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         Sokurov Alexander:     more detail
  1. Elegy to the Chechen republic: James Quandt on Alexander Sokurov's Alexandra.(FILM)(Movie review): An article from: Artforum International by James Quandt, 2008-03-01
  2. Films Directed by Alexander Sokurov (Study Guide): Russian Ark, Moloch, Mother and Son, the Sun, Moscow Elegy, Days of Eclipse, Alexandra
  3. Paradoxes of power in Russian ark.(Movie Review): An article from: Queen's Quarterly by Maurice Yacowar, 2003-06-22
  4. The Sun.(2005 TORONTO INTERNATIONAL FILM FESTIVAL)(Movie Review): An article from: CineAction by Adam Nayman, 2006-01-01
  5. Memoria, pasado y presente.(El arca rusa)(Eterno resplandor de una mente sin recuerdos)(Reseña de película): An article from: Mensaje by Pablo Azócar, 2004-09-01

41. The New York Times: Movies:
MAIN PAGE, MORE ON alexander sokurov. alexander sokurov Director/Screenwriter Born Podorvikha, near Irkutsk, Russia. More News About alexander sokurov.
http://movies2.nytimes.com/gst/movies/filmography.html?p_id=112058

42. Alexander Sokurov's Russian Ark
Forget Ray Liotta and Lorraine Bracco entering the restaurant in Goodfellas or Hitchcock s oneshot chamberplay Rope sokurov stages Russian Ark as a
http://worldfilm.about.com/library/weekly/aafpr121302.htm
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Subscribe to the About World / Independent Film newsletter. Search World / Independent Film Review Russian Ark
Guide Rating -
The Hermitage in St. Petersburg served as location for "Russian Ark," a lush meditation on history, art, and Russia in the guise of a bravura filmmaking stunt: all of the film's 97 minutes were shot in one single, relentless take. Forget Ray Liotta and Lorraine Bracco entering the restaurant in "Goodfellas" or Hitchcock's one-shot chamberplay "Rope" Sokurov stages "Russian Ark" as a feat of logistics and coordination in the sprawling building with a cast of over 800 actors and several hundred extras. The camera swoops and glides, drifts, pulls in, and sails through doors opened just in time by the invisible narrator or one of his mysterious companions. Neither he nor we are particularly sure why we are there; as we pass gilded halls, paintings by the masters, scenes from Russian history, diplomatic receptions, and the climactic ball complete with live orchestra, we search for clues, connections, and meaning. The uninterrupted flow seduces into a trance.

43. CINEUROPA
alexander sokurov Seamless Art. Russian Ark, a marvellous onetake film that was ruined by the projectionist. alexander sokurov is not a happy man today.
http://www.cineuropa.org/interview_sp.asp?lang=ing&treeID=57&documentID=331

44. CINEUROPA
23 Maggio 2002. di Chiara Nano. E´ amareggiato il regista alexander sokurov. Il suo
http://www.cineuropa.org/interview_sp.asp?lang=ita&treeID=57&documentID=331

45. CINETEXT Alexander Sokurov
It is also available as PDFdocument. On the Blurring of Lines Some Thoughts About alexander sokurov. by Thorsten Botz-Bornstein.
http://cinetext.philo.at/magazine/bornstein/sokurov.html
This text has been submitted as an original contribution to cinetext on September 12, 2002. It is also available as PDF-document
On the Blurring of Lines: Some Thoughts About Alexander Sokurov
by Thorsten Botz-Bornstein
It has generally been agreed upon that Sokurov is to be considered as the "new Tarkovsky". There are certainly numerous reasons for this rapprochement , and one of the most pertinent ones is that Sokurov achieves, like Tarkovsky, the creation of dream within the art of cinema. However, though it is too early to speak about tendencies in Sokurov criticism - there simply is not enough of it yet - it is notable that, while Tarkovsky stimulated, also through his own writings, interpretations of his "dreams» through quasi-metaphysical concepts like "dream-time" or "dream-logic", Sokurov's work seems to inspire more aesthetic-perspectival intepretations evoking the existence of dreamlike "landscape paintings", perhaps happily summarized in the word "dreamscape". In Sokurov's films, the dreamlike ontological condition tends to be described as a "scape" linked to the metaphor of painting. Even natural sounds like wind or half-heard music (audible in Mother and Son ), are likely to be described as an atmospheric and painterly "soundscape". This presents a contrast with Tarkovsky whose films have never been much described as "landscapes" and even less as "paintings". Tarkovsky's dreamlike spaces appear more as mental "zones", more or less linked to human civilization, and their theoretical elaboration seems to work better through the use of "structures" and "logic" than through "paintings" or "scapes".

