61. Book Descriptions 230 melodies, historic photos, indexes, notes and crossreferences. david can be heardon recordings by Puirt a The Scottish violinist - by James Scott Skinner http://www.cranfordpub.com/book_descriptions.htm

Book Descriptions links take you to cover graphics, music samples, indices, prices,etc. NEW!! Move Your Fingers : The Life and Music of Chris Langan List begins with Cape Breton Books follows with Irish Scottish Pipe Music For quicker scan of what's available go to Listing Only Visit the Cranford Publications Online Store The Cape Breton Musical Heritage Series Traditional and original music featuring arrangements not found in older collections. The repertoire presented reflects a solid foundation in older traditions and composing styles, as well as a freshness essential to a continuing musical tradition. NEW: Jerry Holland: The Second Collection Jerry Holland's Collection of Fiddle Tunes Brenda Stubbert's Collection of Fiddle Tunes The Lighthouse Collection (book-CD set) Winston Fitzgerald: A Collection of Fiddle Tunes Jerry Holland: The Second Collection Jerry Holland's Collection of Fiddle Tunes 282 tunes in all. Third edition of a book from one of the world's most respected fiddlers.A healthy balance of Irish and Scottish traditional standards and contemporary Cape Breton compositions. PERENNIAL FAVORITE. . . . . . . . . Related recordings Example tune Index . . . . . . . . . .Lay-flat softcover Brenda Stubbert Collection Brenda Stubbert's Collection 131 tasty tunes from the heart of today's Cape Breton dance music tradition. Features 75 originals from Brenda, other originals from friends, and a raft of popular traditional standards. Brenda is an accomplished fiddler, piano accompanist and step dancer who is steeped in both the Cape Breton Irish and Cape Breton Scottish dance music traditions.Editor Paul Cranford first met Brenda and her family back in 1976 when he was stationed as a lighthouse keeper at Point Aconi near their home. . . . . . .

62. Music Links david cross. Site of the King Crimson violinist s own label, Noisy Records with bandpictures, biogs and CD information and links to King Crimson related sites. http://www.visionlogic.demon.co.uk/links_01.htm

LINKS links to sites about related areas of music last updated on 23 July 2000 MAGAZINES All About Jazz A good online jazz magazine with news, interviews and reviews categorised by genre - updated monthly, but past reviews kept online for viewing. There are sections on modern-improvised jazz and progressive-fusion . Alternate Music Press A web magazine covering a broad range of musics. Go to their categorised CD review pages for modern classical, jazz, fusion and progressive and some free improv reviews. click below for information and MP3 samplesof our new CD, Shell of Certainty: CD information Expose Site of the quarterly progressive-beyond boundaries music magazine - contains a good links page for labels and distributors and a full index to the contents of the magazine's back issues, which are now being put online. The Wire The Wire magazine on the web. click below for biographies, illustrated discographies and reviews of the musicians on Shell of Certainty: drums Tony Marsh kbds Steve Franklin guitar Tim Crowther index The Improviser The international web magazine on free improvisation. Innerviews An indexed collection of CD reviews and interviews with musicians who create music without borders, including David Torn, Allan Holdsworth, Robert Fripp.

63. David Rodger musdr@lure.latrobe.edu.au david Rodger s home page. growth in the number of multimedia or crossart works A violinist has a fairly fixed set of gestures to http://farben.latrobe.edu.au/mikropol/volume2/rodger-d/rodger.html

