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         Expressionism Dance:     more detail
  1. Expressionism and Modernism in the American Theatre: Bodies, Voices, Words (Cambridge Studies in American Theatre and Drama) by Julia A. Walker, 2005-07-25
  2. Modern Drama in Theory and Practice: Volume 3, Expressionism and Epic Theatre (Modern Drama in Theory & Practice) by J. L. Styan, 1983-07-29
  3. The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt by Lotte Eisner, 1974-01-07
  4. Mary Heilmann: Save the Last Dance for Me (One Work) by Terry R. Myers, 2007-06-01
  5. The Gorgon's Gaze: German Cinema, Expressionism, and the Image of Horror (Cambridge Studies in Film) by Paul Coates, 1991-04-26
  6. Theateraufsatze (Schreyer, Lothar, Works. No. 3.) by Lothar Schreyer, 2000-04
  7. German Expressionist Films (Pocket Essentials (Trafalgar)) by Paul Cooke, 2002-07

81. Emerging Traditions: Dance Performances Of The Sudanese DiDinga In Syracuse
art is performed, nonmimetic, and nonrepresentational The term expressionism, commonplaceenough That is, we can validate the dance songs as they emerge and
http://www.nyfolklore.org/pubs/voic28-3-4/didinga.html
Volume 28
Fall-Winter
Return to Table of Contents
LITERATURE CITED
Deng, Francis M. 1973. The Dinka and Their Songs. Oxford: Clarendon Press.
Driberg, Jack H. 1922. A Preliminary Account of the DiDinga. Sudan Notes and Records, vol. V.
Echerou, Michael J.C. 1994. Redefining the Ludic: Mimesis, Expression, and the Festival Mode. In The Play of the Self, edited by Ronald Bogue and Mihal I. Spariosu, pp. 137-56. Albany: State University of New York Press.
Fetterman, Marilyn Harer. 1992. Drought, Cattle Disease, Colonialism and Lokembe: One Hundred Years of Change among the Pastorialist DiDinga, Eastern Equatoria Province, Sudan. Ph.D. dissertation. Providence: Brown University Department of Anthropology.
Foley, John Miles. 1995. The Singer of Tales in Performance. Bloomington: Indiana University Press.
Kronenberg, Andreas. 1972. Logik und Leben: Kulturelle Relevanz der DiDinga und Longarim, Sudan. Wiesbaden: Franz Steiner Verlag GMBH.
McMahon, Felicia Faye. 1993. Regional Sports: "Playing" with Politics in the Adirondacks. New York Folklore XIX(3-4): 59-73.

82. Lecture Notes: Week Eight: Expressionism
of art whether a painting, sound waves, or moving bodies in dance. On the positiveside, expressionism does seem to capture an important element of art
http://www.csulb.edu/~jvancamp/361/361_n8.html
PHIL 361/599 Philosophy of Art and Beauty Spring 1998 - California State University, Long Beach Lecture Notes: Week Eight: Expressionism This week we look at another dominant aesthetic theory in this century, expressionism. Tolstoy's version is a rather crude one, but it has several interesting elements that you will see identified in the discussion questions: http://www.csulb.edu/~jvancamp/361r14.html Other expressionist theorists include R.G. Collingwood, Benedetto Croce, E. F. Carritt, and John Dewey. They are all "essentialist" theories that is, they believe they have identified the "essence" of art. They share the view that this essence is an inner feeling or emotion which is expressed externally in the physical manifestation of art whether a painting, sound waves, or moving bodies in dance. The theorists disagree on the ways in which they characterize the inner feeling or emotion of the artist and the properties of the work itself. On the positive side, expressionism does seem to capture an important element of art valued by many artists and art lovers. Artists often speak of what they are "expressing." Art lovers, critics, etc. often speak of what they think the artist is trying to "express." So the theory is consistent with much of our actual talk about art and seems to explain at least part of what we understand as "art." Notice that this understanding of art emphasizes the relationship between the artist and the art object.