46. Cinema.com
Interview With alexander sokurov. I m no theoretician, I ma practical director. I have never had any desire to uncover anything new.
http://www.cinema.com/article/item.phtml?ID=2014

47. Frameworks Archive January - April 2003: Re: Alexander Sokurov
Re alexander sokurov. Next message Matt Teichman Re alexander sokurov ; Previous message Matt Teichman Re alexander sokurov ;
http://www.hi-beam.net/fw/fw22/0532.html
Re: Alexander Sokurov
From: konrad ( konrad@PANIX.COM
Date: Tue Feb 18 2003 - 19:52:28 PST On Tue, 18 Feb 2003, Alexander Soifer wrote:
When i read the letter on his site that was referenced, it's
pretty clear that he was angry that the film was nominated
for a special category because of the long take. He went
out of his way to denigrate the German cameraman, and he
thought that the Germans were trying to pidgeonhole his film
for the technical prowess of the German cinematographer,
instead of rightfully acknowledging that this was a
production directed by the Author, Sokurov himself, who
managed to salvage the numerous errors of the overtaxed steadycam 'operator' with heroics of multinational post production. The letter read like a pompous hissy fit. Having only seen a few Sokurov VIDEOS, which i thought were

48. ArtForum: Plane Songs: Lauren Sedofsky Talks With Alexander Sokurov - Interview
Print friendly Tell a friend Find subscription deals Plane songs Lauren Sedofsky talks with alexander sokurov Interview ArtForum, Nov, 2001 by Lauren
http://articles.findarticles.com/p/articles/mi_m0268/is_3_40/ai_81258061
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Tell a friend Find subscription deals Plane songs: Lauren Sedofsky talks with Alexander Sokurov - Interview
ArtForum
Nov, 2001 by Lauren Sedofsky
With New York's Museum of Modern Art and Cinematheque Ontario gearing up for a major traveling retrospective of his films (debuting at MOMA in February 2002), Sokurov agreed to engage in the following exchange with me between the screenings of Taurus at Cannes in May and Elegy of a Voyage at the Venice Film Festival in Septemberall the while preparing his ninety-minute single take of an elaborate mise-en-scene at the Hermitage, intriguingly titled Waterloo. LAUREN SEDOFSXY: How did you come to treat the screen as a two-dimensional Surface? LS: How does this involve altering photographic perspective?

49. Pravda.RU Russian Filmmaker Takes On Japanese Emperor
Russian filmmaker alexander sokurov, who has more than 50 feature films and documentaries to his credit, is rated by the European Film Academy as one of the
http://newsfromrussia.com/science/2004/04/29/53689.html
Last update:05/31/2004 05:30 MSK Russia World Science and Culture Editorial ... About Pravda.RU:Science and Culture:More in detail Russian filmmaker takes on Japanese Emperor
Russian filmmaker Alexander Sokurov, who has more than 50 feature films and documentaries to his credit, is rated by the European Film Academy as one of the world's best 100 directors. His new project The Sun, which is about Japan's Emperor Hirohito, is the final instalment of a trilogy dedicated to 20th century leaders. The first, his 1999 release Moloch concentrated on Hitler's personal life, while Taurus, which came out in 2000, focused on Lenin's last days. Critics have called all three pictures art for the select.
"The trilogy is about hubris, which rules the world and pushes humanity into a dead-end," Yuri Arabov, who wrote the script for all three movies with Alexander Sokurov, said in a RIA Novosti interview. "The protagonists are lost souls who take it on themselves to save the world and influence the destinies of millions of people, but fail to share even a tiny bit of their warmth with their own close ones. At any rate, this is how the films' makers view them".
Arabov explains that arrogance is not defeated in Moloch, even though Eva Braun warns Hitler that there is one force that cannot be conquered, i.e., death. "The Fuhrer here is depicted as an utterly amoral personality," he says. "Taurus shows how arrogance can be overcome through suffering from a disease and physical immobility, because disease forces a person to think about what he has done in life. But Lenin, although he at times wanted to, fails to overcome his arrogance. The Sun will probably depict a victory over hubris."

