1. The Pantheon #9. Abbas Kiarostami Abbas Kiarostami. Essays on the Net forthcoming. Interviews on the Net forthcoming. Reviews on the Net A Taste of Cherry, by Jonathan Rosenbaum. http://www.geocities.com/hollywood/3781/kiarostami.html

Abbas Kiarostami Essays on the Net: forthcoming Interviews on the Net: forthcoming Reviews on the Net: A Taste of Cherry , by Jonathan Rosenbaum Related Sites: Zeitgeist Films Ltd. Regione Siciliana AFI Online Filmography: Bread and Alley (1970) Breaktime (1972) The Experience (1973) THE TRAVELLER (1974) Two Solutions for One Problem (1975) So Can I (1975) The Colors (1976) The Wedding Suit (1976) THE REPORT (1977) Tribute to the Teachers (1977) How to Make Use of Our Leisure Time? (1977) Solution (1978) Jahan Nama Palace (1978) Case No.1, Case No.2 (1979) Dental Hygiene (1980) Toothache (1980) Regularly or Irregularly (1981) The Chorus (1982) Fellow Citizen (1983) FIRST GRADERS (1984) WHERE IS THE FRIEND'S HOUSE? (1987) HOMEWORK (1989) CLOSE-UP (1990) AND LIFE GOES ON (1992) THROUGH THE OLIVE TREES (1994) TASTE OF CHERRY (1997) . . . back to The Pantheon

2. Abbas Kiarostami Abbas Kiarostami Filmography, Awards, Biography, Agent, Discussions, Photos, News Articles, Fan Sites video clip(s) Abbas Kiarostami. Page 1 of 15 Cinéma de notre temps Abbas Kiarostami http://us.imdb.com/Name?Kiarostami, Abbas

3. Lesinrocks.com : Kiarostami Abbas Chargement de la page kiarostami abbas http://www.lesinrocks.com/inrocks/artistes/cinema/kiarostami_abbas.htm

Chargement de la page : Kiarostami Abbas

4. La Feltrinelli - Ricerca Libri Translate this page Anno 2003. Kiarostami, kiarostami abbas Mondadori illustrati - Electa Lit.67769, Eur. 35,00. Poesie, kiarostami abbas Einaudi Lit.17426, Eur. 9,00. http://www.lafeltrinelli.it/Feltrinelli/FL_Search_Book?FL_SUBMIT=submit&FL_GENRE

5. RTSI - Filmselezione - Il Cinema Visto Da Fabio Fumagalli Translate this page kiarostami abbas. TEN - DIECI (TEN), di Abbas Kiarostami, con Mania Akbari, Amin Maher, Mandana Sharbaf (Iran - Francia, 2002). ABC AFRICA (ABC AFRICA), http://www.rtsi.ch/filmselezione/elenco.cfm?tipo=reg&iniz=KIAROSTAMI ABBAS

6. ABBAS KIAROSTAMI - TV France International - French Tv Distributors ABBAS KIAROSTAMI TV France International TVFI web site will provide you with information about French television producers, distributors and broadcasters. http://www.tvfrance-intl.com/tvfi/direct_programme.php?cmd=search&id_prog=4380&l

7. ABC Africa - Abbas Kiarostami Abbas Kiarostami. logo british film institute, Born in Teheran on June 22, 1940, Abbas Kiarostami showed an early talent for drawing. http://www.bfi.org.uk/showing/extended/abcafrica/biog.html

Abbas Kiarostami Born in Teheran on June 22, 1940, Abbas Kiarostami showed an early talent for drawing. He took part in a graphic art competition and received a scholarship. At the age of 18, he left home. From 1960 to 1968, he designed the title sequences for features films, including that of Gheyshar by M. Kimiai. While holding down a bureaucratic job in a police station, he attended lectures at the Fine Arts School. In 1969, with a friend, he founded the cinema department of the Institute for the Intellectual Development of Children and Young Adults. Very soon, the department became one of Iran's most prestigious studios. Among others who worked there were A. Naderi, B.Beyzao, D. Mehrjui, E. Forozesh. D. Panahi and Sobrah Sh. Salesso. From 1970, Abbas Kiarostami made several short films and features. His favourite subject until 1991 was children. He prefers working with non-professional actors and on location. His work is recognisable for its Chekovian humour and poetry. He has been a member of the jury of several festivals: Locarno in 1990, Cannes in 1993, Venice in 1995, San Sebastian in 1996. He won the Golden Palm at Cannes in 1997 for The Taste of Cherry and, at Venice in 1999, he was awarded the Special Jury Prize for

