1. Printmaking Studio And Gallery Of Fine Art Prints By Maria Arango: Home Of 1,000 printmaking artist Maria Arango showcases original woodcut prints and drawings; invited artists show free, printmaking mural, methods, studio notes on paper, woodcut method, reference library, Welcome to woodcut printmaking! You will find galleries where you can view and collect woodcut useful websites for artists, printmakers and anyone interested in art and printmaking http://www.1000woodcuts.com/

Welcome to woodcut printmaking! You will find galleries where you can view and collect woodcut prints and wood engravings, learn how to make your first woodcut or get advanced tips, connect with a huge number of links, buy supplies, browse resources and books for printmakers and much more... What's going on right now? Presenting and ongoing show..."The May/June Hiatus!" I am knee deep in dust and gravel and desert weeds (oh my!), in the process of cleaning and renewing the back-back yard. Stay tuned for the upcoming show: "A desert garden is born" Seriously? No more shows until Portland Rose Festival in June Progress! 205 done... Check it out: 1,000 Woodcuts Page (Click on image for larger version) Latest Works: Check all the latest in Chronological Order (Newest First) Just published! Click to view Want to know all about the crazy life of Art Festivals? Here is a new group that discusses the business of Art Festivals and hopefully a growing useful resource for every traveling artist! Subscribe to artfestivallife Powered by groups.yahoo.com

2. Woodcuts By Minna Sora, Woodcuts Printmaking Art Galleries For Woodcut Relief Pr Also John Edgar Platt Museum of Modern Art provides well known animation about printmaking. Gauguin, Baselitz, Nolde, Heckel etc. http://kotisivu.mtv3.fi/sora/woodcutarchive.htm

Click the text to go to MAIN INDEX CV About me Guestbook See Galleries: RECENT WORK Gallery archives: WOODCUTS PAINTINGS Free counter Woodcuts Woodcuts have been an upmost thing for me, so I have a page dedicated to them - or, in fact a bunch of pages. My recent woodcuts: Wrapped - Draperies Aquatic Shelter Details of the woodcuts in "Aquatic" and "Shelter" If you start from HERE you can easily jump through all the galleries in a loop by clicking "to the next gallery" - link. Click here to see selected woodcut links outside this site. Wrapped Woodcuts, my archives These woodcuts seem to be individuals. Sometimes an idea leads from one work to another, but the colors and compositions change a lot. Sometimes I've been taken by color, transparency, contrasts and harmonies. Or cutting and woodplates - roughness, wandering markings, softness. Cleanliness 1993 Tables 1988-1990 More Tables Color woodcuts 1986-88 ... Yellow Corridors Selected woodcut sites Pictures of woodcut art: The most famous woodcuts More woodcut classics especially from Germany and USA, such as Ernst Barlach, Arthur Wesley Dow, Jim Dine, Leonard Baskin, information and pictures collected by Scattergood-Moore.

3. Artist Minna Sora - Contemporary Art, Printmaking Woodcuts Monotypes, Soft Groun Installation art, printmaking, intaglio, etching, monoprint, woodcut printmaking, painting and mixed media. printmaking artist works http://kotisivu.mtv3.fi/sora/

Contemporary art, etchings, contemporary printmaking and color woodcut art galleries by Minna Sora ONLINE EXHIBITION < start here Secret Shortcuts to this site SUOMEKSI See my NEW WORK WOODCUTS CV ABOUT ME ... PAINTINGS Welcome to artist Minna Sora' s online art gallery. Thank you for stopping here and welcome back some day - I update frequently. New pictures added in April 2004: Recent work and Orangery The latest update: Woodcut galleries are revised. Navigation: In the top of every page there's links to the main parts of my site - except here in the main page there more detailed links in Shortcuts to all parts of the site. In the bottom of the gallery pages there's "go to the next gallery" -link, they are linked a loop. For more information about art work move the mouse over a picture to see title, size, year etc. To see more works in ORANGERY gallery CLICK HERE [In Finnish] SUOMEKSI Minna Soraluoma Tampere Teretulemas Minna Soraluoman kotisivuille. Teosten nimen, koon, tekniikan ym näet laittamalla hiiren kuvan päälle. Väripuupiirroksia, taidegrafiikkaa, etsauksia, installaatioita. UUSIA TEOKSIA: ORANGERY hedelmän kuorimisen jalo taide - etsauksia, pehmeäpohja, sekatekniikka

