61. Syllabus This graduate level course connects the MFA student ’ ongoing art practicewith the histories and theories of both modernism and postmodernism. http://www.uncg.edu/art/courses/dimock/711/syllabus.htm

ART 711 The Problems of Studio Practice http://www.uncg.edu/art/courses/dimock/711/syllabus.htm Cora Cohen and George Dimock MW 12:00 noon – 3:50 p.m. Fall 2000 Course Description Now that the late twentieth-century is past, what are the questions, pleasures, and frustrations pertainin to visuality and the production of the work of art? What aspects of the new world order are pressing in relation to contemporary studio practice? This graduate level course connects the MFA student'’ ongoing art practice with the histories and theories of both modernism and postmodernism. To this end, Cora Cohen, a painter, and George Dimock, an art historian, will team-teach the course combining the formats of the graduate “crit” and the graduate seminar. Ongoing student work will be discussed in light of the legacies of modernism and postmodernism. Emphasis will be placed on selected weekly readings in art theory, art history and art criticism in close conjunction with the presentation and discussion of each student’s progress. The class is scheduled to meet on Mondays and Wednesdays for four hours each session. Each four-hour block will be used in a highly flexible manner. Full class discussions with both Cohen and Dimock will alternate with individual meetings with students. This course provides the opportunity for the students to become more acutely conscious of how their practice relates to art worlds both past and present. It also seeks to strengthen their current practice.

62. Post Modernist View Points art after post modernism is reconstructive Post modernism is interested in a pluralityof forms and Post Structuralism, and the movement from modernism to post http://www.louisville.edu/a-s/english/subcultures/colors/blue/msfore01/PostModer

Post Modernist View Points In Pop Culture and Art Terry Eagleton, The Illusions of Post Modernism Blackwell Publisher Post modernism is a style of culture which reflects something in this epochal change, in a depthless, decentered, self-reflexive, eclectic, pluralistic art which blurs the boundaries between "high" and "popular" culture within art, as well as everyday life. Post modernism springs from the resurgence of avant-garde, commodification of culture, collapse of classical ideologies, an is essentially the upshot of political failure. James Mann, Curator-Las Vegas Art Museum Art After Post-Modernism, http://www.lastplace.com Mann describes Post Modernism in that it is relegated with finality to its dominant usage in several fine arts. It is a general label for late deconstructive movements. It is a misunderstanding caused by the terms popularization as a general, ambiguous label form a style of art/architecture. In criticism of the arts it is a label for artistic phenomena strictly of the late-dismantlement sort. Art after post modernism is reconstructive. It seeks to recover the technical and expressive resources that were systematically stripped away and abandoned in other various fine arts.

63. Existentialism, Modernism, Postmodernism artICLE ON POSTmodernism AND art EDUCATION. Our Postmodern Life Site explainingvarious aspects of PoMo experience. Comparison/ Contrasts of modernism and http://hubcap.clemson.edu/~sparks/lit209/exmopomo.htm

Existentialism, Modernism and PostModernism Definitions Visual Illustrations Explanatory Links Comparison/Contrasts My Definitions of Modernism Existentialism , and PostModernism Modernism Turning and turning in the widening gyre The falcon cannot hear the falconer; Things fall apart; the center cannot hold; Mere anarchy is loosed upon the world... William Butler Yeats "The Second Coming " "These fragments I have shored against my ruins" T.S. Eliot, The Waste Land These two quotations have always epitomized Modernism to me. I see Modernsim as a reaction to a number of discontinuities suffered at the end of the nineteeth century crucial disruptions in conventional ways of thinking that threw old explanations, moral systems, and deologies into question and required the creation of new ideas of order. These new forms of order were typically more individualistic, more relativistic, more abstract, and more techological than previous ways of thinking. METAPHYSICAL DISCONTINUITIES questioning of literal interpretation of the Bible historical research into the life of Christ and the historical accuracy of the Gospels mechanisms of evolution suggest that nature is not benign but "red in tooth and claw" that existence is a struggle for survival evidence from biology and geology suggests that earth is much older than previously thought and that species were not created individually, at one time

64. Existentialism, Modernism, Postmodernism Links to Postmodern art. Explanatory Links. Existentialism experience. Comparison/Contrasts of modernism and Postmodernism. modernism http://hubcap.clemson.edu/~sparks/exmopomo.htm