83. GreenCine German Expressionism
only just barely belongs in a primer on German expressionism, particularly because,very The acting in German Expressionist films comes close to dance at times
http://www.greencine.com/static/primers/expressionism1.jsp

84. Dance Magazine: Back With The Avant-Garde - Dance` - Column
to Balanchine s insistence that dance was the true subject matter of dance. full ofemotion and expressioncall it Balanchine s abstract expressionism, if you
http://articles.findarticles.com/p/articles/mi_m1083/is_3_73/ai_53980495
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Tell a friend Find subscription deals Back With The Avant-Garde - dance` - Column
Dance Magazine
March, 1999 by Clive Barnes
I often recall an old Foreign Legion movie which I think was satirically inclined, although by now I'm not quite sure, in which a sweaty and despairing officer turns to his equally sweaty and despairing Legionnaires, surveys the limitless sands around them, and announces, in confident tones: "Legion of the Lostwe're lost!" Sometimes I rather feel that way about the avant-garde, whether it's in dance, in drama, music, painting, or gardening. However, at first the term avant-garde was used more politically than artistically, and it was only toward the end of the last century, possibly with the rise of the French symbolist poets, such as Rimbaud and Mallarme, that the phrase slowly became slanted toward the arts, and finally, in this century, virtually annexed. Today it is a term of cultural description, so let us forget what it means and concentrate on what it implies, particularly what it implies in dance. Critics are modestly good at describing the present, modestly better at describing the past, but moderately useless in describing the future. Kenneth Tynan, whose field was theater, put it aptly enough in describing the critic as a backseat driver facing the wrong way. Which is why, when faced with quite a goodly amount of contemporary dancingbarefoot, toe-shoed, or hobnail-bootedI feel very much like that Legion officer, facing my readers, you honest, adventurous Legionnaires, and confessing to you: "Legion of the Lost, we're lost in the sands of time in the desert of the avant-garde. Somewhere lies the way to the oasis, but you, my dear Legionnaires, can probably guess it, or not guess it, as well as I can. Only our eventually slaked thirst or blanched bones can render the answer." Of course, I don't actually say this. Like every critic on earth, I fake it.

85. OFFOFFOFF Dance Review CITYSTORY By Melissa Briggs With John Beasant III, Kelly
life and beyond in citySTORY , a thoughtprovoking program of poignant dance. hergripping new citySTORY into the eclectic trove of urban expressionism.
http://www.offoffoff.com/dance/2003/citystory.php
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  • Treats, Treasures, Little Pleasures ADVERTISEMENT REVIEW: CITYSTORY Photo by Angela Jimenez
    The drama all around us
    Melissa Briggs captures the solemn intensity of New York life and beyond in "citySTORY", a thought-provoking program of poignant dance.
    By SARAH CARLSON Offoffoff.com The vast metropolis of New York City has consistently proven fertile ground for great art. From anonymous bohemian enclaves to elaborate star-studded openings, New York attracts creative talent with a magnetism that is unequalled anywhere else in the US, if not the world. It's not surprising therefore that the intense characteristics that distinguish New York life would be inspiration for many such artists. Choreographer Melissa Briggs is one of this breed as she casts her gripping new "citySTORY" into the eclectic trove of urban expressionism. CITYSTORY Choreography by: Melissa Briggs Dancers: John Beasant III, Kelly Bartnik, Donna Costello, Stephanie Liapis, Toni Melaas, Mindy Nelson, Katie Swords, Molly Wilson
  • 86. Sfbg.com
    t come as a surprise, nor should daring theatricality from a company that tracesits roots back to German expressionism. Australian dance Theatre s Birdbrain
    http://www.sfbg.com/36/50/art_fall_dance_season.html
    September 11, 2002
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    Alive and well The fall season dance card is full of excitement.
    By Rita Felciano
    TWO MAJOR ANNIVERSARIES , a triple bill of ballet's most beloved icon, and a quartet of promising new companies are indicators of just how well Bay Area dance is faring. The honors of fall season opener go to