4. Printmaking, Art Department, City College Of San Francisco FINE ART printmaking art 150A curriculum offers an overview of basic, plate creation, techniques for beginners. FINE ART PRINTMAKING COURSES ART 150A. http://www.ccsf.edu/Departments/Art/private/programs/printmaking.shtml

art department city college of san francisco printmaking the faculty: Anna Asebedo Tron Bykle Robin Kaneshiro Anita Toney Xavier Viramontes FINE ART PRINTMAKING: Art 150A curriculum offers an overview of basic, plate creation, techniques for beginners. The opportunity to explore these techniques in greater depth is offered in courses 150B and 150C. MONOPRINTING: Art 151A curriculum offers an overview of basic monotype and printing techniques for beginners. The opportunity to explore these techniques in greater depth is offered in courses 151B and 151C. FINE ART PRINTMAKING COURSES: ART 150A. Fine Art Printmaking (3) Lec-2, lab-4, field trips Prereq.: ART 130A Repeat: max. 6 units Designed to help students explore the theory and practice of printmaking through various printing techniques. Beginning problems will deal with techniques used in various areas of relief, intaglio, lithography, monoprinting and collography printing. Tools and techniques of printmaking are inherent in the medium and become a part of the creative process. Students will transfer their ideas and artistic expressions into these various print media. Introduction to historical traditions and contemporary issues of the field. CSU/UC/CAN

5. Polymetaal Etching Presses, Graphic Art Equipment, Links To Other Printmaking Si Wherever possible, you ll be directed to the university s studio art or printmaking page. Etcher s Homepage An art work collection of many printmaking artist s. http://www.polymetaal.nl/links/links1.htm

Links to other Printmaking Sites Printmaking Education Italy "Il Bisonte" International School of Printmaking, Florence the Netherlands United Kingdom Printmaking, Anglia Polytechnic University Cambridge United States of America Bradley University, Peoria, IL Museums the Netherlands Stichting Lettergieten 1983 (Type Casting Foundation 1983) A museum with old commercially used letterpress printing presses. An attemp to keep the old craftmanship of type printing alive. Still casting lead type. Regularly printing demonstrations. Galleries Artvision Art of promising Dutch artists presented in a playful way. Belart The goal of Belart is to promote Belgian artists internationally. QuadretoArt is a dynamic online gallery offering a wide variety of quality artwork. Our art is available for you to view and purchase. Printmaking Workshops Italy Santa Reparata Graphic Art Centre, Stamperia d'arte grafica, Florence, Italy. A professional printmaking workshop providing facilities and courses in etching, monoprinting, relief printing, photography, drawing, digital imaging. The Netherlands Grafisch atelier Daglicht Eindhoven.

6. Buy Discount Printmaking | Art Supplies | Printmaking | Discount Art Supply Stor Buy discount printmaking art supplies. MisterArt.com s art supply store online products include printmaking art supplies. Art Supplies Printmaking. http://www.misterart.com/store/browse/001/cat_id/18/Art-Supplies-Printmaking.htm

in All Stores Art Supplies Craft Supplies Gift Ideas Kid's Korner Adhesives Airbrush Brushes Canvas ... Art Supplies Printmaking Select a Category below Brayers Linoleum and Wood Block Printing SPEEDBALL Block Printing Water Soluble Ink Excellent for classroom use. Cleans up easily with water. Dries to a rich, satiny finish. Works well with all printing surfaces, including... more SPEEDBALL Acrylic Screen Printing Ink LOEW CORNELL Scribers SPEEDBALL Linoleum Blocks Items: Subtotal: You Save: More Info Unsubscribe Info HOME Art Supplies ... Kid's Corner Contact us at 866-672-7811 or cs@misterart.com Security and Privacy

