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         Japanese Theatre & Kabuki:     more detail
  1. Staging Japanese Theatre: Noh & Kabuki by John D. Mitchell, 1994-12
  2. KABUKI,the Resplendet Japanese Theatre
  3. Noh & Kabuki: Staging Japanese Theatre by John D. And Miyoko Watanabe Mitchell, 1994
  4. The Kabuki theatre of Japan by A. C Scott, 1966
  5. A Kabuki Reader: History and Performance (Japan in the Modern World)
  6. Kabuki Today by Donald Keene, Iwao Kamimura, 2001-09
  7. The Stars Who Created Kabuki: Their Lives, Loves and Legacy by Laurence R. Kominz, 1997-10
  8. Tranvestism And the Onnagata Traditions in Shakespeare And Kabuki
  9. Tamasaburo Bando
  10. JAPANESE NOH PLAYS How To See Them , Tourist Library 2 Explanation of a Very Ancient Form of Japanese Theater. Most People Today are Familiar with the Kabuki Theater But Quite Unfamiliar with the Ancient Noh.Includes Noh Theatre, Masks & Costumes ETC by Prof. Toyoichiro, Color Frontispiece and Two Color Plates. Numerous black/white Illustrations Throughout., Sticker Back Blank Endpaper Nogami, 1935

21. CLASSICAL JAPANESE THEATRE
AC Scott, The kabuki theatre of Japan, 1999. Focus is on classical japanese theatre,Noh, kabuki, and Bunraku, with an emphasis on Noh. Objectives are
http://www.winona.edu/thad/JAPANTHAD.htm
WINONA STATE UNIVERSITY PROPOSAL FOR NEW COURSES Department Theatre and Dance_ Date: Feb. 13, 2003 Japanese Classical Theatre Course No. Course Name Credits This proposal is for a(n) X Undergraduate Course Graduate Course Applies to: X Major X Minor _X_ University Studies Required _X Elective X_ Elective Prerequisites Grading method X Grade only P/NC only Grade and P/NC Option Frequency of offering Every other spring semester *For University Studies Program course approval, the form Proposal for University Studies Courses must also be completed. submitted according to the instructions on that form. Provide the following information (attach materials to this proposal): A. Course Description Catalog description. Course outline of the major topics and subtopics (minimum of two-level outline). Basic instructional plan and methods. Course requirements (papers, lab work, projects, etc.) and means of evaluation. Course materials (textbook(s), articles, etc.). List of references. B. Rationale Statement of the major focus and objectives of the course. Specify how this new course contributes to the departmental curriculum.

22. TH 351: ASIAN THEATRE (3)
27 japanese theatre History - kabuki. APR. 1- japanese theatre History - kabuki- Discuss plays - (CP) The Subscription List and The Zen Substitute;
http://jan.ucc.nau.edu/~tpb2/th351syl2.htm
TH 351: ASIAN THEATRE (3)
College of Fine Arts
Department of Theatre
  • Bld. 37 Rm. 217 11:10-12:25 TTH Name: Timothy P. Bryson Box: 6040 Office: Bld. 37 Rm. 120 Phone: 523-4500 E-mail: Timothy.Bryson@nau.edu Web Site: www2.nau.edu/~tpb2
I. COURSE DESCRIPTION The student will explore performance and production style and practices of both the traditional Asian theatre and the contemporary theatrical trends and influences. II. PREREQUISITES "C" grade or better in ENG 105 III. CREDIT TOWARDS GRADUATION This course has been approved as a Liberal Studies course in the "Aesthetic and Humanistic Inquiry" block, for the Asian Studies Minor, and as a "Core" requirements for a Theatre major. IV. REQUIRED TEXTS
  • THE CAMBRIDGE GUIDE TO ASIAN THEATRE - J.R. Brandon TRADITIONAL CHINESE PLAYS, Vol 2 - A.C.Scott TH 351 COURSE PACK – Scholargy Custom Publishing RASHOMON –Fay and Michael Kanin
V. METHODS OF INSTRUCTION Lectures will be interspersed with audio/visual and, when possible, live presentations. VI. COURSE OBJECTIVES

