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  1. Essays on German literature. by Hjalmar Hjorth Boyesen by Boyesen. Hjalmar Hjorth. 1848-1895., 1892
  2. Against heavy odds. a tale of Norse heroism. and A fearless trio by Boyesen. Hjalmar Hjorth. 1848-1895., 1894
  3. A Norseman's Pilgrimage
  4. The light of her countenance. by Boyesen. Hjalmar Hjorth. 1848-1895., 1889
  5. Literary And Social Silhouettes
  6. Essays On German Literature
  7. Literary and social silhouettes by Hjalmar Hjorth Boyesen 1848-1895, 1894-12-31
  8. Norseland tales. by Hjalmar Hjorth Boyesen. by Boyesen. Hjalmar Hjorth. 1848-1895., 1894-01-01
  9. The mammon of unrighteousness by Hjalmar Hjorth Boyesen. by Boyesen. Hjalmar Hjorth. 1848-1895., 1891-01-01
  10. Essays on Scandinavian literature by Hjalmar Hjorth Boyesen. by Boyesen. Hjalmar Hjorth. 1848-1895., 1895-01-01
  11. Falconberg. by Hjalmar H. Boyesen. by Boyesen. Hjalmar Hjorth. 1848-1895., 1879-01-01
  12. Boyhood in Norway: stories of boy-life in the Land of the Midnight Sun by Boyesen. Hjalmar Hjorth. 1848-1895, 1920-01-01
  13. Marginal Man as Novelist: The Norwegian-American Writers H. H Boyesen and O.E. Rolvaag as Critics of American Institutions (European Immigrants and American Society) by Neil Truman Eckstein, 1990-06-01

41. Project Gutenberg: Titles List
Boy s Will, A, by Frost, Robert, 18741963. Boyhood In Norway, by Boyesen, Hjalmar Hjorth, 1848-1895. Boyhood, by Tolstoy, Leo, graf, 1828-1910.
http://www.gwd50.k12.sc.us/PG-Titles.htm
This is Project Gutenberg. This list has been downloaded from: "The Official and Original Project Gutenberg Web Site and Home Page" http://promo.net/pg/ PROJECT GUTENBERG ETEXTS TITLES IN ALPHABETICAL ORDER Last Updated: Monday 03 September 2001 by Pietro Di Miceli (webmaster@promo.net) The following etext have been released by Project Gutenberg. This list serves as reference only. For downloading books, please use our catalogs or search at: http://promo.net/pg/ Or check our FTP archive at: ftp://ibiblio.org/pub/docs/books/gutenberg/ and etext subdirectories. For problems with the FTP archives (ONLY) email gbnewby@ils.unc.edu, be sure to include a description of what happened AND which mirror site you were using. THANKS for visiting Project Gutenberg. $30,000 Bequest And Other Stories, The, by Twain, Mark, 1835-1910 1492, by Johnston, Mary, 1870-1936 1601, by Twain, Mark, 1835-1910 20,000 Leagues Under The Sea, by Verne, Jules, 1828-1905 20,000 Leagues Under The Seas, by Verne, Jules, 1828-1905 32nd Mersenne Prime, The; predicted by Mersenne, by Slowinski, David

42. Abbott, David Phelps, 1863-1934 Abbott, Edwin Abbott, 1838-1926
1876 Bourget, Paul, 18521935 Bower, BM, 1874-1940 Bower, BM, 1874-1940 AKA Sinclair, BM (Bertha Muzzy), 1874-1940 Boyesen, Hjalmar Hjorth, 1848-1895 Boz AKA
http://www.olympus.edu.pl/Instytut NW/wirtualna biblioteka/autorzy.htm

43. The Mad Cybrarian's Library: Free Online E-texts - Authors Bl-Bq
Boyd, Belle 18441900 Belle Boyd in Camp and Prison (HTML and TEI at UNC). Boyesen, Hjalmar Hjorth 1848-1895 Boyhood in Norway (UVa) 1892. Illustrations.
http://www.fortunecity.com/victorian/richmond/88/1libbl.htm
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The Mad Cybrarian's Library
Authors: Bl-Bq
Hugh Black: Black Liberation Army: Blackbird, Andrew J.: Blackburn, Grace :[aka 'Fanfan'] (-1928)
  • Biography at Celebration of Women Writers
  • Blackford, John: Blackmore, R. D. [Richard Doddridge], 1825-1900 Blades, J. Chris, ed.: Blades, William Blake, John Lauris:

    44. The Norwegian-American Historical Association, Northfield, MN
    Hjalmar Hjorth Boyesen (18481895), novelist, poet, critic, and professor of Germanic literature at Cornell and Columbia universities, enjoys the distinction
    http://www.naha.stolaf.edu/publications/volume24/vol24_7.html

    Publications

    Volume 17

    Volume 18

    Volume 19
    ...
    more volumes

    Hamsun and America
    by Sverre Arestad (Volume 24: Page 148)
    The modest purpose of this contribution is to present in translation four short stories and a summary of a fifth — whose length precludes its inclusion — which set forth in fictional form some of the experiences of Knut Hamsun in America. First, however, it is best to place this well-known author in the larger context of Norwegian-American literary relations from about 1880 to the present. Hamsun’s short stories on American themes leave an [153] entirely different impression on the reader from that presented in The Cultural Life. They were published at about the same time as the accounts of Russia and the Near East, but this fact hardly explains the difference in tone and spirit. The difference is surely rooted in the fact that, in the one instance, Hamsun is a "critic," and that, in the other, he is a creative writer. Hamsun’s concern is, of course, with the people — people who are brought vividly and fascinatingly to mind. The stories also tell us a good deal about Hamsun himself, as he views a panorama of life with a tolerant and mildly ironic attitude.

    45. Ó¢ÃÀÎÄѧ
    of the Gypsies of Spain James Boswell (17401795) Life of Johnson BM Bower(1874-1940) Jean of the Lazy A Hjalmar Hjorth Boyesen (1848-1895) Boyhood in
    http://epizza.nease.net/sbpage/lttr2.htm
    English P izza Land
    http://epizza.nease.net
    A land of English learning and teaching resources and reference

    Email

    Me
    Ó¢ÀÎÄѧ(English and American Literature)(2) http://usa.dongyu.net.cn/Literature/index.htm
    http://eserver.org/fiction/

    http://medindex.myetang.com/Estudy.htm

    http://www.readersonline.net

    bartleby http://bartleby.com/
    Middle English literature http://www.luminarium.org/medlit/
    Middle English Collection http://etext.lib.virginia.edu/mideng.browse.html
    Author's Calendar http://www.kirjasto.sci.fi/calendar.htm L iterature archive http://classics.mit.edu/ 100 most popular classics http://www.bookrags.com/ebooks/100.html Edwin A. Abbott (1838-1926) Flatland Jane Addams (1860-1935) Twenty Years at Hull House Louise May Alcott (1832-1888) Little Women Good Wives Flower Fables Horatio Alger (1832-1899) The Cash Boy The Errand Boy Joe the Hotel Boy Driven From Home Phil,the Fiddler Paul the Peddler Sherwood Anderson (1876-1941) Winesburg, Ohio

    46. BOYHOOD IN NORWAY STORIES OF BOY-LIFE IN THE LAND OF THE MIDNIGHT
    BOYHOOD IN NORWAY STORIES OF BOYLIFE IN THE LAND OF THE MIDNIGHT SUN BY Hjalmar Hjorth Boyesen CONTENTS THE BATTLE OF THE RAFTS THE CLASH OF ARMS BICEPS
    http://book.nankai.edu.cn/book/english/Hjalmar Hjorth Boyesen(1848-1895)/Boyhood