7. Hunter Editions Fine Art Giclee Printmaking Art Reproduction Printer Printmaker Welcome to the Hunter Editions web gallery, your complete source for the latest ideas in fine art digital printmaking. New at Hunter http://www.huntereditions.com/

Welcome to the Hunter Editions web gallery, your complete source for the latest ideas in fine art digital printmaking. New at Hunter: Updated Price List Updated Gallery Media to Media Since its founding in 1994, Hunter Editions, located in the beautiful coastal town of Kennebunkport, Maine, has been at the forefront of the digital printmaking revolution. Over the past five years, we've used state-of-the-art digital technology to help hundreds of artists, photographers and illustrators from around the world realize their creative visions. That wealth of hands-on experience has allowed us to not only refine our printmaking process and contribute to technological advancements in the industry, but also to fine-tune our most important process - communicating with artists. First we make sure we understand your artistic goals, sales goals and budget, which helps us determine the quantity, size, paper and "feel" that make the best aesthetic and economic sense for your art. Then we work with you throughout the printmaking process to ensure that the final edition is exactly what you want. Even with this close personal attention and cutting-edge technology, giclee printmaking at Hunter is more cost-effective than traditional fine art printing methods. Initial costs are affordable, and the fact that prints are stored electronically and can be produced in small quantities on demand means you can reorder whenever you need them and be assured of a consistent product.

8. ART 2930C Printmaking: Art Of The Book Lyons, 1554. ART 2930C printmaking art OF THE BOOK Natasha Lovelace Materials from the Dept. of Special Collections. Comments to Jeffrey Barr. http://web.uflib.ufl.edu/spec/rarebook/art2930c/art2930c.htm

UNIVERSITY OF FLORIDA DEPT. OF FINE ARTS From: Gvlielmi Rondeletii ... Libri de piscibus marinis By Guillaume Rondelet. Lyons, 1554 ART 2930C PRINTMAKING: ART OF THE BOOK Natasha Lovelace Materials from the Dept. of Special Collections Comments to: Jeffrey Barr Jacobus Philippus, Bergomensis, 1434-1520. Supplementum chronicarum Opus preclarum supplementum chronica [rum] vulgo appattatu : in omnimoda historia nouissime congesta Fratris Jacobi Philippi Bergomensis : religionis heremitaru diui Auguistini decoris : saustissime inchoat. [Venetiis : Bernardum Rizum, 1490] [12], 261, [1] leaves (first and last blank) : col. ill ; 31 m. 909 F718s oversize Catholic Church. Book of hours Hore presentes ad usum Sarum impresse fuerut Parisius per Phillipu pigouchet anno salutis. M.CCCC. xcviii. die vero. xvi. Maii. pro Symone vostre: librario comorante ibide : in vico nuncupato novo beate Marie. in intersignio sancti Johannis evangeliste. [Paris, Phillipe Pigouchet for Simon Vostre, 16 May 1498] [128] l. : ill. ; 18 cm.

9. Endi Poskovic, Classes CREDITS 4 (January) PREREQUISITE 100 and 242 PERMISSION Yes; SPECIAL PROJECTS IN printmaking art 343 A continuation of the objectives of Printmaking I and II http://web.whittier.edu/art/poskovic/CLASSES.htm

