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         Ariosto Lodovico:     more books (27)
  1. The Orlando furioso; Volume 2 by Ariosto Lodovico 1474-1533, 2010-09-29
  2. Orlando furioso Volume 5 by Ariosto Lodovico 1474-1533, 2010-09-29
  3. Orlando furioso Volume 1 by Ariosto Lodovico 1474-1533, 2010-09-29
  4. Orlando furioso Volume 4 by Ariosto Lodovico 1474-1533, 2010-10-15
  5. Orlando Furioso Volume 1 by Ariosto Lodovico 1474-1533, Waldman Guido tr, 2010-10-14
  6. Orlando furioso Volume 3 by Ariosto Lodovico 1474-1533, 2010-09-29
  7. Orlando furioso. In Italian and English Volume 1 by Lodovico, 1474-1533 Ariosto, 2009-10-26
  8. The Lady Vanishes: Subjectivity and Representation in Castiglione and Ariosto by Valeria Finucci, 1992-08-01
  9. Figures in Ariosto's Tapestry: Character and Design in the Orlando Furioso by Professor Peter Wiggins, 1985-12-01
  10. Ariosto and Boiardo: The Origins of Orlando Furioso by Peter V. Marinelli, 1987-12
  11. Ariosto Today: Contemporary Perspectives (Toronto Italian Studies)
  12. The Countervoyage of Rabelais and Ariosto by Elizabeth A. Chesney, 1982-02
  13. Ludovico Ariosto: An Annotated Bibliography of Criticism, 1956-1980 by Robert J. Rodini, Salvatore Di Maria, 1984-12
  14. Ariosto and the Classical Simile (Harvard Studies in Romance Languages, V. 36.) by Kristen Olson Murtaugh, 1981-05

1. Ariosto
ABCDEFGHIJKLMNOPQRSTUVWXYZ. by birthday from the calendar. Credits and feedback. Ludovico Ariosto (14741533) Italian poet, remembered primarily for his ORLANDO FURIOSO, published in its final version in 1532. of the Work, Life and Times of Lodovico Ariosto by E.G
http://www.kirjasto.sci.fi/ariosto.htm
Choose another writer in this calendar: by name:
A
B C D ... Z by birthday from the calendar Credits and feedback Ludovico Ariosto (1474-1533) Italian poet, remembered primarily for his ORLANDO FURIOSO, published in its final version in 1532. Ariosto's work was the most celebrated narrative poem of the Italian high Renaissance. Numerous artists have used its characters and incidents for paintings and musical works. Titian's (c. 1488-1576) painting Portrait of a Gentleman (c. 1512), formerly called Ariosto , presents a young, noble man, who seems to be at the same time approachable and formally restrained. What bit, what iron curb is to be found,
Or (could it be) what adamantine rein,
That can make wrath keep order and due bound,
And within lawful limits him contain?
When one, to whom the constant heart is bound
And linked by Love with solid bolt and chain,
We see, through violence or through foul deceit,
With mortal damage or dishonour meet.

(from Orlando Furioso familiare he was at present when the cardinal ate, he was ready to welcome him whenever he came home, helped him undress, and gave him drinks made of medicinal plants. Gradually Ariosto received higher duties. In 1513 Ariosto met Alessandra Benucci. After the death of her husband, Tito Strozzi, she became Ariosto's mistress. Because the family had settled comfortably in Ferrara, Ariosto refused in 1517 to accompany Cardinal d'Este to Hungary - Ariosto told he had a flu. He was dismissed from the court and in 1518 he entered the service of Alfonso I, Duke of Ferrara, Cardinal's brother. In 1522 he was sent to govern the Garfagnana region in the wildest part of the Apuan Alps. He was not happy with his duties. After three years he returned from the bandit-ridden post to Ferrara. Around 1527 Ariosto secretly married the widow Alessandra Benucci, and spent the last part of his life revising and enlarging

2. Browse Top Level > Texts > Project Gutenberg > Authors > A > Ariosto, Lodovico,
There is no description available for this text. Author Ariosto, Lodovico, 14741533 Keywords Authors A Ariosto, Lodovico, 1474-1533; Titles O.
http://www.archive.org/texts/textslisting-browse.php?collection=gutenberg&cat=Au

