21. EM:DEF - Electronic Music Defense & Education Fund EMDEF EMDEF defends the electronic dance music community (ie artists, club owners, concertgoers, dancers, dj s, promoters) which is being wrongfully targeted and http://www.emdef.org/

News and Information Nov 2003 Attorney Erik Guenther discusses 'Racine Rave' case on WGTD Wednesday, November 19th, from 8:10 - 9:00 a.m. (CST), attorney Erik Guenther discusses last years 'Racine Rave' case on WGTD FM 91.1's 'The Morning Show'. For info on how to listen to the live stream or archive of the program visit The Morning Show's website. Nov 2003 'Ecstasy Awareness Act' Targets Electronic Dance Music Not Drugs (H.R. 2962) This bill would make it a felony punishable by up to 20 years in prison and $2,000,000 in fines for "whoever profits monetarily from a rave or similar electronic dance event, knowing or having reason to know that the unlawful use or distribution of a controlled substance occurs at the rave or similar event". Using EM:DEF's Action Center, it only takes two minutes to write your elected Representative about H.R.2962 Nov 2003 'CLEAN-UP Act' Could Devastate Entertainment Industry (H.R. 834) This bill makes it a crime — punishable by 9 years in federal prison — to promote "any rave, dance, music, or other entertainment event, that takes place under circumstances where the promoter knows or reasonably ought to know that a controlled substance will be used or distributed." Take action and write your Representative H.R.834 info

22. CDeMUSIC electronic music Foundation Copyright © 2004 electronic music Foundation, Ltd. CDeMUSIC is a registered trademark of electronic music Foundation, Ltd. http://www.cdemusic.org/

ACCESS TO MATERIALS FIND ANYTHING Enter a title, artist's name, publisher ... WHAT'S GOING ON? VISIT ARTS ELECTRIC Meet the artists Recent listings Browse CDs by subject ... Special offers Home CDS RECENTLY RELEASED The Time of Bells Steven Feld brings us extraordinary bell-centric European soundscapes. Speechwater Cristin Wildbolz, on doublebass, does wonderful improvisations with a few friends. Lost Marbles Bits and pieces of Alvin Curran's music through the years give us a 'crash course' in his work. Boom Box Project Manuel Rocha Iturbide's field recordings from Hangzhou, Antigua, Luxor ... and a boom box in Jaipur. Abayudaya Music from the Jewish People of Uganda combining African rhythms with Jewish tradition. Two striking orchestral compositions with soloists and recitation of text about noise. Postal Pieces James Tenney's music, written on postcards, composed bteween the mid-1960s and early 1970s. Koan Still Satori John Palmer's music for instrumental ensemble in which the timbres reflect his interest in Japanese culture.

23. UCSC EMS Home Page UCSC electronic music Studio Home Page. Welcome to the Electronic Using the UCSC electronic music Web Site. EMS Master Index The http://arts.ucsc.edu/EMS/Music/

UCSC Electronic Music Studio Home Page Welcome to the Electronic Music Studios at the University of California, Santa Cruz.This web site contains a collection of essays and technical articles about the art and practice of electronic music. They have been written over the last twenty years as supplemental materials to my courses in studio composition. The essays cover basic issues they will not replace your equipment and software manuals,but will provide information that the manuals take for granted. Peter Elsea Table Of Contents Information about the Electronic Music Program RESEARCH EQUIPMENT MUSIC LINKS ... TECHNICAL BACKGROUND Using the UCSC Electronic Music Web Site EMS Master Index The Master Index is a complete and up to date listing of all documents resident on our server. If you have a specific area of interest you might want to try here first. EMS Title Bar Clicking on the title bar will always bring you back to the EMS homepage This website was designed to be used with any browser, including those accessible to the blind and visually impaired.The content is rather plain to keep loading time to a minimum. You won't get any cookies either. We would appreciate any comments or suggestions you may have about this project. Send Email to

24. Math THE MATHEMATICS OF electronic music. One of the difficult aspects of the study of electronic music is the accurate description of the sounds used. http://arts.ucsc.edu/EMS/Music/tech_background/TE-11/teces_11.html