23. Order Books Online: Staging Japanese Theatre: Noh & Kabuki
Books Staging japanese theatre Noh kabuki. Staging japanese theatre Noh kabuki. Customerswho bought Staging japanese theatre Noh kabuki also bought
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24. Order Used Online: Staging Japanese Theatre: Noh & Kabuki
Textkit Store Home. Your purchases help support this Free EducationWebsite. Used Staging japanese theatre Noh kabuki.
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by John D. Mitchell Michael Cooper M. Leigh Smith
January, 1996
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25. Theatre, Performing Arts
History of theatre, Indian theatre, japanese theatre. kabuki, Mime, Performanceart. japanese Traditional theatre. Noah, kabuki, Bankru, Edo Period, etc.
http://www.zeroland.co.nz/theatre_theater.html
Film Music Literature Philosophy ... Art Posters Store
Theatre and the Performing Arts . A Web Directory
See also: Playwrights Writers Literature, by Country
INDEX: A B C D ... Scenography A Absurdist Theatre. Theater of the Absurd. An overview.
The Theatre of the Absurd, AbsurdistPlaywrights.

Theatre of the Absurd Theatre of the Absurd. Reference entry from Tescali.com
Alfred Jarry
Alfred Jarry
Alfred Jarry
...
Samuel Beckett
Actor and actress directories Actors, Actresses. Starseeker. Searchable listing of famous actors and actresses.
Actors and actresses directory: Filmzone.
...
The Actors Studio. From TheatrGROUP, St. Louis.
American theatre American repertory theatre. American theaters. Find theatres, Broadway shows and musicals. American Variety Stage. Vaudeville and popular entertainment. Broadway ... New York Library for the Performing Arts. New York theatres New York City Guide Magazine. Broadway theatre. Off Broadway Online, presented by the Alliance of Resident Theatres/New York (A.R.T./New York). Ancient theatre Ancient Theatre Today. Didaskalia. Ancient theatres, a map of ancient theatre sites in the Mediterranean. Ancient theatre web sites. ... An international theatre resource. A resource forprofessionals in the performing arts. A site for researchers, historians, organisers, administrators, performers, students, educationalists and enthusiasts. Australian theatre Australian Theatre. The history of Australian theatre online. Articles and an historical database of Australian names associated with the theatre in Australia.

26. VisAsia: From Sirens To Super-Heroes: Edo Period Kabuki Theatre
27 May 2003. kabuki is a type of japanese theatre which flourishedamongst the rapid urbanisation of Edo period Japan (16001867).
http://www.visasia.com.au/programmes/arts_of_asia/arts_of_japan_2003/from_sirens
What's New Exhibitions Programmes Partners ... About Us DHTML_MENU_rel_path = '/squizlib/dhtml_menu/images/'; Home Programmes Arts of Asia Lecture Series Arts of Japan 2003 From Sirens to Super-Heroes: Edo Period Kabuki Theatre Arts of Asia Lecture Series Arts of Japan 2003 Introduction Contemporary Art ... Research
FROM SIRENS TO SUPER-HEROES: EDO PERIOD KABUKI THEATRE
Anne Phillips
, 27 May 2003
Kabuki is a type of Japanese theatre which flourished amongst the rapid urbanisation of Edo period Japan (1600-1867). In this period, Kabuki developed from small-scale dances in dry riverbeds to full-blown dramatic performances in theatres which could house over 1000 paying customers at a time. Kabuki was topical, feeding on fashions and fads, and at times, even creating them. It evolved with the communities of townspeople who patronised it, as well as the broader changes which affected Japanese society as a whole. This ‘slice of old Japan’ is still performed 12 months of the year at the Kabuki-za in Tokyo, and less often at other theatres around the country, but it is good to think about how modern Kabuki differs from Edo period Kabuki. What elements of Edo period kabuki remain with us today and what elements have been left behind? During the lecture we consider this question while taking a tour of Edo period kabuki using works of art and videos to bring out the diversity of plays and performance styles. The lecture will focus on the following four areas: 1. In the late early 1600s, exotic dances were performed at a Kyoto riverbed. These performances by women featured imported fashions and cross-dressing, and became so popular that they caused disturbances and were banned. Later, performances by young men were also banned, with laws being passed which demanded both a plot and older male performers. Decorative screens provide us with visual evidence (albeit somewhat romanticised) of Kabuki in this period.

