61. Untitled Document 14 seasons at the Open Air theatre, Kindertransport (vaudeville theatre); Rosencrantzand Music and sound design for theatre/opera/film/radio and dance. http://www.bushtheatre.co.uk/mad/creative.htm

Story Cast Creative Photographs ... Booking 21 April - 22 May by David Eldridge David was born in Romford, Essex, in 1973 and began writing full time after graduating in English Literature and Drama from Exeter University in 1995. His full length plays include Serving It Up (Bush Theatre, 1996), A Week With Tony (Finborough Theatre, 1996), Summer Begins (RNT Studio and Donmar Warehouse, Four Corners Festival of New Writing, 1997), Falling (Hampstead Theatre, A Small Drop of Ink Festival of New Writing, 1999), and Under The Blue Sky (Royal Court Jerwood Theatre Upstairs, 2000). In 2000, BBC Choice broadcast his short television play Killers, and in 2001 BBC Radio Four broadcast his play for radio, Michael and Me. Hettie Macdonald - Director Television credits include In a Land of Plenty (BBC2), Servants (BBC1), Hearts and Bones (ITV), Where the Heart Is (ITV), Casualty (BBC1) Film credits include Beautiful Thing (Film Four) and future plans include Bad Blood (Scorpio Films), Lily and The Secret Planting (Sarah Radclyffe Productions) and Nova Scotia (Bard Entertainments). Jonathan Fensom - Designer Jason has lit over 200 other productions including:14 seasons at the Open Air Theatre, Kindertransport (Vaudeville Theatre); Rosencrantz and Guildenstern (Piccadilly Theatre); And Then There Were None (Duke Of York's Theatre); Great Balls Of Fire (Cambridge Theatre).

62. Empire Theatre History Wagner’s Tannhauser overture on film, and filmed vaudeville acts by Burkinghamwere on hand for a live radio broadcast from the theatre, featuring the http://www.und.edu/instruct/cjacobs/EmpireHistory.htm

Photo taken December 1993 at a sellout midnight showing of Wayne's World 2 Empire Theatre Grand Forks, North Dakota Text and Photos By Christopher P. Jacobs (Excerpted from a forthcoming history of movie theatres in Grand Forks) Last updated January 10, 1999 It was a time of new technology, new ideas, and new opportunities. Life in general was becoming more exciting and more complicated. Early November, 1919—daylight savings time, which had been put into effect during World War I, had just been abolished. The Great War had been over for about a year, as had the deadly influenza epidemic. Governor Lynn J. Frazier was ready to take over operation of North Dakota’s coal mines to settle a strike. Editorials and letters to the editor warned about Reds, anarchists, and the Non-partisan League. Count Ilya Tolstoy was scheduled to speak in Grand Forks on "The Truth About Russia." The Dakota Playmakers from the University were preparing for a two-day Ibsen festival which they would get to perform in the opulent Metropolitan Theatre downtown. Construction was being completed on the New Grand, the largest theatre in town ever built for the purpose of showing only moving pictures. This new theatre would operate for a longer period of time than any other theatre ever built in Grand Forks, changing its name twice after extensive remodeling projects. Shortly after sound films were introduced the New Grand became the Paramount for about 25 years, and after it modernized again and converted to CinemaScope it was renamed the Empire, the name it has held for the longest time.

63. Canadian Journal Of Communication - Vol. 25, No. 4 (2000) The entertainment provinces the book considers include theatre, minstrelsy,the concert saloon, vaudeville, movies, radio, and television. http://www.cjc-online.ca/viewarticle.php?id=607&layout=html

64. Stage, Radio & TV vaudeville. 1937 (15Nov) London Palladium. Jul-62 BBC Light Programme. Last radiobroadcast recorded at the Playhouse theatre, London. Television. http://www.theoneandonly63.freeserve.co.uk/stage3.html