THE MATHEMATICS OF ELECTRONIC MUSIC One of the difficult aspects of the study of electronic music is the accurate description of the sounds used. With traditional music, there is a general understanding of what the instruments sound like, so a simple notation of 'violin', or 'steel guitar' will convey enough of an aural image for study or performance. In electronic music, the sounds are usually unfamiliar, and a composition may involve some very delicate variations in those sounds. In order to discuss and study such sounds with the required accuracy, we must use the tools of mathematics. There will be no proofs or rigorous developments, but many concepts will be illustrated with graphs and a few simple functions. Here is a review of the concepts you will encounter: Hertz In dealing with sound, we are constantly concered with frequency, the number of times some event occurs within a second. In old literature, you will find this parameter measured in c.p.s., standing for cycles per second. In modern usage, the unit of frequency is the Hertz, (abbr. hz) which is officially defined as the reciprocal of one second. This makes sense if you remember that the period of a cyclical process, which is a time measured in seconds, is equal to one over the frequency. (P=1/f) Since we often discuss frequencies in the thousands of Hertz, the unit kiloHertz (1000hz=1khz) is very useful. Exponential functions Many concepts in electronic music involve logarithmic or exponential relationships. A relationship between two parameters is

25. EM411.com - - Electronic Music 411 /show/front/ ing; tricks theory; circuit bending; programming; music videos; site talk; events; electronic music links; buy, sell, trade; area board; http://www.em411.com/

reviews news alerts software hardware live shows ... interviews listen mixit release patch old mixits forums latest posts playing live dj'ing circuit bending ... em411 mycroft search login signup about alerts supaphaser 3.0 for m Ableton Live 4 cubase sx 2.2 Elemental Audio Syst ... Voxengo SPAN VST latest comments Ableton Live 4 PlusDeck 2 Genuine Imitation Gallery... cubase sx 2.2 ... Theatre Place, The Custar... latest emPage blogs Zanf anonymous em'ers ru jdg quicktime links work Portland weather good. mood t filarion Moving Sucks g'bye em-page kidko The end of the world menschmaschine atariboy Heavy Metal Parking chiral reposting info about karloz SCORCHIO!!!! random emStudio the subverted bedroom recent studio entries panicStudios the subverted bedroom Tangentism emMeets jun 12 Nantucket Massachusetts, USA EMeet on Nantucket, MA, USA june sun mon tue wed thu fri sat 36 online aem ventura, California, USA AndrewBrewer Galveston, Texas, USA ... canadian sampling laws Roshi Genuine Imitation Gallery, Portland OR LIVE + submit em MonoMachine HARDWARE + submit frnortnr Mao Mao Bistro, Vancouver BC

26. Digital Hymnal - Information - Technical - Glossary A-L Glossary of electronic music Terms. http://www.tagnet.org/digitalhymnal/en/glossary_a-l.html

INFORMATION Glossary of Electronic Music Terms A B C D ... Z A ADC: See analog-to-digital converter. A/D converter: See analog-to-digital converter. ADPCM: Adaptive delta pulse code modulation. An audio compression algorithm for digital audio based on describing level differences between adjacent samples. ADSR: Attack/decay/sustain/release, the four segments of a common type of synthesizer envelope. The controls for these four parameters determine the duration (or in the case of sustain, the height) of the segments of the envelope. See envelope. aftertouch: A type of control data generated by pressing down on one or more keys on a synthesizer keyboard after they have reached and are resting on the keybed. See channel pressure, poly pressure. AIFF: Audio interchange file format. A common Macintosh audio file format. It can be mono or stereo, at sampling rates up to 48kHz. AIFF files are QuickTime compatible. algorithm: A set of procedures designed to accomplish something. In the case of computer software, the procedures may appear to the user as a configuration of software components for example, an arrangement of operators in a Yamaha DX-series synthesizer or as an element (such as a reverb algorithm) that performs specific operations on the signal. algorithmic composition: A type of composition in which the large outlines of the piece, or the procedures to be used in generating it, are determined by the human composer while some of the details, such as notes or rhythms, are created by a computer program using algorithmic processes.