Existentialism, Modernism and PostModernism Definitions Visual Illustrations Explanatory Links Comparison/Contrasts My Definitions of Modernism Existentialism , and PostModernism Modernism Turning and turning in the widening gyre The falcon cannot hear the falconer; Things fall apart; the center cannot hold; Mere anarchy is loosed upon the world... William Butler Yeats "The Second Coming " "These Fragments have I shored against my ruin" T.S. Eliot, The Waste Land These two quotations have always epitomized Modernism to me. I see Modernsim as a reaction to a number of discontinuities suffered at the end of the nineteeth century crucial disruptions in conventional ways of thinking that threw old explanations, moral systems, and deologies into question and required the creation of new ideas of order. These new forms of order were typically more individualistic, more relativistic, more abstract, and more techological than previous ways of thinking. METAPHYSICAL DISCONTINUITIES questioning of literal interpretation of the Bible historical research into the life of Christ and the historical accuracy of the Gospels mechanisms of evolution suggest that nature is not benign but "red in tooth and claw" that existence is a struggle for survival evidence from biology and geology suggests that earth is much older than previously thought and that species were not created individually, at one time

65. History - Postmodernism, Utopia, Art History, Humanism, Art Philosophy, Modernis Postmodernism, Utopia, art History, Humanism, art philosophy, modernism,greek philosophy. Author Isabella (64.132.155.) Date http://killdevilhill.com/historychat/read.php?f=80&i=20&t=20

66. Postmodernism - Postmodernism, Utopia, Art History, Humanism, Art Philosophy, Mo Postmodern Literary Criticism, Postmodernism, greek philosophy, modernism, art philosophy,Humanism, art History, Utopia, Great Books and Postmodernism paper http://killdevilhill.com/postmodernchat/read.php?f=132&i=829&t=829

67. J. Bratich, "Art Of Darkness: The Abu Ghraib Effect" Regratuitous post modernism (Score2). could offer something on this instead of concentratingon the wars cultural significance as if preparing an art catalogue http://info.interactivist.net/comments.pl?sid=3117&cid=1458

68. J. Bratich, "Art Of Darkness: The Abu Ghraib Effect" We are not responsible for them in any way. Regratuitous post modernism(Score0). Regratuitous post modernism by Anonymous Comrade. http://info.interactivist.net/comments.pl?sid=3117&cid=1464

69. Modernism Links Scholes, Robert. In the Brothel of modernism Picasso and Joyce. (essay) My argument,then, is that modernism was never a Postmodernism and Its Critics art. http://www2.eou.edu/~nknowles/winter2002/engl322links.html

Modernism Links Knowles Modernism in General Definitions Baldick, Chris. " Modernism The Concise Oxford Dictionary of Literary Terms Lavender, Catherine. " ModernismA Working Definition ." City University of New York. Lynch, Jack. " Modernism Guide to Literary Terms . Rutgers University. Modernism vs. Postmodernism Gromala, Diane and Douglas Bicket. " k.i.s.s. of the Panopticon Modernism/Postmodernism/Structuralism/Poststructuralism Modernism to Postmodernism? Norgard, Barbara. " Schematic differences between modernism and postmodernism ." From I. Hassan. University of California at Berkeley. Other General Sites Ashkannejhad, Holly. Modernism . Student site with lots of information and links. Everdell, William R. The First Moderns. EOU electronic book. Reuben, Paul P. "C hapter 7: Early Twentieth CenturyModernism: A Brief Introduction PAL: Perspectives in American Literature: A Research and Reference Guide Sonesson, Goran. " The Culture of Modernism Witcombe, Christopher L. C. E. Modernism Journals International Review of Modernism : An Electronic Journal of Scholarship on the Literature and Culture of Europe, 1890-1939. Modern Fiction Studies Modernism Magazine . Paper only. Modernism/Modernity . Interdisciplinary journal 1860-present. Discussion Board Modernism Port Organization Modernist Studies Association Essays Croddy, W. Stephen. "

70. Postmodernism (art) postmodernism (art). Late20th-century movement in architecture and the arts thatrejected the preoccupation of post-war modernism with purity of form and http://www.tiscali.co.uk/reference/encyclopaedia/hutchinson/m0019193.html

