1. H2 Italian Renaissance Art /h2 BIG. Cellini Benvenuto 15001571 Perseus Florence Piazza della Signoria. BIG. Cellini Benvenuto 1500-1571 Perseus Florence Piazza della Signoria. BIG. http://rubens.anu.edu.au/htdocs/surveys/italren/renart/display00016.html

Italian Renaissance Art BIG Cellini Benvenuto Perseus Florence: Piazza della Signoria BIG Cellini Benvenuto Perseus Florence: Piazza della Signoria BIG Cellini Benvenuto Perseus: base Florence: Piazza della Signoria Italian Renaissance Art BIG Cellini Benvenuto Saltcellar for Francis I Vienna: Kunsthistorisches Museum BIG Ceramics: majolica Faenza 16thC-plate with Martyrdom of S Sebastian Bargello Museum Florence BIG Ceramics: majolica Faenza c1530-plate with Coronation of Charles V Civic Museum Bologna Italian Renaissance Art BIG Ceramics: majolica Urbino 15thC-plate Mediaeval and Modern Museum Arezzo BIG Ceramics: majolica Urbino 15thC-plate Mediaeval and Modern Museum Arezzo BIG Ceramics: majolica Urbino 16thC-plate with Prodigal Son Civic Museum Bologna Fast index. A C G M ... Next page

2. Benvenuto Cellini Online Report errors and broken links here. Benvenuto Cellini Online, More options. Benvenuto Cellini. Italian Mannerist Sculptor and Goldsmith, 15001571. http://www.artcyclopedia.com/artists/cellini_benvenuto.html

Benvenuto Cellini art links/last verified May 5-7, 2004 Report errors and broken links here More options Benvenuto Cellini [Italian Mannerist Sculptor and Goldsmith, 1500-1571] I say that the art of sculpture is eight times as great as any other art based on drawing, because a statue has eight views and they must all be equally good. Benvenuto Cellini Key: - Go to Homepage - Notable Site - Translate Page into English Museums and Art Galleries: J. Paul Getty Museum , Los Angeles Kunsthistorisches Museum , Vienna Salt Cellar Louvre Museum , Paris The Nymph of Fontainebleau Louvre Museum Database , Paris (only available in French) Metropolitan Museum of Art , New York Perseus with the Head of Medusa National Gallery of Art, Washington D.C. National Gallery of Australia , Canberra Drawings from the Biblioteca Ambrosiana , Milan Undocumented Feature: This site's images all end in ".sm.jpeg". Right-click on the image and select "Properties" to find the image URL, then enter the URL without the ".sm" into the address bar, to see a much larger scan.)

3. Glbtq >> Arts >> Cellini, Benvenuto Cellini, Benvenuto (15001571) Sculptor, goldsmith, memoirist, and flamboyant pederast, Benvenuto Cellini is one of Benvenuto Cellini was born in Florence at the peak of the Italian http://www.glbtq.com/arts/cellini_b.html

Encyclopedia Discussion Forgot Your Password? Not a Member Yet? JOIN TODAY. IT'S FREE! Advertising Opportunities Terms of Service Alpha Index: A-B C-F G-K L-Q ... T-Z Subjects: A-B C-E F-L M-Z Cellini, Benvenuto (1500-1571) Sculptor, goldsmith, memoirist, and flamboyant pederast , Benvenuto Cellini is one of the greatest artists in the history of Western art. He was the ultimatethat is to say, the lastRenaissance artist, for the free exploration and celebration of the sensual (particularly the homoeroticism ) that inspired his genius and was a hallmark of Renaissance Florentine culture were soon aborted. Benvenuto Cellini was born in Florence at the peak of the Italian Renaissance. Apprenticed to a goldsmith, he excelled in that art. In fact, he was so successful that he was called upon to fulfill major commissions throughout Italy and France. Indeed, he traveled so much that until he was forty-five years old, he never lived longer than five years in any one place. Sponsor Message.