27. Electronic Music Interfaces © Portions copyright March 1998 by Joseph A. Paradiso. electronic music Interfaces. Joseph Paradiso. electronic music, in contrast, has no such legacy. http://www.media.mit.edu/~joep/SpectrumWeb/SpectrumX.html

Electronic Music Interfaces Joseph Paradiso MIT Media Laboratory 20 Ames St. E15-325 Cambridge MA 02139 USA 1) Introduction Carleen M. Hutchins Opcode's MAX developed by Miller Puckette, Interactor developed by Mark Coniglio and Morton Subotnick, Lick Machine from STEIM, the CMU MIDI Toolkit by Roger Dannenberg, Flex from Cesium Sound, ROGUS and HyperLisp here at the MIT Media Lab), the remainder of this article will focus more on sensing and hardware, tracing the history of electronic musical interfaces, and describing examples and research that illustrate these concepts. 2) Reign of the Keyboard Electronic Sackbut large modular systems Allen Digital Organ (which morphed into the famous RMI Keyboard Computer) by Ralph Deutsch and colleagues at Rockwell International, finally reaching the mainstream synthesizer community in the keyboards designed by Dave Rossum and Scott Wedge of E-Mu Systems. When a key was pressed in one of these systems, a "voice" composed of an oscillator, envelope generator, voltage-controlled amplifier and filter are triggered accordingly if available; different kinds of polyphonic note priority could be specified. This was done entirely in hardware in the early devices (i.e., the E-Mu 4050 keyboard, later evolving into the controller for the Oberheim 4 and 8 Voice synthesizers), then in 1977 by a microprocessor in the E-Mu 4060, which was adapted a year later for the famous Sequential Prophet 5. Today, of course, keyboard scanning, note allocation, synthesis, and signal processing are all performed digitally by firmware running on the ASICs and processors embedded in modern synthesizers.

28. IEEE Spectrum Cover Article, Dec. 97 electronic music Interfaces Preface. I authored an It was called New Ways to Play electronic music Interfaces . The music controller http://www.media.mit.edu/~joep/ieee.html

Electronic Music Interfaces Preface I authored an article for the main magazine of the IEEE ("Spectrum") that ran as the cover story in their December 1997 issue. It was called "New Ways to Play: Electronic Music Interfaces". The music controller field is extremely broad, and designers of all sorts (from basement hackers through university researchers and engineers at large electronics and music companies) have built all kinds of innovative and facinating devices for interacting with electronic music. It's not possible to give justice to all of the worthwhile accomplishments in this area within the confines of a single (albeit long) Spectrum article. The Expanded Article is linked here Finally, I'd like to thank everybody who took the time to help out with this paper. First and foremost thanks go to the IEEE editor, Robert Braham, for suggesting this idea during his visit to the Brain Opera last summer at Lincoln Center. Rob put lots of effort into this project, and it shows nicely in the final article printed in Spectrum. Here at the Media Lab, Josh Strickon took care of the internet music pages that the IEEE linked to, and Chad Brustin helped to chase down the video clips. Eric Metois (a recent Media Lab graduate now at ARIS, Cambridge) did a great job setting up Spectrum's Internet Music sidebar. Several colleagues read through parts the first draft (as posted here) and/or gave me some useful pointers. These include David Allport (now at VSIS in Sunnyvale), Dennis Baggi (of Ticino, Switzerland), Rick Ciliberto (of Studio Q Systems, Brighton MA), Chris Dodge (Media Lab Alum), Max Mathews (CCRMA/Interval), Theresa Marrin (Media Lab), Will Oliver (Stanford), Yohei Nagai (of Yamaha), Rob Poor (Media Lab) and Dave Rossum (of E-Mu Systems). I'm grateful for their comments.

