41. Artists And Eyes: Sir Joshua Reynolds Sir Joshua Reynolds (17231792) was an important English artist of the 18th century and was the first artist to be given the title Sir. http://www.mrcophth.com/ophthalmologyonstamps/artistsandeyes/a.html

z 250th Birth Anniversary of Sir Joshua Reynolds. Sir Joshua Reynolds (1723-1792) was an important English artist of the 18th century and was the first artist to be given the title Sir. At the age of 66, he experienced diminution of his left eyesight. He recorded that "My left eye begins to put itself dark". This could well be the first sign of uveal melanoma. In less than 2 months, he lost his vision completely. A year later, he experienced a strong pains in the blind eye causing him to sink into deep depression. Few months before he died, he had hepatomegaly and an increase in the size of the left eye that extruded blood. His surgeon Mr. Cruikshank treated him with leeches and cupping. At autopsy there was only mentioned of his liver that is said to be very diseased and enlarged. The medical history suggests that he might have succumbed to metastatic uveal melanoma. Main page Next page Success in MRCOphth

42. 'Venus Chiding Cupid For Learning To Cast Accounts', By Sir Joshua Reynolds (172 Further Reading. Venus Chiding Cupid for Learning to Cast Accounts , by Sir Joshua Reynolds (17231792). http://www.liverpoolmuseums.org.uk/picture-of-month/furtherReading.asp?id=86&ven

43. Harvard University Press/Sir Joshua Reynolds That Sir Joshua Reynolds (17231792) became the most fashionable painter of his time was not simply due to his artistic gifts or good fortune. http://www.hup.harvard.edu/catalog/WENSIR.html

Richard Wendorf is Director and Librarian of the Boston Athenaeum . Among his other books in eighteenth-century studies is The Elements of Life: Biography and Portrait-Painting in Stuart and Georgian England Sir Joshua Reynolds The Painter in Society Richard Wendorf Co-winner of the 1997 Annibel Jenkins Biography Prize of the American Society for Eighteenth-Century Studies That Sir Joshua Reynolds (1723-1792) became the most fashionable painter of his time was not simply due to his artistic gifts or good fortune. The art of pleasing, Richard Wendorf contends, was as much a part of Reynolds's successin his life and in his workas the art of painting. The author's examination of Reynolds's life and career illuminates the nature of eighteenth-century English society in relation to the enterprise of portrait-painting. Conceived as an experiment in cultural criticism, written along the fault lines that separate (but also link) art history and literary studies, Sir Joshua Reynolds: The Painter in Society explores the ways in which portrait-painting is embedded in the social fabric of a given culture as well as in the social and professional transaction between the artist and his or her subject. In addition to providing a new view of Reynolds, Wendorf's book develops a thoroughly new way of interpreting portraiture.

44. Pre-Victorian Artists Sir Joshua Reynolds PRA (17231792). Reynolds, the great portrait painter and President of the Royal Academy, was born near Plymouth, Devon. http://www.speel.demon.co.uk/artist18.htm

Pre-Victorian Artists To set in context the information on Victorian artists, this section gives brief biographical details on a some eminent 18th Century and early 19th Century artists. Go straight to: Robert Adam Thomas Bewick William Blake William Chambers ... Richard Wilson Sir Joshua Reynolds PRA (1723-1792) Reynolds, the great portrait painter and President of the Royal Academy , was born near Plymouth, Devon. Intended by his parents for the medical profession, he showed an over-riding proclivity for art, and in 1740 he went to London to pursue his art studies, becoming a pupil of Hudson, a leading portraitist. Back in Devon in 1743, Reynolds set up as a portrait painter himself, but returned to London in 1743. From 1749 to 1752 he lived in Italy, where he studied the works of Michelangelo and Raphael. After this period, his reputation growing, he established himself in London, and was one of the first members of the Incorporated Society of Artists. When the Royal Academy was set up in 1768, Reynolds was appointed its first President. He gave a famous series of fifteen Discourses for Academy students, and exhibited some 245 works in the Academy Exhibitions. He was appointed painter to the king in 1784, and spent his later years living in Leicester Square where there is a small bust to commemorate him.