    87. Dance Europe - General Interest Dance Publications
    Fraleigh explores botuh s ties to German expressionism, as she remembers her own isnot an aesthetic movement grafted onto Western dance, Fraleigh concludes
    http://www.danceeurope.net/docs/SHOP/BOOKS/GEN/GENBOOK.SHTML
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    Mao's Last Dancer
    Autobiography by Li Cunxin Description:
    Mao's Last Dancer by Donnachadh McCarthy, Dance Europe , November 2003 .
    Published by Fusion Press
    Click here for price and ordering
    The Royal Ballet in House
    Photographs by Bill Cooper Description:
    Featuring the Royal Ballet's leading dancers and guest artists, including Alina Cojocaru, Darcey Bussell, Tamara Rojo, Sylvie Guillem, Jonathan Cope, Mara Galeazzi, Edward Watson and many more, this beautifully produced book is a fitting record of the performances which have taken place since the Royal Opera House's re- opening after refurbishment three years ago. A former dancer and Dance Europe's associate photographer Bill Cooper performed with companies in Portugal, Switzerland, Belgium and Germany. He spent the last five years of his dancing career with Scottish Ballet where Peter Darrell encouraged his interest in dance photography.
    Published by the ROH/Oberon Press
    Click here for price and ordering
    Stravinsky and Balanchine - A Journey of Invention
    by Charles M. Joseph

    88. Haber's Art Reviews: Tracey Emin And Julian Schnabel
    By comparison, Pollock s dance with paint seems delightfully effeminate. No expressionism,he says, Abstract or otherwise, can encompass his feelings.
    http://www.haberarts.com/emins.htm
    Confession and Spectacle
    John Haber
    in New York City
    Gallery-Going: Soho in Spring 1999
    What does it meant to document oneself when one expects art? Is it obsessive, a harsh, compulsive recording of time and impulse? Or is it on the contrary a casual disregard for making art the old-fashioned way? Emin forces one to ask. I wanted to ask anyway down in Soho, where Neo-Expressionism ruled supreme. Julian Schnabel , as well as Sandro Chia and Philip Taafe , was on display, bringing back the tumult of the 1980s. Emin neo and post , and all the conflicts they demand. They make a pretty good excuse to hit Soho, before Memorial Day brings another gallery spring formally to an end.
    Iconography finds hidden symbols in religious painting, like the postmodern fascination with art as text . Art as self-expression holds all the creator's psychic conflicts. The canon , which no good conservative should be without, locks every artist into a relationship with tradition. The avant-garde tosses it all away with gusto. Postmodernism is supposed to , undermining Modernism's elitist vision of fine art. It is also supposed to critique them to death. So one should not be surprised to see the elements all hanging when Emin goes to work.

    89. Vintage Dance Posters-Pictures
    Please return often when looking for vintage dance posterspictures Abstract AbstractExpressionism Academic Art Affordable African-American Americana American
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    Vintage Dance Posters-Pictures-Art Prints
    Vintage dance posters, pictures and art prints make great wall decor.. Shop vintage dance posters, pictures and art prints online for a great selection of artists and subjects. Consider framing your vintage dance posters by viewing the framing options located on each page. We appreciate your visit to our site.
    Dancer on the Stage
    Edgar H. G. Degas

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    90. G.O.D. Dance Ministry
    Ruckins Roslyn, formally known in Hollywood as " R R Express " were a dance team that expressed what they felt through what they did. through their dance and music as they show it is God who
    http://www.demnstrate.com/mission/page_dance.htm
    The basis of their art form referred to as Expressionism (click on here to see our on-line 'Dance Video' resources)
    (click on here to read more about the McKinley's dance background)