Sensing Motions Defining a 'Tradition' in Interactive Music Performance David Rodger musdr@lure.latrobe.edu.au David Rodger's home page Introduction Can interactive music and art works fit into a taxonomy of style and content such that the term 'tradition' is meaningful in discussions about their performance? To what extent do such works proceed from a received performance practice? Contemporary musicology is, more and more, embracing the assessment of current musical practices, including those of popular music forms. But electronic music technology has received less attention, perhaps because there has been a tendency to treat technology and its associated practices more as a cultural manifestation-technology as fetish-than as a mode of production requiring its own "codes of performance". The fledgling field of 'cyberart' seems in particular to have suffered. It seems as if we have not gotten over the "gee-whiz"-ness of it all! In such works, there may be no score (other than custom software) and there may appear to be no performer as an embodied presence. In addition, recent technologies allow the artist to extend the capabilities of the instrumental object through remote control, or to dispense with the object altogether. I see three main problems associated with classifying electronic performing arts. The first is that the actuating technology which captures physical gesture as a control signal may be uncommonly used in musical applications. Secondly, the way that signal is used is often specific to the work. Finally, interactive systems depart from well-established organological schemata, such as the Hornbostel-Sachs system. Bakan et.al. (1990) have attempted to extend this classification to include electronic music instruments, but they are mainly concerned with those modelled on traditional instruments like keyboards and woodwind mechanisms or with 'music processors' which record, reproduce and manipulate data. So it becomes more difficult to place the work in any 'tradition' of performance practice or instrument design than it is to situate a Mozart string quartet into a tradition of chamber music or a survey of string instrument techniques.

64. Ozone Quartet - Live At Local 506 CD Reviews center stage (sound wise) with a passionate display of the violinist’s art. andhave eagerly devoured the works of Jean Luc Ponty, david cross, Kansas and http://www.ozonequartet.com/lal506rev.html

Live at Local 506 Reviews Arlequins (Italy) Ragazzi (Germany) Expose Dutch Progressive Rock Page (Holland) Their area of operation is an intriguing blend of instrumental progressive rock with fairly laid back Jazz-fusion and a splash or two of world music influences for good measure. The main stylistic pointers would be King Crimson, Mahavishnu Orchestra and Dixie Dregs but Ozone Quartet comfortably asserts their own identity on this recording. They are never as jazzy as Mahavishnu, nor are they quite as self-indulgent when it comes to solos. The tune remains the king here, though the players are not without the chops when it comes to ability. I have not heard either of the studio releases, nor have I seen the band live, (there is the small matter of a very large ocean acting as a barrier to this) but received wisdom says that the band is at their best in live performance. This disc supports that assertion in spectacular fashion. This is a very even disc with no real standouts, and certainly no substandard cuts, but I have picked out a few tracks to give a flavour of what is on offer :

65. Holy Cross - Small World ~ Big God Reviewed By The House Of Shred Holy cross is by their own definition a Christian ProgRock Band I was also intriguedby their collaboration with former Kansas violinist david Ragsdale, an http://www.houseofshred.com/indie/reviews/holycross_smallworld.htm

Reviews Features Photo Gallery ShredRadio ... Contact Us I n d i e R e v i e w Holy Cross - Small World ~ Big God Independent Release Buy it from: www.holycrossband.com Artist Web Site: www.holycrossband.com Shred: Production: Vibe: Songwriting: Holy Cross is by their own definition a "Christian Prog-Rock Band" which intrigued me when I first read about them on a Kansas (the band) newsgroup, I was also intrigued by their collaboration with former Kansas violinist David Ragsdale, an amazing musician. When I finally listened to Small World ~ Big God , Holy Cross' latest release, I immediately heard the potential this music has. The opener "Glory" features some serious jammin' and a Kansas-like vibe led by Ragsdale's rippin' violin. Other highlights include the melodic "Prelusion Escape" and the dark, Alice In Chains sounding "Even Angels Fall." Main songwriter and keyboardist Bert Chancellor shows flashes of greatness as his songs have a great sense of melody. Musically, the band is tight and rockin', and even though I wouldn't call them flat out shred, these guys can play their instruments. The vocals, on the other hand, need some work as they sometimes come off a bit flat and off-key. That being said, I attest some of the vocal woes to the recording process that many indie bands have to endure, which consists of extremely limited studio time, lack of a producer and having to record, produce, and mix the music themselves and in a hurry. Don't let this steer you away from the band, though, as they do have definite potential.