8. ABC AFRICA : Spoutnik : Kiarostami Abbas Translate this page ABC AFRICA. auteur, kiarostami abbas. pays, Iran. année, 2001. durée, 85’. genre, documentaire. couleur/NB, couleur. format, 35mm. thème, nov.98. 02.12.1998. http://www.spoutnik.info/film.php?IDfilm=811

9. Cinecinema, 6 Chaines Et Tout Le Cinema kiarostami abbas. DOSSIERS. http://www.cinecinema.fr/annuaire/detail_real.html?id_real=44

10. Mk2.com - Catalogue kiarostami abbas. ABC Africa. Taste of cherry. Ten. wind will carry us (The ). All the films in alphabetical order ab-c-d-e-f-g-h-i http://www.mk2.com/new/espacepro/Real_one_en.asp?cle=134

11. Mehrnaz Saeed-Vafa And Jonathan Rosenbaum / Abbas Kiarostami Abbas Kiarostami. Mehrnaz SaeedVafa and Jonathan Rosenbaum. Abbas Kiarostami is the first full-length, English-language study of his work. http://www.press.uillinois.edu/s03/saeed_vafa.html

Abbas Kiarostami Mehrnaz Saeed-Vafa and Jonathan Rosenbaum This penetrating study of the Iranian filmmaker Abbas Kiarostami's life and work engages a cross-cultural dialogue between Mehrnaz Saeed-Vafa, an Iranian filmmaker, and Jonathan Rosenbaum, a film critic, both of whom have an intense interest in Kiarostami's work. A pioneer in Iranian cinema and considered one of the most controversial and influential filmmakers alive, Kiarostami has written or directed more than twenty films. He gained notoriety in the West in the 1990s with the breakaway films Close-Up and Through the Olive Trees and became the first Iranian director to win the Palme d'Or at the Cannes Film Festival for Taste of Cherry. He is also largely credited for his contributions to the Iranian New Wave. Abbas Kiarostami is the first full-length, English-language study of his work. A unique and resplendent collaboration featuring two distinct but complementing perspectives, the book places Kiarostami and his films in a national context and provides American readers with valuable insights into Iranian culture, Kiarostami's portrayal of women and politics, and his influence on other filmmakers. Mehrnaz Saeed-Vafa is a filmmaker and faculty member at Columbia College in Chicago. She is the author of essays and articles on Iranian cinema.

12. Abbas Kiarostami - Encyclopedia Article About Abbas Kiarostami. Free Access, No encyclopedia article about Abbas Kiarostami. Abbas Kiarostami in Free online English dictionary, thesaurus and encyclopedia. Abbas Kiarostami. http://encyclopedia.thefreedictionary.com/Abbas Kiarostami

Dictionaries: General Computing Medical Legal Encyclopedia Abbas Kiarostami Word: Word Starts with Ends with Definition Iranian The Islamic Republic of Iran is a country in the southwest of Asia, and in the Middle East. It is an Islamic Republic. It was known until 1935 as Persia . The country borders Pakistan and Afghanistan to the east; Turkmenistan to northeast, the Caspian Sea in the middle north and Azerbaijan and Armenia to the northwest; Turkey and Iraq to the west and finally the waters of the Persian Gulf and the Gulf of Oman to the south. Click the link for more information. film producer and director, born June 22 June 22 is the 173rd day of the year (174th in leap years) in the Gregorian Calendar, with 192 days remaining. Events 168 BC - Battle of Pydna: Romans under Lucius Aemilius Paullus defeat and capture Macedonian King Perseus, ending the Third Macedonian War 1825 - British Parliament abolishes feudalism and the seigneurial system in British North America. 1846 - The saxophone is patented by Adolphe Sax. Click the link for more information.

13. Abbas Kiarostami Abbas Kiarostami — The Truth Behind Reality. Abbas Kiarostami was already 50 back in 1990 when French critics encountered his work for the first time. http://www.iol.ie/~galfilm/filmwest/32abbas.htm

Abbas Kiarostami — The Truth Behind Reality by Fergus Daly Abbas Kiarostami was already 50 back in 1990 when French critics encountered his work for the first time. Given that he'd made his first feature The Passenger in 1974, it was a comparatively unprecedented late discovery mainly due to the censorious climate in his native Iran under both the Shah and the post revolutionary leadership. Despite this, it was still several more years before English speaking critics began to take notice and even now there is far from consensual support for the idea of Kiarostami as one of the great modern masters of world cinema (strangely enough, Tarantino is one his best known Anglo-American admirers). This lack of consensus, particularly on behalf of film writers, is not restricted to Kiarostami and seems to be quite a contemporary phenomenon. There seems to have been far greater unanimity back in, say, the 60's regarding the high modernist canon of Bergman, Bresson, Antonioni and Bunuel than there is today vis-a-vis Lars Von Trier, Alexander Sokurov, Sharunas Bartas or even Atom Egoyan. To take Sokurov as an example, the wide showing of his Mother and Son has been due more to the intervention of celebrities such as Schrader, Scorsese and Nick Cave than to the influence of any film critic or magazine per se. That there is greater consensus in France regarding Kiarostami's genius is not unrelated to his popularity there, and there is no doubt that film journalists with the leading Parisian newspapers weild more considerable power and influence over the public than their equivalents here or in Britain. With the sparsity of screenings of Kiarostami's films in Ireland (even at the major festivals) it is most welcome that within two weeks two of his finest works will be available on video.