BIO RESUME ARTIST STATEMENT TEACHING PHILOSOPHY ... HOME C L A S S E S ABOUT PRINTMAKING AT WHITTIER PRINTMAKING I ART 242 course syllabus Initial study of basic processes of preparing and printing the inked surfaces of metal, wood, linoleum, and other intaglio and relief printing surfaces. The student is taught a variety of techniques, proper and safe use of the equipment and tools, and the basic aspects of preserving and collecting prints as fine art. I also cover technical and conceptual aspects of an on-going integration of technologies and printmaking arts both in relation to industrial printing and fine arts. CREDITS: 3 (one semester) PREREQUISITE: 100 PERMISSION: No PRINTMAKING II ART 342 course syllabus CREDITS: 3 (one semester) PREREQUISITE: 100 and 242 PERMISSION: Yes PRINTMEDIA IN VISUAL COMMUNICATIONS ART 303 course syllabus PRINTMAKING WORKSHOP ART 342 course syllabus Intensive 4-week class with presentations of a variety of techniques, experimental printing processes, proper and safe use of the equipment and tools. The student has first hand experience in basic mixed media intaglio and relief processes.

10. Larry McNeil Printmaking Art Keet 1 All of the Printmaking Work in this series was made under the instruction of In the Northern Tlingit style of artmaking, there is usually a hole n the http://www.boisestate.edu/art/lmcneil/artprintmakpages/pages/akeet1.htm

Keet #1 All of the Printmaking Work in this series was made under the instruction of the Master Printmaker Melanie Yazzie, 2003 9 by 12 inches, Monotype collograph with a stencil Print with Rives BFK paper and relief inks. Keet is the Tlingit word for Killerwhale. In the Northern Tlingit style of art-making, there is usually a hole n the fin. Edition of one (1/1). Melanie Yazzie , Master Printmaker and Assistant Professor of Printmaking at the University of Arizona at Tucson, was a Visiting Artist at Boise State University for the 2002-03 academic year. This work was produced in her three week summer session, where she taught the monotype, collograph, gum Arabic transfer, polyester plate, relief, and solar plate processes. It was entirely our honor to have an artist of Melanie's stature as a one-year guest; Gunalscheesh, Thank you, Melanie.

11. Larry McNeil Printmaking Art how a digital piece would translate into a printmaking piece mythology, humor, humorist satire, satirical, Traditional Northwest Coast Art, Contemporary Tlingit http://www.boisestate.edu/art/lmcneil/artprintmakpages/pages/fspirit.htm

In the True Spirit of White Man All of the Printmaking Work in this series was made under the instruction of the Master Printmaker Melanie Yazzie, 2003 6 by 6 inches, Solarplate copper plate print with Rives BFK paper and etching inks. In the True Spirit of White Man is about hypocritical patriotism. The thought of stealing a car to search for America is a very fitting metaphor for the Spirit of America. Edition of ? (A/P). This In the Spirit of White Man piece is a version of a digital piece of the same title made in 2002 for the New Works series. I was curious as to how a digital piece would translate into a printmaking piece.

12. Printmaking Art Supplies Printmaking Arts Online Shopping Store printmaking art Supplies printmaking arts Online Shopping Store An Online Shopping Mall and directory arranged in a variety of categories. http://www.plaza101.com/plaza/store/shop96904/Online/Printmaking/

Home Electronics Electronics Brands Camera ... Toys 254 Shoppers Online Coupons, Today's Deal and Specials Save 40%-70% on Crystal Stemware at Ross-Simons Featured Categories 5.8 GHz - Digital Bottoms Copley Developmental ... Maps.com Shop By Merchant AAAFruitbaskets AaronsBabyBaskets ABaby.com AbtElectronics AceHardware ACLens ACT ActivaSports Adagio Alexblake AllWineBaskets AllworthPress Altrec ARTinaClick AtlantaFalcons ATrendyhome Audible.com AuditionsShoes AutoAnything AutoBarn B A Mason BabyAge BabyBazaar BabyUniverse BackcountryStore BallyStore BareNecessities BassProShops BathandBody BayberryGifts BBCAmericaShop BeckerSurf Bellacor BetterHomesandGardens BigFitness.net BizChair Blades Blair Bloomingbulb Bluefly BlueNile BoatersWorld BodyTrends BonsaiBoy Boscovs Bose Brecks Broderbund BrooksBrothers BrookStone BuyCostumes Cabelas Cameraworld CandleBay CandleMart CandlesJustOnline CellPhoneShop ChampionCatalog CheaperThanDirt Chefs CitySports ClassicCloseouts ColdwaterCreek CollectiblesToday CollegiateMall CompactAppliance CompuExpert ComputerGeeks Cooking.com CornerHardware CosmeticMall Countdown Creations CreativeLabs CrossingPointe CrucialTechnology CycleMallUSA Deal.com