66. Caroline And David MacLeod Caroline and david MacLeod. music during the Catholic Church service with a live pianistand violinist. and she is a Siberian Husky and Alaskan Malamute cross. http://www.celtarts.com/macleod.htm

Caroline and David MacLeod October 11. 2003 Cape Breton, Nova Scotia Dave and I were married on October 11th, 2003, at the Grand Mira Church, Cape Breton Island, Nova Scotia, Canada. Dave is of Scottish ancestry but wasn't born in Scotland, he was born in Marion Bridge Nova Scotia. The Scottish heritage is still very strong in his family as his grandmother speaks Gaelic. I am French Canadian and was born in Quebec city. As far as I can go back, my family has been in Quebec since the first French settlers. Dave wore the traditional Modern MacLeod Tartan with MacLeod kilt pin and brooch to hold the matching plaid draped on his shoulder. The male attendants wore the Flower of Scotland Tartan. My dress was designed by a local designer originally from Estonia, it was a simple but yet elegant white dress. Rings by Walker Metalsmiths. My bouquet was made up of 4 dozens tightly packed red black roses. Dave had one of my roses in his boutonniere with two thistles. We had beautiful traditional Scottish music during the Catholic Church service with a live pianist and violinist. Outside the Church we had a live piper who played as our guests arrived and piped the wedding party in and the bride and groom out. Our furry 11 years old daughter also attended, her name is Chinook and she is a Siberian Husky and Alaskan Malamute cross. Wedding Album Index Celtic Wedding Home Page Previous Album Page Next Album Page Walker Metalsmiths

67. Discipline Global Mobile: King Crimson '73 work which followed, and after which david cross left. developed a more muscular stancedavid s place in The violinist was placed in an increasingly impossible http://www.disciplineglobalmobile.com/bio/kc73.shtml

Navigate: Adrian Belew Bill Bruford Bill Bruford's Earthworks Bruford - Levin Bill Bruford, Ralph Towner, Eddie Gomez The California Guitar Trio Robert Fripp Robert Fripp and the League of Crafty Guitarists The Robert Fripp String Quintet Steve Gorn, Tony Levin, Jerry Marotta Trey Gunn John Paul Jones King Crimson '69 King Crimson '71 King Crimson '73 King Crimson 80's King Crimson 90's King Crimson (Current Band) The League of Gentlemen Tony Levin Bill Nelson ProjeKct Two Juan Carlos Quintero King Crimson '73 Links Robert Fripp's Diary Official Bill Bruford Web Site Official David Cross Web Site Official John Wetton Web Site ... Robert Fripp - Guitar David Cross - Violin, Viola, Mellotron John Wetton Bill Bruford - Drums King Crimson , but the live Crimson in 1973/4 was on its own territory. It drew mainly on a European vocabulary both for its writing and improvising. Increasingly it needed improvisation to stay alive: this was its life blood. But that didn't show much in the studio albums. In concert, it stepped sideways and jumped. It went places where other musicians of that rock generation mainly avoided. This team looked into the darker spaces of the psyche and reported back on what it found. The 1969 Crimscapes were bleak and written; the 1973/4 Crimscapes were darker, and mainly improvised.

68. New Gibraltar Encyclopedia Of Progressive Rock KI-KY On Larks Tongues and Starless and Bible Black, violinist david cross has momentsof counteracting the heaviness with a light, delicate touch; at other times http://www.gepr.net/ki.html

Kick [USA] The Power And The Glory ( Their sound reminds of Duke or Abacab period Genesis, especially on the title track...maybe with better vocal harmonies. Solid uptempo neo-prog. Killing Floor [UK] Killing Floor ( ), Out of Uranus ( Prog/blues/rock. Kin Ping Meh [Germany] Kin Ping Meh ( ), No. 2 ( ), No. 3 ( A guitar and organ-laden (some Mellotron ) hard rock/psych band whose name is from a 16th century Chinese poem. (It means "Plum Blossom Branch in a Golden Vase"). Though pretty much hard rock most of they time, they show many strong Beatles influences, John Lennon in particular. Their first album, released late in 1971 as a quintet is pretty decent hard rock with some psych touches. It includes two longer tracks, (10 and 7 minutes) but most are in the 3-5 minute range. The CD release of this album contains both sides of both singles released before their first album. The A-side of their first single ("Everything's My Way") appears in a different, longer version on the LP ("Everything"). In '72, the followed up with No. 2