14. Human Rights Watch International Film Festival - Abas Kiarostami U.S. Visa Refus Abbas Kiarostami Controversy at the 40th NYFF. From the October 1, 2002 New York Times One Visa Problem Costs a Festival Two Filmmakers By Celestine Bohlen http://www.hrw.org/iff/2002/kiarostami.html

Related Material Aki Kaurismaki Suomi / Finland Press Release Barring the Gate to a Great Director October 2, 2002 New York Times Op-Ed page Abbas Kiarostami Controversy at the 40th NYFF From the October 1, 2002 New York Times One Visa Problem Costs a Festival Two Filmmakers By Celestine Bohlen The internationally acclaimed Iranian film director Abbas Kiarostami, who won the Palme d'Or at Cannes in 1997 for "A Taste of Cherry," was unable to get a United States visa in time to attend the premiere of his new film, "Ten," at the New York Film Festival last Saturday, prompting his friend and fellow director Aki Kaurismaki of Finland to boycott the festival in protest. "If international cultural exchange is prevented, what is left?" asked Mr. Kaurismaki, whose new film "The Man Without a Past" will be shown at this year's festival. "The exchange of arms?" Mr. Kiarostami, 62, who has been to the United States seven times in the course of his career, was told this month at the United States Embassy in Paris that the earliest he could get permission to come into the country was December. Stringent new rules, put in place after last year's terrorist attacks, now require a three-month background check on some applicants for United States visas, in particular those from Muslim countries.

15. Abbas Kiarostami Critical analysis of landmark international and independent cinemaabbas kiarostami Related ReadingContemporary Film Directors abbas kiarostami by Mehrnaz Saeed-Vafa and Jonathan Rosenbaum and http://www.filmref.com/directors/dirpages/kiarostami.html

Home Close-up Life and Nothing More... Through the Olive Trees ... The Wind Will Carry Us Related Reading: Contemporary Film Directors: Abbas Kiarostami by Mehrnaz Saeed-Vafa and Jonathan Rosenbaum and Close Up - Iranian Cinema: Past, Present and Future by Hamid Dabashi. Related Article: Through the Olive Trees: Life as Art...as Life , featured in Issue No. 9 of Senses of Cinema Related Notes: 2002 New York Film Festival Notes: Ten Nema-ye Nazdik, 1990 [Close-Up] Close-up The Cyclist DVD PAL VHS Home ... Top Zendegi edame darad, 1991 [Life and Nothing More.../And Life Goes On...] On a chaotic and congested highway toll interchange, an off-camera toll clerk listens impassively to a humanitarian public service radio broadcast from a Red Crescent spokesperson urging listeners to consider adoption of the many children who have been left orphaned as a result of the recent devastating earthquake in northern Iran. An unnamed, middle-aged film director (Farhad Kheradmand) stops at the tollbooth and inquires about the condition of the main road to Rudbar, having been turned back a day earlier at the intermediate town of Manjil due to the impassability of the route. Accompanied by his son Puya (Puya Pievar), the director is hoping to reach the village of Koker in search of the Ahmadpour brothers: two boys who had appeared in his film

16. An Interview With Abbas Kiarostami, Director Of Taste Of Cherry Interview by David Walsh. http://www.wsws.org/arts/1994/oct1994/kiar.shtml

Enter email address to receive news about the WSWS Add Remove SEARCH WSWS English German ON THE WSWS Donate to the WSWS Expansion Fund! Editorial Board ... Books Online OTHER LANGUAGES German French Italian Russian ... Indonesian LEAFLETS Download in PDF format HIGHLIGHTS Support the Socialist Equality Party in the 2004 US elections ... European elections An interview with Abbas Kiarostami, director of Taste of Cherry "Human beings and their problems are the most important raw material for any film" The following interview with Iranian film director Abbas Kiarostami and the review of his film, Through the Olive Trees David Walsh: How can film or art in general contribute to the lives of ordinary people? Abbas Kiarostami: DW: You are choosing to make films about ordinary people, poor people. That itself is quite rare today. AK: DW: What was the interest in making a film about a film? AK: DW: How does the presence of the film crew change the lives of the people in this village, or does it? AK: DW: Is there any ambiguity in the final sequence? AK: See also: "Despair, hope, life" - David Walsh reviews