13. WAC | Calendar | August 1999 | Printmaking Art Lab For Adults Art Lab for Adults BACK TO BASICS AN INTRODUCTION TO PRINTMAKING AND BOOKMAKING THURSDAYS, JULY 29 AND AUGUST 5, 1999 (TWO MEETINGS), 630930 PM $50 ($35 http://www.walkerart.org/archive/A/AF7371523FA0BEE2616C.htm

Art Lab for Adults BACK TO BASICS: AN INTRODUCTION TO PRINTMAKING AND BOOKMAKING THURSDAYS, JULY 29 AND AUGUST 5, 1999 (TWO MEETINGS), 6:30-9:30 PM $50 ($35 WALKER MEMBERS AND STUDENTS) ART LAB This two-part, hands-on class introduces participants to some of the print and bookmaking techniques used by artist Edward Ruscha as well as relief and monoprint methods. Students are encouraged to incorporate their prints into books during the second week. Led by artists Cole Rogers and Carla McGrath. Class is limited to 15. Early registration is suggested. Price includes cost of materials.

14. Anderson Ranch Arts Center 16. Printmaking Intaglio printmaking art Werger June 28 July 9 Check out Art s work at www.wergerprint.com. Sculpture Constructing http://www.andersonranch.org/

Registration Continues: It's not too late to register for Summer 2004. The classes listed below are just a sample of the m o re than 80 incredible workshops that have spaces available and can be enrolled in RIGHT NOW! E-mail us today to energize your creative life this summer. Critical Studies Lawrence Weschler August 16 - 19 Brian Reid, Kalli Tables by Hand: hand tools are cool Brian Reid June 21 - July 2 Skill Level: Open to All Concept: This is the perfect class for those who are interested in woodworking but don't want to invest thousands of dollars in power tools. We’ll learn to make things quietly, using technology from the pre-industrial era. This class is equal parts skill building and design development. Media: Wood Techniques: This workshop will provide an introduction to hand tools, tuning them up and using them – not worshipping them. Power tools will not be used in this class with the possible exception of a band saw or drill press. Students will learn mortise and tenon joinery as well as frame and panel construction. Activities: Frequent exercises in idea generation will launch our study of design. This workshop will emphasize the importance of legs and feet in table design. We will explore curvy legs, tapered legs, fat legs and skinny legs as well as feet turned in, feet turned out, smooth legs and rough legs. Our design projects will include lots of full-scale drawings as well as some sketching.

15. Printmaking Art By Claire Nash, Gallery, Techniques Etc Printmaking gallery of contemporary Fine art prints and paintings by artist Claire Nash, explanations of lithography, collagraph, intaglio, etching and screen http://www.printmaking.org.uk/

Printmaking gallery of contemporary Fine art prints and paintings by artist Claire Nash, explanations of lithography, collagraph, intaglio, etching and screen printing techniques and other pages of interest within printmaking. Skip flash intro Site designed for 800x600 or higher resolution, 16 bit or higher colour and Internet Explorer

16. Printmaking Art printmaking art. Trevor. http://schools.tdsb.on.ca/semacmillan/student_work/va/printmaking.htm

Printmaking Art Trevor

17. Atelier West Printmakers printmaking artist Audrey Feltham showcases original prints, printmaking methods, studio printmaking lessons, instruction, printing and consultation. http://www.atelierwest.ca