    47. TALES FROM TWO HEMISPHERES. BY HJALMAR HJORTH BOYSEN. 1877
    TALES FROM TWO HEMISPHERES. BY Hjalmar Hjorth BOYSEN. 1877 CONTENTS THE MAN WHO LOST HIS NAME THE STORY OF AN OUTCAST A GOOD
    http://book.nankai.edu.cn/book/english/Hjalmar Hjorth Boyesen(1848-1895)/Tales F
    TALES FROM TWO HEMISPHERES. BY HJALMAR HJORTH BOYSEN. 1877 CONTENTS THE MAN WHO LOST HIS NAME THE STORY OF AN OUTCAST A GOOD-FOR-NOTHING A SCIENTIFIC VAGABOND TRULS, THE NAMELESS ASATHOR'S VENGEANCE TALES FROM TWO HEMISPHERES. THE MAN WHO LOST HIS NAME. ON the second day of June, 186, a young Norseman, Halfdan Bjerk by name, landed on the pier at Castle Garden. He passed through the straight and narrow gate where he was asked his name, birthplace, and how much money he had,at which he grew very much frightened. "And your destination?"demanded the gruff-looking functionary at the desk. "America," said the youth, and touched his hat politely. "Do you think I have time for joking?" roared the official, with an oath. The Norseman ran his hand through his hair, smiled his timidly conciliatory smile, and tried his best to look brave; but his hand trembled and his heart thumped away at an alarmingly quickened tempo. "Put him down for Nebraska!" cried a stout red-cheeked individual (inwrapped in the mingled fumes of tobacco and whisky) whose function it was to open and shut the gate. "There aint many as go to Nebraska." "All right, Nebraska." The gate swung open and the pressure from behind urged the timid traveler on, while an extra push from the gate-keeper sent him flying in the direction of a board fence, where he sat down and tried to realize that he was now in the land of liberty. Halfdan Bjerk was a tall, slender-limbed youth of very delicate frame; he had a pair of wonderfully candid, unreflecting blue eyes, a smooth, clear, beardless face, and soft, wavy light hair, which was pushed back from his forehead without parting. His mouth and chin were well cut, but their lines were, perhaps, rather weak for a man. When in repose, the ensemble of his features was exceedingly pleasing and somehow reminded one of Correggio's St. John. He had left his native land because he was an ardent republican and was abstractly convinced that man, generically and individually, lives more happily in a republic than in a monarchy. He had anticipated with keen pleasure the large, freely breathing life he was to lead in a land where every man was his neighbor's brother, where no senseless traditions kept a jealous watch over obsolete systems and shrines, and no chilling prejudice blighted the spontaneous blossoming of the soul. Halfdan was an only child. His father, a poor government official, had died during his infancy, and his mother had given music lessons, and kept boarders, in order to gain the means to give her son what is called a learned education. In the Latin school Halfdan had enjoyed the reputation of being a bright youth, and at the age of eighteen, he had entered the university under the most promising auspices. He could make very fair verses, and play all imaginable instruments with equal ease, which made him a favorite in society. Moreover, he possessed that very old-fashioned accomplishment of cutting silhouettes; and what was more, he could draw the most charmingly fantastic arabesques for embroidery patterns, and he even dabbled in portrait and landscape painting. Whatever he turned his hand to, he did well, in fact, astonishingly well for a dilettante, and yet not well enough to claim the title of an artist. Nor did it ever occur to him to make such a claim. As one of his fellow-students remarked in a fit of jealousy, "Once when Nature had made three geniuses, a poet, a musician, and a painter, she took all the remaining odds and ends and shook them together at random and the result was Halfdan Bjerk." This agreeable melange of accomplishments, however, proved very attractive to the ladies, who invited the possessor to innumerable afternoon tea-parties, where they drew heavy drafts on his unflagging patience, and kept him steadily engaged with patterns and designs for embroidery, leather flowers, and other dainty knickknacks. And in return for all his exertions they called him "sweet" and "beautiful," and applied to him many other enthusiastic adjectives seldom heard in connection with masculine names. In the university, talents of this order gained but slight recognition, and when Halfdan had for three years been preparing himself in vain for the examen philosophicum, he found himself slowly and imperceptibly drifting into the ranks of the so-called studiosi perpetui, who preserve a solemn silence at the examination tables, fraternize with every new generation of freshmen, and at last become part of the fixed furniture of their Alma Mater. In the larger American colleges, such men are mercilessly dropped or sent to a Divinity School; but the European universities, whose tempers the centuries have mellowed, harbor in their spacious Gothic bosoms a tenderer heart for their unfortunate sons. There the professors greet them at the green tables with a good-humored smile of recognition; they are treated with gentle forbearance, and are allowed to linger on, until they die or become tutors in the families of remote clergymen, where they invariably fall in love with the handsomest daughter, and thus lounge into a modest prosperity. If this had been the fate of our friend Bjerk, we should have dismissed him here with a confident "vale" on his life's pilgrimage. But, unfortunately, Bjerk was inclined to hold the government in some way responsible for his own poor success as a student, and this, in connection with an aesthetic enthusiasm for ancient Greece, gradually convinced him that the republic was the only form of government under which men of his tastes and temperament were apt to flourish. It was, like everything that pertained to him, a cheerful, genial conviction, without the slightest tinge of bitterness. The old institutions were obsolete, rotten to the core, he said, and needed a radical renovation. He could sit for hours of an evening in the Students' Union, and discourse over a glass of mild toddy, on the benefits of universal suffrage and trial by jury, while the picturesqueness of his language, his genial sarcasms, or occasional witty allusions would call forth uproarious applause from throngs of admiring freshmen. These were the sunny days in Halfdan's career, days long to be remembered. They came to an abrupt end when old Mrs. Bjerk died, leaving nothing behind her but her furniture and some trifling debts. The son, who was not an eminently practical man, underwent long hours of misery in trying to settle up her affairs, and finally in a moment of extreme dejection sold his entire inheritance in a lump to a pawnbroker (reserving for himself a few rings and trinkets) for the modest sum of 250 dollars specie. He then took formal leave of the Students' Union in a brilliant speech, in which he traced the parallelisms between the lives of Pericles and Washington, in his opinion the two greatest men the world had ever seen,expounded his theory of democratic government, and explained the causes of the rapid rise of the American Republic. The next morning he exchanged half of his worldly possessions for a ticket to New York, and within a few days set sail for the land of promise, in the far West. II. From Castle Garden, Halfdan made his way up through Greenwich street, pursued by a clamorous troop of confidence men and hotel runners. "Kommen Sie mit mir. Ich bin auch Deutsch," cried one. "Voila, voila, je parle Francais," shouted another, seizing hold of his valise. "Jeg er Dansk. Tale Dansk,"[1] roared a third, with an accent which seriously impeached his truthfulness. In order to escape from these importunate rascals, who were every moment getting bolder, he threw himself into the first street-car which happened to pass; he sat down, gazed out of the windows and soon became so thoroughly absorbed in the animated scenes which moved as in a panorama before his eyes, that he quite forgot where he was going. The conductor called for fares, and received an English shilling, which, after some ineffectual expostulation, he pocketed, but gave no change. At last after about an hour's journey, the car stopped, the conductor called out "Central Park," and Halfdan woke up with a start. He dismounted with a timid, deliberate step, stared in dim bewilderment at the long rows of palatial residences, and a chill sense of loneliness crept over him. The hopeless strangeness of everything he saw, instead of filling him with rapture as he had once anticipated, Sent a cold shiver to his heart. It is a very large affair, this world of oursa good deal larger than it appeared to him gazing out upon it from his snug little corner up under the Pole; and it was as unsympathetic as it was large; he suddenly felt what he had never been aware of before that he was a very small part of it and of very little account after all. He staggered over to a bench at the entrance to the park, and sat long watching the fine carriages as they dashed past him; he saw the handsome women in brilliant costumes laughing and chatting gayly; the apathetic policemen promenading in stoic dignity up and down upon the smooth pavements; the jauntily attired nurses, whom in his Norse innocence he took for mothers or aunts of the chil- dren, wheeling baby-carriages which to Norse eyes seemed miracles of dainty ingenuity, under the shady crowns of the elm-trees. He did not know how long he had been sitting there, when a little bright-eyed girl with light kid gloves, a small blue parasol and a blue polonaise, quite a lady of fashion en miniature, stopped in front of him and stared at him in shy wonder. He had always been fond of children, and often rejoiced in their affectionate ways and confidential prattle, and now it suddenly touched him with a warm sense of human fellowship to have this little daintily befrilled and crisply starched beauty single him out for notice among the hundreds who reclined in the arbors, or sauntered to and fro under the great trees. [1] "I am a Dane. I speak Danish." "What is your name, my little girl?" he asked, in a tone of friendly interest. "Clara," answered the child, hesitatingly; then, having by another look assured herself of his harmlessness, she added: "How very funny you speak!" "Yes," he said, stooping down to take he tiny begloved hand. "I do not speak as well as you do, yet; but I shall soon learn." Clara looked puzzled. "How old are you?" she asked, raising her parasol, and throwing back her head with an air of superiority. "I am twenty-four years old." She began to count half aloud on her fingers: "One, two, three, four," but, before she reached twenty, she lost her patience. "Twenty-four," she exclaimed, "that is a great deal. I am only seven, and papa gave me a pony on my birthday. Have you got a pony?" "No; I have nothing but what is in this valise, and you know I could not very well get a pony into it." Clara glanced curiously at the valise and laughed; then suddenly she grew serious again, put her hand into her pocket and seemed to be searching eagerly for something. Presently she hauled out a small porcelain doll's head, then a red-painted block with letters on it, and at last a penny. "Do you want them?" she said, reaching him her treasures in both hands. "You may have them all." Before he had time to answer, a shrill, penetrating voice cried out: "Why, gracious! child, what are you doing ? " And the nurse, who had been deeply absorbed in "The New York Ledger," came rushing up, snatched the child away, and retreated as hastily as she had come. Halfdan rose and wandered for hours aimlessly along the intertwining roads and footpaths. He visited the menageries, admired the statues, took a very light dinner, consisting of coffee, sandwiches, and ice, at the Chinese Pavilion, and, toward evening, discovered an inviting leafy arbor, where he could withdraw into the privacy of his own thoughts, and ponder upon the still unsolved problem of his destiny. The little incident with the child had taken the edge off his unhappiness and turned him into a more conciliatory mood toward himself and the great pitiless world, which seemed to take so little notice of him. And he, who had come here with so warm a heart and so ardent a will to join in the great work of human advancementto find himself thus harshly ignored and buffeted about, as if he were a hostile intruder! Before him lay the huge unknown city where human life pulsated with large, full heart-throbs, where a breathless, weird intensity, a cold, fierce passion seemed to be hurrying everything onward in a maddening whirl, where a gentle, warm- blooded enthusiast like himself had no place and could expect naught but a speedy destruction. A strange, unconquerable dread took possession of him, as if he had been caught in a swift, strong whirlpool, from which he vainly struggled to escape. He crouched down among the foliage and shuddered. He could not return to the city. No, no: he never would return. He would remain here hidden and unseen until morning, and then he would seek a vessel bound for his dear native land, where the great mountains loomed up in serene majesty toward the blue sky, where the pine-forests whispered their dreamily sympathetic legends, in the long summer twilights, where human existence flowed on in calm beauty with the modest aims, small virtues, and small vices which were the happiness of modest, idyllic souls. He even saw himself in spirit recounting to his astonished countrymen the wonderful things he had heard and seen during his foreign pilgrimage, and smiled to himself as he imagined their wonder when he should tell them about the beautiful little girl who had been the first and only one to offer him a friendly greeting in the strange land. During these reflections he fell asleep, and slept soundly for two or three hours. Once, he seemed to hear footsteps and whispers among the trees, and made an effort to rouse himself, but weariness again overmastered him and he slept on. At last, he felt himself seized violently by the shoulders, and a gruff voice shouted in his ear: "Get up, you sleepy dog." He rubbed his eyes, and, by the dim light of the moon, saw a Herculean policeman lifting a stout stick over his head. His former terror came upon him with increased violence, and his heart stood for a moment still, then, again, hammered away as if it would burst his sides. "Come along!" roared the policeman, shaking him vehemently by the collar of his coat. In his bewilderment he quite forgot where he was, and, in hurried Norse sentences, assured his persecutor that he was a harmless, honest traveler, and implored him to release him. But the official Hercules was inexorable. "My valise, my valise;" cried Halfdan. "Pray let me get my valise." They returned to the place where he had slept, but the valise was nowhere to be found. Then, with dumb despair he resigned himself to his fate, and after a brief ride on a street-car, found himself standing in a large, low-ceiled room; he covered his face with his hands and burst into tears. "The grand-the happy republic," he murmured, "spontaneous blossoming of the soul. Alas! I have rooted up my life; I fear it will never blossom." All the high-flown adjectives he had employed in his parting speech in the Students' Union, when he paid his enthusiastic tribute to the Grand Republic, now kept recurring to him, and in this moment the paradox seemed cruel. The Grand Republic, what did it care for such as he? A pair of brawny arms fit to wield the pick-axe and to steer the plow it received with an eager welcome; for a child-like, loving heart and a generously fantastic brain, it had but the stern greeting of the law. III. The next morning, Halfdan was released from the Police Station, having first been fined five dollars for vagrancy. All his money, with the exception of a few pounds which he had exchanged in Liverpool, he had lost with his valise, and he had to his knowledge not a single acquaintance in the city or on the whole continent. In order to increase his capital he bought some fifty "Tribunes," but, as it was already late in the day, he hardly succeeded in selling a single copy. The next morning, he once more stationed himself on the corner of Murray street and Broadway, hoping in his innocence to dispose of the papers he had still on hand from the previous day, and actually did find a few customers among the people who were jumping in and out of the omnibuses that passed up and down the great thoroughfare. To his surprise, however, one of these gentlemen returned to him with a very wrathful countenance, shook his fist at him, and vociferated with excited gestures something which to Halfdan's ears had a very unintelligible sound. He made a vain effort to defend himself; the situation appeared so utterly incomprehensible to him, and in his dumb helplessness he looked pitiful enough to move the heart of a stone. No English phrase suggested itself to him, only a few Norse interjections rose to his lips. The man's anger suddenly abated; he picked up the paper which he had thrown on the sidewalk, and stood for a while regarding Halfdan curiously. "Are you a Norwegian?" he asked. "Yes, I came from Norway yesterday." "What's your name?" "Halfdan Bjerk." "Halfdan Bjerk! My stars! Who would have thought of meeting you here! You do not recognize me, I suppose." Halfdan declared with a timid tremor in his voice that he could not at the moment recall his features. "No, I imagine I must have changed a good deal since you saw me," said the man, suddenly dropping into Norwegian. "I am Gustav Olson, I used to live in the same house with you once, but that is long ago now." Gustav Olsonto be sure, he was the porter's son in the house, where his mother had once during his childhood, taken a flat. He well remembered having clandestinely traded jack- knives and buttons with him, in spite of the frequent warnings he had received to have nothing to do with him; for Gustav, with his broad freckled face and red hair, was looked upon by the genteel inhabitants of the upper flats as rather a disreputable character. He had once whipped the son of a colonel who had been impudent to him, and thrown a snow-ball at the head of a new-fledged lieutenant, which offenses he had duly expiated at a house of correction. Since that time he had vanished from Halfdan's horizon. He had still the same broad freckled face, now covered with a lusty growth of coarse red beard, the same