69. David Leister's Armchair Cinema & Kino Club On, December 19th, 1990 by david McGillivray describes be provided by an accordionistand violinist playing Argentinean the Kino Club as a cross between Andy http://www.stefan-szczelkun.org.uk/phd205.htm

US born filmmaker and performance artist David Leister came to live in London in 1979. In 1984 he joined the London FilmMakers Coop. Leister has been collecting 'found' footage since he was 15. His archive comprises some 600 films, particularly 16mm educational and industrial training films dating back to the 1940's, which now have a kitsch/utilitarian aesthetic. Of course often these films are low-budget productions and share a certain 'production value' based empathy with underground productions so there is a sympathetic affection alongside the laughter at bygone cultural mannerisms. He had shown some of these, 'for laughs', at the Comedy Store in 1984, for which he would splice up a 20 minute compilation reel. Around the same time he showed similar material at Tony Allen's club 'Hecklers Graveyard', and at a similar cabaret/ comedy show at the Notting Hill Tabernacle. The comic potential of these types of films has since become part of British mainstream comedy vocabulary being used by Simon Day and David Baddiel, parodied by Harry Enfield and most recently by Harry Hill with whom Leister has in fact recently been working. The first of his own shows was around this time (c1984) at an early Klinker or Cooler club. (An experimental music venue which is still running weekly events in The Sussex Pub London N1). He then started the 'Armchair Cinema' which ran three or four evenings in the basement of a restaurant called The Dining Room in Borough Market near London Bridge. This was run by the filmmaker William English and his partner Sandra. These shows were based on showings of the archive fortified with extracts of work by classic experimental filmmakers such as Joseph Cornell and Rene Clair.

70. Babyblaue Prog-Reviews: David Cross Translate this page SITE MAP. STARTSEITE. david cross. aus Großbritannien. Zur Band-Website. Bemerkungen.ehemaliger violinist von King Crimson (1972 - 1974). (Andreas Pläschke). http://www.babyblaue-seiten.de/band_199.html

FAQ Reviews Leitfaden Lesestoff ... Links A-Z A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Jahr Note Land Ägypten Argentinien Armenien Australien Bahrain Belgien Brasilien Bulgarien Dänemark Deutschland Estland Finnland Frankreich Griechenland Großbritannien Indonesien Iran Irland Island Israel Italien Japan Jugoslawien Kanada Kuba Litauen Luxemburg Mexiko Niederlande Norwegen Österreich Pakistan Peru Polen Portugal Rumänien Russland Schweden Schweiz Slowakei Slowenien Spanien Südafrika Tschechien Türkei Ungarn USA Venezuela verschiedene Rezensent S. Bodden D. Bosen A. Breiling D. Brückner F. Cappelletti R. Damaschke M. Dambeck D. Egbers J. Gallitz-Duckar U. Gerhards J. Graf H. Grützner R. J. Günther T. Gürntke G. Heep S. Kisters T. Kohlruß K. L. Kruppa C. Kuntz J. Lohr S. Mack H. Mangold O. Mensing S. Pichireddu A. Pläschke D. Reuter J. Rindfrey C. Rode F. Sadler C. Scholtes J. Schumann T. Schüßler H. Straske M. Sujatta T. Thielen P. Walter M. Weinel H. Westhagen S. Zielinski SUCHE Erweiterte Suche NEUE REZENSIONEN 4/3 de Trio - Ersatz Naamah - Resensement Marten Kantus - Insomnia Alusa Fallax - Intorno Alla Mia Cattiva Educazione ... STATISTIK Rezensionen zu Alben von Bands.

