboyance of his earlier award-winning films, Days of Being Wild Chungking Express and Happy Together . In this oblique, sensuous, divinely crafted portrayal of shame and yearning, Wong Kar-wai has tossed the moral card clean out of the pack, caring not a fig about the pros or cons of adulterous passion and glorifying neither marital fidelity nor betrayal. Rather, he opts for a phenomenological approach to the imperceptible flowering of desire, meticulously refracting each telling glance, movement or gesture through the diamond prism of his lens. In the Mood for Love received a Best Actor award for Tony Leung and, for its sublime art direction, the Grand Prix de la Technique at the last Cannes Film Festival, where this discussion took place in the gardens of the Grand Hotel. continued ABOUT CONTENTS CONTRIBUTORS ... HOME Email: info@bombsite.com

37. Wong Kar-wai : In The Mood For Wong Kar-wai Le r©alisateur de In the Mood for Love est pr©sent© par sa biographie, sa filmographie (r©sum©s et commentaires), les fiches biographiques de ses principaux acteurs, son chef op©rateur Christopher Doyle, les affiches de ses films, des photos et des liens. http://wkwai.free.fr/

on error resume next If MSDetect = "true" Then If Not(IsObject(CreateObject("ShockwaveFlash.ShockwaveFlash"))) Then flashinstalled = 1 Else flashinstalled = 2 End If End If Wong Kar-wai Biographie Wong kar-wai Wong Kar-wai et ses acteurs Affiches Wong Kar-wai ... Wong kar-wai : galeries photos Wong Kar wai. Wong Kar-wai In the Mood for Love La filmographie de Wong kar-wai As Tears Go By de Wong Kar-wai Les Cendres du Temps de Wong Kar-wai Chungking Express de Wong Kar-wai ... Happy Together de Wong Kar-wai Les films de Wong Kar-wai Les plus grandes stars de Hong Kong ( Jacky Leslie et Maggie Cheung Tony Leung Takeshi Kaneshiro Brigitte Lin ... Carina et Andy Lau Faye Wong Michele Reis Wong Kar wai Cannes 2004

38. Wong Kar-Wai - Charisma Express home. wong karwai - Charisma Express. It isn t just the recent proliferation of wong kar-wai wannabes that is pushing him in new directions. http://www.bfi.org.uk/sightandsound/archive/innovators/kar-wai.html

Wong Kar-Wai - Charisma Express The Innovators 1990-2000 The Chinese diaspora has supplied many of the best film-makers of the 1990s, but none had more impact than Wong Kar-Wai, Tony Rayns reports For the first time since 1994, when he interrupted the post-production of Ashes of Time to make Chungking Express , Wong Kar-Wai is currently making two films at once. This isn't from choice, of course; it's a result of the collision between his own aleatory approach to production and the financing crisis which has hit the Hong Kong film industry. The first film (it has no English working title) was supposed to be another quickie to be shot and cut in short order for completion in the summer of 1999. Just as the low-budget Chungking Express (which went from start of shooting to premiere in just three months) was designed to offset the overspends on the lengthy and expensive Ashes of Time , so this new film was intended to help Wong's company through its cash-flow problems in the wake of the costly Happy Together . It stars Maggie Cheung and Tony Leung as people who meet when they discover that their respective spouses are having an affair. The original plan apparently was to divide the film between scenes in the 60s and scenes in the 90s, but Wong has found himself too much seduced by the adventure of imagining pre-modern Hong Kong to give equal time to the present-day part of the schema. Too much seduced, also, to keep the project within its original parameters - which is why it isn't yet finished.

39. Wong Kar-Wai wong karwai. wong kar-wai is one of my favorite directors. These are the first images I saw from his two latest films, In the Mood for Love and 2046. All images are courtesy of Kino, an excellent Korean film magazine. http://ic.media.mit.edu/people/jseo/random/wkw

40. Wong Kar-wai At The End Of Time Plot summaries and other information about his films, including statements from the director himself. http://www.amamedia.org/movies/wong/

Wong Kar-wai at the End of Time The Movies Chungking Express Fallen Angels As Tears Go By Final Victory ... Special Events He [Wong Kar-wai] is also a poet of time. No other director since the (distant) heyday of Alain Resnais has been so attuned to the effects of time on memory, sensation and emotion. Few other directors have ever imbued their movies with such a metaphysical sense of time at work: dilating, stretching, lurching, dragging, speeding by." Tony Rayns, in Sight and Sound, upon the release of Chungking Express Currently susceptible to some sort of millennial craze, Asian Media Access finds it an appropriate time to commemorate and reconsider the work of one of our favorite filmmakers. Intermittently, from January through March, Asian Media Access will be presenting the entire directorial work of Wong Kar-wai, one of the finest Hong Kong filmmakers of the 20 th Century and the one whose work we look most forward to in the 21 st Also, and more apropos, Wong Kar-wai's work is insistently about time. The distinctive style that he and frequent collaborator cinematographer Christopher Doyle have come up with billboards time technically: the insistent use of jump cuts, the use of different film speeds while directing actors to perform at slower paces, and the dazzling use of optical printing to create wonderful blurs of color all present time as a unfixed filmic component. By toying with film time so, they offer time as a constant complication, a dilemma, a factor in need of resolution.

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