rebellious head of hair, which refused to yield to the subduing influences of the comb, the same plebeian hands and feet, and uncouth clumsiness of form. But his linen was irreproachable, and a certain dash in his manner, and the loud fashionableness of his attire, gave unmistakable evidences of prosperity. "Come, Bjerk," said he in a tone of good- fellowship, which was not without its sting to the idealistic republican, "you must take up a better business than selling yesterday's `Tribune.' That won't pay here, you know. Come along to our office and I will see if something can't be done for you." "But I should be sorry to give you trouble," stammered Halfdan, whose native pride, even in his present wretchedness, protested against accepting a favor from one whom he had been wont to regard as his inferior. "Nonsense, my boy. Hurry up, I haven't much time to spare. The office is only two blocks from here. You don't look as if you could afford to throw away a friendly offer." The last words suddenly roused Halfdan from his apathy; for he felt that they were true. A drowning man cannot afford to make nice distinctionscannot afford to ask whether the helping hand that is extended to him be that of an equal or an inferior. So he swallowed his humiliation and threaded his way through the bewildering turmoil of Broadway, by the side of his officious friend. They entered a large, elegantly furnished office, where clerks with sleek and severely apathetic countenances stood scribbling at their desks. "You will have to amuse yourself as best you can," said Olson. "Mr. Van Kirk will be here in twenty minutes. I haven't time to entertain you." A dreary half hour passed. Then the door opened and a tall, handsome man, with a full grayish beard, and a commanding presence, entered and took his seat at a desk in a smaller adjoining office. He opened, with great dispatch, a pile of letters which lay on the desk before him, called out in a sharp, ringing tone for a clerk, who promptly appeared, handed him half-a-dozen letters, accompanying each with a brief direction, took some clean paper from a drawer and fell to writing. There was something brisk, determined, and business-like in his manner, which made it seem very hopeless to Halfdan to appear before him as a petitioner. Presently Olson entered the private office, closing the door behind him, and a few minutes later re-appeared and summoned Halfdan into the chief's presence. "You are a Norwegian, I hear," said the merchant, looking around over his shoulder at the supplicant, with a preoccupied air. "You want work. What can you do?" What can you do? A fatal question. But here was clearly no opportunity for mental debate. So, summoning all his courage, but feeling nevertheless very faint, he answered: "I have passed both examen artium and philosophicum,[2] and got my laud clear in the former, but in the latter haud on the first point." [2] Examen artium is the entrance examination to the Norwegian University, and philosophicum the first degree. The ranks given at these are Laudabilis prae ceteris (in student's parlance, prae), laudabilis or laud, haud illaudabilis, or haud, etc. Mr. Van Kirk wheeled round on his chair and faced the speaker: "That is all Greek to me," he said, in a severe tone. "Can you keep accounts?" "No. I am afraid not." Keeping accounts was not deemed a classical accomplishment in Norway. It was only "trade- rats" who troubled themselves about such gross things, and if our Norseman had not been too absorbed with the problem of his destiny, he would have been justly indignant at having such a question put to him. "Then you don't know book-keeping?" "I think not. I never tried it." "Then you may be sure you don't know it. But you must certainly have tried your hand at something. Is there nothing you can think of which might help you to get a living?" "I can play the pianoandand the violin." "Very well, then. You may come this afternoon to my house. Mr. Olson will tell you the address. I will give you a note to Mrs. Van Kirk. Perhaps she will engage you as a music teacher for the children. Good morning." IV. At half-past four o'clock in the afternoon, Halfdan found himself standing in a large, dimly lighted drawing-room, whose brilliant upholstery, luxurious carpets, and fantastically twisted furniture dazzled and bewildered his senses. All was so strange, so strange; nowhere a familiar object to give rest to the wearied eye. Wherever he looked he saw his shabbily attired figure repeated in the long crystal mirrors, and he became uncomfortably conscious of his threadbare coat, his uncouth boots, and the general incongruity of his appearance. With every moment his uneasiness grew; and he was vaguely considering the propriety of a precipitate flight, when the rustle of a dress at the farther end of the room startled him, and a small, plump lady, of a daintily exquisite form, swept up toward him, gave a slight inclination of her head, and sank down into an easy-chair: "You are Mr. , the Norwegian, who wishes to give music lessons?" she said, holding a pair of gold-framed eyeglasses up to her eyes, and running over the note which she held in her hand. It read as follows: DEAR MARTHA,The bearer of this note is a young Norwegian, I forgot to ascertain his name, a friend of Olson's. He wishes to teach music. If you can help the poor devil and give him something to do, you will oblige, Yours, H. V. K. Mrs. Van Kirk was evidently, by at least twelve years, her husband's junior, and apparently not very far advanced in the forties. Her blonde hair, which was freshly crimped, fell lightly over her smooth, narrow forehead; her nose, mouth and chin had a neat distinctness of outline; her complexion was either naturally or artificially perfect, and her eyes, which were of the purest blue, had, owing to their near-sightedness, a certain pinched and scrutinizing look. This look, which was without the slightest touch of severity, indicating merely a lively degree of interest, was further emphasized by three small perpendicular wrinkles, which deepened and again relaxed according to the varying intensity of observation she bestowed upon the object which for the time engaged her attention. "Your name, if you please?" said Mrs. Van Kirk, having for awhile measured her visitor with a glance of mild scrutiny. "Halfdan Bjerk." "Half-dan B, how do you spell that?" "B-j-e-r-k." "B-jerk. Well, but I mean, what is your name in English?" Halfdan looked blank, and blushed to his ears. "I wish to know," continued the lady energetically, evidently anxious to help him out, "what your name would mean in plain English. Bjerk, it certainly must mean something." "Bjerk is a treea birch-tree." "Very well, Birch,that is a very respectable name. And your first name? What did you say that was? "H-a-l-f-d-a-n." "Half Dan. Why not a whole Dan and be done with it? Dan Birch, or rather Daniel Birch. Indeed, that sounds quite Christian." "As you please, madam," faltered the victim,; looking very unhappy. "You will pardon my straightforwardness, won't you? B-jerk. I could never pronounce that, you know." "Whatever may be agreeable to you, madam, will be sure to please me." "That is very well said. And you will find that it always pays to try to please me. And you wish to teach music? If you have no objection I will call my oldest daughter. She is an excellent judge of music, and if your playing meets with her approval, I will engage you, as my husband suggests, not to teach Edith, you understand, but my youngest child, Clara." Halfdan bowed assent, and Mrs. Van Kirk rustled out into the hall where she rang a bell, and re-entered. A servant in dress-coat appeared, and again vanished as noiselessly as he had come. To our Norseman there was some thing weird and uncanny about these silent entrances and exits; he could hardly suppress a shudder. He had been accustomed to hear the clatter of people's heels upon the bare floors, as they approached, and the audible crescendo of their footsteps gave one warning, and prevented one from being taken by surprise. While absorbed in these reflections, his senses must have been dormant; for just then Miss Edith Van Kirk entered, unheralded by anything but a hovering perfume, the effect of which was to lull him still deeper into his wondering abstraction. "Mr. Birch," said Mrs. Van Kirk, "this is my daughter Miss Edith," and as Halfdan sprang to his feet and bowed with visible embarrassment, she continued: "Edith, this is Mr. Daniel Birch, whom your father has sent here to know if he would be serviceable as a music teacher for Clara. And now, dear, you will have to decide about the merits of Mr. Birch. I don't know enough about music to be anything of a judge." "If Mr. Birch will be kind enough to play," said Miss Edith with a languidly musical intonation," I shall be happy to listen to him." Halfdan silently signified his willingness and followed the ladies to a smaller apartment which was separated from the drawing-room by folding doors. The apparition of the beautiful young girl who was walking at his side had suddenly filled him with a strange burning and shuddering happiness; he could not tear his eyes away from her; she held him as by a powerful spell. And still, all the while he had a painful sub-consciousness of his own unfortunate appearance, which was thrown into cruel relief by her splendor. The tall, lithe magnificence of her form, the airy elegance of her toilet, which seemed the perfection of self-concealing art, the elastic deliberateness of her stepall wrought like a gentle, deliciously soothing opiate upon the Norseman's fancy and lifted him into hitherto unknown regions of mingled misery and bliss. She seemed a combination of the most divine contradictions, one moment supremely conscious, and in the next adorably child-like and simple, now full of arts and coquettish innuendoes, then again na vely reached him her hand; "my father's name is Lage Ulfson Kvaerk; he lives in the large house you see straight before you, there on the hill; and my mother lives there too." And hand in hand they walked together, where a path had been made between two adjoining rye-fields; his serious smile seemed to grow milder and happier, the longer he lingered at her side, and her eye caught a ray of more human intelligence, as it rested on him. "What do you do up here in the long winter?" asked he, after a pause. "We sing," answered she, as it were at ran- dom, because the word came into her mind; "and what do you do, where you come from?" "I gather song." "Have you ever heard the forest sing?" asked she, curiously. "That is why I came here." And again they walked on in silence. It was near midnight when they entered the large hall at Kvaerk. Aasa went before, still leading the young man by the hand. In the twilight which filled the house, the space between the black, smoky rafters opened a vague vista into the region of the fabulous, and every object in the room loomed forth from the dusk with exaggerated form and dimensions. The room appeared at first to be but the haunt of the spirits of the past; no human voice, no human footstep, was heard; and the stranger instinctively pressed the hand he held more tightly; for he was not sure but that he was standing on the boundary of dream-land, and some elfin maiden had reached him her hand to lure him into her mountain, where he should live with her forever. But the illusion was of brief duration; for Aasa's thoughts had taken a widely different course; it was but seldom she had found herself under the necessity of making a decision; and now it evidently devolved upon her to find the stranger a place of rest for the night; so instead of an elf-maid's kiss and a silver palace, he soon found himself huddled into a dark little alcove in the wall, where he was told to go to sleep, while Aasa wandered over to the empty cow-stables, and threw herself down in the hay by the side of two sleeping milkmaids. III. There was not a little astonishment manifested among the servant-maids at Kvaerk the next morning, when the huge, gaunt figure of a man was seen to launch forth from Aasa's alcove, and the strangest of all was, that Aasa herself appeared to be as much astonished as the rest. And there they stood, all gazing at the bewildered traveler, who indeed was no less startled than they, and as utterly unable to account for his own sudden apparition. After a long pause, he summoned all his courage, fixed his eyes intently on the group of the girls, and with a few rapid steps advanced toward Aasa, whom he seized by the hand and asked, "Are you not my maiden of yester-eve?" She met his gaze firmly, and laid her hand on her forehead as if to clear her thoughts; as the memory of the night flashed through her mind, a bright smile lit up her features, and she answered, "You are the man who gathers song. Forgive me, I was not sure but it was all a dream; for I dream so much." Then one of the maids ran out to call Lage Ulfson, who had gone to the stables to harness the horses; and he came and greeted the unknown man, and thanked him for last meeting, as is the wont of Norse peasants, although they had never seen each other until that morning. But when the stranger had eaten two meals in Lage's house, Lage asked him his name and his father's occupation; for old Norwegian hospitality forbids the host to learn the guest's name before he has slept and eaten under his roof. It was that same afternoon, when they sat together smoking their pipes under the huge old pine in the yard,it was then Lage inquired about the young man's name and family; and the young man said that his name was Trond Vigfusson, that he had graduated at the University of Christiania, and that his father had been a lieutenant in the army; but both he and Trond's mother had died, when Trond was only a few years old. Lage then told his guest Vigfusson something about his family, but of the legend of Asathor and Saint Olaf he spoke not a word. And while they were sitting there talking together, Aasa came and sat down at Vigfusson's feet; her long golden hair flowed in a waving stream down over her back and shoulders, there was a fresh, healthful glow on her cheeks, and her blue, fathomless eyes had a strangely joyous, almost triumphant expression. The father's gaze dwelt fondly upon her, and the collegian was but conscious of one thought: that she was wondrously beautiful. And still so great was his natural timidity and awkwardness in the presence of women, that it was only with the greatest difficulty he could master his first impulse to find some excuse for leaving her. She, however, was aware of no such restraint. "You said you came to gather song," she said; "where do you find it? for I too should like to find some new melody for my old thoughts; I have searched so long." "I find my songs on the lips of the people," answered he, "and I write them down as the maidens or the old men sing them." She did not seem quite to comprehend that. "Do you hear maidens sing them?" asked she, astonished. "Do you mean the troll-virgins and the elf-maidens?" "By troll-virgins and elf-maidens, or what the legends call so, I understand the hidden and still audible voices of nature, of the dark pine forests, the legend-haunted glades, and the silent tarns; and this was what I referred to when I answered your question if I had ever heard the forest sing." "Oh, oh!" cried she, delighted, and clapped her hands like a child; but in another moment she as suddenly grew serious again, and sat steadfastly gazing into his eye, as if she were trying to look into his very soul and there to find something kindred to her own lonely heart. A minute ago her presence had embarrassed him; now, strange to say, he met her eye, and smiled happily as he met it. "Do you mean to say that you make your living by writing songs?" asked Lage. "The trouble is," answered Vigfusson, "that I make no living at all; but I have invested a large capital, which is to yield its interest in the future. There is a treasure of song hidden in every nook and corner of our mountains and forests, and in our nation's heart. I am one of the miners who have come to dig it out before time and oblivion shall have buried every trace of it, and there shall not be even the will-o'-the- wisp of a legend to hover over the spot, and keep alive the sad fact of our loss and our blamable negligence." Here the young man paused; his eyes gleamed, his pale cheeks flushed, and there was a warmth and an enthusiasm in his words which alarmed Lage, while on Aasa it worked like the most potent charm of the ancient mystic runes; she hardly comprehended more than half of the speaker's meaning, but his fire and eloquence were on this account none the less powerful. "If that is your object," remarked Lage, "I think you have hit upon the right place in coming here. You will be able to pick up many an odd bit of a story from the servants and others hereabouts, and you are welcome to stay here with us as long as you choose." Lage could not but attribute to Vigfusson the merit of having kept Aasa at home a whole day, and that in the month of midsummer. And while he sat there listening to their conversation, while he contemplated the delight that beamed from his daughter's countenance and, as he thought, the really intelligent expression of her eyes, could he conceal from himself the pa- ternal hopes that swelled his heart? She was all that was left him, the life or the death of his mighty race. And here was one who was likely to understand her, and to whom she seemed willing to yield all the affection of her warm but wayward heart. Thus ran Lage Ulfson's reflections; and at night he had a little consultation with Elsie, his wife, who, it is needless to add, was no less sanguine than he. "And then Aasa will make an excellent housewife, you know," observed Elsie. "I will speak to the girl about it to-morrow." "No, for Heaven's sake, Elsie!" exclaimed Lage, "don't you know your daughter better than that? Promise me, Elsie, that you will not say a single word; it would be a cruel thing, Elsie, to mention anything to her. She is not like other girls, you know." "Very well, Lage, I shall not say a single word. Alas, you are right, she is not like other girls." And Elsie again sighed at her husband's sad ignorance of a woman's nature, and at the still sadder fact of her daughter's inferiority to the accepted standard of womanhood. IV. Trond Vigfusson must have made a rich harvest of legends at Kvaerk, at least judging by the time he stayed there; for days and weeks passed, and he had yet said