71. King Crimson - "The Talking Drums" grouping of exYes Drummer Bill Bruford, Free Jazz Percussionist Jaime Muir,ex-Family Bassist John Wetton, and ex-Fat Grapple violinist david cross. http://www.aural-innovations.com/issues/issue18/kingcrim.html

King Crimson - "The Talking Drums" (Recorded Live at Zoom Club, Frankfurt Germany 10/13/72, Double Bootleg CD, Unknown Origin, Purchased in Philadelphia July 2001) From Aural Innovations #18 (January 2002) Yes, this is the real stuff for me, my favorite version of KC in full-flight, first show of the first tour of the mid-seventies era of Fripp's music, and one of the most important Progressive Rock bootlegs offered to the interested music fan or student of the genre. THIS IS A BOOTLEG, so the sound quality is slightly noisy, but gets better as the show progresses. It sounds like it was mastered from cassette, but the source seems to have come from the soundboard Reel to Reel tape. And it was fuckin' expensive at $25.00 per disc, yet cheaper in Philadelphia than NYC. The set opens with Jaime Muir's percussive styling on Bells introducing "Lark's Tongues In Aspic Part 1", which unfolds its unlikely combination of 70s Miles Funk, Olivier Messiaen and Indonesian Gamelan at breakneck speed and with great precision. The tune works through a number of motifs, featuring the chattering interplay of these two stellar percussionists. After Fripp's introduction to the audience, a very free Jam occurs, with a huge BassGuitar sound from Wetton, an extremely intense solo from Fripp and fire from Cross' violin. The exchanges between Bruford and Muir are quite amazing as they work the jam by providing a multi-hued rhythmic barrage. After the fire, the jam segues into an early version of "Book of Saturdays", which is sung beautifully by Wetton, and gives Fripp a chance to play a heart-breaking solo. This version of the tune sports un-revised lyrics by David Palmer-James, but progresses right into yet another improvisation. Throughout the ensemble plays with great sensitivity, and maintains a very high degree of interaction.

72. Register At NYTimes.com david Robertson, conductor; Monica Germino, violinist; Cristina Zavalloni With JulianneBaird, soprano, and Robert Mealy, violinist. Sat. Christopher cross. http://www.nytimes.com/2004/05/09/arts/music/09MUSI.html?pagewanted=print&positi

73. What Happened On July 14th Lansing Mich, 400m hurdler (Olympicsilver-1984) 1952 Chris cross St John memberof Executing Regime, dies at 73 1873 Ferdinand david violinist/composer, dies http://www.electricscotland.com/history/today/0714.htm

Welcome to ElectricScotland.com Clans Tartans History Travel ... Feedback What happened on July 14th Birthdates Which Occur on July 14: Deaths Which Occured July 14: Holidays Which Occur July 14: Religious Observances on July 14: Moslem-Indonesia, Kuwait, Oman, UAE, Yemen PDR Mohammed Ascension RC Bonaventura, cardinal/mystic RC Vicentius Madelgarius, abbot to Soignies 1274 old RC Commem of St Bonaventure, bishop/confessor/doctor 1614 RC Mem St Camillus of Lellis, patron of nurses/sick (opt) 1680 RC Memorial of Bl Kateri Tekakwitha, Lily of Mohawks, virgin Things to Remember for July 14: Highlights in History Which Occur July 14: Your Special Reminders for July 14: 1926 58øF lowest temperature for this date in NYC and 1954 100øF highest temperature for this date in NYC and 195th day of year with 170 days left (Numerology = 3) Clans Tartans History Travel ... Feedback

74. [ Aquarius Records New Arrivals List #150 ] It wasn t until after playing and performing for over ten years that the nowlegendaryexperimental violinist Tony Conrad cross, david Shut Up, You Fucking Baby http://www.aquariusrecords.org/archives/150.html