27. REFERENCES
kabuki ni miru Nihonshi, Satô Kosuke, Shôgakukan 1999, japanese. Thekabuki theatre of Japan, AC Scott, Allen Unwin 1955, English. japanese
http://www.kabuki21.com/sources.htm

28. Kabuki Sushi Japanese Restaurant Minneapolis Twin Cities Minnesota
Teppanyaki dining is a new japanese tradition, where specially trained chefs preparethe meal Links, Interesting related sites on sushi and kabuki theatre.
http://www.kabukisushi.com/
Home Sushi Specialties Lunch Menu How to find us ... Teppanyaki Kabuki has been offering the best in traditional Japanese cuisine in Minnesota since 1985. Although it is located in the western suburb of Eden Prairie, Kabuki draws loyal patrons from all around the Twin Cities metro area. Kabuki's Head Chef, Hiroshi Sato, was trained in Tokyo and has been at the restaurant for 12 of the 13 years of its existence. "Everything is made to order," says Sato. "We prepare everything from scratch." HOURS: Lunch 11-1:30 Tuesday through Friday; Dinner 5-9:30 Tuesday though Saturday. Call (952) 941-5115 for a reservation. Kabuki is the only restaurant in the area that offers the choice of all three:
sushi bar, private dining rooms, and table-side cooking.

Please come in and visit us, and when you do present this coupon and take advantage of our specials! Sushi Bar Kabuki features a sushi bar large enough to seat 16. Sitting at the Sushi Bar at Kabuki is a social event, offering the opportunity to chat with other patrons and discover the new and exotic dishes that others order. It's also an entertaining and educational experience watching the practiced sushi chefs demonstrate their skills. Table service is also available. For more information on Kabuki sushi specialties, click here Tatami Room (Private Dining) The Tatami rooms offer private dining with a quiet, peaceful atmosphere for romance, business meetings, parties or any other social occasion. Kabuki offers the traditional style tatami rooms with traditional tatami place settings. The authentic floor style tables and seating are comfortable (your legs and feet slip into an opening under the table) and relaxing. No wonder the cozy atmosphere is popular with couples and a corporate favorite.

29. Nihongo - Japanese Theatre
Translate this page kabuki. El kabuki es difícil de categorizar ya que comparte elementos con laópera y el ballet. La traducción figurada o literal de kabuki puede ser.
http://www.nihongo.d2g.com/cultura/teatro/teatro_e.php
http://www.nihongo.d2g.com
http://nihongo.no-ip.org Users online: 5
Webmaster:
Leonardo M. Sasso
Tipos de Teatro Japonés Kabuki
Hoy en la actualidad existen representaciones especiales donde se les permite a las mujeres tomar parte de una obra de kabuki. Los actores que representan papeles femeninos se les llama “onnagata”
Noh Rakugo Gagaku Hogaku Kyogen Bunraku Takarazuka Butoh
Home
Thanks Write us

30. Japanese Classical Theatre
Theater of Japan (1980) B. 1. Statement of the major focus and objectives of thecourse Focus is on classical japanese theatre, Noh, kabuki, and Bunraku, with
http://www.winona.msus.edu/ifo/courseproposals/Theatre_Dance/ay2002-2003/Theatre
Approved by University Studies Sub-committee. A2C2 action pending. THAD 315
JAPANESE CLASSICAL THEATRE
A UNIVERSITY STUDIES MULTI-CULTURAL PERSPECTIVE COURSE
A. 1. Course Description: This course will study the three major
classical Japanese theater
forms Noh, Kabuki, and Bunraku (overviews attached). The
conventions of each will be compared and contrasted with western
conventions. Aesthetic concerns, staging, and performing will be the major
venues of investigation.
As required by the approval process, the following address
three of the five listings for multicultural perspectives courses and connect syllabus course content with activities relevant to THAD 315. Three cultural concepts will be expected as learned outcomes: 1) Japanese principles of beauty as manifest in Classical Japanese Theatre. 2) Presentational vs. representational staging and performance conventions as interpreted by Classical Japanese Theatre and Western Theatre History respectively.

