21. AfricaOnline.com - Africa africa Online. The gateway to, from and within africa. Namibia. Nigeria. Senegal. south africa. Swaziland. Tanzania. Uganda. Zambia. Zimbabwe education. NGOs. arts culture. health. women . http://www.africaonline.com/

Explore! click map or... Pick a country Cote d'Ivoire Kenya Egypt Ethiopia Ghana Morocco Namibia Nigeria Senegal South Africa Swaziland Tanzania Uganda Zambia Zimbabwe Africa North West East ... help quick links Go To ... News Sports Entertainment Business Travel advertisement Africa Top on AfricaOnline.com African radio stations Grants and opportunities February is Black History Month. Take a look at ... The Challenge of African American Research Learn about Nigerian Philip Emeagwali and other famous black inventors Hot topics! Black media in many cases are simply white parrots. What is your opinion? Gay marriage/same-sex marriage... What is your opinion of gay marriages? Is a United Africa possible? What is your opinion? The vision of 'One Africa' as 'One Nation' is the dream of many of us. But is it a feasible? Will it ever happen? And what needs to happen for it to become a reality? What is your opinion? Go to AfricaOnline.com Jobs for more! The first true 'Mother Africa'? Africa has a parliament - and a woman is heading it. read more Ghana's president attempts to defuse tensions in Ivory Coast Ghana's President John Kufuor has travelled to Abidjan in an effort to defuse tensions in Ivory Coast ahead of a planned opposition protest.

22. IndyMedia South Africa illegal." Indymedia south africa has over the last few culture shall be opened'. So reads the Freedom Charter, a key manifesto of the struggle against Apartheid in south africa http://www.southafrica.indymedia.org/

About Us Contact Us Subscribe Calendar ... chat Media Text Image Audio Video Other deutsch italiano norsk portug links donate sf-active imc network Anti-eviction activists to appear in court on 'kidnapping' charges KHAYELITSHA, CAPE TOWN, 7 JUNE 2004 - In February 2003, Anti-Eviction Campaign activist Max Ntanyana was kidnapped by security police and mysteriously disappeared for several hours. That is a well known story. However, the police claim that while he was kidnapped, some Mandela Park community members kidnapped an undercover police woman and held her hostage for several hours. Shortly after Max's abduction, a number of activists were arrested and charged with "kidnapping". More arrests followed several months later. Now, more than a year later, the only remaining defendants are two women, Zandile and Nomvuyo. They appearing in Khayelitsha Regional Court today. Of necessity, Nomvuyo and Zandile have remained silent to not put themselves or other activists at risk. They should, however, not be invisible. Come support Nomvuyo and Zandile at court today! Venue: Khayelitsha Region Court, corner of Steve Biko and Walter Sisulu roads, Khayelitsha

23. Welcome To South Africa Most tourists think of south africa as a place with sunny skies, white beaches thismulticoloured society, and to experience first-hand their culture and way http://www.southafrica.net/

Home / Welcome to South Africa Choose your version: Welcome to South Africa Welcome to the official South African Tourism website – the most comprehensive online source of information on travel to and in South Africa. Local Tourism Information Hotline: 083 123 2345 Select Your Currency EUR Euro USD United States Dollars CAD Canada Dollars GBP United Kingdom Pounds DEM Germany Deutsche Marks FRF France Francs JPY Japan Yen NLG Netherlands Guilders ITL Italy Lire CHF Switzerland Francs DZD Algeria Dinars ARS Argentina Pesos AUD Australia Dollars ATS Austria Schillings BSD Bahamas Dollars BBD Barbados Dollars BEF Belgium Francs BMD Bermuda Dollars BRL Brazil Reais BGN Bulgaria Leva CAD Canada Dollars CLP Chile Pesos CNY China Yuan Renminbi CYP Cyprus Pounds CZK Czech Republic Koruny DKK Denmark Kroner NLG Dutch (Netherlands) Guilders XCD Eastern Caribbean Dollars EGP Egypt Pounds EUR Euro FJD Fiji Dollars FIM Finland Markkaa FRF France Francs DEM Germany Deutsche Marks XAU Gold Ounces GRD Greece Drachmae HKD Hong Kong Dollars NLG Holland (Netherlands) Guilders HUF Hungary Forint ISK Iceland Kronur INR India Rupees IDR Indonesia Rupiahs IEP Ireland Pounds ILS Israel New Shekels ITL Italy Lire JMD Jamaica Dollars JPY Japan Yen JOD Jordan Dinars KRW Korea (South) Won LBP Lebanon Pounds LUF Luxembourg Francs MYR Malaysia Ringgits MXN Mexico Pesos NLG Netherlands Guilders NZD New Zealand Dollars NOK Norway Kroner PKR Pakistan Rupees XPD Palladium Ounces PHP Philippines Pesos XPT Platinum Ounces PLN Poland Zlotych PTE Portugal Escudos ROL Romania Lei