Miller's the name, lady Home More about Max Miller's Movies Max's Joke Books ... Links Notable Stage Appearances 1922 Shorditch Hall First London appearance in variety. 1926 Holborn Empire In variety where Tom Arnold spotted him, the impresario who booked him for the starring role in a touring revue called Piccadilly 1931 (11-May) London Palladium First Royal Command Performance 1932 (Apr) Orpheneum in Johannesburg, South Africa Vaudeville. 1937 (15-Nov) London Palladium Second Royal Command Performance 1939 (Dec to Jul-40) Holborn Empire Starred in Haw Haw! Starred in Apple Sauce , a review that opened at the Holborn Empire and ran there until the theatre was bombed. It returned to continue its run at the London Palladium. Also appearing were Florence Desmond, Jack Stanford and Vera Lynn. 1943 Coventry Hippodrome Highest paid music hall entertainer earning £1,025 per week. 1944 London Palladium 20 weeks of variety, the longest run at that time for a variety artist. 1950 (13-Nov) London Palladium Third and last Royal Command Performance 1958 (Mar) London Palladium Last variety season.

65. Vaudeville, Cabaret, Pops, Musical Theatre With Soprano And Piano A sparkling review celebrating the Golden Years of vaudeville, Cabaret and MusicalTheatre. He is heard frequently on CBC radio Two and has recorded http://www.colwellarts.com/pages_f/aisle2.html

Home Sopranos Mezzo-Sopranos Tenors ... jcolwell@golden.net Two on the Aisle with Nancy Hermiston and Terence Dawson A sparkling review celebrating the Golden Years of Vaudeville, Cabaret and Musical Theatre. Rekindle the romance ... Recall the laughter... Featuring songs by NANCY HERMISTON, Soprano Canadian-born soprano Nancy Hermiston enjoys a career on both the opera and concert stages, on both sides of the Atlantic. Opera companies with which she has sung leading coloratura roles include the Opera Company of Boston, the Houston Grand, the Pittsburgh, Cincinnati, Edmonton, Vancouver, and Canadian Opera Companies. Miss Hermiston began her European opera career with the Stadtische Buhnen at Nurenburg. The roles she has performed there include Rosina, Olympia, Oscar, Adele, Blondchen, the Queen of the Night, and Zerlina where the critics unanimously praise her vocalism and acting ability. Among the symphonies with which Miss Hermiston has repeatedly appeared as soloist are Toronto, Thunder Bay, Vancouver, and the National Arts Centre Orchestra. She has also performed at the Guelph Spring Festival, the Wexford Festival in Ireland, for New Music concerts in Toronto, and was chosen for the opening concert of the Calgary Philharmonic's first season in Jack Singer Concert Hall. Nancy Hermiston's New York debut took place at Carnegie Hall with Mario Bernardi and the National Arts Centre Orchestra. As a recitalist, she has been heard in London and in repeated performances for the Canadian Broadcasting Corporation from numerous cities in Canada. She is currently head of the UBC Opera and Voice Divisions. As a stage director she has produced works of Puccini, Mozart, Verdi, Menotti, Janacek and many other composers of the classic, romantic and contemporary literature.

66. New Page 1 Palace was the only vaudeville theatre left in America by vaudeville acts were hiredonce by motion picture makers and radio came into the home and was free http://mediastudies.sacredheart.edu/resources/vaude.htm

Vaudeville and the Variety Show Costello: Now, when the guy at bat bunts the ballme being a good catcherI want to throw the guy out at first base, so I pick up the ball and throw it to who? Abbott: Now, that's he first thing you've said right. Costello: I DON'T EVEN KNOW WHAT I'M TALKING ABOUT! -From "Who's on First" Sketch Outline of PBS Special on Vaudeville 1880s - 1930s Variety, Vodevile, The Business, Two-a-Day Performers did their bit 12 times a day 25,000 performers Chicago Theatres Converted storefronts of small towns 5cents all day Direct audience address (highly personal) Stand-up comedy Working class entertainment Best known stars well paid Blossom Seeley and Benny Fields vocal duet Vaudeville audiences always drawn to new technologies Wright brothers 1903 first flight First World Series Ford motors established urbanization 1840 90% rural 1870 50% rural 5.5 million immigrants in 1880s

67. Jon Pertwee, 1919-1996 imagination, to children s television. He had also done excellentwork in radio, theatre, vaudeville, cabaret. He had appeared in http://www.kasterborus.com/tardis/3/pertwee_obit.htm