45. Plymouth City Museum & Art Gallery: Cottonian Collection Sir Joshua Reynolds PRA (17231792) Copy Letter 1 220 x 330mm dated 26 September 1772 Ref No RM3.1, Sir Joshua Reynolds PRA (1723-1792) Portrait of Rev. http://www.cottoniancollection.org.uk/main/search/index.cfm?fsa=dspArtistsWorks&

46. Plymouth City Museum & Art Gallery: Cottonian Collection Sir Joshua Reynolds PRA (17231792) Portrait of Mrs. Mary Palmer (1715-1797) oil on canvas Ref No CO15p, Sir Joshua Reynolds PRA (1723-1792) Portrait of Rev. http://www.cottoniancollection.org.uk/main/collection/content/index.cfm?fsa=dspS

47. Popular Graphic Arts: Creators/Related Names: 7 Reynolds, Joshua, Sir, 17231792 artist. Reynolds, Joshua, Sir, 1723-1792, artist. Ribault, Jean François, 1767-1820, engraver. Rice, GS, artist. http://lcweb2.loc.gov/pp/pgahtml/pgaAuthors07.html

PREV NEXT INDEX NEW SEARCH Creators/Related Names Newsam, Albert, 1809-1864, lithographer. Nissle, J., artist. Norman, John, 1748?-1817, engraver. Oertel, Johannes Adam Simon, 1823-1909, artist. ... NEW SEARCH

48. Reynolds, Joshua Books more info on Sir Joshua Reynolds, 17231792 Galeries nationales du Grand Palais, Paris, 7 octobre-16 d©cembre 1985 Royal Academy of Arts, Londres, 16 http://arts-book.shoppingsavvy.com/Reynolds,-Joshua-Books.html

Add to Favorites Reynolds, Joshua Books Artists, A-Z ( P-R ) Reynolds, Joshua Search Search in: Amazon.com Shopping Online Shopping Links Pics Art Notebooks Buy Art Prints ... Collectibles Reynolds, Joshua (16 books) Pg. 1 of 2 Reynolds Sir Joshua Reynolds: A Complete Catalogue of His Paintings Sir Joshua Reynolds : The Subject Pictures A Journey to Flanders and Holland ... Sir Joshua Reynolds Pg. 1 of 2 Home I About Us I I Contact Us I Help document.write("");

49. George Glazer Gallery - Sylvia, By Sir Joshua Reynolds Sir Joshua Reynolds (17231792) Sylvia J. Jones, London 1791 Black and white engraving 13 x 9 inches Red Tag Price $250 Red tag. http://www.georgeglazer.com/prints/aanda/art-pre20/reynolds-sylvia.html

Sir Joshua Reynolds (1723-1792) Sylvia J. Jones, London: 1791 Black and white engraving 13 x 9 inches Red Tag Price: $250 Portrait of a cheerful, barefoot little girl standing on a stepping stone in the middle of a brook. "Sylvia" may be her name, or it may be an allegorical title personifying her as an inhabitant of the sylvan, or woodland, setting of the portrait. "Fancy pictures," which were a combination portrait and genre scene, became very popular at the end of the 18th century. One type consisted of middle-class patrons, dressed as peasants or farmers, in staged scenes of rural life. This appears to be in that genre. Sir Joshua Reynolds was the foremost portrait painter in England in the 18th century, and was extremely influential on later generations of artists. His poses were intended to invoke classical values and to enhance the dignity of his sitters, as is evident in his treatment of this young rural girl. His style incorporated strong lighting, rich color and bravura paint handling. He also made history and "fancy pictures." As first president of the Royal Academy in London, he significantly raised the profile of art and artists in Britain. Reynolds is also known for his eloquent Discourses on Art, delivered to the students and members of the Academy between 1769 and 1790. John Jones, the publisher, was a London-based engraver and printseller active from 1775. He was a mezzotint and stipple engraver mainly of portraits by Reynolds, Romney and others, who published most of his plates himself. He exhibited at the Society of Artists from 1780-91 and served as Engraver Extraordinary to the Prince of Wales from 1790-97.

50. George Glazer Gallery - Sir Joshua Reynolds, Portrait Of Three Children Sir Joshua Reynolds (17231792) (after) Bartolozzi (1727-1815) (engraver) Portrait of Three Children London Late 18th Century 13.75 x 9.75 inches Red Tag http://www.georgeglazer.com/prints/aanda/art-pre20/reynolds-familychild.html