Your browser does not support inline frames or is currently configured not to display inline frames. // Show bread crumbs navigation path. breadcrumbs('four'); //> ENCYCLOPAEDIA Hutchinson's Encyclopaedia Men's Health ... Wildlife Frames not supported Frames not supported Encyclopaedia Search Click a letter for the index A B C D ... Z Or search the encyclopaedia: postmodernism (art) Late-20th-century movement in architecture and the arts that rejected the preoccupation of post-war modernism with purity of form and technique, and sought to dissolve the divisions between art, popular culture, and the media. Postmodernists use a combination of style elements from the past, such as the classical and the baroque, and apply them to spare modern forms, often with ironic effect. Their slightly off-key familiarity creates a more immediate appeal than the strict severity of modernism. Among a diverse number of groups and individuals who emerged in the 1970s and 1980s are the architects Robert Venturi and Michael Graves (both US), the novelists David Lodge (English) and Thomas Pynchon (US), and the artists Gerhard Richter and Sherrie Levine.

71. Body Art/Performing The Subject she argues that Pollock is a pivotal figure between modernism and postmodernism. tocontinue to expand the critique begun in earlier body art projects. http://www.upress.umn.edu/Books/J/jones_body.html

Body Art/Performing the Subject Amelia Jones The past few years have seen an explosion of interest in body art, in which the artist's body is integral to the work of art. With the revoking of NEA funding for such artists as Karen Finley, Tim Miller, and others, public awareness and media coverage of body-oriented performances have increased. Yet the roots of body art extend to the 1960s and before. In this definitive book, Amelia Jones explores body art projects from the 1960s and 1970s and relates their impact to the work of body artists active today, providing a new conceptual framework for defining postmodernism in the visual arts. Jones begins with a discussion of the shifting intellectual terrain of the 1950s and 1960s, focusing on the work of Ana Mendieta. Moving to an examination of the reception of Jackson Pollock's "performative" acts of painting, she argues that Pollock is a pivotal figure between modernism and postmodernism. The book continues with explorations of Vito Acconci and Hannah Wilke, whose practices exemplify a new kind of performance that arose in the late 1960s, one that represents a dramatic shift in the conception of the artistic subject. Jones then surveys the work of a younger generation of artistsincluding Laurie Anderson, Orlan, Maureen Connor, Lyle Ashton Harris, Laura Aguilar, and Bob Flanaganwhose recent work integrates technology and issues of identity to continue to expand the critique begun in earlier body art projects.

72. Online Course Catalogue | Victoria University Of Wellington artH 219 – modernism and Postmodernism. Points 22, Prerequisites As for artH213;. Faculty Humanities Soc Sc, Corequisites School art Hist, Classics http://www.vuw.ac.nz/home/catalogue/index.aspx?course=ARTH-219

73. Avant-garde / Modernism / Postmodernism Terry Eagleton s essay on Capitalism, modernism, and Postmodernism and society, claimingthat postmodernism Q mimes the formal resolution of art and social http://www.cus.cam.ac.uk/~egk10/notes/postmodernism.htm

M.Phil. in European Literature Fictions of Modernity Home CLAS Libraries University of Cambridge Week 1: Introduction Avant-garde / Modernism / Postmodernism Geoffrey Kantaris 1997 Seminar Paper and Annotated Bibliography All I can try to do in less than half an hour today is to sketch in extremely rapid overview some of the theoretical positions underlying the terms avant-garde, modernism, and postmodernism, peppering them with some examples inevitably torn out of context and simplified to fit the framework of my argument. But I'll have achieved what I intended if I can encourage you to follow up through the bibliography some of these ideas. The terms 'modernity' and 'modernism' are perplexing enough without the addition of the prefix 'post-'. Even the attempt to historicize modernity, to try and define its boundaries historically, is a paradoxical task because, in the words of Tony Pinkney (see bibliography ), modernity's awareness of itself as modern announces [Q] "merely the empty flow of time itself" [U], and its self-periodization is offered only as a break with the "mythic or circular temporality" (or non-temporality) of the organic community. This is to say that modernity can only define itself in terms of a temporal break with an organic past, but it is a break that has always already occurred no matter which moment one chooses as its starting point. Needless to say, this understanding of the infinite expandability of the modern, and the infinite regress of its origins, itself remains caught up within modernism's internal ideology.