Jon Pertwee, 1919-1996 Jon Pertwee, actor, died yesterday aged 76. He was born on July 7, 1919. JON PERTWEE was the third actor to play the title role in Dr Who for television. He took over from Patrick Troughton in the seventh season of the series in 1970, and remained with it for five years, before cosmetically "regenerating", before the eyes of horrified children, into a new Doctor played by Tom Baker. Pertwee's five-year stint as the Doctor encompassed some radical changes to the BBC children's programme. Instead of the Tardis (an acronym for Time and Relative Dimensions in Space), Unit HQ became the Doctor's new base of operations, and a team of Unit personnel, led by Brigadier Lethbridge-Stewart, joined the Doctor's regular team of daring female companions. Despite the new family, the onus for making the programme work rested as firmly as ever on the shoulders of the Doctor. Pertwee took a risk on playing him as a camp, charismatic scientist, respendently dressed for time travel in a velvet smoking jacket, ruffled shirt and red satin lined cape. Although Pertwee was quick to acknowledge the blessing which Dr Who and later TV's Worzel Gummidge had bestowed upon his career, he had mixed feelings about being forever manacled, in the public imagination, to children's television. He had also done excellent work in radio, theatre, vaudeville, cabaret. He had appeared in 120 films and was doing an energetic one-man show in his mid-seventies. But, while he had enjoyed a comfortable, profitable career, and was rarely out of work, there was also something rather chaotic about his curriculum vitae. It lacked the sort of single-minded focus which propels less talented individuals to greater heights.

68. Illinois Times: Backstage Pass A hit last year at Sullivan s Little theatre on the Square, the show details Benny slife and career, from childhood to vaudeville to radio, television, and http://www.illinoistimes.com/gbase/Gyrosite/Content?oid=oid:2566

69. Memory Lane George Burns Gracie Allen Show,the * Say Goodnight,gracie (vaudeville Routines),LP, Golden Age radio theatre, Duffy s Tavern * Hall Of Fantasy, LP, 4.00, RAD. http://www.musicstack.com/seller.cgi?genre=RAD&seller=1719

70. PBJ Management Lavishly Mounted, The vaudeville theatre, 1991, and at the Ambassadors, 1992. includinga performance at the Royal Lyceum theatre as part Television and radio http://www.pbjmgt.co.uk/searchpages/kitandthewidow.htm

please wait website is loading... Theatre: The Goose Is Getting Fat The Wigmore Hall, 8th December 2001 The Fat Lady Sings Stage by Stage Edinburgh Festival and UK Tour, 2001 The Very Best Of Kit And The Widow Jermyn Street Theatre, 2000 The Fat Lady Sings The Yvonne Arnaud Theatre, August 2000 Meat On The Bone The Vaudeville Theatre, 1998 and National Tour, 1998 to Present Day The Best Of Kit And The Widow National Tour, 1997 to Present Day Salad Days National Tour, 1995, and at the Vaudeville Theatre, 1996 January Sale The Lyric, Hammersmith, 1993, and at The Vaudeville Theatre, 1994 Lavishly Mounted The Vaudeville Theatre, 1991, and at the Ambassadors, 1992 Edingburgh Fringe Festival Rehular appearances at the Fringe from 1983 including a performance at the Royal Lyceum Theatre as part of the Official Festival Television and Radio: The Lesley Garrett Show BBC2, 24th November, 2001 The Entertainment Game On The Fringe Radio 4, 1998 Kit And The Widow's Sound Of Music Radio 4, 1998 This Glad Century Radio 2, 1998 Kit and The Widow's Grand Tour Radio 4, 1997

71. Vaudeville - Encyclopedia Article About Vaudeville. Free Access, No Registration Music Hall is a type of British theatre which had Benny, who began as a vaudevilleentertainer, is best known for The Jack Benny Program, on radio (19321955 http://encyclopedia.thefreedictionary.com/vaudeville