nothing of going. Not that anybody wished him to go; no, on the contrary, the longer he stayed the more indispensable he seemed to all; and Lage Ulfson could hardly think without a shudder of the possibility of his ever having to leave them. For Aasa, his only child, was like another being in the presence of this stranger; all that weird, forest-like intensity, that wild, half supernatural tinge in her character which in a measure excluded her from the blissful feeling of fellowship with other men, and made her the strange, lonely creature she was,all this seemed to vanish as dew in the morning sun when Vigfusson's eyes rested upon her; and with every day that passed, her human and womanly nature gained a stronger hold upon her. She followed him like his shadow on all his wanderings, and when they sat down together by the wayside, she would sing, in a clear, soft voice, an ancient lay or ballad, and he would catch her words on his paper, and smile at the happy prospect of perpetuating what otherwise would have been lost. Aasa's love, whether conscious or not, was to him an everlasting source of strength, was a revelation of himself to himself, and a clearing and widening power which brought ever more and more of the universe within the scope of his vision. So they lived on from day to day and from week to week, and, as old Lage remarked, never had Kvaerk been the scene of so much happiness. Not a single time during Vigfusson's stay had Aasa fled to the forest, not a meal had she missed, and at the hours for family devotion she had taken her seat at the big table with the rest and apparently listened with as much attention and interest. Indeed, all this time Aasa seemed purposely to avoid the dark haunts of the woods, and, whenever she could, chose the open highway; not even Vigfusson's entreaties could induce her to tread the tempting paths that led into the forest's gloom. "And why not, Aasa?" he would say; "summer is ten times summer there when the drowsy noonday spreads its trembling maze of shadows between those huge, venerable trunks. You can feel the summer creeping into your very heart and soul, there!" "Oh, Vigfusson," she would answer, shaking her head mournfully, "for a hundred paths that lead in, there is only one that leads out again, and sometimes even that one is nowhere to be found." He understood her not, but fearing to ask, he remained silent. His words and his eyes always drew her nearer and nearer to him; and the forest and its strange voices seemed a dark, opposing influence, which strove to take possession of her heart and to wrest her away from him forever; she helplessly clung to him; every thought and emotion of her soul clustered about him, and every hope of life and happiness was staked on him. One evening Vigfusson and old Lage Ulfson had been walking about the fields to look at the crop, both smoking their evening pipes. But as they came down toward the brink whence the path leads between the two adjoining rye- fields, they heard a sweet, sad voice crooning some old ditty down between the birch-trees at the precipice; they stopped to listen, and soon recognized Aasa's yellow hair over the tops the rye; the shadow as of a painful emotion flitted over the father's countenance, and he turned his back on his guest and started to go; then again paused, and said, imploringly, "Try to get her home if you can, friend Vigfusson.' Vigfusson nodded, and Lage went; the song had ceased for a moment, now it began again: "Ye twittering birdlings, in forest and glen I have heard you so gladly before; But a bold knight hath come to woo me, I dare listen to you no more. For it is so dark, so dark in the forest. "And the knight who hath come a-wooing to me, He calls me his love and his own; Why then should I stray through the darksome woods, Or dream in the glades alone? For it is so dark, so dark in the forest." Her voice fell to a low unintelligible murmur; then it rose, and the last verses came, clear, soft, and low, drifting on the evening breeze: "Yon beckoning world, that shimmering lay O'er the woods where the old pines grow, That gleamed through the moods of the summer day When the breezes were murmuring low (And it is so dark, so dark in the forest); "Oh let me no more in the sunshine hear Its quivering noonday call; The bold knight's love is the sun of my heart Is my life, and my all in all. But it is so dark, so dark in the forest." The young man felt the blood rushing to his facehis heart beat violently. There was a keen sense of guilt in the blush on his cheek, a loud accusation in the throbbing pulse and the swelling heart-beat. Had he not stood there behind the maiden's back and cunningly peered into her soul's holy of holies? True, he loved Aasa; at least he thought he did, and the conviction was growing stronger with every day that passed. And now he had no doubt that he had gained her heart. It was not so much the words of the ballad which had betrayed the secret; he hardly knew what it was, but somehow the truth had flashed upon him, and he could no longer doubt. Vigfusson sat down on the moss-grown rock and pondered. How long he sat there he did not know, but when he rose and looked around, Aasa was gone. Then remembering her father's request to bring her home, he hastened up the hill-side toward the mansion, and searched for her in all directions. It was near midnight when he returned to Kvaerk, where Aasa sat in her high gable window, still humming the weird melody of the old ballad. By what reasoning Vigfusson arrived at his final conclusion is difficult to tell. If he had acted according to his first and perhaps most generous impulse, the matter would soon have been decided; but he was all the time possessed of a vague fear of acting dishonorably, and it was probably this very fear which made him do what, to the minds of those whose friendship and hospitality he had accepted, had something of the appearance he wished so carefully to avoid. Aasa was rich; he had nothing; it was a reason for delay, but hardly a conclusive one. They did not know him; he must go out in the world and prove himself worthy of her. He would come back when he should have compelled the world to respect him; for as yet he had done nothing. In fact, his arguments were good and honorable enough, and there would have been no fault to find with him, had the object of his love been as capable of reasoning as he was himself. But Aasa, poor thing, could do nothing by halves; a nature like hers brooks no delay; to her love was life or it was death. The next morning he appeared at breakfast with his knapsack on his back, and otherwise equipped for his journey. It was of no use that Elsie cried and begged him to stay, that Lage joined his prayers to hers, and that Aasa stood staring at him with a bewildered gaze. Vigfusson shook hands with them all, thanked them for their kindness to him, and promised to return; he held Aasa's hand long in his, but when he released it, it dropped helplessly at her side. V. Far up in the glen, about a mile from Kvaerk, ran a little brook; that is, it was little in summer and winter, but in the spring, while the snow was melting up in the mountains, it overflowed the nearest land and turned the whole glen into a broad and shallow river. It was easy to cross, however; a light foot might jump from stone to stone, and be over in a minute. Not the hind herself could be lighter on her foot than Aasa was; and even in the spring-flood it was her wont to cross and recross the brook, and to sit dreaming on a large stone against which the water broke incessantly, rushing in white torrents over its edges. Here she sat one fair summer daythe day after Vigfusson's departure. It was noon, and the sun stood high over the forest. The water murmured and murmured, babbled and whispered, until at length there came a sudden unceasing tone into its murmur, then another, and it sounded like a faint whispering song of small airy beings. And as she tried to listen, to fix the air in her mind, it all ceased again, and she heard but the monotonous murmuring of the brook. Everything seemed so empty and worthless, as if that faint melody had been the world of the moment. But there it was again; it sung and sung, and the birch overhead took up the melody and rustled it with its leaves, and the grasshopper over in the grass caught it and whirred it with her wings. The water, the trees, the air, were full of it. What a strange melody! Aasa well knew that every brook and river has its Neck, besides hosts of little water-sprites. She had heard also that in the moonlight at midsummer, one might chance to see them rocking in bright little shells, playing among the pebbles, or dancing on the large leaves of the water-lily. And that they could sing also, she doubted not; it was their voices she heard through the murmuring of the brook. Aasa eagerly bent forward and gazed down into the water: the faint song grew louder, paused suddenly, and sprang into life again; and its sound was so sweet, so wonderfully alluring! Down there in the water, where a stubborn pebble kept chafing a precipitous little side current, clear tiny pearl-drops would leap up from the stream, and float half-wonderingly downward from rapid to rapid, until they lost themselves in the whirl of some stronger current. Thus sat Aasa and gazed and gazed, and in one moment she seemed to see what in the next moment she saw not. Then a sudden great hush stole through the forest, and in the hush she could hear the silence calling her name. It was so long since she had been in the forest, it seemed ages and ages ago. She hardly knew herself; the light seemed to be shining into her eyes as with a will and purpose, perhaps to obliterate something, some old dream or memory, or to impart some new powerthe power of seeing the unseen. And this very thought, this fear of some possible loss, brought the fading memory back, and she pressed her hands against her throbbing temples as if to bind and chain it there forever; and it was he to whom her thought returned. She heard his voice, saw him beckoning to her to follow him, and she rose to obey, but her limbs were as petrified, and the stone on which she was sitting held her with the power of a hundred strong arms. The sunshine smote upon her eyelids, and his name was blotted out from her life; there was nothing but emptiness all around her. Gradually the forest drew nearer and nearer, the water bubbled and rippled, and the huge, bare- stemmed pines stretched their long gnarled arms toward her. The birches waved their heads with a wistful nod, and the profile of the rock grew into a face with a long, hooked nose, and a mouth half open as if to speak. And the word that trembled on his lips was, "Come." She felt no fear nor reluctance, but rose to obey. Then and not until then she saw an old man standing at her side; his face was the face of the rock, his white beard flowed to his girdle, and his mouth was half open, but no word came from his lips. There was something in the wistful look of his eye which she knew so well, which she had seen so often, although she could not tell when or where. The old man extended his hand; Aasa took it, and fearlessly or rather spontaneously followed. They approached the steep, rocky wall; as they drew near, a wild, fierce laugh rang through the forest. The features of the old man were twisted as it were into a grin; so also were the features of the rock; but the laugh blew like a mighty blast through the forest. Aasa clung to the old man's hand and followed himshe knew not whither. At home in the large sitting-room at Kvaerk sat Lage, brooding over the wreck of his hopes and his happiness. Aasa had gone to the woods again the very first day after Vigfusson's departure. What would be the end of all this? It was already late in the evening, and she had not returned. The father cast anxious glances toward the door, every time he heard the latch moving. At last, when it was near midnight, he roused all his men from their sleep, and commanded them to follow him. Soon the dusky forests resounded far and near with the blast of horns, the report of guns, and the calling and shouting of men. The affrighted stag crossed and recrossed the path of the hunters, but not a rifle was leveled at its head. Toward morning it was before the sun had yet risenLage, weary and stunned, stood leaning up against a huge fir. Then suddenly a fierce, wild laugh rang through the forest. Lage shuddered, raised his hand slowly and pressed it hard against his forehead, vainly struggling to clear his thoughts. The men clung fearfully together; a few of the more courageous ones drew their knives and made the sign of the cross with them in the air. Again the same mad laugh shook the air, and swept over the crowns of the pine-trees. Then Lage lifted his eyes toward heaven and wrung his hands: for the awful truth stood before him. He remained a long while leaning against that old fir as in a dead stupor; and no one dared to arouse him. A suppressed murmur reached the men's ears. "But deliver us from evil" were the last words they heard. When Lage and his servants came home to Kvaerk with the mournful tidings of Aasa's disappearance, no one knew what to do or say. There could be no doubt that Aasa was "mountain- taken," as they call it; for there were Trolds and dwarfs in all the rocks and forests round about, and they would hardly let slip the chance of alluring so fair a maiden as Aasa was into their castles in the mountains. Elsie, her mother, knew a good deal about the Trolds, their tricks, and their way of living, and when she had wept her fill, she fell to thinking of the possibility of regaining her daughter from their power. If Aasa had not yet tasted of food or drink in the mountain, she was still out of danger; and if the pastor would allow the church-bell to be brought up into the forest and rung near the rock where the laugh had been heard, the Trolds could be compelled to give her back. No sooner had this been suggested to Lage, than the command was given to muster the whole force of men and horses, and before evening on the same day the sturdy swains of Kvaerk were seen climbing the tower of the venerable church, whence soon the huge old bell descended, to the astonishment of the throng of curious women and children who had flocked together to see the extraordinary sight. It was laid upon four large wagons, which had been joined together with ropes and planks, and drawn away by twelve strong horses. Long after the strange caravan had vanished in the twilight, the children stood gazing up into the empty bell-tower. It was near midnight, when Lage stood at the steep, rocky wall in the forest; the men were laboring to hoist the church-bell up to a staunch cross-beam between two mighty fir-trees, and in the weird light of their torches, the wild surroundings looked wilder and more fantastic. Anon, the muffled noise and bustle of the work being at an end, the laborers withdrew, and a strange, feverish silence seemed to brood over the forest. Lage took a step forward, and seized the bell-rope; the clear, conquering toll of the metal rung solemnly through the silence, and from the rocks, the earth, and the tree- tops, rose a fierce chorus of howls, groans, and screams. All night the ringing continued; the old trees swayed to and fro, creaked, and groaned, the roots loosened their holds in the fissures of the rock, and the bushy crowns bowed low under their unwonted burden. It was well-nigh morn, but the dense fog still brooded over the woods, and it was dark as night. Lage was sitting on the ground, his head leaning on both his elbows; at his side lay the flickering torch, and the huge bell hung dumb overhead. In the dark he felt a hand touch his shoulder; had it happened only a few hours before, he would have shuddered; now the physical sensation hardly communicated itself to his mind, or, if it did, had no power to rouse him from his dead, hopeless apathy. Suddenlycould he trust his own ears?the church-bell gave a slow, solemn, quivering stroke, and the fogs rolled in thick masses to the east and to the west, as if blown by the breath of the sound. Lage seized his torch, sprang to his feet, and sawVigfusson. He stretched his arm with the blazing torch closer to the young man's face, stared at him with large eyes, and his lip quivered; but he could not utter a word. "Vigfusson?" faltered he at last. "It is I;" and the second stroke followed, stronger and more solemn than the first. The same fierce, angry voices chorused forth from every nook of the rock and the woods. Then came the thirdthe noise grew; fourthand it sounded like a hoarse, angry hiss; when the twelfth stroke fell, silence reigned again in the forest. Vigfusson dropped the bell-rope, and with a loud voice called Lage Kvaerk and his men. He lit a torch, held it aloft over his head, and peered through the dusky night. The men spread through the highlands to search for the lost maiden; Lage followed close in Vigfusson's footsteps. They had not walked far when they heard the babbling of the brook only a few feet away. Thither they directed their steps. On a large stone in the middle of the stream the youth thought he saw something white, like a large kerchief. Quick as thought he was at its side, bowed down with his torch, andfell backward. It was Aasa, his beloved, cold and dead; but as the father stooped over his dead child the same mad laugh echoed wildly throughout the wide woods, but madder and louder than ever before, and from the rocky wall came a fierce, broken voice: "I came at last." When, after an hour of vain search, the men returned to the place whence they had started, they saw a faint light flickering between the birches not fifty feet away; they formed a firm column, and with fearful hearts drew nearer. There lay Lage Kvaerk, their master, still bending down over his child's pale features, and staring into her sunken eyes as if he could not believe that she were really dead. And at his side stood Vigfusson, pale and aghast, with the burning torch in his hand. The footsteps of the men awakened the father, but when he turned his face on them they shuddered and started back. Then Lage rose, lifted the maiden from the stone, and silently laid her in Vigfusson's arms; her rich yellow hair flowed down over his shoulder. The youth let his torch fall into the waters, and with a sharp, serpent-like hiss its flame was quenched. He crossed the brook; the men followed, and the dark pine-trees closed over the last descendant of Lage Ulfson's mighty race. End