74. Modernism And Postmodernism In Russian Literature And Culture two largescale international seminars modernism and Postmodernism in Russian Literatureand Culture in Helsinki, August 1995, and The Organic art and Elena http://www.helsinki.fi/~pjpesone/Pomot/texts/MoPoRti.htm

M odernism and P ostmodernism in R ussian L iterature and C ulture is a research project of the Department of Slavonic and Baltic Languages and Literatures at the University of Helsinki . It is founded and led by professor Pekka Pesonen , project leader in charge, and by associate professor Natalia Baschmakoff from the Department of Russian Language and Culture at the University of Joensuu After its beginning in 1995 the project has turned to be both an international research and a postgraduate programme. The project - together with its large scholarly network - encompasses 10-12 Finnish scholars and several (20-25) researchers from abroad. The main international partners in cooperation have been University of Tartu ( Dept. of Russian Literature and Dept. of Semiotics ), the Russian State University of Humanities (St. Petersburg), the State University of Moscow, Pushkinskij dom (St. Petersburg), University of Munich , the 5th University of Paris, University of Budapest, University of Bergamo and New York State University. The project has been working in close association with the departments of slavonic languages and literatures of all Nordic universities due to the international doctor training programme financed by NorFA (5 seminars during 1995-1999).

75. Introduction To Modernism And Postmodernism way, seeing language as a technique for crafting the piece of literature just asan artist crafts a piece of art like a From modernism to Postmodernism. http://vc.ws.edu/engl2265/unit4/Modernism/all.htm

An Introduction To Every literary period is modern in its own eyes. The ancient Greeks of 5 th century BC Athens thought they were modern. The Romantics in their day thought they were modern. The writers of Realism saw themselves as modern in rejecting the Romantics. We just don’t have a good term right now for the literary era in which we live. By default, we call most literary works written after World War I "modern." It is difficult to look at our own times and see what literary era we are living in and come up with a good name for it. "Modern" is the best that we can do for now. Some of the cultural and historical great events of the modern era include two devastating almost-global wars: World War I (1914-1918) and World War II (1941-1945) huge changes in industry and technology as compared to the 19th century the rise in power and influence of international corporations interconnectedness across the globe: cultural exchanges, transportation, communication, mass (or popular) culture from the West (with "West" being considered Europe and North America) the "Westernization" of many formerly traditional societies and nations and a resulting change in their values (often their the detriment of the formerly traditional society and nation). These "modern" values include a belief in the desirability of industrialization, individual political rights, democracy, mass literacy and education, private ownership of the means of production, the scientific method, public institutions like those in the West, middle class Western value systems, a disbelief in—or at least a questioning of—the existence of God, and (sometimes) the emancipation of women

76. ARTKids - ARTAges Post Modern Age In Summary artAges Post Modern Age in Summary. Post modernism, New modernism,or the art of Identity, have taken on a whole new market. This http://www.artfaces.com/artkids/postmod.htm

ART Ages- Post Modern Age in Summary Post Modernism New modernism , or the Art of Identity , have taken on a whole new market. This age is still unfolding, so new items will be added to this page as they develop. Conceptual Art (1960's - 1970's) - Conceptual Art ends the colorful definable era of "modern art". Today’s artists are no longer a part of a collective source, but have delved into new trends and ideas that seem to change from year to year. Conceptual Art helped gain this independence, and in some sense, completes a source of new freedom began by the Impressionists 100 years ago. Performance Art 1970's-Present 1. A performance art piece is unprecedented. 2. It is difficult to censor since it has a good possibility of never being done before. 3. It is usually very current. This means that it is usually relevant of today because of the short time between conception and performance. 4. Performance art can involve the audience with taste, smell and sounds not available with electronic media and not practical with conventional theater. This is due to the usually small audience. 5. Performance art is the ultimate in creativity. Since it has so many possibilities at creativity, it's essence tends to become creativity.