4. CLT 1500 -- Classical Mythology (Art Gallery) Cellini, Benvenuto (1500-1571) Saltcellar of Francis I, (1540-5) Ganymede on the Eagle, (1546-7) Perseus With the Head of Medusa, (1545-54) Cellini, born in Florence in 1500, was a sculptor and http://itech.pjc.cc.fl.us/cschuler/clt1500/gallery/cellini.htm

CELLINI, BENVENUTO Saltcellar of Francis I Ganymede on the Eagle Perseus With the Head of Medusa Cellini, born in Florence in 1500, was a sculptor and goldsmith, working during the period of the Renaissance. He was perhaps the greatest goldsmith of the Renaissance, a little less distinguished as a sculptor. Even so Cellini was for a short time the student of the great master Michelangelo. Cellini worked in several cities in Italy including Rome, Sienna, Pisa, and Bologna. He executed various commissions for medallions bearing mythological themes. While in France, which he spent under the service of Francis I, Cellini created the famous salt-cellar of gold , depicting Poseidon and Amphitrite as well as other sea deities. This is one of the most important pieces of the goldsmith's work to have survived from the Renaissance. Cellini was known as a man with a quick temper, and was often landing himself in trouble with the law or being thrown out of various cities. He wrote a rather racy autobiography in 1538 which gave a somewhat embellished account of the his adventures and deeds. Nevertheless the book has been widely read since the 18th century when it was translated by the English writer Goethe. It provides a vivid picture of the daily life of a Renaissance craftsman, and gives some insight to the political and social atmosphere of the 16th century.

5. Artist Index - Section C Cellini, Benvenuto, (15001571), Italian sculptor/goldsmith. CERANO, Il (see CRESPI, Giovanni), (1557-1632), Italian painter (Milan). http://www.kfki.hu/~arthp/list/c.html

Artist Index - Section C A B C D ... Z See also the Gothic Section C Switch to Commander mode browsing. CAFFA, Melchiore Maltese sculptor (Rome) CAFFIÉRI, Jean-Jacques French sculptor CAGNACCI, Guido Italian painter CAJES, Eugenio Spanish painter (Madrid) CALLOT, Jacques French engraver CALRAET, Abraham van Dutch painter (Dordrecht) CALVAERT, Denys Flemish painter (Bologna) CAMASSEI, Andrea Italian painter (Rome) CAMBIASO, Luca Italian painter (Genoa) CAMPAGNA, Girolamo (c. 1549-1625) Italian sculptor (Venice) CAMPAÑA, Pedro de Flemish/Spanish painter CAMPEN, Jacob van Dutch architect/painter CAMPI, Giulio Italian painter (Cremona) CAMPI, Vincenzo Italian painter (Cremona) CAMPIN, Robert (see Flemish painter (Tournai) CANALETTO Italian painter (Venice) CANO, Alonso Spanish painter/sculptor CANTARINI, Simone Italian painter (Pesaro) CAPELLE, Jan van de Dutch painter (Amsterdam) CAPORALI, Bartolomeo (c. 1420-1505) Italian painter (Perugia) CAPRIOLO, Domenico Italian painter (Venice) CARACCIOLO, Giovanni Battista Italian painter (Naples) CARAVAGGIO Italian painter (Rome, Sicily) CARDI, Lodovico (see

6. Benvenuto Cellini (1500-1571) Benvenuto Cellini, a Florentine goldsmith and sculptor, who became one of leading artisans under Medici Rulers of Middle and Late Renaissance. Benvenuto Cellini (15001571). Benvenuto http://www.buzzle.com/editorials/text2-16-2004-50593.asp