    91. Dance
    Miriam's parents are avid rock and rollers. They would enter all the dance contests they could get to. She grew up with Elvis Presly, Buddy Holly, Eddy Cochran, Fats Domino and all of the great stars
    http://www.miriams.org/life/dance.htm
    Miriam's parents are avid rock and rollers. They would enter all the dance contests they could get to. She grew up with Elvis Presly, Buddy Holly, Eddy Cochran, Fats Domino and all of the great stars of the 50's. At home they would often move the furniture out of the dining room and "cut the rug.". Her most fun in Weisbaden came from the going to the discos. With her girlfriends, she would dance the night away. Her inexhaustible energy often left most partners panting for breath on the sidelines.
    She moved on from dance as just entertainment to explore dance art and as medicine. Her work in the theater in Fulda introduced her to motion studies and expressionism. She studied Eurythmy , a form of therapeutic dance developed by Rudolf Steiner's Anthropsophic Society . The practice was described "as communicating with angels" through voice, movement and feeling. Euryhytmia is also a healing discipline which is where Miriam interests were heading. Her next studies were with a private teacher, Fe Reichalt. This Frankfort Instructor had achieved considerable world wide fame and had published the definitive text on Dance Therapy. Here she further expanding her skills of using movement to help heal herself and others. She was midway through her studies when a chance meeting, sent her packing to the United States.

    92. ArtLex's En-Ez Page
    Also see foam core. expression and expressionism (with a small e the more generalsense) An attitude conveyed by the set of a person s facial features.
    http://www.artlex.com/ArtLex/En.html
    This site is made possible by its sponsors. Please visit them!
    enamel
    encaustic encouragement - See praise engaged column - In architecture , a column -like, nonfunctional form projecting from a wall and articulating it visually. Also see pilaster English art engobe - A colored slip used in decorating ceramics . They have several distinctive attributes, but are also excellent alternatives to glazes because they are less expensive and less time consuming. Engobes are typically made by mixing water with a claybody in use, then mixing in one or more colorants (e.g. oxides ) in a proportion of dry ingredients to water that is about 1:2 by volume. They are best applied in a consistency like cream to leatherhard greenware , or a little thinner when applied to bisque . Colored slips stay put they won't run or blur as many glazes do. Textures made in colored slip will remain as they're formed, instead of smoothing out as do those made with glazes. They can be applied with a brush , a slip-trailing bottle, or by dipping or spraying. Another method for using engobes in making a design is called sgraffito : coat unfired clay with engobe, and then scratch away at parts of it to reveal the clay surface underneath. (pr. en-gohb)

    93. Top Ten Art Expressionism Prints From Barewalls
    top ten Art expressionism prints from Barewalls. Abstract expressionism DavidAnfam (Paperback Thames and Hudson - 31 December, 1990). Books USA.
    http://www.art-posters-galore.co.uk/expressionism-prints.htm
    top ten Art Expressionism prints from Barewalls Home
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    Quick search Postershop.co.uk Edvard Munch, The Scream Henri Matisse, Henri Matisse, Blue Nude Henri Matisse, The Dance Henri Matisse, Icarus Paul Klee, The Golden Fish Paul Klee, Fish Magic Paul Klee, Senecio Edvard Munch, Madonna Farbstudie Quadrate Mit Konzentrischen Ringen Wassily Kandinsky Books UK German Expressionism : Art and Society ~ Stephanie Barron (Editor), et al (Hardcover - December 1997) Abstract Expressionism ~ David Anfam (Paperback - 31 December, 1990) German Expressionist Woodcuts (Collections of Fine Art in Dover Books) ~ Shane Weller (Editor) (Paperback - June 1994) Books: Amazon.com

    94. Abstract Expressionism - Robert Walker Art
    abstract expressionism. Abstract Watercolors by Robert Walker. www.RobertWalkerArt.com. abstractexpressionism Robert Walker - pg 613.
    http://www.robertwalkerart.com/a-to-z/abstract-expressionism.htm
    abstract expressionism
    Abstract Watercolors by Robert Walker
    www.RobertWalkerArt.com According to Notre Dame Women's College of Kyoto ( www.notredame.ac.jp
    abstract expressionism is a New York genre of painting characterized by freely created abstractions.
    Main Gallery of abstract expressionism
    Gallery II - abstract expressionism Gallery III - abstract expressionism
    MetroMania
    Untitled #4
    Indian Dance
    Innervision
    Artists who painted in this style include Hans Hoffman (German-American, 1880-1966), Adolph Gottlieb (American, 1903-1974), Mark Rothko (American, 1903-1970), Willem De Kooning (Dutch-American, 1904-1997), Clyfford Still (American, 1904-1980), Barnett Newman (American, 1905-1970), Franz Kline (American, 1910-1962), William Baziotes (American, 1912-1963), Jackson Pollock (American, 1912-1956), Philip Guston (American, 1913-1980), Ad Reinhardt (American, 1913-1967), Robert Motherwell (American, 1915-1991), Sam Francis (American, 1923-1994), and Helen Frankenthaler (American, 1928-). Abstract Expressionism originated in the 1940s, and became popular in the 1950s. Excerpt from: http://www.artlex.com/