24. Bush Negroes An ethnographic account of the descendants of Black slaves brought as plantation laborers from africa to Surinam in northeastern south America. http://lucy.ukc.ac.uk/EthnoAtlas/Hmar/Cult_dir/Culture.7834

Society-BUSH-NEGROES The Bush Negroes (also called Refugee Blacks or Guiana Maroons) are the descendants of Black slaves brought as plantation laborers from Africa to Surinam in northeastern South America, starting in the last half of the seventeenth century. (See Price 1976: fn. 2 on pp. 2-3, for a discussion of the derivation and meaning of the terms "Bush Negro" and "Maroon.") The ancestors of the major Bush Negro tribes escaped from the plantations of coastal Surinam to the forests of the interior in the late seventeenth and early eighteenth centuries. There they developed distinctive societies reflecting a blending and adaptation to local conditions of various African sociocultural patterns, and incorporating strong Amerindian influences in their material culture e.g. horticultural practices, hunting and fishing techniques, crafts such as basketry, the use of therapeutic plants, and so forth. After a half century of guerrilla warfare against colonial and European troops, the Bush Negroes signed treaties with the Dutch colonial government in the 1760s, enabling them to live a virtually independent existence until the past few decades. Their numbers increased markedly during the eighteenth and nineteenth centuries so that the modern Bush Negro population is generally estimated to be somewhere between 25,000 and 47,000, probably closer to the latter figure. For the most part, they live along the rivers of the interior of Surinam. However, growing numbers are now living in and around Paramaribo, the capitol of Surinam, and they also seem to be expanding eastward into adjacent French Guiana (cf. Herskovits and Herskovits 1934: vii; Hurault 1959: 2; Kobben 1967: 35; Price 1972: 83; and Price 1976: 3-4, 21). Today, according to Price (1976), there are six Bush Negro tribes. He divides them into two main groups on the basis of cultural and linguistic differences, as well as location: (1) the Eastern Tribes, consisting of the Djuka (Aucaner, Awka), the Aluku (Aluku nenge, Boni), and the Paramaka (Paramacca); and (2) the Central Tribes, consisting of the Saramaka (Saramacca), the Matawai, and the Kwinti (cf. the tribal distribution map in Price 1976: 5). The Djuka and Saramaka are the largest tribes, with estimated populations of 15,000 to 20,000 each. The Aluku, Matawai, and Paramaka are much smaller, with estimated populations of around 2,000 each. The smallest tribe is the Kwinti, with fewer than 500 people. Three main creole languages are spoken in Surinam: (1) Sranan (Sranan Tongo, Taki-Taki), which was once the language of the plantation slaves and is now the "national language" of Surinam, spoken throughout the country as a lingua franca; (2) Ndjuka, spoken by the Djuka, Aluku, and Paramaka; and (3) Saramaccan, spoken by the Saramaka and Matawai. It is not clear where the language of the Kwinti fits since it has not been adequately described. The Voegelins (1977) list a fourth language, Aucaan, but give no further information about it. Both Price and the Voegelins agree that Sranan and Ndjuka are, with little effort, mutually intelligible; while Saramaccan is the most distinct of the three languages and mutually unintelligible with Sranan. (It is not specified whether Saramaccan and Ndjuka are also mutually unintelligible.) There is one key difference between Price and the Voegelins with respect to the classification of these languages. The latter classify all of them as English-based creole languages belonging to the Atlantic branch of the West Germanic group of Germanic within Indo-European. Price would presumably agree except in the case of Saramaccan. If his estimate of the derivations of the Saramaccan vocabulary is correct (i.e., 50 percent African, 20 percent Portuguese, 20 percent English, and 10 percent Dutch and Amerindian), then Saramaccan cannot be classified as an English-based creole. Furthermore, Saramaccan is fully a tone language (cf. Price 1976: 35-36; Voegelin 1977: 142-44). The modern Bush Negro tribes share a common cultural configuration, yet manifest important differences. As Price has stated (1976: 4), "These societies, though formed under broadly similar historical and ecological conditions, nevertheless display significant variations in everything from language, diet, and dress to patterns of marriage, residence, and migratory wage labor." Traditionally, the greatest differences were between the Eastern and Central Tribes, but "the differential development of Suriname's interior by government and mining interests is complicating this picture today." Price (1976: 6-42) presents an excellent preliminary analysis of the historical processes which may account for these major cultural variations. Although the details of his analysis will not be reviewed here, they deserve the closest study by any serious student of the Bush Negroes. Perhaps of greater immediate importance for our purposes are the broad sociocultural patterns shared by the Bush Negro tribes. Villages, which average one hundred to two hundred residents, consist of a core of matrilineally-related kinsmen plus some spouses and descendants of lineage men. Matriliny dominates descent ideology, with "matriclans" and "matrilineages" ... forming the basic units of the formal social structure. Since the colonial government signed treaties with the Djuka, Saramaka, and Matawai [an offshoot of the Saramaka] in the mid-eighteenth century, and placed the Aluku, Paramaka, and Kwinti in "protectorate" relationships under these treaty tribes during the nineteenth century, a loose framework of indirect rule has obtained. Each tribe, except the tiny Kwinti, has a government-approved Paramount Chief (gaama, granman) ... a series of headmen (kabiteni), and other public officials. Traditionally, the role of these officials in political and social control was exercised in a context replete with oracles, spirit possession, and other forms of divination ... In general, Bush Negroes enjoy an extremely rich ritual life, and the complex series of shrines and cults serve as foci for groups of residentially dispersed kinsmen. Their economy has long been based on a combination of periodic male wage labor on the coast and swidden horticulture and hunting and fishing ... Unusually skillful artists, performers, and orators, Bush Negroes in general exhibit a strongly aesthetic approach to life [Price 1976: 4,6]. Specifically, the first, modern anthropological field research with any Bush Negro tribe started among the Djuka in 1961 with the work of Kobben, Thoden van Velzen, and van Wetering. These Dutch scholars have now published the standard ethnographic sources on the Djuka. General ethnographic research among the Saramaka was conducted by Richard and Sally Price in 1966, 1967-68, and briefly in 1974 and 1975. Part of their data has been published, and other works are in preparation. Other anthropologists have recently done field research with the Paramaka, Matawai, and Kwinti. A discussion of all of this research, and the relevant citations, may be found in Price's invaluable historical and bibliographical introduction to the Bush Negroes (1976), which contains 1,330 entries dating from 1667 to 1975. Culture summary by Robert O. Lagace Herskovits, Melville Jean. Rebel destiny: among the Bush Negroes of Dutch Guiana. By Melville J. Herskovits and Frances S. Herskovits. New York, McGraw-Hill, 1934. 366 p. illus., maps. Hurault, Jean. Etude demographique comparee des Indiens Oayana et des noirs refugies Boni du Haut-Maroni (Guyane Francaise) [Comparative demographic study of the Oyana Indians and the Boni refugee blacks of the Upper Maroni (French Guiana)]. Population, 14 (1959): 509-534. Kobben, Andre J. F. Review of Jean Hurault 1961, Les Noirs Refugies Boni de la Guyane Francaise. Caribbean Studies, 5/3 (1965): 63-65. Kobben, Andre J. F. Participation and quantification; field work among the Djuka (Bush Negroes of Surinam). In D. G. Jongmans and P.C. W. Gutkind, eds. Anthropologists in the Field. Assen, Van Gorcum, 1967. Price, Richard. The Guiana Maroons: a historical and bibliographical introduction. Baltimore and London, The Johns Hopkins University Press, 1976. Price, Richard. The Guiana Maroons: changing perspectives in "Bush Negro" studies. Caribbean Studies, 11/4 (1972): 82-105. Voegelin, C. F. and F. M. Classification and index of the world's languages. New York, Elsevier, 1977. 7834