    48. 7-1: A Student's History Of American Literature - Edward Simonds
    etc. Hjalmar Hjorth Boyesen (18481895), another successful American novelist not American born, was a native of Norway. After coming
    http://classiclit.about.com/library/bl-etexts/esimonds/bl-esimonds-student-7-1.h
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    Stay Current
    Subscribe to the About Literature: Classic newsletter. Search Literature: Classic More E-texts A Student's History of American Literature
    by Edward Simonds
    Chapter 1: I II III IV ... IV Chapter 7. The New Spirit. T HE continuity of literature is, happily, not a continuity of unvarying standards or unchanging ideals. "New occasions teach new duties; Time makes ancient good uncouth." Literature is normally in a transitional state and there are no hard and fast chronological lines that separate the old from the new. Nevertheless there occur periods more or less clearly marked, in which one may trace the advent of new interests and the waning of old traditions. Such a period in the history of our literature may be recognized in both England and America. We characterize it as the passing of the Victorian Age , Robert Herrick, and Winston Churchill outstanding figures in the years that follow.

    49. Www3.gxtc.edu.cn - /english/book/english Books/English Literature
    05 dir George Borrow(18031881) 2001?11?29? 1753 dir GEORGE BYRON (1788-1824) 2001?11?29? 1806 dir Hjalmar Hjorth Boyesen(1848-1895) 2001?
    http://www3.gxtc.edu.cn/english/book/english books/English Literature/B/