31. Drama Research Project Topics: Ms. Perkins
CHINESE FOLK PERFORMANCE TRADITION PUPPETRY. japanese theatre kabuki and Noh 1600 present. Performing Arts of Japan. The kabuki Story. kabuki for EVERYONE.
http://mccants.anderson5.net/library/drama.htm
Drama Kids Work! History of the Theater Greek Roman Medieval ... 19th Century Greek
5th-century B.C.
Didaskalia Introduction to Greek Stagecraft http://didaskalia.berkeley.edu/stagecraft/greek.html Didaskalia Recreating The Theater of Dionysus in Athens http://didaskalia.berkeley.edu/stagecraft/TDA/index.html ... History of Ancient Theatre http://www.tctwebstage.com/ancient.htm Greek Theater Classics Technology Center Knowledge Builders http://ablemedia.com/ctcweb/knowledge.html
Two PDF files may be downloaded from this page. Portland State's Greek Civ for Kids http://www.historyforkids.org/greekciv/arts/drama/theaters/ruben.htm Ancient Greek Theater http://www.crystalinks.com/greektheater.html ... http://www.georama.gr/eng/history/02.html
Click on the dots on the map on the upper right corner for archaeological information. Roman
750 - 500 B.C.
Didaskalia Introduction to Roman Stagecraft http://didaskalia.berkeley.edu/stagecraft/roman.html History of Ancient Theatre http://www.tctwebstage.com/ancient.htm Roman Theatre http://www.theatrehistory.com/ancient/bellinger002.html Medieval
Middle Ages
History of Ancient Theatre http://www.tctwebstage.com/ancient.htm

32. Adrian Guthrie - Japanese Traditional Theatre Links
Some links to japanese theatre http//www.coloradocollege.edu/Dept http//www.theatrehistory.com/asian/japanese.htmlhttp http//www.fix.co.jp/kabuki/about/links
http://web.ukonline.co.uk/adrianguthrie/japanese .html
Return to Adrian Guthrie Some links to Japanese theatre
http://www.coloradocollege.edu/Dept/MU/Courses/MT227BenAmots/TheatreMusic.html

http://www.t0.or.at/~fuchs-eckermann/soundcalendar/fe_japan/sounds/calendar.htm

http://www.theatrehistory.com/asian/japanese.html

http://www.ou.edu/earlymusic/nagauta.html
...
http://www.uhpress.hawaii.edu/journals/atj/
Butoh
http://www.t0.or.at/~dstrehly/ko/butoh.htm

http://www.ne.jp/asahi/butoh/itto/butoh-e.htm

http://www.butoh.net/

http://www.butoh.com/
...
http://jin.jcic.or.jp/museum/noh/noh01/noh01.html
Kabuki http://www.fix.co.jp/kabuki/kabuki.html http://jin.jcic.or.jp/museum/kabuki/kabuki.html http://www.shochiku.co.jp/play/kabukiza/theater/index.html http://ddb.libnet.kulib.kyoto-u.ac.jp/metaphor/okuni/book_eng/okuindxe.html ... http://www.ukans.edu/~sma/ Bunraku http://osaka.yomiuri.co.jp/bunraku/english/ http://www.mahoroba.ne.jp/~bunraku/index-e.htm http://www.osaka.isp.ntt-west.co.jp/bunraku/e-index.html http://jin.jcic.or.jp/museum/bunraku/bunraku01/bunraku01.html ... http://www.sagecraft.com/puppetry/definitions/Bunraku.hist.html Taiko drumming and folk traditions http://www.mitene.or.jp/~shoyama/

33. Brooklyn College Theater Department - Faculty - Samuel L. Leiter
Stage Directors 100 Distinguished Careers of the theatre (1994); New kabuki EncyclopediaA Revised Adaptation of kabuki Jiten (1997); japanese theatre in the
http://depthome.brooklyn.cuny.edu/theater/bio_leiter.htm
Samuel L. Leiter
Distinguished Professor
sleiter@brooklyn.cuny.edu

Professor Leiter holds a BA from Brooklyn College (1962), an MFA in directing from the University of Hawaii (1964), where he was an East-West Center grantee, and a Ph.D. from New York University (1968). Since 1972, he also has been a member of the CUNY Graduate Center's Ph.D. program in theater. He has been a Fulbright Research Scholar to Japan (1974-75), received a Claire and Leonard Tow Award (1997), held a Claire and Leonard Tow Professorship (1997-98), received a Wolfe Fellowship for Research in the Humanities (1999-2000), was named Broeklundian Professor (2001-2006) and became Distinguished Professor in 2003.
In the summers of 1994 and 1995 he was Visiting Scholar at Waseda University, Tokyo; in May 2000 he was Scholar in Residence at Seikei University, Tokyo. Professor Leiter has received seven research grants from the CUNY Research Foundation, and twice received funding from the Asian Cultural Council. He founded the Asian Theatre Bulletin , which he edited from 1971-78, became book review editor for Japan for Asian Theatre Journal in 1983, and, from 1992 has been that journal's editor-in-chief. He also served on the editorial board of