Dictionaries: General Computing Medical Legal Encyclopedia Vaudeville Word: Word Starts with Ends with Definition Vaudeville is a style of theater, also known as variety , which flourished in North America from the Centuries: 18th century - 19th century - 20th century Decades: 1830s 1840s 1850s 1860s 1870s - Years: 1880 1881 1882 1883 1884 1885 1886 1887 1888 1889 Events and Trends About 300 000 Swedes emigrate to the United States. First Boer War First commercial production and sales of phonographs and phonograph recordings. First steel frame construction "sky-scrapers" The New Imperialism Click the link for more information. through the Centuries: 19th century - 20th century - 21st century Decades: 1870s 1880s 1890s 1900s 1910s - Years: 1920 1921 1922 1923 1924 1925 1926 1927 1928 1929 Events and Trends Rise of communism after World War I Youth culture of The Lost Generation ; Flappers, Charleston, Bobbed Hair Economic boom ended by "Black Thursday" - October 24, 1929 - the stock market crashes, leading to the Great Depression Click the link for more information.

72. FIREZINE #3: 30 Years Of FIRESIGN THEATRE In that sense FIRESIGN theatre is like a vaudeville radio house built with the bricksof politics and poetry combining the traditional elements of the dramatic http://www.firezine.net/issue3/fz3_05b.htm

III: Recorded History I: Introduction II: Who Am They Anyway? IV: Group Interview The guys then got together to start writing an album that was just a title ( Waiting For The Electrician Or Someone Like Him ) at that point, from scratch, unable to draw from any theatrical performing experience together. It all seemed to work so well that FIRESIGN THEATRE then began a series of round table discussion sessions, forming their emerging, and still surviving, working writing style. They were their own best and most critical audience with the ultimate result and the highest compliment, being to make each other laugh. From the very beginnings FIRESIGN employed the truest sense of democracy; only material that they all agreed to incorporate became part of their compositions. The one man veto and the filtration system of four high intellects stimulated a group built on trust and a handshake of legal anarchy, leaving each to pursue their own career directions and projects. They threw the flotsam and jetsam of their own daily lives into the stream of consciousness, free association humor of their audio mind movies, churning out surrealised versions of classic radio. They developed a continuing theme of parody, power, paranoia, and populism, running the entire political gauntlet of American culture with no idea for mass marketing but to please and impress each other. However, when one looks at the immense radio and show business background of the individual members of the group, there is little wonder of their eminent success.

73. Continuing Education And Public Programs At The Graduate Center: A Learning Part the Arts series presents programs in theatre, art, music science correspondent andawardwinning radio and TV Science vaudeville Entertainment for All Ages. This http://web.gc.cuny.edu/cepp/courses/science_arts.html

The Science and the Arts series presents programs in theatre, art, music, and dance that bridge the worlds of art and science. Science Friday Science Vaudeville Women and the Machine The Doctor's Dilemma ... Partition Science Friday Be part of the audience for a nationally broadcast radio show, live from our stage. Veteran National Public Radio science correspondent and award-winning radio and TV journalist Ira Flatow is the anchor of Talk of the Nation: Science Friday. Flatow will bring NPR listeners-and our live audience-a spirited, informative discussion with guest experts on science and technology. The show topics will be "Science on Stage" and "The Future of New York City." - Friday, January 23 2-4pm Free To register, email continuinged@gc.cuny.edu with the information listed on this form . Or click for all of our registration options Back to top Back to program listings index Science Vaudeville Entertainment for All Ages This evening of family-friendly fare will include juggling, music, conjuring, and more, featuring Bob Friedhoffer , whose laboratory experiments are disguised as magical illusion;

74. Search Results For Vaudeville - Encyclopædia Britannica Includes theatre programs, motion pictures, sound recordings, photographs, and play theAmerican comedy duo, whose work spanned vaudeville, radio, movies, and http://www.britannica.com/search?query=vaudeville&submit=Find&source=MWTEXT

75. The Sydney Morning Herald Falling On My Left Ear, Railway St theatre. famed Australian vaudevillian, film actor,writer and radio star George people who quote it as vaudeville is dead . http://www.smh.com.au/articles/2002/09/16/1032054759064.html