Benvenuto Cellini (1500-1571) Benvenuto Cellini, a Florentine goldsmith and sculptor, who became one of the leading artisans under the Medici Rulers of the Middle and Late Renaissance. By Sonal Panse, 2/16/2004 The Renaissance, also known as the Age of Humanism, was one of the most astonishingly productive and creative epochs of European History. For the first time ever, individual artists took centre-stage by the sheer dint of their personalities and genius, and opened up whole new vistas of painting, sculpture and architecture. The significant events of the period – and there were plenty of those in terms of political disorder, conflicts, epidemics, etc. – had surprisingly little adverse affect on these artists, and in fact, often courted and welcomed by both warring factions, they moved about with flamboyant impunity. One such talented, celebrated figure was that of Benvenuto Cellini, a Florentine goldsmith and sculptor, who became one of the leading artisans under the Medici Rulers of the Middle and Late Renaissance. A larger-than-life character, whose highly engaging memoirs recreate a notable portrait of the ideological and social times of the sixteenth century Italian city-states, he apparently never had a dull moment in all his remarkable years. His travels took him from Florence to France, with many detours and stops in between, having extraordinary escapades and witnessing first-hand some of the most turbulent events in Europe. His next destination was France, where he was very warmly received and remained for five productive years, becoming a distinguished member of the Court and executing several famous works - the bronze lunette relief of the Nymph of Fontainebleau (Louvre, Paris), an elaborate gold and enameled salt-cellar for Francis (Museum of Vienna), large silver statues of Jupiter, Vulcan and Mars (now lost), various bronze heads, and silver vases. True to character though, he could not refrain from becoming enmeshed in several controversies with the French, particularly incurring the enmity of the King’s mistress, Madame d’Etampes, and thereby soon outliving his welcome. In 1545, receiving the timely invitation of Duke Cosimo I, he returned to Florence and this time stayed put in his native land.

7. CELLINI, BENVENUTO (1500-1571) Of Benvenuto Cellini, When His First HighBeam Research, Free Preview 'Cellini, Benvenuto (15001571)' Full Membership required for unlimited access. Comprehensive archive of newspapers, magazines, trade journals, TV and radio the great sculptor Michelangelo. But Cellini had a short temper and http://rdre1.inktomi.com/click?u=http://www.highbeam.com/library/doc0.asp?docid=

8. The Owl At The Bridge: Cellini, Benvenuto, 1500-1571. Life. Written By Himself. Cellini, Benvenuto, 15001571. Life. Written by Himself. Translated and Edited by John Addington Sy Author Cellini, Benvenuto (1500-1571) . http://www.owlbridge.com/miva/merchant.mv?Screen=PROD&Store_Code=TOATB&Product_C

9. Browse Top Level > Texts > Project Gutenberg > Authors > C > Cellini, Benvenuto, There is no description available for this text. Author Cellini, Benvenuto, 15001571 Keywords Authors C Cellini, Benvenuto, 1500-1571; Titles S. http://www.archive.org/texts/textslisting-browse.php?collection=gutenberg&cat=Au

10. Works By Artist 5 Works by Cellini, Benvenuto (15001571), Italy. Title 6, Date, Views, Museum. Bust of Cosimo I de Medici, 1546-1557, 5, Italy, Florence, Bargello. http://www.saskia.com/query/WorksByArtist.aspx?ai=1619

11. Storia Gay - Benvenuto Cellini(1500-1571) A. Bernard, A propos de Benvenuto Cellini (1500-1571), Arcadie , n. 39, Mars 1957, pp. http://digilander.libero.it/giovannidallorto/biografie/cellini/cellini.html