50. WAC | Calendar | October 2002 | Cinema Of The Spirit: Alexander Sokurov
Film/Video CINEMA OF THE SPIRIT alexander sokurov OCTOBER 1831, 2002 Unless otherwise noted, screenings are $7 ($5 Walker members) and take place in the
http://www.walkerart.org/archive/4/AD73716FD9492E7A616C.htm
Film/Video
CINEMA OF THE SPIRIT: ALEXANDER SOKUROV
OCTOBER 18-31, 2002
Unless otherwise noted, screenings are $7 ($5 Walker members) and take place in the Auditorium.
Documentarian, impressionist, historian, and renowned Russian filmmaker Alexander Sokurov has been creating works since the 1970s that are at times elusive but always mesmerizing. For Sokurov, time is a strong presence he draws from the past with archival footage and uses duration as a form of elegiac mourning rooting his work both in old customs and modern forms. His films consider the impact of individuals and the experience of daily life in a way that has transcended political upheavals, economic marginality, international language barriers, and shifting social customs. His heralded "elegies," the focus of this program, are perhaps best described as poetic and visual essays containing cinematic splendor, hermetic intensity, and a sense of suspended time.
FRIDAY, OCTOBER 18

51. WAC | Calendar | October 2002 | Cinema Of The Spirit: Alexander Sokurov
Film/Video CINEMA OF THE SPIRIT alexander sokurov SIMPLE ELEGY EVENING SACRIFICE ELEGY THURSDAY OCTOBER 31, 2002, 8 PM FREE AUDITORIUM.
http://www.walkerart.org/calendar/0210/details/alex31.html
Film/Video
CINEMA OF THE SPIRIT: ALEXANDER SOKUROV
SIMPLE ELEGY
EVENING SACRIFICE
ELEGY
THURSDAY
OCTOBER 31, 2002,
8 PM
FREE
AUDITORIUM
OCTOBER SIMPLE ELEGY In 1990, Russia placed an economic blockade on Lithuania. Sokurov takes us inside the Lithuanian president's office and a housing blockplaces that have been silenced by Russian political power. Shooting in spare, silent black and white, Sokurov aesthetically conveys the cultural climate. 1990, Russia, video (original format 35mm), silent, 20 minutes. with EVENING SACRIFICE A record of a May 1 Labor Day fireworks celebration, Sokurov's Evening Sacrifice is comprised of ecstatic looks at urban crowds and beautifully composed shots of individual faces. Recalling the classic work of Eisenstein and Vertov, this frenetically edited work relies on gesture and facial expressions rather than dialogue to narrate an event. 1984-1987, Russia, video (original format 35mm), silent, 20 minutes. and ELEGY Centering on the reburial of beloved opera singer Fiodor Shaliapin from a Parisian cemetery to the Moscow Novo-Devitchye

52. ± ± ± VI Festival De Cine Independiente ± ± ± Directores: Alexander Sokuro
Translate this page Última actualización 1707 Festival de Buenos Aires Directores alexander sokurov Para los espectadores argentinos -y especialmente para quienes visitan el
http://www.terra.com.ar/ctematicos/bafici/88/88287.html
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Buenos Aires, 6 de abril de 2004 - 16:14 hs.
Última actualización 17:07
Festival de Buenos Aires
Directores: Alexander Sokurov
Para los espectadores argentinos -y especialmente para quienes visitan el Bafici- el nombre de Alexander Sokurov ha dejado de ser un secreto. Tras la difusión de Madre e hijo y El Arca Rusa, el originalísimo realizador ruso vuelve con un par de films que aparecen entre lo mejor de la pantalla reciente.

53. All Movie Guide: Alexander Sokurov
alexander sokurov @ www.zeroemcomportamento.org alexander sokurov (1991). .
http://allmovie.com/cg/x.dll?UID=6:56:38|AM&p=avg&sql=BP112058

54. Browse By Director: Alexander Sokurov
icon collections and archives, home. Browse by director alexander sokurov. logo british film institute, Russian Ark. collections and archives, DVD Hire Catalogue,
http://www.bfi.org.uk/collections/catalogues/newdvds/browse.php?browseby=directo

55. MIFF 98: ALEXANDER SOKUROV
form in which portraits of women become intertwined with curious Japanese folk music and the melodies of Tchaikovsky. –Alexandr sokurov russia.
http://www.midg.com.au/miff/site2/alexandr.html
MOTHER AND SON
A enigmatic, soft and sad account of the last days of a mother weakened by disease. Her loving son tends to her as best he can with compassion so serene that nothing else needs to exist.
"Mother and Son is one of the year's masterpieces." - Rotterdam Film Festival ORIENTAL ELEGY
Through a mist a small group of houses resolve into a tiny fishing village perched on an island. Like a dream, gorgeous images displace one another and we come to perceive our whereabouts. When a ship is wrecked one night during a fierce storm, the local fishermen head out the next morning in search for corpses which they respectfully lay out and cover on the beach. A painfully beautiful visual poem, Oriental Elegy is exceptional. WHISPERING PAGES
"The shape of a dark world comes into view in slow pans which are only interrupted by cuts to a new location. We see the facades of dockland buildings, the catacomb-like arches of a sewerage system and coffin-like rooms of apartments on a large housing estate. The film’s slow, meditative pace concentrates not on action but on the ‘whispering pages’ of the visible; its purpose is to make the viewer reflect sensitively on the eternal subject of crime and punishment."–Hans-Joachim Schiegel