25. Heritage Access | South Africa:Culture/Heritage Allinclusive custom-designed group and individual Cultural tours, Heritage tours, Study tours, Educational tours, Eco-tourism tours, Business tours, Investment tours, Leisure and Recreational from KwaZulu-Natal, which abounds with their rich traditional culture. This is reflected in the finely crafted architectural design of Mosques and Temples through out south africa. http://www.heritageaccess.com/south_africa_culture.html

World History has been marked by the brilliant military stratagems of the Zulu King Shaka, and his warriors due to his campaign of expansion and conquest known as the “MFECANE.” The Zulu people hail from KwaZulu-Natal, which abounds with their rich traditional culture. This is reflected in the finely crafted pottery, elaborate beadwork, traditional herbal medicines, and in song, dance and colorful rituals. Opportunities to see a Zulu warrior at his Kraal within a Zulu village and also experience Zulu Dancing are always exhilarating. Zulu “beehive” huts are still constructed in the same way they were constructed several centuries ago and a visit to a traditional Shangaan or Swazi village is a memorable cultural exchange. The XHOSA tribes have the “AMAGGIRHA,” traditional healers chosen by the ancestors to provide treatment for disease and misfortune. The Xhosa have Initiation Rites, which commemorate transition from one stage of life to another and tend to paint their faces white. The NDEBELE are well known for their decorative murals on their houses and traditional costumes of rings and beaded hoops. The elaborateness of the beadwork on a woman’s clothing is an indication of her status within the family or community. The TSONGAS are well known for their traditional “Mine” dances carried out to the beat of drums and horns and a variety of musical instruments such as the MBILA. Indigenous South Africans have long used their music as a rallying cry for freedom.

26. Kwela - SouthAfrica.info based on the fact that flutes of different kinds had long been traditional instrumentsamong the peoples of the more northerly parts of south africa, and the http://www.southafrica.info/ess_info/sa_glance/culture/922564.htm

Sat, 12 Jun 2004 About South Africa Culture Democracy Demographics ... Sport Cape Town Durban Johannesburg Pretoria Quick forecasts SA Weather Service Mapping the best sites in SA cyberspace: goSouthAfrica SouthAfrica.net Kwela One of the offshoots of the marabi sound was kwela, which brought South African music to international prominence in the 1950s. The primary instrument of kwela, in the beginning, was the pennywhistle, a cheap and simple instrument which was taken up by street performers in the shanty towns. Apart from being cheap and portable, as well as susceptible to use as a solo or an ensemble instrument, part of the popularity of the pennywhistle was perhaps based on the fact that flutes of different kinds had long been traditional instruments among the peoples of the more northerly parts of South Africa, and the pennywhistle thus enabled the swift adaptation of folk tunes into the new marabi-inflected idiom. The term "kwela" is derived from the Zulu for "get up", though in township slang it also referred to the police vans, the "kwela-kwela". Thus it could be an invitation to join the dance as well as a warning. It is said that the young men who played the pennywhistle on street corners also acted as lookouts to warn those enjoying themselves in the illegal drinking dens of the arrival of the cops. Lemmy Mabaso was one of the famous pennywhistle stars; he began performing in the streets at the age of 10. Talent scouts were sent out by the recording industry to lure pennywhistlers into the studio and have them record their tunes with full band backing. Stars such as Spokes Mashiyane had hits with kwela pennywhistle tunes.

27. Matam Press Publishes books on aboriginal spirituality, science, and culture with a focus on ancient classical cultures, particularly of the Far East, south America and africa. http://www.geocities.com/matampress

Greetings and welcome to Matam Press. Thank for coming to our bookstore. We are in the process of releasing our new latest book, Sako Ma: A Look at the Sacred Monkey Totem. Sako Ma: A Look at the Sacred Monkey Totem by Matomah Alesha is available NOW at Lulu.com. This title and other books can be purchased here. Matam Press ~ http://www.matampress.com Last Update Apirl 16th 20 Contact Matam Press Matam Press

28. South Africa’s Culture south africas culture. Languages people speak in south africa are English, Afrikaans, Zulu and Xhosa. Most of south african people are Christian but with a lot of diversity. http://www.spoketrials.bizland.com/Africa1/tsld021.htm