29. Techno Toys: Software For Electronic Music welcome to technotoys.com software for electronic music. news web site by jamos last update September 01, 2002. http://www.technotoys.com/

welcome to technotoys.com software for electronic music news web site by jamos last update September 01, 2002

30. Movement - Detroit's Electronic Music Festival 04 The official website of Movement Detroit s electronic music Festival 04. Featuring a line-up of techno music s top artists such http://www.movementfestival.com/

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31. Worldwide Internet Music Resources: Electronic Music electronic music. Bibliography on Synthesizers, Midi, Computer and electronic music / Piet van Oostrum; Studio of electronic music, Inc. http://www.music.indiana.edu/music_resources/electr.html

William and Gayle Cook Music Library Indiana University School of Music Worldwide Internet Music Resources Electronic Music Bibliography on Synthesizers, Midi, Computer and Electronic Music / Piet van Oostrum CERL Sound Group Electro-Acoustic Music at Dartmouth College Electroacoustic Music Studios , University of Birmingham (Edgbaston, Birmingham, UK) Electronic Early Music Electronic Music Foundation Electronic Music from Surreal to Real Electronic Music Studios University of Iowa Electronic Music Studios University of Texas at Austin electronicmusic.com EMUSIC-L Experimental Music Studios University of Illinois at Urbana-Champaign Harmony Central Hyperreal Music Archive (electronic music) Institut International de Musique Electroacoustique de Bourges Studio of Electronic Music, Inc. (SEMI) (West Hartford, CT) Silicon Highway: El Camino de Silicio (Computer Music in the Americas) MIDI Classical Music (MIDI Files) Classical Midi Page Classical Midi Archives Classical MIDI Connection : midi for the classical music enthusiast Early Music Midi Site (medieval and renaissance music in general Midi format) / Curtis Clark Exploring MIDI MIDI Farm MIDI Tools And Resources / Harmony Central MIDI World MIDILink New Music for Disklavier and Synthesizer (Archive of compositions for computer-controlled piano) Standard MIDI Files on the Net (where to find MIDI files)

32. Cook Music Library: Electronic Music Journals & Newspapers Indiana University Bloomington Libraries, William and Gayle Cook Music Library, fulltext electronic music journals, music research, music periodical literature http://www.music.indiana.edu/collections/e-journals.html

Music Library Home Search our web site Music Library Current Journals Subscription ... Document Delivery Services (ILL) William and Gayle Cook Music Library Electronic Music Journals and Newspapers A) Electronic Music Journals by Subscription B) Selected Electronic Music Journals on the WWW C) Selected Electronic Newspapers D) Trial Subscriptions (IUB) A) Electronic Music Journals - (By Subscription) (Indiana University students, faculty, and staff) For a Listing of Music E-journals: 1) Go to: Locating Online Fulltext Journals and Newspapers 2) On the Subject Search drop-down menu, select: Fine Arts and Music B) Selected Electronic Music Journals - (WWW) Title: Coverage: Access: Comments: Andante http://www.andante.com/magazine/ ASCAP PlayBack Magazine http://www.ascap.com:80/playback/ Billboard http://www.billboard.com British postgraduate musicology: BPM Online March 2001 to present http://www.bpmonline.org.uk/ Bulletin of Italian ethnomusicology Sept. 1994 to Dec. 1995 Transformed into http://www.muspe.unibo.it/period/ictm/Home.htm ClassicsToday.com http://www.classicstoday.com/

33. Electronic Music Studios: University Of Iowa Welcome to the University of Iowa electronic music Studios. You ll find in our site updates of our facilities to 5.1, 9.1, and 16.2 sound. http://theremin.music.uiowa.edu/

Welcome to the University of Iowa Electronic Music Studios . You'll find in our site updates of our facilities to 5.1, 9.1, and 16.2 sound. Our Musical Instrument Samples Database now includes strings, more winds and brass, and a Steinway piano. Our history and archive pages show how the studios have developed over the years and include a wonderful set of Moog Demo mp3s by Peter Tod Lewis. Our visitors page lists composers who have come to Iowa over the years to work with students, including alumnus Charles Dodge, James Dashow, Denis Smalley, and synthesizer pioneer, Don Buchla. The upcoming year brings Kevin Blechdom, Elizabeth McNutt, Andrew May, and Terry Riley. Last spring, the studios hosted SEAMUS 2002 , the National Conference of the Society for Electro-Acoustic Music in the US, bringing over 240 participants for three days of concert and paper sessions. This year's events include concerts in Iowa, Europe, and the University of Florida Electroacoustic Music Festival, and we are preparing a CD of commissioned works commemorating our 40th anniversary. If you're in the area, please stop by for a visit. There's always a lot of activity here and I will be delighted to show you around.