[ aquarius records new arrivals list #150 ] search by: Keyword Artist Title Label Exact Keyword ( Search Tip ) Keyword searches will also scan record descriptions, which is great for finding artists who record under multiple names! Also good for browsing. We highly recommend keyword searches! view shopping cart home staff audio clips newest arrivals ... Windy's Favorites Some items in our catalogs may be out of print or currently unavailable. All prices subject to change (we only change our prices when our costs change). We will always try to inform you of updated prices. Email our mailorder department for availability status. If you have general non-mailorder questions, email the store This page is an archived list. If you want to order an item appearing here, you must perform a search for it using the search form to the right. If it is still available, then click the item's "add to cart" button. ............@...........@...........@ ............@...........@...........@ Aquarius Records ............@...........@...........@ New Arrivals #150 ............@...........@...........@ 15 November 2002 ............@...........@...........@ Beloved Customers and Friends : This list also marks the debut of our radio thing . Basically it's all the sound samples from this list continually streamed in random order. Your RealAudio window will identify the tracks as before. A LOT of you have requested this service, so enjoy it!

75. Cleveland Institute Of Music Former first violinist of the Everest Quartet, top prize Teachers included Ralph Kirshbaum,david Strange and Aldo Parisot Column editor of cross Section in the http://www.cim.edu/colFaculty.php?div=2

76. EINSTUERZENDE NEUBAUTEN: Forum I like violinist like Warren Ellis, Stuart Gordon, david cross andSteve Wickham. I am interested in doing concerts here in Berlin. http://www.neubauten.org/forum20/view_topic.php?topic_id=659&forum_id=3

77. San Francisco Examiner: Chicks Cross With Country Chicks cross with country. words about us, but that was it, said violinist MartieMaguire. david Beckham s wife Victoria was counting on hiphop producer Damon http://www.sfexaminer.com/article/index.cfm/i/092303c_scoop

@import url("/css/layout_v2.css"); San Francisco Examiner Archive Sitemap Browse by city: Choose... San Francisco Belmont Burlingame Daly City Foster City Hillsborough Menlo Park Millbrae Redwood City San Bruno San Carlos San Mateo South S.F. Browse by date: Choose... 05.28.2004 Fri. 05.27.2004 Thu. 05.26.2004 Wed. 05.25.2004 Tue. 05.24.2004 Mon. All HOME NEWS SPORTS BUSINESS ... Scoop RESOURCES Archive Browse by date Contact info Help/FAQ ... view all... Columnists Scoop Chicks cross with country More stories by Bill Picture Preview Art exhibit phones it in Vinyl Exchange DJs and food mix at Circolo Vinyl Exchange ... The new purple reign Stage Review The 'Write' stuff Vinyl Exchange S.F. named artistic super city Pumping irony ... By Bill Picture Published on Tuesday, September 23, 2003 URL: http://www.examiner.com/article/index.cfm/i/092303c_scoop E-mail this story The Dixie Chicks told Spiegel magazine that they feel betrayed by their country peers, because none of them backed the Chicks up when the girls took a beating for criticizing President Bush and the war in Iraq. "Merle Haggard said a couple of nice words about us, but that was it," said violinist Martie Maguire. They did, however, get plenty of support from the rock set, which has prompted the former princesses of twang-pop to cut all ties to country. "We don't feel part of the country scene any longer. It can't be our home anymore." A model who can write?!

78. Commentary Magazine - The David Helfgott Show The American violinist Isaac Stern But the david Helfgott Show of pushing down theright keys in the right order, the results suggested a weird cross between a http://www.commentarymagazine.com/Summaries/V103I6P57-1.htm