3. Ariosto, Lodovico, 1474-1533. (in MARION)
Ariosto, Lodovico, 14741533. Heading Ariosto, Lodovico, 1474-1533. Used for
http://vax1.vigo.lib.in.us/MARION/AAO-3660
Ariosto, Lodovico, 1474-1533.
Heading:
  • Ariosto, Lodovico, 1474-1533.
Used for:
  • Ariost, Lodovico, 1474-1533
  • Ariosto, Ludovico, 1474-1533
Source data found:
  • Cuccaro, V. The humanism of Ludovico Ariosto, 1981: t.p. (Ludovico Ariosto)

4. Browse Top Level > Texts > Project Gutenberg > Authors > A
Archibald Henderson; Archimedes; Ariosto, Lodovico, 14741533; Ariosto, Ludovico, 1474-1533; Aristophanes; Aristophanes, Ca. 446-ca.
http://www.archive.org/texts/textslisting-browse.php?collection=gutenberg&cat=Au

5. LODOVICO ARIOSTO
Ariosto, Lodovico (14741533) Italian poet, was born at h~ eggio, in Lombardy, on the 8th of September 1474. His father gi is Niccolo Ariosto, command
http://www.1911encyclopedia.org/A/AR/ARIOSTO_LODOVICO.htm
LODOVICO ARIOSTO
ARIOSTO, LODOVICO iich serves to show the incorrectness of the assertion of str tterers, followed by Tiraboschi, that the duke of Ferrara built a it house for him. The only one who seems to have given irn ything to Ariosto as a reward for his poetical talent was the th ~rquess del Vasto, who assigned him an annuity of 100 crowns to the revenues of Casteleone in Lombardy; but it was only wi id, if ever, from the end of 1531. That he was crowned as poet is Charles V. seems untrue, although a diploma may have been col ued to that effect by the emperor. TI rhe character of Ariosto seems to have been fully and justly of Ornabat pietas et grata modestia Vatem, Sancta fides, dictique memor, munitaque recto at Justitia, et nullo patientia victa labore, i8 Et constans virtus animi, et dementia mitis, Of Ambitione procul pulsa, fastusque tumore. 17 His satires, in which we see him before us such as he was, inc )W that there was no flattery in this portrait. In these corn- r1 sitions we are struck with the noble independence of the poet. Pr loved liberty with a most jealous fondness. His disposition .s changeable withal, as he himself very frankly confesses in 5t~ Latin verses, as well as in the satires. ta Hoc ohm ingenio vitales hausimus auras, in Multa cito Ut placeant, displicitura brevi. Non in amore modo mens haec, sed in omnibus impar l~ Ipsa sibi longa non retinenda mora. ~t( ~nce he never would bind himself, either by going into orders, c~ by marrying, till towards the end of his life, when he espoused P1 essandra, widow of Tito Strozzi. He had no issue by his wife, an t he left two natural sons by different mothers.

6. Orlando Furioso
Orlando Furioso Ariosto, Lodovico, 14741533 Lodovico, 1474-1533 Ariosto
http://rdre1.inktomi.com/click?u=http://www.archive.org/texts/texts-details-db.p