17. Abbas Kiarostami - Iranian Director Creator Of Films Such As: Where Is Firiend's abbas kiarostami. To order following Award Winner Films by abbas kiarostami, click on the following images and follow the instructions. You may also search for all "kiarostami" videos and DVDs. TEN . http://www.iranianmovies.com/reviews/kiarostami.htm

Abbas Kiarostami To order following Award Winner Films by Abbas Kiarostami, click on the following images and follow the instructions. You may also search for all "Kiarostami" videos and DVDs. TEN Wind will carry us Taste of Cherry White balloon. Closeup Life and nothing more! Under Olive trees! Where is friend's home? One of the true masters of contemporary cinema, Iranian filmmaker Abbas Kiarostami has won not only the admiration of audiences and critics worldwide, but also the support of directors as distinguished as Jean-Luc Godard, Nanni Moretti (who made a short film about opening one of Kiarostami's films in his theater in Rome), Chris Marker, and Akira Kurosawa, who has said of Kiarostami's "extraordinary" films: "Words cannot describe my feelings about them and I simply advise you to see his films... When Satyajit Ray passed on, I was very depressed. But after seeing Kiarostami's films, I thanked God for giving us just the right person to take his place." Though Kiarostami emerged in the West as a major filmmaker in the early '90swith films like Close-Up and Through the Olive Trees he had already been making films in Iran for two decades. Born on June 22nd 1940 in Tehran, Kiarostami was interested in the arts from an early age.

18. The History Of Cinema. Abbas Kiarostami: Biography, Reviews, Links Reviews of four films. http://www.scaruffi.com/director/kiarosta.html

Abbas Kiarostami Piero Scaruffi Legal restrictions - Termini d'uso Ten Links Links to other sites Abbas Kiarostami is the leading Iranian director of the generation that stormed the West in the 1990s. Khaneh-Je Doost Kojast/ Where is my Friend's House (1987) is a fairy tale about a child's drama consumed among the indifference of the adults. A world that is too consumed by mundane chores and business does not see and cannot share the emotions of a simple and noble soul. Kiarostami's down-to-earth style is at its most eloquent in Namayeh Nazdik/ Close-Up (1989), which stands as a sort of manifesto of his art. A journalist is driving the police on a hired taxi to arrest a man who has posed as the famous director Makhmalbaf. The journalist is convinced this will be the case that makes him famous. While the driver kills time outside (close-up of a can he hit that rolls down the street), the journalist and the police enter the house and arrest the man. The journalist did not bring a tape recorder and is now desperately asking around for one. Titles. The film begins with the director, Kiarostami, interviewing the soldiers who arrested the impostor. Kiarostami is making a movie about the impostor and interviews both the family and the suspect. The family is still hurt by the fact that the director took advantage of their good manners. The impostor, on the other hand, is mainly guilty of loving cinema so much. Kiarostami asks the judge permission to film the trial. The judge is surprised that such a silly case draws the attention of a film-maker, but Kiarostami explains that this is the case of somebody who pretended to be a director and that is intriguing for a director. Kiarostami clarifies his idea of cinema when he ejects "the director is the spectator".

19. Abbas Kiarostami kiarostami, Filmsaze Realist ( abbas kiarostami The Realistic Filmmaker ), Tehran Nashr-e Ahoo, 1365 1987 (In Persian) kiarostami, abbas Textes, enretiens http://www.sensesofcinema.com/contents/directors/02/kiarostami.html

Abbas Kiarostami b. June 22, 1940, Tehran, Iran by Mehrnaz Saeed-Vafa Mehrnaz Saeed-Vafa is a filmmaker, a teacher at the Department of Film and Video, Columbia College, Chicago, and Artistic Consultant of the Iranian Film Festival, Film Center, Chicago since 1989. filmography bibliography articles in Senses web resources Abbas Kiarostami is the most influential and controversial post-revolutionary Iranian filmmaker and one of the most highly celebrated directors in the international film community of the last decade. During the period of the ‘80s and the ‘90s, at a time when Iranians had such a negative image in the West, his cinema introduced a humane and artistic face. Kiarostami is a graduate of Tehran University’s Faculty of Fine Arts in Painting. He was first involved in painting, graphics and book illustration and then began his film career by making credit-titles and commercials. Bread and Alley He founded the film department of the Institute for the Intellectual Development of Children and Young Adults (known as Kanun) where a number of the highest quality Iranian films were produced. He ran the department for five years and at the same time directed his first film

20. ABBAS KIAROSTAMI, Biografía Fotos, biograf­a y filmograf­a. http://maestrosdelcine.netfirms.com/kiarostamidata.html

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