@import url("http://smh.com.au/css/smh.css"); Soon you will need to register to read this article We will be asking all readers to register for full access to The Sydney Morning Herald website in the near future. ( Already registered? Or did you register for The Age Rugby Heaven , or Realfooty websites? You do not need to register again. LOGIN to continue to your Article Register today to win $30,000 WIN $30,000 Register later and continue to your Article National World Opinion ... f2 member agreement

76. The Sydney Morning Herald He was 93. He spent more than eight decades as a performer, working inmotion pictures, vaudeville, nightclubs, radio and the theatre. http://www.smh.com.au/articles/2002/03/28/1017206134005.html

@import url("http://smh.com.au/css/smh.css"); Soon you will need to register to read this article We will be asking all readers to register for full access to The Sydney Morning Herald website in the near future. ( Already registered? Or did you register for The Age Rugby Heaven , or Realfooty websites? You do not need to register again. LOGIN to continue to your Article Register today to win $30,000 WIN $30,000 Register later and continue to your Article National World Opinion ... f2 member agreement

77. CofC: About CofC: News Release vaudeville, America’s popular mainstream entertainment before motion pictures,radio and television, will Susan Kattwinkel, a theatre professor at the http://www.cofc.edu/about/news/20020123-1.html

CofC Home About CofC Academic Programs Library ... Technology News C of C Theatre Professor Staging "Virtual Vaudeville" January 23, 2002 Professor Susan Kattwinkel Vaudeville, America’s popular mainstream entertainment before motion pictures, radio and television, will take a high-tech curtain call. Susan Kattwinkel, a theatre professor at the College of Charleston, is involved in a computer modeling production called “Virtual Vaudeville.” Officially known as “A Live Performance Simulation System: Virtual Vaudeville,” the project has been awarded a $900,000 grant from the National Science Foundation. Kattwinkel is part of a team of theatre historians, musicologists, computer scientists, and animators from seven universities that plans, in 2004, to stage a first-of-its-kind internet vaudeville show. “New computer technology does need to be invented for this,” said Kattwinkel. “The idea of putting performance modeling together with a virtual reality environment is new in the way that we want to do it.” Performance modeling involves putting sensors on a person’s body and then digitizing all of the movements so that computer models can be constructed. The technology is now used in athletics to study, for example, a golfer or baseball player’s swing.

78. Honolulu Star-Bulletin Stage Calendar between two Asian American actors in Hollywood, Kumu Kahua theatre, 6 Merchant St Simonsaluting performers who began their careers in vaudeville and radio. http://starbulletin.com/97/04/08/community/stage.html

Stage "Stage" appears on-line every week, and Thursdays in the Star-Bulletin's "Community Calendar." Send notices to: Community Calendar, Honolulu Star-Bulletin, P.O. Box 3080, Honolulu 96802. Or fax to 523-8509. Or send e-mail to citydesk@starbulletin.com Thursday, April 3, 1997 OPENING "The Good Woman of Setzuan": The Windward Community College Players will give a preview of Bertolt Brecht's comedy, April 4 and 5, Windward Community College, Little Theatre. Directed by Ben Moffat, the play tells of a woman's struggle to be kind-hearted in a world that rewards selfishness. The play's official opening is 8 p.m. April 11. Shows will also be held at 8 p.m., April 12, 18, 19 and 25. Cost: $6-$8. Reservations at 235-0077, ext. 446, or 235-7446. "Nanakuli": The Leeward Community Theatre lab explore contemporary, mythological and historical issues of the Leeward community through laughter, drama, music, chant and dance. Directed by Paul Cravath. Showings are 8 p.m. April 9 through 12, and 4 p.m. April 13, Leeward Community College Theatre. Cost: $5. Call 455-0385. CONTINUING "The Art of Dining": The University of Hawaii at Manoa's Department of Theatre and Dance presents Tina Howe's comedy about a couple's experience with the intimacy that food can bring. Directed by Lisa A. Kramer. At 8 p.m. through April 5, and 2 p.m. April 6, Earle Ernst Lab Theatre. Cost: $3-7. Tickets at 956-7655 or 545-4000.