34. IPEM: Institute For Psychoacoustics And Electronic Music - Dept. Of Musicology, Department of Musicology at Ghent University, Belgium. Includes department history, information about http://www.ipem.rug.ac.be/

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35. San Francisco Electronic Music Festival 20th 29th. 2001. The Second San Francisco electronic music Festival. 2000. The First San Francisco electronic music Festival. http://www.sfemf.org/

SFEMF 2003: East Meets Left July 23rd - 27th ELECTRIC WORDS June 20th - 29th The Second San Francisco Electronic Music Festival The First San Francisco Electronic Music Festival about SFEMF contact 2000 video 2001 program ... 2003 tickets

36. Edgard Varese - Father Of Electronic Music Father of electronic music. Still, Deserts was the first important work of electronic music, and Varese was recognized as a significant force in music. http://csunix1.lvc.edu/~snyder/em/varese.html

Edgard Varese Father of Electronic Music "I Long for instruments obedient to my thought and whim, with their contribution of A whole new world of unsuspected sounds, which will lend themselves to the exigencies of my inner rhythm." June 1917 (1) Varese at the Philips lab Edgard Vare se Paris, 1883-New York, 1965 The door that Busoni gazed at but never entered, Varese ran through . Sadly, Varese spent the majority of his life waiting for technology to catch up with him. Varese was simply born to early. Of course if he had been born later, his mentor Busoni would probably not have been around to prepare him for his role in the coming age. Varese prepared for a career as an engineer by studying mathematics and science. He studied the notebooks of da Vinci. Pulled towards music, he used his learned scientific principles to study the science of sound. He was an unhappy student at the Schola Cantorium and Paris Conservatoire. His friends were a list of who's -who of the time. Satie, Romain Rolland (an author who used Varese as the inspiration of his great novel Jean-Christophe), Russolo, Villa-Lobos, Duchamp, Russolo, Cowell, Luening, Lenin Trotsky, Picasso and countless others. While at the conservatoire, he began shaking things up, announcing ,"I refuse to submit to sounds that have already been heard." (2) His inspirations were Busoni and Debussy. Debussy encouraged him to become a composer telling him, "Rules do not make a work of art. you have the right to compose what you want to, the way you want to." (3) Debussy also encouraged Varese to look at non-western music for inspiration.

37. Analogik - Electronic Music And Multimedia Brisbane, Australia We ve had a spectacular display of electronic music gear and computers in action a real geek heaven! Featured articles, electronic music and multimedia. http://analogik.com/

let's link up! home about us audio ... contact bookmark this Analogik is a group of industry professionals comitted to providing quality content and online resources in fields of electronic music, multimedia, visual arts, science, technology and culture. Tetra Vaal (tetra.mov) - realistic 3D robot video Samorost - Flash Game (by Jakub Dvorsky) The Quest for the Rest - Polyponic Spree Online Flash Game (by Jakub Dvorsky) Commodore 64 still in use Akai MPC 2000XL - Review by DRi (new!) Prophet 64 - Commodore 64 Synthesizer (new!) Etheral - Motion Graphics About Trance - Personal view on trance music Film art inspires cartoon art - Drawing / Film Harmonic Distorsions - 3D animation Double Life PlayStation ad review Mountain PlayStation ad review Cowbell Fever Article Techno 4 Correct usage of reverb times Autechre: Ganz Graf DVD NEW: Stencil art (+ Brisbane stencil art photos) While it may be evident that the prevalence of stencil art has exploded in the last few years, with events such as the Semi-Permanent street art exhibition in Sydney during 2003 showcasing notable UK artists Banksy and Sheppard, nimble stencil soldiers have been waging a wall war since the advent of graffiti in the 1980's.