South Africa’s Culture Languages people speak in South Africa are English, Afrikaans, Zulu and Xhosa. Most of South African people are Christian but with a lot of diversity. Christian groups include the Dutch Reformed, the Zion Christian, and the Church of England. The food is often “South Africanized” with fewer spices and more fat. Some example of traditional foods include, Boerewors which is farmers sausage, mielie meal which is corn porridge often served with stew. There’s three main groups of people living in South Africa, they are the British, the Afrikaners, (who are both white) and the native Black People. Everyone is aware of class and culture. The British are very urbanized and the Afrikaners do a lot of farming. Traditional Black beliefs include masculine deity, ancestral spirits and supernatural forces. Men can have more than one wife. Cattle play an important part in many cultures, as symbols of wealth and as sacrificial animals. Previous slide Next slide Back to first slide View graphic version

29. South Africa Languages & Culture south africa Languages culture south africans have been referred to as the rainbow nation , a title which illuminates the country s cultural diversity. http://www.sa-venues.com/sa_languages_and_culture.htm

SOUTH AFRICA SEARCH BY MAP REGIONS TOUR PACKAGES ... ADVERTISE SOUTH AFRICAN LANGUAGES AND CULTURE South Africans have been referred to as the 'rainbow nation', a title which illuminates the country's cultural diversity. The population of South Africa is one of the most complex and diverse in the world. Of the 45 million South Africans, nearly 31 million are Black, 5 million White, 3 million Coloured and one million Indian. The population density is 32.9 people per km². The Black population is divided into four major ethnic groups, namely Nguni, Sotho, Shangaan-Tsonga and Venda. There are numerous subgroups of which the Zulu and Xhosa (two subgroups of the Nguni) are the largest. The majority of the White population is of Afrikaans descent (60%), with many of the remaining 40% being of British descent. Most of the Coloured population live in the Northern and Western Cape provinces, whilst most of the Indian population lives in KwaZulu Natal. The Afrikaner population is concentrated in the Gauteng and Orange Free State provinces and the English population in the Western and Eastern Cape and Kwazulu-Natal. Languages: There are eleven official languages in South Africa English Afrikaans Ndebele Northern Sotho Xhosa Venda Tswana Southern Sotho

30. The Egyptian Society Of South Africa Aims to foster an appreciation of the history and culture of ancient Egypt (as well as modern Egypt) through lectures, a newsletter and tours. http://users.iafrica.com/g/gr/grenvill/

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31. Andy Cobb Adventures Scuba diving, shark diving in south africa and Zulu culture. http://users.iafrica.com/s/se/seafaris/adventure/andy.html

We specialise in adventure diving and game park safaris and an introduction to Zulu culture for small groups to ensure personal attention. We will design an itinerary to suit you. In order to maintain our strong commitment to the diving safety requirements, yet ensure that your holiday is still interesting, we offer educational shark and environmental diving combined with an introduction to Zulu culture and game viewing Adventure diving -Protea Banks Southern Mozambique, Aliwal or Sodwana Game park safaris Zulu cultural experience Shark diving Environmental diving Wreck diving Diving courses Mail us HOMEPAGE

32. Welcome To The Consulate General Cape Town ConsulateGeneral of the Kingdom of the Netherlands in Cape Town. Includes contact information, resources and information on history, culture and education. http://users.iafrica.com/n/nl/nlgovkaa/

Klik hier om verder te gaan Klik hier om verder te gaan

33. Ancient Culture And Cognition In Africa Project (ACACIA) ACACIA aims to study the technology, cognition and social development of the earliest modern humans emerging in south africa. Includes general information, publications, and contact information. http://www.wits.ac.za/archaeology/acacia/acacia.htm

34. Anzanga Marimba Ensemble Seattle, Washington based group playing traditional and contemporary marimba music from Zimbabwe, Mozambique, south africa and Gambia. Includes profile, discography, audio sample, information about the Shona culture and the mbira, and links. http://www.anzanga.com/

See Anzanga at the Northwest Folklife Festival [updated 5/11/04] Anzanga News About Anzanga Our Recordings About Shona Music ... Contact Anzanga

35. SehSekHoi A group experimenting with music and instruments across culture, including West africa, Korea, Turkey, Indonesia, New Zealand Maori, China, India and south America. With member background and biographies. http://www.geocities.com/sehsekhoi/

36. Projects In Africa, Culture Sector World culture Report Democratization and Women s Rights in the south African ConstitutionThe Challenge of African Customary Law (Ronald Thandabantu Nhlapo http://www.unesco.org/culture/ww/africa/