Sir Joshua Reynolds (1723-1792) (after) Bartolozzi (1727-1815) (engraver) [Portrait of Three Children] London: Late 18th Century 13.75 x 9.75 inches Red Tag Price: $250 Portrait of two boys with their baby sister, who is wearing a large and elaborate hat. The playful, unselfconscious poses of the younger siblings capture the natural grace and liveliness of small children, while the older boy's face shows a developing sense of maturity. Sir Joshua Reynolds was the foremost portrait painter in England in the 18th century, and was extremely influential on later generations of artists. His poses were intended to invoke classical values and to enhance the dignity of his sitters, as is evident in his treatment of this young rural girl. His style incorporated strong lighting, rich color and bravura paint handling. He also made history and "fancy pictures." As first president of the Royal Academy in London, he significantly raised the profile of art and artists in Britain. Reynolds is also known for his eloquent Discourses on Art, delivered to the students and members of the Academy between 1769 and 1790. Bartolozzi was an engraver, etcher and painter born in Florence, Italy. He was trained in the Florentine Academy and apprenticed to a Venetian engraver. In 1764, King George III's librarian brought him to England, where he was appointed Engraver to the King and later held the title of Royal Academician. A prolific engraver, he developed a stipple method invented in France, and his work was admired for its subtle modulations of light and shade and his sensitive and graceful portrayal of the human form. Engravings were the means of creating reproductions of fine art in the pre-photographic age, and Bartolozzi was considered one of the best. Sir Joshua Reynolds praised his work. He spent the last 13 years of his life working and teaching in Lisbon, where he was knighted.

51. 'Venus Chiding Cupid For Learning To Cast Accounts', By Sir Joshua Reynolds (17 Home. Further Reading. Venus Chiding Cupid for Learning to Cast Accounts , by Sir Joshua Reynolds (17231792). Venus Chiding Cupid http://www.diduknow.info/aotm/furtherReading.asp?id=86&venue=7

52. 'Venus Chiding Cupid For Learning To Cast Accounts', By Sir Joshua Reynolds (17 Home. Artwork of the Month November, 2003. Venus Chiding Cupid for Learning to Cast Accounts , by Sir Joshua Reynolds (1723-1792). http://www.diduknow.info/aotm/displaypicture.asp?venue=7&id=86

53. Handprint Late Georgian Watercolors Under the leadership of its president Sir Joshua Reynolds (17231792), the Royal Academy quickly evolved into a highly prestigious but hidebound institution http://www.handprint.com/HP/WCL/artist07.html

Late Georgian watercolors (c.1800-c.1835) reflect the dominant artistic styles during and after the Regency period The artists described on this page (and their peers) did not easily understand or adopt the idiosyncratic innovations of J.M.W. Turner . Instead, many looked back to the broadly painted, serene works of Thomas Girtin , adapted to create a conservative, neoclassical style often mixed with discrete touches of romanticism. As a group, these painters benefited from the many improvements in watercolor papers and paints , the increasing demand for drawing masters , and the insatiable and lucrative middle class market for lithographs and engraved illustrations. In tandem with these trends, several watercolor societies appeared in England at the beginning of the 19th century. The first was actually the Society of Artists Royal Academy of Arts , founded in 1768, which exists to this day. Under the leadership of its president Sir Joshua Reynolds (1723-1792), the Royal Academy quickly evolved into a highly prestigious but hidebound institution committed to train new artists but also, like the older French and Italian academies, to dictate on matters of taste, style and subject matter. The net effect of its esthetic rules and membership criteria was to stifle the innovative artistry of contemporaries like Thomas Gainsborough or William Blake , and to nurture the kind of lapdog subservience to "taste" and institutional status that lamed the art of the Victorian era. Though painters such as

54. Reynolds, Sir Joshua Reynolds, Sir Joshua. British 17231792 The Works. Some highlights of works by this artist selected by Art Guide s editors and readers. http://www.artguide.org/uk/AG.pl?Action=277595A&Axis=AllArtists

55. Joshua Reynolds sunsite. dk / Reynolds / Reynolds _ bio. htm Sir Joshua Reynolds (17231792); http / / www. jmw-soustružník. co. uk / umelec / soustružník-Reynolds. http://wikipedia.infostar.cz/j/jo/joshua_reynolds.html

švodn­ str¡nka Tato str¡nka v origin¡le Joshua Reynolds Sir Joshua Reynolds 16. července 23. ºnora ) byl nejdůležitějÅ¡­ a vlivn½ eighteenth-stolet­ Angličtina mal­Å™i , se specializovat v portr©tech a podporovat " velk½ styl " v obraze, kter½ z¡visel na idealizaci nedokonal½. On byl jeden z zakladatelů a prvn­ho prezidenta Kr¡lovsk¡ akademie George III ocenil jeho zaslouž­ si a knighted jej v Reynolds byl narozen v Plympton St Maurice, Devon , na 16 červenci , a apprenticed v k m³dn­mu mal­Å™i portr©tů Thomas Hudson, s k½m on zůstal until . Od k , on utr¡cel přes dva roky v It¡lie , hlavně v Ř­m , kde on studoval star© mistry a vypěstoval vkus pro " velk½ styl ". Od 1753 na, on žil a pracoval v Lond½n . On se stal bl­zk½m př­telem Dr Johnson Oliver zlatn­k Edmund Burke Henry Thrale a David Garrick . S jeho soupeřem Thomas Gainsborough , on byl dominantn­ anglick½ portr©tista druh© poloviny 18th stolet­ . Reynolds maloval v­ce idealizovan© m³dy než jeho soupeř. Oslniv½ akademik, jeho předn¡Å¡ky (" projevy ") na uměn­, doručoval u Kr¡lovsk¡ akademie mezit­m a , b½t připom­n¡n pro jejich citlivost a vn­m¡n­. V jednom z těchto předn¡Å¡ek on byl n¡zoru to