    95. Guardian Unlimited | Arts Features | It's A Scream
    More visual arts features It s a scream expressionism was one of the 20thcentury s key movements. No wonder expressionism embarrasses us.
    http://www.guardian.co.uk/arts/features/story/0,11710,978161,00.html
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    It's a scream
    Expressionism was one of the 20th century's key movements. So why is it so unfashionable today, asks Sebastian Smee
    Monday June 16, 2003
    The Guardian
    Vincent Van Gogh cut off his ear before killing himself. Edvard Munch had a breakdown in 1908. Max Beckmann was discharged from the army in 1915 after suffering a breakdown. And Ernst Ludwig Kirchner, who had a breakdown in 1917, never really recovered. He killed himself 21 years later. These crude, pathetic facts about the lives of these artists trickle into a bedrock of embarrassment that today undermines both our ability and our willingness to respond to the style of art we call expressionism. The idea that to be an artist you have to experience madness and psychological breakdown is one we no longer condone or find credible, let alone wish to encourage. And yet here they are - these great artists, and these bald, embarrassing facts.

    96. ArtsWork - Dance Instruction
    Transferring Rhythmic Patterns from Music to Movement dance * Lesson Plan (Studentswith Special Needs) Students with special needs learn to move to whole, half
    http://artswork.asu.edu/arts/teachers/lesson/dance/

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    Transferring Rhythmic Patterns from Music to Movement

    Dance * Lesson Plan (Students with Special Needs)
    Students with special needs learn to move to whole, half, and quarter beats. Arts Careers
    Dance/Drama/Music/Visual Arts * Links for Students (Grades 3-12)
    Grades 3-7 interactive materials for students to explore the arts as careers. Weather Dance Dance/Science * Elementary School Unit (Grades 3-4) A three lesson unit using dance to explore clouds, wind, lightening and thunder. Moving to a Path Map Dance * Elementary School Lesson Plan Students learn to draw path maps and construct dances with locomotor and non locomotor movements Making a Dance Involving Balance Dance * Elementary School Lesson Plan A dance idea for elementary school children that requires them to explore balancing movements, to work in pairs to create a dance, and to discuss their classmate's work in a positive manner. Collaborative Choreography, Contrasting Emotions

    97. Abstract Expressionism
    Abstract expressionism Willem de Kooning Palisades, 1957 Oil on canvas,6 feet 7 inches x 5 feet 9 inches (2 x 1.75 m). Collection
    http://artnetweb.com/abstraction/abexpress.html
    Abstract Expressionism
    Willem de Kooning: Palisades
    Oil on canvas, 6 feet 7 inches x 5 feet 9 inches (2 x 1.75 m).
    Collection of Adriana and Robert Mnuchin

    In the late 1930s and early 1940s, around the outbreak of World War II, many Surrealists fled Europe and settled in New York. Their interest in unmediated expression to reach the absolute soon influenced a young generation of painters struggling to find a voice for American art. The new movement, which became known as Abstract Expressionism , was heavily indebted to the ideas of the European pioneers of abstraction, including Vasily Kandinsky , whose work was championed in influenced a young generation of painters struggling to find a voice for American art. The new movement, which became known as Abstract Expressionism , was heavily indebted to the ideas of the European pioneers of abstraction, including Vasily Kandinsky , whose work was championed in this country by the Museum of Non-Objective Painting (subsequently renamed the Solomon R. Guggenheim Museum ) beginning in 1939. Many of the

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