Cultural Policy Resources Issues on Culture and Development From Diversity to Pluralism ... United Nations Educational, Scientific and Cultural Organization UNESCO Sitemap Glossary Links News and Events ... Search Languages English Français Español Publications Statutory Texts Write to us Frequently Asked Questions About Culture Anniversaries, Days and Decades Fellowships Funding and Patronage Prizes Recruitment and Internships Who's Who? Projects in Africa, Culture Sector Visit the Websites of the UNESCO Offices in Africa Intercultural Dialogue and Pluralism Reference Sources: General History of Africa An eight-volume history of Africa has paved the way for an innovative approach to tracing human memory. This collection provides a comprehensive approach to the history of ideas, civilizations, societies and institutions that form the rich pattern of African history. Projects: Slave Route The Slave Route project has as goal the critical examination of the history and impact of the slave trade between Europe, Africa, the Caribbean and North and Latin America in its historical and socio-economic context.

37. Americans Travelling To South Africa Consult with an American living in south africa for your visit to Durban. Emphasis is on african culture, Zulu history, wildlife, sports and history http://www.und.ac.za/und/music/oehrle/

38. Top Tours Travel The Garden Route South Africa Top Tours Knysna offer tours and travel packages to the Western Eastern Cape and the Garden Route of south africa. Tours cater for bird, whale and dolphin watching . Also sport, art, culture and adventure. http://www.toptours.co.za

Travel and tour the beautiful Garden Route of South Africa. A MARVELOUS GARDEN ROUTE EXPERIENCE Panoramic view of Knysna Lagoon P ic © Chris Daly 2000 WHY CHOOSE TOP TOURS? Departures on demand All entrance fees included Minimum of 2 passengers travelling together Cape Town or Port Elizabeth departures Door to door service. Flexible itineraries Tours are accompanied by professional and experienced SATOUR-approved guides Luxury air-conditioned vehicles At Top Tours Knysna we specialise in foreign in-bound visitors and offer a marvellous experience of the Western and Eastern Cape, especially the magnificent Garden Route. All tours are accompanied by a qualified SATOUR registered Tourist Guide and all drivers are experienced. German, French, Spanish, Dutch or Flemish Language Guides are available if required. HOME TOURS CONTACT LINKS TOP TOURS KNYSNA cc Email info@toptours.co.za

39. Africa Adventure - Culture & Art In South Africa. Art Galleries, Cultural Villag africa Adventure culture Art in south africa. Art Galleries, CulturalVillages, Museums. Home south africa - culture Art, http://www.africa-adventure.org/1_englis/southafr/culture/cultsout.html

Home Art Galleries Cultural Villages Museum Art Galleries Art Creations Africa , Somerset West Art Creations Africa, established in 1988, is Southern Africa's largest exhibitor and exporter of the world renowned 'Hard Rock' stone sculpture. Cape Gallery, The , Cape Town The Cape Gallery is set in the heart of the old city off the Church Street walking mall and deals in Fine Art work by South African artists. Gallery Munhutapa , Groot Drakenstein The World's Premier Shona Art Dealer. Shona stone sculpture, acclaimed as the most important form of art to have emerged from Africa during the 20th Century. Hout Street Gallery , Paarl We host 2 major art exhibitions a year and during the rest of year we show a wide range of artists and an eclectic range of arts and crafts. Justrock , Franschhoek On a visit to our gallery you will find magnificent sculpture displays from our talented Zimbabwean artists each a specialist within their own field. Porcupine Gallery, The , Cape Town Art out of Africa. Unique galleries offering a selection of contemporary African art forms in ceramics and textiles. Stellenbosch Art Gallery , Stellenbosch We invite you to experience the abundance of South African artistic talent - while enjoying good music in the relaxed atmosphere of the gallery.

40. The WITS Choir The choir strives to achieve excellence in choral performance, while promoting the enjoyment of the universal language of music, regardless of culture, origin or nationality. Gauteng, south africa. http://www.wits.ac.za/clubs/choir/

Home Our University Contact Us! Performances ... Contact Info Welcome to the WITS Choir Web Page! The WITS choir is the resident choir of the University of the Witwatersrand which is situated in Johannesburg, South Africa. The choir is made up mainly of students of the university, but welcomes all. Our choir conductor is the esteemed Dalene Hoogenhout. If you have any comments or queries, please contact us. For any queries or comments regarding this site please contact our webmaster.

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