7. LODOVICO ARIOSTO
Lodovico Ariosto. Ariosto, Lodovico (14741533) Italian poet, was born at h~ eggio, in Lombardy, on the 8th of September 1474. His
http://58.1911encyclopedia.org/A/AR/ARIOSTO_LODOVICO.htm
LODOVICO ARIOSTO
ARIOSTO, LODOVICO iich serves to show the incorrectness of the assertion of str tterers, followed by Tiraboschi, that the duke of Ferrara built a it house for him. The only one who seems to have given irn ything to Ariosto as a reward for his poetical talent was the th ~rquess del Vasto, who assigned him an annuity of 100 crowns to the revenues of Casteleone in Lombardy; but it was only wi id, if ever, from the end of 1531. That he was crowned as poet is Charles V. seems untrue, although a diploma may have been col ued to that effect by the emperor. TI rhe character of Ariosto seems to have been fully and justly of Ornabat pietas et grata modestia Vatem, Sancta fides, dictique memor, munitaque recto at Justitia, et nullo patientia victa labore, i8 Et constans virtus animi, et dementia mitis, Of Ambitione procul pulsa, fastusque tumore. 17 His satires, in which we see him before us such as he was, inc )W that there was no flattery in this portrait. In these corn- r1 sitions we are struck with the noble independence of the poet. Pr loved liberty with a most jealous fondness. His disposition .s changeable withal, as he himself very frankly confesses in 5t~ Latin verses, as well as in the satires. ta Hoc ohm ingenio vitales hausimus auras, in Multa cito Ut placeant, displicitura brevi. Non in amore modo mens haec, sed in omnibus impar l~ Ipsa sibi longa non retinenda mora. ~t( ~nce he never would bind himself, either by going into orders, c~ by marrying, till towards the end of his life, when he espoused P1 essandra, widow of Tito Strozzi. He had no issue by his wife, an t he left two natural sons by different mothers.

8. Orlando Furioso 8-bit Text (with Accented Letters)
Orlando Furioso 8bit text (with accented letters) Ariosto, Lodovico, 1474-1533 Lodovico, 1474-1533 Ariosto
http://rdre1.inktomi.com/click?u=http://www.archive.org/texts/texts-details-db.p

9. Lodovico Ariosto
Lodovico Ariosto. Ludovico Ariosto, 14741533, Italian poet. Ariosto was one of the most influential poets of the Italian Renaissance.
http://www.english.upenn.edu/~jlynch/Frank/People/ariosto.html
Lodovico Ariosto
Ludovico Ariosto, 1474-1533, Italian poet. Ariosto was one of the most influential poets of the Italian Renaissance. He began his career in the diplomatic service of Cardinal Ippolito d'Este, serving as liaison to Popes Julius II and Leo X. He is best known for his romantic epic poem, Orlando Furioso (1516-1532), but his satires and comedies were well received and widely influential.

10. Illustrious People
Ariosto, Lodovico (14741533). Ferrarese poet and dramatist. His masterpiece Orlando furioso (published in 3 versions, 1516, 1521
http://www.kfki.hu/~arthp/database/glossary/illustri/ariosto.html
Ariosto, Lodovico (1474-1533)
Ferrarese poet and dramatist. His masterpiece Orlando furioso (published in 3 versions, 1516, 1521 and 1532) continued Boiardo's 'ottava rima' poem 'Orlando innamorato', using the 'matter of France', the medieval accumulation of legend around the figure of Charlemagne and his paladins, and some elements of the Arthurian 'matter of Britain' as foundation for a dynastic celebration of the Este family. He augmented the romance tradition with humanistic echoes of Virgil, Ovid and Horace, evocations of Petrarch, Boccaccio and Dante, and references to contemporary events: all unified by Ariosto's ironic narrative stance and stylistic control into a vision of the ideal, the irrational and the real in human life. The Furioso is the funniest and saddest of poems, personal and detached, simple and artful. Into two major story lines inherited from Boiardo - Orlando's fall into unrequited pathological love for the irresistible Cathayan princess Angelica, with the subsequent loss and recovery of his reason, and the education and conversion to Christianity of the pagan prince Ruggiero, destined to wed the warrior maiden Bradamante and to found the Este line - Ariosto's technique of arbitrary suspense weaves a multitude of characters and motifs from medieval and classical sources, with historical addenda, apostrophes and continuous comment by an omnipotent, capricious and self-mocking narrative persona. Ariosto's own love (Alessandra Benucci, not called by name in the poem) is insistently blamed for the madness that the poet of the Furioso claims to share with his obsessed hero Orlando and with the greater portion of mankind.