    50. Www3.gxtc.edu.cn - /english/book/english Books/English Literature
    www3.gxtc.edu.cn /english/book/english books/English Literature/B/Hjalmar Hjorth Boyesen(1848-1895)/. To Parent Directory 2001
    http://www3.gxtc.edu.cn/english/book/english books/English Literature/B/Hjalmar

    51. Lowell, James Russell, 1819-1891. Additional Papers, 1767-1898: Guide.
    1s.(2p.). (2223) Boyesen, Hjalmar Hjorth, 1848-1895. 2 ALs to same New York, 14 Jan 1887. 2s.(3p.) 26 Feb 1889.1s.(3p.). (24) Bremer, Fredrika, 1801-1865.
    http://oasis.harvard.edu/html/hou00941.html
    MS Am 1659
    Lowell, James Russell, 1819-1891. Additional papers, 1767-1898: Guide.
    Houghton Library, Harvard College Library
    Harvard University, Cambridge, MA 02138
    Descriptive Summary
    Repository: Houghton Library, Harvard College Library, Harvard University
    Location: b
    Call No.: MS 1659
    Creator: Lowell, James Russell, 1819-1891 .
    Title: Additional papers,
    Date(s):
    Quantity: 4 boxes (2 linear ft.)
    Abstract: Correspondence, compositions, photographs, and other materials of American author James Russell Lowell.
    Administrative Information
    Acquisition Information:
    Deposited by Dr. Francis Lowell Burnett, Manchester, Massachusetts; received: 1962 Jan.
    Historical Note
    Lowell was an author, poet, editor, teacher, and diplomat. He edited The Atlantic Monthly (1857-1861), and with Charles Eliot Norton, The North American Review (1864- ); was professor of French and Spanish Lanugages and Literatures at Harvard (1855-1886) succeeding Longfellow; and U.S. minister to Spain (1877-1880) and to England (1880-1885).
    Arrangement
    Organized into the following series:
    • I. Letters to James Russell Lowell