34. Qango : Arts: Performing Arts: Theatre: Japanese Theatre: Kabuki
Home Arts Performing Arts theatre japanese theatre kabuki,Suggest a Site. Arts, etc. If you would like to suggest a site
http://www.qango.com/dir/Arts/Performing_Arts/Theatre/Japanese_Theatre/Kabuki/
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35. JapanCorner - The Benihana Guide To Japan
kabuki. kabuki is a form of traditional japanese theatre which was developedand enjoyed by the middle and lower classes. The earliest
http://www.japancorner.com/performing-arts.asp
The most traditional forms of Japanese performing arts including kabuki noh (theater) and dance are still being performed in Japan in much the same way as they have been for hundreds of years. Kabuki Kabuki is a form of traditional Japanese theatre which was developed and enjoyed by the middle and lower classes. The earliest evidence of kabuki dates back to 1603 when O-Kuni, a female servant at the Izumo Taisha Shrine in Kyoto arranged for a troupe of performers to put on a show in order to raise money for the repair of the shrine. Early kabuki featured both male and female performers who were often times geisha . During the Tokugawa period some of these performances became so immodest that female performers were banned from the stage and male actors took on the female roles (onna-gata). With the emergence of a strong merchant class in the Edo period, popular culture thrived and kabuki became more sophisticated and stylized. The

36. Times Online - Japan
japanese theatre traditions are among the oldest in the world. The masked noh playsstretch back 600 years; the populist kabuki and its puppet fellow, bunraku
http://travel.timesonline.co.uk/article/0,,13569-1077213,00.html
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Japan April 24, 2004 Culture Drama screams Japanese theatre traditions are among the oldest in the world. The masked noh plays stretch back 600 years; the populist kabuki and its puppet fellow, bunraku, are younger by a couple of centuries. NI_MPU('middle'); Extraordinarily, not only have the texts survived, but also the highly stylised gestures, elaborate costumes and, in kabuki, vivid make-up. These have been handed down, with few alterations, from father to son across generations, sometimes in an unbroken line for hundreds of years. Women, having created the song-and-dance kabuki A kabuki Young Japan, internet-connected and international, needs a faster, brasher theatre to suit its neon lifestyle. Kazuyoshi Kushida, one of the younger directors forging new forms to reflect present realities, blended circus, naturalism and kabuki in his latest show, Kuso Mannen Circus.

37. UH Press: Journals: Asian Theatre Journal 15, 2 (1998)
and National theatre in Tokyo and teaches kabuki at Kanto Gakuen University. Dr.Bach is the author of Bravo kabuki Bravo Japan (1993), published in japanese.
http://www.hawaii.edu/uhpress/journals/atj/ATJ152.html
Asian Theatre Journal, vol. 15, no. 2 (Fall 1998)
NOTE FROM THE EDITOR, pp. iii-v PLAYS Takatoki: A Kabuki Drama
by Faith Bach
pp. 155-180 Although there are well over 250 plays in the kabuki katsureki masterpiece, Takatoki . As she notes, such plays were originally created during the Meiji era to bring kabuki a step closer to the realism of the modern theatre believed to exist in the West. What remains of the play itself, however, is replete with enough of kabuki Faith Bach has her D.Phil. in kabuki Manyoshu poetry from the University of Minnesota. She is a translator/commentator at the Kabuki-za and National Theatre in Tokyo and teaches kabuki at Kanto Gakuen University. Dr. Bach is the author of Bravo Kabuki: Bravo Japan (1993), published in Japanese. Kanadehon Hamlet: A Play by Tsutsumi Harue
Translated by Faubion Bowers with David W. Griffith and Hori Mariko
Introduced by Tsutsumi Harue
pp. 181-229 In the spring of 1997, the editor of ATJ witnessed a production of this play at New York’s La MaMa E.T.C. and was immediately interested in publishing it. The play is interesting on several levels: it has a strong dramatic action, concerns an important problem in the transition of Japanese drama from traditional forms to modern ones, reveals the kind of serious misunderstandings that occur when cultures collide, allows for exciting "fusion" scenes in which Shakespeare is produced kabuki -style, and brings to the stage several real-life