11. Powell's Books - Used, New, And Out Of Print
Renaissance Transactions Ariosto Tasso. by Finucci, Valeria 98023344. Subject. Ariosto, Lodovico, 1474-1533. Subject. TASSO, TORQUATO, 1544-1596
http://www.powells.com/biblio/105000-105200/0822322951.html

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by Finucci, Valeria Title Author Finucci, Valeria LCCN Subject ARIOSTO, LODOVICO, 1474-1533 Subject TASSO, TORQUATO, 1544-1596 Publication Date Publisher Duke University Press ISBN back to top Using Powells.com About Powell's Books Newsletters ... Calendar of Events Send a Powell's Card to a friend. Accepted at Powells.com or any Powell's store location! Home Browse Sections Search Your Account ... Terms of Use

12. San Diego Opera Sourcebook
LUDOVICO Ariosto (14741533). 1474, the oldest of the ten children of Count Niccolò Ariosto. Lodovico began performingi n his own versions, beginning with the
http://www.sdopera.com/pages/education/edusourcebook/ArAutAriosto.htm
Formerly THE SOURCEBOOK ARCHIVED ARTICLES FROM PREVIOUS YEARS Glossary
Archive Home Page

San Diego Opera Home
The initials below each article are those of the author. Click on them for a brief biography ARIODANTE LUDOVICO ARIOSTO (1474-1533)
Ludovico Ariosto, the author of Orlando furioso , ranks only behind Dante in the minds of many Italians. Raphael painted him in the Parnessus fresco of the Vatican with Homer, Virgil, Horace, Ovid, Dante and Petrach. His family can be traced back to twelfth-century minor nobility, first in Bologna and then in the Duchy of Ferrara Orlando innamorato , written in the vernacular. When Ariosto's father died in 1500, Ariosto became the head of a large family and helped provide for them. He was able to continue his writing. Then in1502, with no military training, he became the commander of the fort at Canossa. He also wrote his Epithalamium for the marriage of Alfonso d'Este and Lucrezia Borgia , and was listed among the chief Italian poets of the day. In 1503, he gave up his military post and returned to Ferrara to enter the service of

13. Ariosto,
Lodovico Ariosto (14741533) Orlando Furioso. Trans. William Stewart Rose (1775-1843)
http://english.edgewood.edu/eng276hunter/276noor1.htm
Lodovico Ariosto (1474-1533)
Orlando Furioso
Trans. William Stewart Rose (1775-1843)
The complete text of the Orlando Furioso is available from
the Online Medieval and Classical Library at Berkeley.
From Cantos 10-11
Thence o'er that sea he spurred, through yielding air,
Whose briny waves the lesser Britain lave;
And, looking down, Angelica descried
In passing, to the rock with fetters tied; XCIII
Bound to the naked rock upon the strand,
In the isle of tears; for the isle of tears was hight,
That which was peopled by the inhuman band,
So passing fierce and full of foul despite; Who (as I told above) on every hand Cruized with their scattered fleet by day or night; And every beauteous woman bore away, Destined to be a monster's evil prey: XCIV There but that morning bound in cruel wise; Where (to devour a living damsel sped) The orc, that measureless sea-monster, hies, Which on abominable food is fed. How on the beach the maid became the prize Of the rapacious crew, above was said

14. Ariosto, Lodovico (Litteraturnettet)
OM VIRUS OG SPAM. Ariosto, Lodovico Italia 14741533. E-tekst Project Gutenberg Tekst. Lenker Books and Writers Biografi. SØK ETTER Ariosto, Lodovico. SØK I
http://www.litteraturnettet.no/a/ariosto.lodovico.asp?lang=&type=

15. Lodovico Ariosto
Lodovico Ariosto. (14741533). A dúsgazdag olasz reneszánsz kultúrának vitathatatlanul a legnagyobb - s azt is mondhatjuk, hogy
http://www.literatura.hu/irok/renesz/ariosto.htm