    52. Higginson, Thomas Wentworth, 1823-1911. Correspondence: Guide.
    1s.(1p.). (69) Boyesen, Hjalmar Hjorth, 18481895. ALs to Thomas Wentworth Higginson?; np, nd 1s.(2p.) fragment of a longer letter. (70) Braun, Julie.
    http://oasis.harvard.edu/html/hou00929.html
    MS Am 1162.10
    Higginson, Thomas Wentworth, 1823-1911. Correspondence: Guide.
    Houghton Library, Harvard College Library
    Harvard University, Cambridge, MA 02138
    Descriptive Summary
    Repository: Houghton Library, Harvard College Library, Harvard University
    Location: b
    Call No.: MS Am 1162.10
    Creator: Higginson, Thomas Wentworth, 1823-1911.
    Title: Correspondence,
    Date(s):
    Quantity: 4 boxes (2 linear ft.)
    Abstract: Letters from various correspondents to author, reformer, and soldier Thomas Wentworth Higginson.
    Administrative Information
    Acquisition Information:
    Gift of Dr. J. Dellinger Barney; in memory of Mrs. T. W. Higginson and Mrs. Margaret Higginson Barney; received: 1941.
    Historical Note
    Higginson was an author, reformer, and soldier; colonel of the first African American regiment during the Civil War (1862-1864); an ardent abolitionist and advocate of women's suffrage.
    Arrangement
    Arranged alphabetically by correspondent.
    Scope and Content
    Letters from a wide array of correspondents concerning literary and political affairs Correspondents include George William Curtis, Edward Everett Hale, Henry Lee Higginson, Louise Chandler Moulton, Charles Eliot Norton, James Parton, Josephine Preston Peabody, Franklin Benjamin Sanborn, and Richard Grant White, among others. Some letters are to his second wife, Mary Thacher Higginson. Letters by Thomas Wentworth Higginson are mostly to Julia Ward Howe. Also includes a small amount of printed material. All letters in this correspondence are addressed to Thomas Wentworth Higginson, except for the following:

    53. This Is Project Gutenberg. This List Has Been Downloaded From
    Antoine Fauvelet de, 17691834 Bower, BM, 1874-1940 Bower, BM, 1874-1940 AKA Sinclair, BM (Bertha Muzzy), 1874-1940 Boyesen, Hjalmar Hjorth, 1848-1895 Boz AKA
    http://autumnmist.homeip.net:81/E-Books/- PROJECT GUTENBURG AUTHORS.TXT