38. LookSmart - Directory - Japanese Theatre Companies And Venues
of and directions to a real kabuki playhouse in reviews and repertoire of this contemporarytheatre group. Offers lectures and workshops in Japan and abroad.
http://search.looksmart.com/p/browse/us1/us317835/us317905/us217748/us10016888/u
@import url(/css/us/style.css); @import url(/css/us/searchResult1.css); Home
IN the directory this category
YOU ARE HERE Home Travel Activities Theater Companies
Japanese Theatre Companies and Venues - Find out more about various theatre companies and venues in Japan.
Directory Listings About
  • Kabuki-za Theater
    Find photographs of and directions to a real Kabuki playhouse in Tokyo. Includes email and phone contact information.
    OSK Japan Revue Company

    Details upcoming shows and performance dates, featuring such revues as "Haru no Odori" (Dance in Spring). Includes ticket purchasing info.
    Seinendan

    Read the critical reviews and repertoire of this contemporary theatre group. Offers lectures and workshops in Japan and abroad.
    Shiki Theatrical Company

    Provides show times, a background on featured plays or musical revues and a listing of upcoming performances.
    Takarazuka Revue Company
    Features performance details for this all-women performing arts company. Includes synopses, translation information and show times. Yuko Senga Peruse the company lead by playwright Yuko Senga. Features a performance schedule and theatre maps.
  • 39. The Japanese Arts
    people. kebana is japanese flower arranging It is also sometimes calledKadou. heaven. he image of kabuki theatre is well known in the west.
    http://www.ccisd.net/schools/schoolwebs/3/japan/arts.html
    apanese art comes in many forms. They are more expressive than realistic, made to potray emotions and concepts through simple strokes. Listed below are the more common forms of the Japanese Arts. onsai is the art of creating miniature tress. These small trees are planted in pots. Creating a bonsai tree takes years of work and study. The trees are kept small by careful pruning techniques that include pruning the roots. There are many different styles.
    unraku is one of Japan's most treasured art forms. It is Japanese puppetry. This puppet theatre is based on ballads and is usually always accompanied by shimasen, a Japanese type banjo. Bunraku puppets are operated by 3 people.
    kebana is Japanese flower arranging It is also sometimes called Kadou. This art has become quite popular in the west as well. Like bonsai, ikebana art form depends on recreating nature by man flowing certain rules of feeling of earth, nature and heaven.
    oh is the oldest musical theatre in Japan and is most recognized for its masks. This is because most of the players wear masks in this type of theatre. The players do not express themselves in what we would traditionally think of in a musical performance. They present themselves in a more monotone type of chanting of the lines with refined movements which is the trademark of Noh. The No stage is called no butai and this is also used by kyougen, Japanese comedy theatre.

    40. The Antiquarian Print Gallery-Antique Prints And Antique Maps,antique Engravings
    Please visit our site HOME. japanese kabuki theatre. kabuki is a traditionalform of japanese theatre founded in the Edo period (1603-1868).
    http://www.antiquarianprintgallery.com.au/kabuki.htm
    Please CONTACT US to send us any enquiries you may have. If I have items of interest I can put them online for you to see.
    Please visit our site -HOME
    JAPANESE KABUKI THEATRE
    Kabuki is a traditional form of Japanese theatre founded in the Edo period (1603-1868). By the 1930’s it had developed into a sophisticated and highly stylized form. The world of Kabuki is a sealed world that could only to be entered if one was born into an acting family, or eimoto , where the head of the acting ‘house’ is the main actor, or teacher. Because of edicts passed in the Edo period, only males may act in Kabuki, leading to the world of onnagata actors, or female impersonators.
    Alexandre Iacouleff was born in St. Petersburg in 1887, the son of a naval officer. He went on voyages to Mongolia, Japan and China recording his journey with watercolours and pastel artworks. He went to Shanghai in 1918, and in 1920 to Paris and London, exhibiting work revealing the influences of his extensive travels. In the latter half of the Ninteenth century Japanese art and society had a huge influence on the European art world. Here Iacouleff's intriguing illustrations of that mysterous world of theatre, shows that influence interpreted by the Art Deco environment of the 1930's.
    Original heliogravures after the work of Alexandre Iacouleff Published Paris 1938
    Size print 28cm x 38cm
    Condition = All in excellent condition
    Price = AUD$390 each (GST excluded) Plate 1) "The Principal animator of theatre marionettes, Bunrakuza, maneuvers one of the dolls. He manipulates the formal costumed doll from the shoulders. The Doll represents Tonase, a female member of the Kakagawa Honzo, journeying to Kyoto. This scene is from the well-known play Chusningura"

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