DESIGN FOR DEVELOPMENT DESIGN FOR DEVELOPMENT CONFERENCE Design and the African cultural identity JP Odoch Pido Chairman, Department of Design, University of Nairobi, Nairobi, Kenya Introduction I was very pleased to be invited to speak on Design and the African Cultural Identity though I am unsure as to what distinguishes African from American, Asian, European or anything in-between. I find speaking about culture in Africa similar to strolling up and down Kenyatta Avenue in Nairobi; it is so easy to go from one end of the street to the other without seeing anything. A footpath, as trodden as African culture, appears obvious, yet one can lose oneÂs way before the next bend because its complexity is in its simplicity. Now that I realise my task is pii nget yoo (a pond on the side of the road, a symbol of easy-difficult dichotomy), do I decline the invitation and get out of trouble? No. I cannot decline the invitation since doing so may prove hostile and not African; besides, a man must see challenges in the eye instead of shying away from them. African spears symbolise different things depending on the culture in question. Whatever the symbolism, this experience (of serving the chief and oneÂs self at the same time) gave birth to the above expression, one I now use to justify indulging in African Renaissance, and a topic, which lies outside my invitation. Beyond finding an excuse to cover grounds more than I was requested. I cannot avoid marvelling at the use of tong (spear) in tong gweno (chicken spear; meaning, egg). I remember chicken eggs lying at the centre of homecoming rituals and a way to ward off lightning. Now I wonder what good an egg brings to a homecoming ritual, undertaken before a lost child, who has been away from home for ten years, re-enters the home. I also wonder how an egg humbles lightning. | |
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