79. Honolulu Star-Bulletin Stage Calendar At 8 pm April 25, and 2 pm April 6, Earle Ernst Lab theatre. Play by Neil Simonsaluting performers who began their careers in vaudeville and radio. http://starbulletin.com/97/03/31/community/stage.html

Stage "Stage" appears on-line every week, and Thursdays in the Star-Bulletin's "Community Calendar." Send notices to: Community Calendar, Honolulu Star-Bulletin, P.O. Box 3080, Honolulu 96802. Or fax to 523-8509. Or send e-mail to citydesk@starbulletin.com Thursday, March 27, 1997 OPENING An animated musical adventure for the whole family. The production will introduce several of Hawaii's endangered species including the monk seal, green sea turtle and Pu'eo. At 6 and 8 p.m. Saturdays and Sundays, through June 15, Ala Moana Center's New Makai Market Pavilion. Free. Call 672-9585. "Hamlet": Brigham Young University-Hawaii's Fine Arts Division will give their interpretation of Shakespeare's "Hamlet," 7:30 p.m., through March 29, McKay Auditorium. The play will be directed by Craig Ferre and Neil Freeman. Limited seating. Tickets: $1 to $6.50. No one under eight allowed. Call 293-3545. "The Art of Dining": A couple experiences the intimacy that food can bring while dining at a trendy restaurant. The play humorously explores people's obsession with food. Directed by Lisa A. Kramer. At 8 p.m. April 2-5, and 2 p.m. April 6, Earle Ernst Lab Theatre. Cost: $3-7. Tickets at 956-7655 or 545-4000. "Laughter on the 23rd Floor": Play by Neil Simon saluting performers who began their careers in vaudeville and radio. Simon gives insight into the creative process of people like Mel Brooks, Carl Reiner and Steve Allen. At 8 p.m. Thursdays, Fridays and Saturdays, from April 3 through May 3 at the Church of the Crossroads, Weaver Hall. Tickets: $10-$15. Call 247-6939.

80. BBC - Radio 3 - Classical - Copland Programme Notes While the titles of Music for radio and Music Music for the theatre is important,too, as the by Webster s Dictionary as a sort of vaudeville characterised by http://www.bbc.co.uk/radio3/classical/archive/copland3.shtml

Home TV Radio Talk ... A-Z Index 12 Jun 2004 BBC Homepage BBC Music Radio 3 Classical ... Help Like this page? Send it to a friend! On air now: CD Review Andrew McGregor introduces this week's Disc of the Week. Full music details on our playlist Listen Live Copland Programme Notes Prairie Journal (Music for Radio) Music for Movies Music for the Theatre The Second Hurricane ... Back to Copland homepage Prairie Journal (Music for Radio) Music for Radio , and later the railroad ballad John Henry, and Letter from Home for the Paul Whiteman dance band. Music for Radio was one of a group of six works commissioned by the CBS network in 1936 from a varied group of American composers. Copland completed it shortly before its first performance, in a studio broadcast in July 1937. The piece is scored for a medium-sized orchestra, but (unusually for Copland) with cues allowing some instruments, including all three saxophones, to be omitted if unavailable. There are signs of the work's studio origins in many details of its scoring, with solos for woodwind and muted brass which seem designed for close-micing techniques (one flute solo is actually marked 'at the microphone'), and simple textures, including several passages in bare octaves, which must have been intended to make their effect even in difficult listening conditions. Moreover, the language of the work is clearly designed to attract a large general audience, with references to various styles of popular music and familiar idioms. At the same time, the form is by no means easy to follow: the piece plays continuously for around 11 minutes, and forms one of Copland's characteristic asymmetrical arches. There is a sharply rhythmic opening with a broad, lyrical continuation, followed by a passage in dotted rhythms, and a slow episode with a clarinet melody 'in the manner of a folk song'. An extended central section is virtually a development, except that alongside ideas from the opening it introduces much new material, including one recurring jagged rhythmic figure. The dotted-rhythm passage returns, more strident than before, then the opening with its lyrical continuation, and finally the folk-song melody, which leads to a quiet ending. Copland initially referred to the work as 'Radio Serenade', then as

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