Home page Giovanni Dall'Orto Saggi di storia gay Biografie di personaggi gay > Benvenuto Cellini > Brani estratti da La vita BENVENUTO CELLINI di: Giovanni Dall'Orto Benvenuto Cellini ritratto dal Vasari in Palazzo Vecchio, Firenze. Scultore, orafo e scrittore Nato a Firenze, Cellini fu "messo a bottega" come orafo a Roma. zecca pontificia ed eseguendo numerosi oggetti d'oreficeria per cardinali e papi, oltre a monete e medaglie Roma, la ex zecca pontificia. Sulla destra si nota la lapide in bronzo posta dagli orafi di Roma in memoria del loro ex "collega". [Foto G. Dall'Orto] Di carattere violento ed arrogante tre omicidii ), ed anche nel momento in cui il re di Francia era incarcerato in Castel sant'Angelo In Francia, a Fontainebleau anche sculture (in gran parte perdute) che, assai ammirate, contribuirono a consolidare il gusto "manierista" in Francia. un processo per sodomia , dove il duca Cosimo I Perseo di Piazza della Signoria a Firenze. scultura corpus di statue a tematica omosessuale mai creato da uno scultore italiano del Rinascimento: i marmi di Ganimede e l'aquila Apollo e Giacinto e Narciso del Museo del Bargello a Firenze, oltre ad un

12. Symonds, John Addington, 1840-1893, Translator Symonds, John Addington, 18401893, Translator Cellini, Benvenuto, 1500-1571 Benvenuto, 1500-1571 Cellini http://rdre1.inktomi.com/click?u=http://www.archive.org/texts/texts-details-db.p

13. Testi Di Storia Gay - Benvenuto Cellini - Estratti Da ''La Vita'' Benvenuto Cellini (1500-1571). Brani estratti da La vita 1557-1565 1. Qui di seguito http://digilander.libero.it/giovannidallorto/biografie/cellini/cellinivita.html

Home page Giovanni Dall'Orto Saggi di storia gay Biografie di personaggi gay Benvenuto Cellini ... Testi del sec. XVI > Estratti da: La vita BENVENUTO CELLINI (1500-1571) Brani estratti da: La vita Qui di seguito ho raccolto un'antologia di brani dalla Vita Benvenuto Cellini , o in cui si parla delle accuse di sodomia che gli vennero dai suoi contemporanei. selezione : volendo, ci sono altri passi in cui Cellini parla dei suoi servitori, "stranamente" sempre " bellissimi di corpo ", i cui rapporti con lui meriterebbero di essere indagati. LIBRO PRIMO [Roma, circa 1520] Libro I, cap. XXX [Benvenuto va a una festa portando come sua compagna un sedicenne travestito da donna, Diego spagnolo [Roma, circa 1520/21] Libro I, cap. XXXII Pentesilea si vendica "rubando" al Cellini un ragazzo, Luigi Pulci, "amico" anche di Michelangelo , e poi "marchetta" del cardinale Girolamo Balbi Libro I, cap. XXXIII Benvenuto, coltello alla mano, fa una scenata di gelosia a Pentesilea per avergli portato via Luigi Pulci, e poi sconfigge da solo - dichiara - dodici poliziotti armati che li volevano proteggere! LIBRO SECONDO [Francia, 1543]

14. Benvenuto Cellini Translate this page Benvenuto Cellini (Italia, 1500-1571) 1540 Ninfa de Fontainebleau Material Medidas Museo 1543 Salero (Museo de Viena) Material Medidas Museo http://www.epdlp.com/pintor.php?id=212

15. CELLINI Cellini, Benvenuto (15001571), Italian artist, metal worker and sculptor, was born in Florence, where his family, originally landowners in the Val dAmbra, had for three generations been settled. http://www.1911encyclopedia.org/C/CE/CELLINI.htm