18. Course Schedule - Fall 2004 - ARTS 595 - Graduate Laboratory 31167 Departmental Approval Required Photography Art Design 12, printmaking art Design 100, Art Design Paint 20, and Graduate Sculpture AD 70.00 dollars. http://courses.uiuc.edu/cis/schedule/urbana/2004/Fall/ARTS/595.html

Home Class Schedule Summer I 04 Summer II 04 Fall 04 Course Catalog help Fall 04 GenEd Requirements ... Programs of Study Fall 04 Undergraduate Graduate Professional Course Numbers ... Crosswalk Table ARTS 595 Graduate Laboratory Credit: 4 to 12 hours. For Art majors only. Section Information CRN Type Section Time Days Location Instructor independent study ARRANGED 10364: Instructor Approval Required laboratory G ARRANGED Pokorny, M 31167: Departmental Approval Required laboratory GC ARRANGED Van Laar, T 31259: Departmental Approval Required laboratory M ARRANGED Theide, B 31169: Departmental Approval Required laboratory NG ARRANGED 41683: Instructor Approval Required Instructor Approval Required laboratory PH 06:00 PM - 08:50 PM T room ARR Art and Design Bldg Scott, E 30218: Departmental Approval Required Three additional hours of studio time each week to be arranged. laboratory PNT 06:00 PM - 07:50 PM Kendrick, B

19. Art, Printmaking Concentration printmaking art is usually, but not always, twodimensional and is often called the “democratic art,” since with multiple original copies, the artist’s http://www.asu.edu/provost/smis/cfa/bfa/aprbfa.html

Art, Printmaking Concentration Bachelor of Fine Arts The Katherine K. Herberger College of Fine Arts Definition of the field. Career opportunities in the field. Trained printmakers are working artists, practicing the expression of a personal understanding of their place in the world. They contribute to the continuity of human creativity through time. Their art may sell successfully in the open marketplace. They may find employment as artists, printmakers in schools of all levels, teaching the execution and appreciation of visual art. They work in fine art print studios, executing original prints for other artists. Printmaking skills such as screenprinting or photomechanical techniques, acquired for the production of art, also have commercial, nonart applications that may afford skilled employment. Artists with printmaking skills may also do graphic design, illustration, and signage or may work in museums, in conservation, for publishers, in arts, galleries, and in other art-related activities. Uniqueness of the program at ASU.

20. Uwsoa | Faculty + Staff 206685-1805. Larry Sommers lsommers@u.washington.edu, Instructional Technician - printmaking art 210 206-543-0633. Laura Todd letodd http://art.washington.edu/faculty/

University of Washington School of Art, Seattle Faculty + Staff Directory Campus Maps School of Art University of Washington Box 353440 Seattle, WA 98195-3440 206-543-0970 Phone 206-685-1657 Fax FACULTY Paul Berger peberger@u.washington.edu Photography ART 019 Cynthea Bogel cjbogel@u.washington.edu Art History ART 369 blithe@u.washington.edu Art History ART 114 Riley Brewster rileyb@u.washington.edu Painting ART 306 David Brody brody@u.washington.edu Painting ART 334 Lou Cabeen lcabeen@u.washington.edu Fibers ART 218 Susan Casteras casteras@u.washington.edu Art History ART 361 Karen Cheng kcheng@u.washington.edu Visual Communication Design ART 251 Meredith Clausen mlc@u.washington.edu Art History ART 222 Jeffrey Collins jeffc@u.washington.edu Art History ART 363 Rebecca Cummins rcummins@u.washington.edu Photography ART 019 Patricia Failing failing@u.washington.edu Art History ART 311 Ann Gale galenic@u.washington.edu Painting ART 306 Ellen Garvens elgarv@u.washington.edu Photography ART 017 Layne Goldsmith lgolds@u.washington.edu

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