77. Conceptual Overview: Introduction To Postmodernism art modernism to Postmodernism. How long have we been modern ? Quite long Butthis means ironically - if modernism/postmodernism in art/architecture = http://www.drury.edu/ess/HNRS/1stNotes.html

Conceptual Overview: Introduction to Postmodernism Outline, Notes for Tuesday, January 26, 1998: a) be sure to review the discussion below of epistemology and metaphysics, especially as these may help us untangle some initial confusions between the domains of art/architecture/literary critical theory - and philosophy. b) if you need a little humor pick-me-up - switch over to the recent admission by Richard Rorty, prominent postmodern philosopher, that no one really knows what it means - and the resulting coverage by Jenny Jones... Art : Modernism to Postmodernism How long have we been "modern"? Quite long... Example: Abbot Sugar's reconstruction of his abbey basilica of St. Denis in Pars, 1127 - resulting in "new" look - which he called opus modernum , a modern work. ["How can you call yourselves modern if you're reviving something that's ancient "Because nature and reason have shown us that the classical is the only true and perennially modern style."] - points to the characteristically modern "authorities," nature and reason Modernism ("infrastructural sense"): 1890's/1900's, the second wave of the Industrial Revolution, as marked by

78. Modernism-Dada-Postmodernism (Avant-Garde And Modernism Studies) DadaPostmodernism (Avant-Garde and modernism Studies). Publisher Northwestern UniversityPress. Item 0810114933. Price $33.00. Order thru Secure Servers. art http://arts-book.shoppingsavvy.com/Modernism-Dada-Postmodernism-Avant-Garde-and-

Add to Favorites Modernism-Dada-Postmodernism (Avant-Garde and Modernism Studies) Art Search Search in: Amazon.com Shopping Online Find Books Art History General Other Media Painting ... Sculpture Shopping Links Engagement Ring Books Tools Books ... Photos Browse Items in Art Modernism-Dada-Postmodernism (Avant-Garde and Modernism Studies) Publisher: Northwestern University Press Item #: 0810114933 Price: Art History General Dada Modern ... More Art Books

79. The Po-Mo Page: Postmodern, Postmodernism, Postmodernity their arbitrary cultural codependency is associated with postmodernism. modernism/Modernity,Postmodern/Postmodernity. art as unique object and finished work http://www.georgetown.edu/faculty/irvinem/technoculture/pomo.html

"The Postmodern," "Postmodernism," "Postmodernity": Approaches to Po-Mo Postmodernity vs. the postmodern vs. postmodernism Differentiate: historical (political/economic/social) condition vs. intentional movement in arts, culture, philosophy, politics. What was Modernism? Consensus of educated Western people about history, identity, core cultural values. The Post-Modern Condition: A Report on Knowledge Frederic Jameson: Postmodernism as a movement in arts and culture corresponding to a new configuration of politics and economics, "late capitalism": transnational consumer economies based on global scope of capitalism. (See Postmodernism, or The Cultural Logic of Late Capitalism Ways of working with the idea of the "postmodern" Uses of the term "postmodern" after modernism (subsumes, assumes, extends the modern or tendencies already present in modernism, not necessarily in strict chronological succession) contra modernism (subverting, resisting, opposing, or countering features of modernism) equivalent to "late capitalism" (post-industrial, consumerist, and multi- and trans-national capitalism)

80. Modernism: Modernism & Postmodernism Christopher LCE Witcombefont . 1. Roots of modernism. 2. art for art s Sake. 3.modernism Politics. 4. modernism Postmodernism. 5. The End of art. Bibliography. http://witcombe.sbc.edu/modernism/modpostmod.html

Christopher L. C. E. Witcombe font> Roots of Modernism Art for Art's Sake The End of Art Bibliography This essay appeared originally in What is Art?...What is an Artist? In the later half of the 20th century there has been mounting evidence of the failure of the Modernist enterprise. Progressive modernism is riddled with doubt about the continued viability of the notion of progress. Conservative modernism, in the United States at least, has fallen prey in the political realm to the influences of the Church in the form of the so-called religious right which in recent years especially has seriously undermined the very constitutional foundations of the whole American experiment. Since Suzi Gablik wrote her book, the communist experiment undertaken in the former Soviet Union has collapsed. Fundamentalism in nearly all of the world's major organized religions (Christianity, Islam, Hinduism) has risen sharply in recent years in direct opposition to modernism. American Christian fundamentalists still agree with Martin Luther who recognized that "Reason is the greatest enemy that faith has; it struggles against the divine word, treating with contempt all that emanates from God." A growing number of people believe the modernist enterprise has failed. In the search for reasons to explain this failure, questions have necessarily been raised about the whole Western humanist tradition.

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