CELLINI CELLINI, BENVENUTO Besides the works in gold and silver which have been adverted to, Cellini executed several pieces of sculpture on a grander scale. The most distinguished of these is the bronze group of Perseus holding the head of Medusa, a work (first suggested by Duke Cosimo de Medici) now in the Loggia dei Lanzi at Florence, full of the fire of genius and the grandeur of a terrible beauty, one of the most typical and unforgettable monuments of the Italian Renaissance, The casting of this great work gave Cellini the utmost trouble and anxiety; and its completion was hailed with rapturous homage from all parts of Italy. The original relief from the foot of the pedestalPerseus and Andromedais in the Bargello, and replaced by a cast. Among his works of art not already mentioned, many of which have perished, were a colossal Mars for a fountain at Fontainebleau and the bronzes of the doorway, coins for the Papal and Florentine states,, a Jupiter in silver of life size, and a bronze bust of Bindo Altoviti. The works of decorative art are, speaking broadly, rather florid than chastened in style. Besides the works in gold and silver which have been adverted to, Cellini executed several pieces of sculpture on a grander scale. The most distinguished of these is the bronze group of Perseus holding the head of Medusa, a work (first suggested by Duke Cosimo de Medici) now in the Loggia dei Lanzi at Florence, full of the fire of genius and the grandeur of a terrible beauty, one of the most typical and unforgettable monuments of the Italian Renaissance, The casting of this great work gave Cellini the utmost trouble and anxiety; and its completion was hailed with rapturous homage from all parts of Italy. The original relief from the foot of the pedestalPerseus and Andromedais in the Bargello, and replaced by a cast.

16. LOS ARTISTAS Translate this page Parador Nacional de Vich (Barcelona). Cellini, Benvenuto (1500-1571). Escultor y orfebre florentino. Su autobiografía, escrita en http://www.cnice.mecd.es/eos/MaterialesEducativos/mem2000/mitologia/Mitologia/ar

LOS ARTISTAS: ABBATE, Níccoló dell´ (h. 1512-1571) Pintor manierista italiano. Natural de Módena, desarrolla su arte en Bolonia bajo la influencia de Corregio y Parmigianino. Allí decoró palacios y pintó algunos retratos. Fue llamado a la corte francesa en 1552 y trabajó en la decoración del palacio de Fontainebleau, a las órdenes de Primaticcio. Murió en Francia. Se ha perdido gran parte de su obra. Se le conoce más por sus pasisajes con figuras de inspiración mitológica, género en el que fue precursor de Claudio de Lorena y Poussin. ALBACINI, Carlo (S.XVIII) Escultor Neoclásico italiano activo entre 1770 y 1807. Su técnica en la ejecución de obras dentro de la tradición estética neoclásica es perfecta. Otra de sus actividades es la de copiar y restaurar obras antiguas. Restauró prácticamente todos los mármoles antiguos que pasaron a Inglaterra así como la colección Farnese de antigüedades que había heredado el rey de Nápoles. En 1780 realiza la tumba del pintor Rafael Mengs en San Pedro de Roma. Trabaja para el papa Pio VI. Fue académico de San Lucca en Roma en 1783. El Museo de Bellas Artes de San Fernando en Madrid contiene una buena muestra de su obra. BERNINI, Gianlorenzo (1598-1680)

17. POSEIDON Y ANFITRITE: BENVENUTO CELLINI Translate this page RENACIMIENTOANTERIOR POSEIDÓN Y ANFITRITE ANTERIOR POSEIDÓN Y ANFITRITE Benvenuto Cellini (1500-1571) POSEIDÓN Y ANFITRITE SIGUIENTE RENACIMIENTO http://www.cnice.mecd.es/eos/MaterialesEducativos/mem2000/mitologia/Mitologia/7s

POSEIDÓN Y ANFITRITE: Benvenuto Cellini Salero de oro de Francisco I de Francia con Neptuno y Anfitrite. Benvenuto Cellini. 1540-3. Museo de Arte, Viena. En la descripción que su autor hace de esta bella pieza de orfebrería de estilo renacentista nos habla de que los personajes simbolizan el Agua y la Tierra entrelazadas, como reflejan la posición de las piernas de ambos. La figura masculina con el tridente en la mano y los caballos de mar en la base permiten la identificación con Poseidón , dios del mar. La figura femenina está asentada sobre un cojín con la flor de lis, homenaje al rey francés que le encarga la pieza. Sobresale en su base un elefante blanco, también una preferencia del monarca. Está rodeado de figuras alegóricas, cuyas posturas copian las esculturas de Miguel Angel.