38. Electronic Music Styles Ambient music evolved from the experimental electronic music of 70s synthbased artists like Brian Eno and Kraftwerk, and the trance-like techno dance music http://analogik.com/res_styles.asp

let's link up! home about us audio ... contact bookmark this BRIEF STYLE DESCRIPTIONS Acid House Acid Jazz Acid Techno Alternative Rap Ambient Ambient Breakbeat Ambient Dub Ambient House Ambient Pop Ambient Techno Bass Music Bhangra Big Beat Dance Hall Reggae Dance-Pop Dark Ambient Detroit Techno Disco Downbeat Dream-Pop Dub Electro Electro-Acoustic Electro-Techno Electronic Electronica Euro-Dance Experimental Dub Experimental Electro Experimental Rock Experimental Techno Freestyle Funky Breaks Gabba Garage Goa Trance Happy Hardcore Hardcore Techno Hi-NRG Hip-Hop House IDM Industrial Industrial Dance Jungle/Drum'n'bass Kraut-Rock Madchester Minimalism Neo-Electro Newbeat Noise Noise Pop

39. SEMI SEMI The Studio of electronic music, Inc. Introduction. The Studio of electronic music was founded in 1983 by Pamela Molava, Vernon Martin, and Thomas Meade. http://www.hartnet.org/semi/

SEMI: The Studio of Electronic Music, Inc. The Studio of Electronic Music, Inc., - esener@mail.hartford.edu - is a private non-profit corporation founded in 1983 as a forum for professionals and students to present concerts and to educate the public in the electronic genre. The Studio is ever grateful to Trinity College for providing space and support for this Web site. Contents: Introduction February-March 2002: Interaction: Three Electro-Acoustic Multimedia Performances ... Footnotes Dance Theatre Introduction The Studio of Electronic Music was founded in 1983 by Pamela Molava, Vernon Martin, and Thomas Meade. Now the Studio is governed by a Board of Directors assisted by a Panel of Advisors. The current officers are Ertan Sener, president Marilynn Huntington, secretary Marguerita Cunningham, treasurer Walter Gwardyak, artistic director Potential associate members or advisors are invited to write to us at 834 Asylum Avenue, Hartford, CT 06105, or to telephone at 860/246-2588x11, or to send e-mail to us At the time SEMI was founded there were few opportunities for artists in the electronic genre to create and perform outside of the academic environment. Insofar as there still may be apprehension or misunderstanding or simply lack of familiarity on the part of the public audience concerning the scope and potential of electronic music, SEMI attempts to bridge the gap by presenting concerts, demonstrations, lectures, seminars, and recordings. Obtaining support as a 501(c)3 non-profit corporation from various funding agencies (such as the Connecticut Commission for the Arts, the greater Hartford Arts Council, the Evelyn W. Preston Foundation, the Edward C. and Ann T. Roberts Foundation, and the New England Foundation for the Arts), SEMI has strived to present at least one concert a year.

40. Electronic Music - Wikipedia, The Free Encyclopedia electronic music. From Wikipedia, the free encyclopedia. music. Later arrivals include Astralwerks. electronic music press. United http://en.wikipedia.org/wiki/Electronic_music

Electronic music From Wikipedia, the free encyclopedia. Electronic music Ambient Breakbeat Electronica Electronic art music ... Synth pop Electronic music is a loose term for music created using electronic equipment. Any sound produced by the means of an electrical signal may reasonably be called electronic, and the term is sometimes used that way in music where acoustic performance is the norm, even the introduction of electronic amplifiers may touch off discussions of electronic music ( jazz and folk music , for example, have gone through a good deal of argument about the topic). As a category of criticism and marketing, however, electronic music refers to music produced largely by electronic components, such as synthesizers samplers computers , and drum machines . Theoretically, the music could include any of an array of other "instruments". Also see computer music Table of contents 1 History 1.1 Late 19th century early 20th century 1.2 Post-war years: 1940s to 1950s 1.3 1960s to late 1970s ... edit History edit Late 19th century early 20th century The earliest purely electronic instrument was the Teleharmonium or Telharmonium, developed by

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