var AID="10306057_1"; The David Helfgott Show Teachout, Terry Nothing sells like mental illness packaged as genius. ...It was as if his hands remembered how to play the piano, but were doing so without the guidance of his mind... ...Penguin, 337 pp., $11.95 (paper... ...The more one ponders these selfrighteous words, the clearer it becomes that to speak of the marketing of David Helfgott as an act of exploitation is to use too weak a word... ...And indeed, it could be argued that Helfgott's concerts were attracting large numbers of people who had never before attended a piano recital, and the pianist they were paying to see was by all accounts delighted to be playing for them... ...David is then institutionalized... ...A few days after hearing David Helfgott play at Lincoln Center, I went to the Museum of Modem Art in New York to see Willem de Kooning: The Late Paintings, the 1980's... ...Shine, directed by Scott Hicks, is a fictionalized account of Helfgott's life, and one whose essential accuracy has been disputed by members of his family... ...I shall return to these extraordinarily presumptuous words later... ...The American violinist Isaac Stern, impressed by young David's playing, arranges for him to study in America...

79. SUNY Orange Features She had one bassoonist and one violinist. with musical direction by Brian Flint,stars Erin cross as lyricist Sonia Walsk and david J. Ringwood as http://www.sunyorange.edu/features/index_july07.shtml

Academics Admissions Student Services Community ... Contact us More stories: July 07, 2003 They're Playing Our Song : July 18 Admissions at the Galleria Pre-licensing Classes Available The Summer Community Orchestra July 07, 2003 The Summer Community Orchestra The Orange County Community College Summer Orchestra will hold its fourth annual concert on the Alumni Green on Saturday, July 12th, at 6 p.m. (In case of rain, the concert will be held in the College Commons.) The orchestra will perform a light classics program in a casual setting featuring Broadway tunes, Bizet's Carmen Suite, and even the Lord of the Rings Symphonic Suite. The Summer Orchestra in concert The informal atmosphere and lavish nearby greenhouse gardens make it a fun evening for families, says conductor Hilarie Clark Moore. "It's a good place to introduce kids to classical music. Typically, people bring a picnic dinner or snacks," she says. Previous concerts have drawn, on the average, approximately 200 attendees. Begun five years ago, the orchestra consists of a wide variety of community and campus members: lawyers, scientists and stay-at-home moms, as well as students and semi-professional musicians all participate. "We even have a few junior high school students who play," says Moore. "If they're talented enough, they can join. I once had an 89-year-old sitting next to a 10-year-old."

80. Staff Hannan (Professor of Music, Southern cross University) Anthony McKean (orchestralmanager, MSO) david Miller (pianist Alison O Carroll (jazz violinist and band http://www.arts.usyd.edu.au/departs/music/staff.htm

Department Staff Alumni Composers Musicologists ... Conductors Department of Music Professor Allan Marett PhD Camb BA Well MA Lond Chair of Musicology Head of Department PH: 9351 3428 allan.marett@arts.usyd.edu.au Professor Anne Boyd AM, DPhil York BA Chair of Music Composition PH: 9351 6947 anne.boyd@arts.usyd.edu.au http://www.amcoz.com.au/comp/b/aboyd.htm Dr Linda Barwick BA PhD Flin Senior Research Fellow Director of PARADISEC linda.barwick@arts.usyd.edu.au Dr Aaron Corn Australian Post-Doctoral Fellow PH: 9351 7339 aaron.corn@arts.usyd.edu.au Professor Richard Charteris BA, MA, PhD, FAHA, FRHistS, ATCL Professor in Historical Musicology and Senior Research Fellow http://www.arts.usyd.edu.au/~charteris/ Assoc Professor Winsome Evans OAM BEM, BMus LTCL Performance Convenor and Director of The Renaissance Players PH: 9351 3616 enquiries@music.usyd.edu.au Dr Charles Fairchild BA Ill, MA York Tor, PhD NY Buffalo Popular Music and Ethnomusicology PH: 9036 5224 charles.fairchild@arts.usyd.edu.au Dr Matthew Hindson BMus MMus Melb PhD Composition and Media Technology PH: 9351 2889 matthew.hindson@arts.usyd.edu.au

A  B  C  D  E  F  G  H  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z

Page 4     61-80 of 109    Back | 1  | 2  | 3  | 4  | 5  | 6  | Next 20