56. MIFF : Mousetrap / Alexander Sokurov / East Of Broadway
Golden Shoes. (Curated by Martine Crompt Ian Haig). Mousetrap is supported by Cinemedia. ALEXANDR sokurov Aleksandr Sokhurov s films
http://www.midg.com.au/miff/site1/page15.html
Melbourne International Film Festival
present : MOUSETRAP
Moustrap is a specially curated programme of screenings, interactives, guests and forums which explore the impact of new technology on screen culture. The interactive exhibition will present a cross-section of the type of work that is flourishing internationally, ranging from lush feature-length productions like Ceremony of Innocence to smaller scale solo pieces like Maeda's Reactive Square and funky Japanese works such as First PC. Moustrap screenings will incorporate the most exciting and original new works selected from overseas digital festivals as well as local productions from emerging Australian talent. Amongst guest speakers will be US digital image pioneer Jim Ludtke, the mind behind the striking and surreal Residents CD-ROMs Freakshow, Gingerbread Man and Bad Day on the Midway, and Adam Gravois, director of the groundbreaking computer animation Golden Shoes. Mousetrap is supported by Cinemedia ALEXANDR SOKUROV Aleksandr Sokhurov's films are a rarity.

57. Boudisque
Special Edition Kurosawa, Akira Real Women Have Curves R2 - Cardoso, Patricia Roma R2 - Fellini, Federico Russian Ark, The R2 - sokurov, alexander Russian Ark
http://www.boudisque.nl/tipsarchief.asp?tipsoortid=38

58. Kamera.co.uk - Film Review - Taurus Directed By Alexander Sokurov - Reviewed By
Taurus. Director alexander sokurov Starring Leonid Mozgovoy, Mariya Kuznetsova, Sergei Razhuk, Natalya Nikulenko. Related Links. Taurus IMDB. Merchandise Links.
http://www.kamera.co.uk/reviews_extra/taurus.php
film review WHAT'S NEW FILM REVIEWS BOOK REVIEWS FEATURES ... film reviews : Taurus
Taurus
Director: Alexander Sokurov
Starring: Leonid Mozgovoy, Mariya Kuznetsova, Sergei Razhuk, Natalya Nikulenko
Related Links Taurus
IMDB
Merchandise Links Films directed by Alexander Sokurov (PAL Video, Region 2 DVD)
Related Books
The second in Alexander Sokurov's teratology of films concerning twentieth century dictators, Taurus is a poetic and partially factual film of the last days of Russian revolutionary, Vladimir Ulyanov 'Lenin'. Holed up in the country and cared for by a determined doctor, his wife and a group of uniformed guardsmen, Lenin muses over his life with the ambiguity and vagueness of the old man that he is. With moments of extreme clarity and ramblings both poetic and pathetic, he unwittingly illuminates the state of contemporary Russia (and beyond?) and questions how man negotiates his place in the world. Such themes are consistent with Sokurov's other works, as is the strong visual rendering of the land. The white flowering fields where Lenin and his wife are placed for a picnic are particularly gorgeous. This and other whites (gowns and soft window lighting) provide impressionistic support to the murky greens that filter the entire picture. It's as if Lenin is a sunken ship filmed in the murky depths; his life, mind and political power slipping away. Thus whilst based on 'the facts', the film is ghostly and partially hypnotic. The story's historicism is played against a firm mysticism, exemplified by the film title and the fact Lenin was indeed, born a

59. Resultado De Busqueda Alexander Sokurov
alexander sokurov No se han encontrado resultados coincidentes. © 1999-2oo3 Buscar En Todo.
http://www.dvdmovies.com.ar/scripts/search.cgi?Q=Alexander Sokurov&E=1&X=1

60. Alexander Sokurov, Russian Federation
alexander sokurov. Telephone and fax. Tel 812 230 45 50. Mobile 812 326 83 89. Address. Russian Federation. Products and services. 2 product / service areas.
http://www.kftv.com/company-4041902.html
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