18. Benvenuto Cellini (1500-1571) Arts and Literature Benvenuto Cellini (15001571) Benvenuto Cellini, a Florentine goldsmith and sculptor, who became one of the leading artisans under the http://www.buzzle.com/editorials/2-16-2004-50593.asp

Home Web Directory What's the Buzz? Escape Hatch ... Free Email Thursday, June 03, 2004 4:24:57 PM DIRECTORY Arts and Literature Architecture and Architectural Engineering Associations and Organizations Books and Manuscripts Ceramic Arts and Stoneware ... Word game Chapter Quicklink What's the Buzz Escape Hatch: Open Mic Benvenuto Cellini (1500-1571) Benvenuto Cellini, a Florentine goldsmith and sculptor, who became one of the leading artisans under the Medici Rulers of the Middle and Late Renaissance. By Sonal Panse, 2/16/2004 The Renaissance, also known as the Age of Humanism, was one of the most astonishingly productive and creative epochs of European History. For the first time ever, individual artists took centre-stage by the sheer dint of their personalities and genius, and opened up whole new vistas of painting, sculpture and architecture. The significant events of the period – and there were plenty of those in terms of political disorder, conflicts, epidemics, etc. – had surprisingly little adverse affect on these artists, and in fact, often courted and welcomed by both warring factions, they moved about with flamboyant impunity. One such talented, celebrated figure was that of Benvenuto Cellini, a Florentine goldsmith and sculptor, who became one of the leading artisans under the Medici Rulers of the Middle and Late Renaissance. A larger-than-life character, whose highly engaging memoirs recreate a notable portrait of the ideological and social times of the sixteenth century Italian city-states, he apparently never had a dull moment in all his remarkable years. His travels took him from Florence to France, with many detours and stops in between, having extraordinary escapades and witnessing first-hand some of the most turbulent events in Europe.

19. Error - Too Few Parameters Quality Bronze European/Classical Sculptures. Nude Perseus by Benvenuto Cellini (15001571). This meticulously sculpted reproduction http://www.thepaulingstonco.com/cgi-bin/SoftCart.exe/scstore/p-s207.html?L scsto

20. Benvenuto Cellini Benvenuto Cellini Goldsmith and sculptor Florence 15001571 An artist of genius who had a terrible character, which was often to lead him into trouble with the http://www.mega.it/eng/egui/pers/bencel.htm

Benvenuto Cellini Goldsmith and sculptor Florence 1500-1571 An artist of genius who had a terrible character, which was often to lead him into trouble with the law. He wrote a treatise on sculpture and the art of goldsmithery (Florence 1568) and a picturesque autobiography (1558-66) published in Naples in 1728, which is an excellent description of the artistic climate of his times and has inspired both the theatre and the cinema. The Perseus in the Loggia dei Lanzi He studied in various workshops in Florence, Siena, Pisa and Rome. It was Rome he fled to in 1519 after being involved in a brawl and he was to remain there until 1527. He then stayed in Florence and Mantova, returning to Rome to open his own goldsmith's workshop in 1529 under the protection of Pope Clement VII: he carried out works inspired by the drawings of Leonardo, Michelangelo , Raffaello and Filippino Lippi. Cosimo I de Medici at the Bargello He travelled to France (1540-45) and created several works there, all of them dispersed today except for the bronze Nymph in the Louvre and the famous gold and enamelled Salt and Pepper Holder (1543) today in Vienna, where reminders of Florentine sculpture are united with the typical refinement of the Mannerist culture of Fontainebleau. He returned to Florence in 1545 and sculpted the bust of Cosimo I , (Bargello), Ganymede on the Eagle (Bargello) and the famous Perseus for the Loggia dei Lanzi in Piazza Signoria , a work in typical Mannerist style.

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