56. 2 - Gallery "R" - Il Nudo Nell'Arte Translate this page Lloyd Kreeger, Washington, Reynolds, Sir Joshua (inglese, 1723-1792) - Cupido slaccia la cintura di Venere - olio su tela - 1788 - - Hermitage, San Pietroburgo. http://digilander.libero.it/debibliotheca/Arte/nudo/r2.htm

Il Nudo Nell'Arte Gallery " R " Renoir, Pierre-Auguste (1841 - 1919) - Studio per il "nudo alla luce del sole" - 1875-76 - Musée d'Orsay, Parigi, Parigi Renoir, Pierre-Auguste (1841 - 1919) - Studio per "le bagnanti" - 1884-1885 - gesso su grafite su carta - Art Institute of Chicago Renoir, Pierre-Auguste (1841 - 1919) - Bagnante che si pettina - National Gallery, Londra Renoir, Pierre-Auguste (1841 - 1919) - Le bagnanti (dettaglio) - 1887 - Museum of Art, Philadelphia (Pennsylvania) Renoir, Pierre-Auguste (1841 - 1919) - La bagnante - 1888 - olio su tela - raccolta David Lloyd Kreeger, Washington Reynolds, Sir Joshua (inglese, 1723-1792) - Cupido slaccia la cintura di Venere - olio su tela - 1788 - - Hermitage, San Pietroburgo Rodin, Auguste (francese, 1840-1917) - Poeta e Muse - 1905 - marmo - Hermitage, San Pietroburgo Rodin, Auguste (francese, 1840-1917) - Il bacio - 1886 - bronzo - raccolta privata Romano, Giulio Pippi detto

57. Shakespeare Illustrated | The Artists | Sir Joshua Reynolds Sir Joshua Reynolds (17231792). Cardinal Beaufort s Bedchamber (late 1780s); Puck. Shakespeare s World Home Artists Plays Bibliography http://shakespeare.emory.edu/illustrated_showartist.cfm?artistid=92

58. RPO -- Thomas Warton The Younger : Verses On Sir Joshua Reynold's Painted Window 1 Sir Joshua Reynolds (17231792), the celebrated English portrait-painter, between 1769 and 1790 delivered to the students of the Royal Academy, of which he http://eir.library.utoronto.ca/rpo/display/poem2262.html

Poet Index Poem Index Random Search ... Concordance document.writeln(divStyle) Thomas Warton the younger (1728-1790) Verses on Sir Joshua Reynold's Painted Window at New College, Oxford Ah, stay thy treacherous hand, forbear to trace Those faultless forms of elegance and grace! Ah, cease to spread the bright transparent mass, With Titian's pencil, o'er the speaking glass! Nor steal, by strokes of art with truth combin'd, The fond illusions of my wayward mind! For long, enamour'd of a barbarous age, A faithless truant to the classic page; Long have I lov'd to catch the simple chime Of minstrel-harps, and spell the fabling rime; To view the festive rites, the knightly play, That deck'd heroic Albion's elder day; To mark the mouldering halls of barons bold, And the rough castle, cast in giant mould; With Gothic manners Gothic arts explore, And muse on the magnificence of yore. But chief, enraptur'd have I lov'd to roam, A lingering votary, the vaulted dome, Where the tall shafts, that mount in massy pride, Their mingling branches shoot from side to side; Where elfin sculptors, with fantastic clew

59. Blueplaqueproject.org | People | REYNOLDS, Sir Joshua People Sir Joshua Reynolds. Sir Joshua Reynolds. 17231792 Portrait Painter, lived and died in a house on this site. Replaces plaque http://www.blueplaqueproject.org/plaque_detail.php?ID=587

60. Anecdote - Sir Joshua Reynolds - Panoramic View Reynolds painted his subject with a hat on his head and a hat under his arm. Reynolds, Sir Joshua (1723-1792) British portrait painter and critic Sources C http://www.anecdotage.com/index.php?aid=8780

A  B  C  D  E  F  G  H  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z

Page 3     41-60 of 98    Back | 1  | 2  | 3  | 4  | 5  | Next 20