    54. Proyecto Gutenberg: ÍNDICE DE AUTORES
    Translate this page Louis Antoine Fauvelet de, 1769-1834 Bower, M. Del B., 1874-1940 AKA Sinclair, M. Del B. (Bertha Muzzy), 1874-1940 Boyesen, Hjalmar Hjorth, 1848-1895 Boz AKA
    http://www.worldebooklibrary.com/es/ProjectGuternberg.htm
    Colección de los consorcios de la biblioteca de Libros Electronicos del mundo Sobre El Proyecto Gutenberg El proyecto Gutenberg es el más viejo productor del Internet de los libros electrónicos LIBRES que contienen sobre 10.000 (los eBooks o los eTexts). ¿Qué libros encontraré en el proyecto Gutenberg? El proyecto Gutenberg es el brainchild del ciervo de Michael , que en 1971 decidía a que sería una idea realmente buena si las porciones de textos famosos e importantes estaban libremente disponibles para cada uno en el mundo. Desde entonces, a centenares de los voluntarios lo ha ensamblado que comparten su visión.
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    55. ?
    Ambrose Bierce(18421914) Chales Brockden Brown(1771-1810 EMILY BRONTE(1818-1848) FRANCIS BACON (1561-1626) Hjalmar Hjorth Boyesen(1848-1895) John Buchan(1875
    http://61.132.120.218:8080/Special/Subject/CZYY/YYDW/English Literature/B/

    56. American Poetry Full-Text Database: Bibliography
    Boyesen, Hjalmar Hjorth 18481895 1882, Idyls of Norway and other poems by Hjalmar Hjorth Boyesen (New York Charles Scribner s Sons, 1882 ) Boyesen,IdylsON
    http://www.lib.uchicago.edu/efts/AmPo1/AmPo.bib.html
    American Poetry Full-Text Database
    Bibliography SEARCH Database Home Chadwyck-Healey The ARTFL Project ... Back to EFTS
    Adams, Oscar Fay 1855-1919 [ Post - Laureate Idyls and other poems by Oscar Fay Adams (Boston: D. Lothrop and Company, 1886 ) [ AdamsOF,PostLIA Adams, Oscar Fay 1855-1919 [ [The distressed poet, in] Pickings from Puck. Being a choice collection of preeminently perfect pieces, poems and pictures from Puck: Fifth Crop. The pieces and poems by R. K. Munkittrick, Williston Fish, W. J. Henderson, Bill Nye, Scott Way, P. H. Welch, J. H. Williams, E. Reed, Will J. Lampton, A. W. Munkittrick, F. E. Chase, E. Frank Lintaber, H. C. Dodge, Salem Dorchester, John Van de Bogert, F. Munan, W. E. S. Fales, R. W. Clarke, Ruth Hall, Eke Young, and others. The pictures by J. Keppler, F. Opper, C. Jay Taylor, Syd. B. Griffin, E. Zimmermann, J. A. Wales, M. Woolf, G. F. Ciani, A. B. Shults, J. S. Goodwin, C. G. Bush, and others. Fifth Crop AdamsOF,TheDPIP Adams, Oscar Fay 1855-1919 [ [Renunciation, in] Representative sonnets by American poets with an essay on the sonnet, its nature and history, including many notable sonnets of other literatures; also biographical notes, indexes, etc. By Charles H. Crandall (Boston; New York; Cambridge: Houghton, Mifflin and Company; The Riverside Press, 1890 ) [

    57. Guide To The Augustin Daly (1838-1899) Letters And Papers, 1849
    Letter to Augustin Daly. 1 aut. let. sig. From Paris. Yc.2746 (1) Boyesen, Hjalmar Hjorth, 18481895. Letter to Augustin Daly. 1 aut. let. sig. From New York.
    http://shakespeare.folger.edu/other/html/dfodaly.html
    Guide to the Augustin Daly (1838-1899) Letters and Papers, 1849-1916
    MS Y.c.2602-3099, 4000-5378
    Folger Shakespeare Library
    Contact Information
    Curator of Manuscripts Folger Shakespeare Library 201 East Capitol Street, SE Washington, DC 20003-1094 USA Phone: 202/675-0325 Fax: 202/675-0328 Email: manuscripts@folger.edu Website: www.folger.edu
    Processed by: Folger staff Date completed: ca. 1985 Encoded by: Initial EAD tagging provided by Apex Data Services (partially funded by The Gladys Kreble Delmas Foundation, in collaboration with the Research Libraries Group). Minor coding and textual changes by Folger Staff, April-June 2000, June-July 2001. URL: http://shakespeare.folger.edu/other/html/dfodaly.html
    Table of Contents
    Descriptive Summary
    Administrative Information
    Acquisition
    Other Formats ...
    Related Daly Papers at the Folger Shakespeare Library
    Descriptive Summary
    Collection Title: Daly, Augustin, 1838-1899. Collection of letters and papers, n.d., 1849-1916 Preferred Citation: Y.c.2602-3099, Y.c.4000-5378 Extent: 33 boxes Repository: Folger Shakespeare Library Abstract: Guide to Letters and Papers by German Authors.

    58. Ca. 2800 Englischsprachige Werke
    Boyesen, Hjalmar Hjorth, 1848-1895 Boys Life of
    http://www.fortunecity.de/lindenpark/barock/198/5742.htm
    web hosting domain names Online Einkaufen Mehr Sites ...
    Der Koran

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    59. Project Gutenberg Titles
    Boy s Will, A, by Frost, Robert, 18741963. Boyhood In Norway, by Boyesen, Hjalmar Hjorth, 1848-1895. Boyhood, by Tolstoy, Leo Nikoleyevich, Count, 1828-1910.
    http://www.surfsteve.com/gutenberg/titles.htm
    Project Gutenberg Titles Use control-f to find keywords This is Project Gutenberg. This list has been downloaded from: "The Official and Original Project Gutenberg Web Site and Home Page" (http://promo.net/pg/) PROJECT GUTENBERG ETEXTS TITLES IN ALPHABETICAL ORDER Last Updated: Saturday 30 March 2002 by Pietro Di Miceli (webmaster@promo.net) The following etext have been released by Project Gutenberg. This list serves as reference only. For downloading books, please use our catalogs or search at: http://promo.net/pg/ Or check our FTP archive at: ftp://ibiblio.org/pub/docs/books/gutenberg/ and etext subdirectories. For problems with the FTP archives (ONLY) email gbnewby@ils.unc.edu, be sure to include a description of what happened AND which mirror site you were using. THANKS for visiting Project Gutenberg. $30,000 Bequest And Other Stories, The, by Twain, Mark, 1835-1910 , by Hubbard, Mina Benson , by Lindlahr, Henry, 1862-1924 , by Morley, Christopher, 1890-1957 , by Ray, T. Bronson, 1868- 1492, by Johnston, Mary, 1870-1936 1601, by Twain, Mark, 1835-1910

    60. C:\TEMP\ampoah.htm
    Sons 1893 459 p. Only unique items by Botta included, Hjaimar Hjorth Boyesen, 18481895, Idyls of Norway and other poems by Hjalmar Hjorth Boyesen New York..
    http://setis.library.usyd.edu.au/ampoetry/ampoetrybib.html
    Bibliography For The American Poetry Database
    Oscar Fay Adams, 1855-1919, [The distressed poet, in] Pickings
    from Puck. Being a choice collection of preeminently perfect pieces,
    poems and pictures from Puck: Fifth Crop. The pieces and poems
    by R. K. Munkittrick, Williston Fish, W. J. Henderson, Bill Nye, Scott
    Way, P. H. Welch, J. H. Williams, E. Reed, Will J. Lampton, A. W.
    Munkittrick, F. E. Chase, E. Frank Lintaber, H. C. Dodge, Salem
    Dorchester, John Van de Bogert, F. Munan, W. E. S. Fales, R. W.
    Clarke, Ruth Hall, Eke Young, and others. The pictures by J.
    Keppler, F. Opper, C. Jay Taylor, Syd. B. Griffin, E. Zimmermann, J.
    A. Wales, M. Woolf, G. F. Ciani, A. B. Shults, J. S. Goodwin, C. G.
    Bush, and others. Fifth Crop [11 p. Only poem by Adams included. Oscar Fay Adams, 1855-1919, Post-Laureate Idyls and other poems by Oscar Fay Adams Boston: D. Lothrop and Company 1886 166 p. Preliminaries omitted. Oscar Fay Adams, 1855-1919, [Renunciation, in] Representative sonnets by American poets with an essay on the sonnet, its nature

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