LODOVICO ARIOSTO
A dúsgazdag olasz reneszánsz kultúrának vitathatatlanul a legnagyobb - s azt is mondhatjuk, hogy a legélvezetesebb - elbeszélõ költõje. Hiszen kitûnõ epikus költõ volt elõtte Matteo Boiardo, akitõl sokat tanult, s talán még kitûnõbb utána a reneszánszból barokkba forduló Torquato Tasso , aki sokat tanult tõle, de olvassuk el egymás mellett fél évezreddel utánuk fõ mûveiket: tisztelni, becsülni fogjuk valamennyiüket, de az „Orlando furioso" (Megszokott magyar fordítása: „Õrjöngõ Lóránt") nem tiszteletreméltó emléke régi idõknek, hanem olyan izgalmas és mulatságos olvasmány, amely a legnépszerûbb bûnügyi, szerelmi, kalandos ponyvákkal vetekszik. (Sajnos olyan hosszú, hogy klasszikusaink és modern kimagasló költõink - köztük Arany János is - csak szemelvényeket fordítottak belõle. Egyetlen eddig elkészült teljes magyar változata a derék, lelkiismeretes és szorgalmas Radó Antalé, több mint száz évvel ezelöttrõl. Hûséges tolmácsolás, de túl gyorsan elavult a nyelve.) - Annyi bizonyos: sem az olasz költészet egészét, sem a reneszánsz költészetet nem lehet elmondani Ariosto és fõ mûve nélkül.
A reneszánsz kultúra, ízlés, gondolkodás, amely jellemzõ a XV. és XVI. század Európájára, a múló múltnak és a bontakozó jövõnek sajátos egysége volt. Társadalmi formájában még feudalizmus, szellemiségében már kiútkeresés a polgárosodás felé. A gazdaságilag legfejlettebb Észak-Itália volt a kirepítõ fészek. Itt vált legkorábban világnézeti és ízlésbeli eszménnyé az újra felfedezett antik - görög és latin - örökség. A legjobban itt fejlõdõ polgárság az irodalmat a középkori egyházi és jogi latinságból a népnyelv felé fordította. Itt már a XIV. században „édes új stílus"-nak (

16. Spring '99 Acquisitions List
307 p. ; 22 cm. First ed. Ariosto, Lodovico, 14741533. Orlando furioso / di M. Lodovico Ariosto, tutto ricoretto, et di nuoue figure adornato.
http://garamond.stanford.edu/depts/spc/spring99_books.html
Select list of recent acquisitions in Special Collections
(Spring, 1999) Account of the first anniversary meeting of the triumph of Westminster in the election of Sir Francis Burdett ... on the twenty-third of May, 1808 ... .
[London: s.n., 1808].
24 p. 1st ed. Celebrating the election of reform advocate Sir Francis Burdett (1770-1844), champion of free speech and opponent of flogging in the army.
[Samuel Johnson] Adams, Charles Francis, 1807-1886.
Life of Samuel Johnson / by C. Adams.
345 p : port. ; 18 cm.
Addison, Joseph, 1672-1719.
Poems on several occasions / by the right honourable Joseph Addison, Esq.
Glasgow : Printed by Robert and Andrew Foulis ..., 1770.
[4], 198, [1] p. ; 13 cm. Gaskell, 499. Aesop. Venetia: F. Ziletti, 1581. 432 p. illus. The 1581 illustrated Venice Aesop, containing no less than 400 fables (not all by Aesop) and 132 woodcuts; all fables with a "sentenza," or moral, at the end; published with an eye toward the morality and amusement of youth. Translated by Giulio Landi (ca. 1509-1580); first published in Venice in 1575. Based on the humanist Martin Dorp's 1513 collection. The woodcuts are of characters in 16th-century Italian costume; includes a woodcut portrait of Aesop (present only in Landi editions). Aesop.

17. The Lied And Art Song Texts Page
Please visit Artsconverge, a Liederrelated web-project I ve helped work on. Lodovico Ariosto (1474-1533). Texts set to music warning - not an exhaustive list.
http://www.recmusic.org/lieder/get_author_texts.html?PoetId=89

18. LODOVICO ARIOSTO [VILÁGIRODALMI ARCKÉPCSARNOK]
Eredeti kép. Lodovico Ariosto (14741533). A dúsgazdag olasz reneszánsz kultúrának vitathatatlanul a legnagyobb - s azt is mondhatjuk
http://mek.oszk.hu/01300/01391/html/vilag036.htm
LODOVICO ARIOSTO
A dúsgazdag olasz reneszánsz kultúrának vitathatatlanul a legnagyobb - s azt is mondhatjuk, hogy a legélvezetesebb - elbeszélõ költõje. Hiszen kitûnõ epikus költõ volt elõtte Matteo Boiardo, akitõl sokat tanult, s talán még kitûnõbb utána a reneszánszból barokkba forduló Torquato Tasso, aki sokat tanult tõle, de olvassuk el egymás mellett fél évezreddel utánuk fõ mûveiket: tisztelni, becsülni fogjuk valamennyiüket, de az "Orlando furioso" (Megszokott magyar fordítása: "Õrjöngõ Lóránt") nem tiszteletreméltó emléke régi idõknek, hanem olyan izgalmas és mulatságos olvasmány, amely a legnépszerûbb bûnügyi, szerelmi, kalandos ponyvákkal vetekszik. (Sajnos olyan hosszú, hogy klasszikusaink és modern kimagasló költõink - köztük Arany János is - csak szemelvényeket fordítottak belõle. Egyetlen eddig elkészült teljes magyar változata a derék, lelkiismeretes és szorgalmas Radó Antalé, több mint száz évvel ezelõttrõl. Hûséges tolmácsolás, de túl gyorsan elavult a nyelve.) - Annyi bizonyo s: sem az olasz költészet egészét, sem a reneszánsz költészetet nem lehet elmondani Ariosto és fõ mûve nélkül.

19. Forthcoming Books, January 2003
Major Italian authors) ISBN 08020-2967-1 $50.00 1. Ariosto, Lodovico, 1474-1533Criticism and interpretation 2. Ariosto, Lodovico, 1474-1533.
http://collection.collectionscanada.ca/100/202/301/forthcoming/HTML/2003/2003-01
ISSN 1487-5039
Forthcoming Books
January 2003
800 LITERATURE (GENERAL)
Ammaniti, Niccolò, 1966-
I'm not scared / Niccolò Ammaniti ; translated by Jonathan Hunt. Toronto : HarperFlamingo Canada, 2003.
Translation of: Io non ho paura.
ISBN 0-00-200536-0 : $32.95
I. Hunt, Jonathan. II. Title.
Antonson, S. (Senta)
ISBN 1-55395-170-0
I. Antonson, S. (Sabine) II. Title.
Ariosto today : contemporary perspectives / edited by Donald A. Beecher, Massimo Ciavolella and Roberto Fedi. Toronto : University of Toronto Press, 2003.
(Toronto Italian studies. Major Italian authors)
ISBN 0-8020-2967-1 : $50.00 1. Ariosto, Lodovico, 1474-1533Criticism and interpretation 2. Ariosto, Lodovico, 1474-1533. Orlando furioso I. Beecher, Donald. II. Ciavolella, Massimo, 1942- III. Fedi, Roberto. IV. Series. Baker, Megan Sybil, 1954- An accidental goddess [electronic resource] / Megan Sybil Baker. Oakville, ON : LTDBooks, 2002. Also available in print format.

20. Forthcoming Books, January 1999
Ariosto, Lodovico, 14741533. Supposes / Lodovico Ariosto ; George Gascoigne, translator ; Donald Beecher, John Butler, editors.
http://collection.collectionscanada.ca/100/202/301/forthcoming/HTML/1999/99-01/e
Forthcoming Books
January 1999
800 LITERATURE (GENERAL)
ISBN 2-89454-058-2
Ariosto, Lodovico, 1474-1533.
Supposes / Lodovico Ariosto ; George Gascoigne, translator ; Donald Beecher, John Butler, editors. Ottawa : Dovehouse Editions, 1999.
(Carleton Renaissance plays in translation ; 33)
Translation of I suppositi, from the editions published 1509 and 1510.
Includes bibliographical references.
ISBN 1-895537-48-7 : $10.00
I. Beecher, Donald. II. Gascoigne, George, 1542?-1577. III. Butler, John Anthony, 1950- IV. Title. V. Series.
Blicq, Ron S. (Ron Stanley), 1925-
Includes index.
ISBN 0-13-020420-X : $24.95 1. Business writing 2. Business communication 3. Business report writing 4. Electronic mail messages 5. Business presentations I. Moretto, Lisa A. II. Title. III. Title: Clear and concise! Braidwood, Barbara, 1952- Writing magazine and newspaper articles / Barbara Braidwood, Richard Cropp, Susan M. Boyce. North Vancouver, B.C. : International Self-Counsel Press, 1999.

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