41. Indian Dances, The Dances Of India The most popular classical styles seen on the indian dance stage are Bharatanatyam of Tamil Nadu, Kathakali and Mohiniyattam of Kerala, Odissi of Orissa http://www.indianchild.com/indian_dances.htm

Indian Dances, Dances of India India offers a number of classical dance forms, each of which can be traced to different parts of the country. Each form represents the culture and ethos of a particular region or a group of people There are many types of dance in India, from those which are deeply religious in content to those which are danced on more trivial happy occasions. Classical Indian Dances are usually always spiritual in content, although this is often true also of Folk dances. . The most popular classical styles seen on the Indian dance stage are Bharatanatyam of Tamil Nadu, Kathakali and Mohiniyattam of Kerala, Odissi of Orissa, Kathak of Uttar Pradesh, Kuchipudi of Andhra Pradesh and Manipuri of Manipur Indian mythology, legends and classical literature provide the themes of the Indian dance, both of the classical and folk variety. The classical dance is based on rigid rules and dance discipline. Its forms include Bharat Natyam, Kuchipudi, Oddissi and Kathak as also a tradition of dance-dramas - Kathakali, Kutiyattam, Mohiniattam, etc. Indian dance is divided into nritta - the rhythmic elements, nritya - the combination of

42. Unveil India Resource on indian culture, dance, music, wildlife, maps, festivals, fairs, tourism and travel information. http://www.unveilindia.com

43. INDIAN CULTURE - CULTURE OF INDIA, INDIAN DRAMA, FESTIVALS Cultures and more. 16. http//www.narthaki.com/ A directory of artistes, articles, information and lots more about indian dance. 17. http http://www.indianchild.com/culture _1.htm

INDIAN CULTURE CULTURES OF INDIA TRADITIONS OF INDIA INDIAN MONUMENTS FESTIVALS OF INDIA INDIAN HISTORY TEMPLES OF INDIA ... FREEDOM STRUGGLE India's culture The term culture refers to a state of intellectual development or manners. The social and political forces that influence the growth of a human being is defined as culture. Indian culture is rich and diverse and as a result unique in its very own way. Our manners, way of communicating with one another, etc are one of the important components of our culture. Even though we have accepted modern means of living, improved our lifestyle, our values and beliefs still remain unchanged. A person can change his way of clothing, way of eating and living but the rich values in a person always remains unchanged because they are deeply rooted within our hearts, mind, body and soul which we receive from our culture. Indian culture treats guests as god and serves them and takes care of them as if they are a part and parcel of the family itself. Even though we don’t have anything to eat, the guests are never left hungry and are always looked after by the members of the family. Elders and the respect for elders is a major component in Indian culture. Elders are the driving force for any family and hence the love and respect for elders comes from within and is not artificial. An individual takes blessings from his elders by touching their feet. Elders drill and pass on the Indian culture within us as we grow.

44. Lessons And Workshops - Oriental Dance - Indian Film Dance - Bhangra - Folklore lately. Read more about them on this website dance Like An indian! Workshops. Oriental Tribal Style; Bollywood (indian film dance). So http://www.meissoun.ch/e/unterricht-e.htm

During the beginning of my dance career I concentrated mainly on performing. But in the last years I have started to teach more and more. Although I don't teach any regular weekly classes I like to pass on my knowledge. My style of teaching is "technique with emotions". I put as much emphasis on the exact execution of movements as on expression - and yes, I want my students to have some fun too! I can teach in German, English and French. Below you can find an overview of what I offer. Workshops run from 2 to 8 hours. As these are individual classes it's best to ask for details via e-mail. At the moment I teach a lot of classes and workshops for Bhangra and Bollywood Dance as these styles have become very popular lately. Read more about them on this website: Dance Like An Indian!

45. Mythological Origins And Developent Of Indian Music (Sangeet) Describes the traditional Hindu origins of indian music and dance including a historical account of its development. http://chandrakantha.com/articles/indian_music/myth_origin.html

MYTHOLOGICAL ORIGINS OF SANGEET by David Courtney, Ph.D. We must look at mythology to really see the significance that Indian music sangeet has to Indian society. This is easily illustrated in the story concerning its origin. Perhaps the clearest mythological raison de etre Natya-Shastra (Rangacharya 1966) Once, a long time ago, during the transitional period between two Ages it so happened that people took to uncivilised ways, were ruled by lust and greed, behaved in angry and jealous ways with each other and not only gods but demons, evil spirits, yakshas and and such like others swarmed over the earth. Seeing this plight, Indra and other gods approached god Brahma and requested him to give the people a toy (Kridaniyaka), but one which could not only be seen but heard and this should turn out a diversion (so that people gave up their bad ways) Although it was decided to give the celestial art of sangeet to mankind, a suitable human had to be found who was capable of receiving this gift. Sangeet had always been in the realm of the demigods ( gandharva . A super-human of superior spiritual ability was required to convey this celestial artform to the world of man. It fell upon the great sage Narada to be the first mortal recipient of this divine art. Through Narada, we are indebted for the presence of classical music.

46. Paper Sangeetha Menon, PhD, from the National Institute of Advanced Studies, Bangalore, is presenting the indian approach to consciousness by comparing pramanavada and natya-sastra. http://www.infinityfoundation.com/mandala/i_pr/i_pr_menon_paper_frameset.htm

47. Zingaris : Festival Of Dance - Indian Events On Sulekha.com India. Unleash the passion within and Invoke the spirit of dance! Join us, in this indian Festival of dance. Hosted By, Zingaris. http://www.sulekha.com/zingaris

Get Sulekha Event Listings Events Calender June 2004 S M T W T F S Event Search Search for Advanced Search Los Altos Hills Need a Good Exposure and a wider reach on this Event? "Zingaris : Festival of Dance" Sulekha Cities > Event Hopper Los Altos Hills Where Smithwick Theater, Foothill College, Bldg A-70 12345 El Monte Road Los Altos Hills, CA,94022 Location Map Send this to a Friend When Saturday, September 28, 2002 at 7:00 PM to Saturday, September 28, 2002 10:00 PM Contact Rishi Sampat Email for Information Admission General - $15.8, Patron - $20 Zingaris, a local Bay Area dance troupe, presents an evening of entertainment and excitement by showcasing spectacular, high energy dances from the Indian subcontinent. Dances inspired by the folklore and culture of people with a rich ethos and an even richer heritage. From the Lavani of Maharashtra to the Odissi of Orissa, from the Bhangra of Punjab to exotic fusion pieces from Bollywood. Adding Swing and Hip Hop and Jazz to the mix, Zingaris has created an unforgettable line up of incredible dance pieces.

48. IACCGH Presents Fourth Annual Gala - Dinner And Dance - Indian Events On Sulekha Houston. Need a Good Exposure and a wider reach on this Event? IACCGH presents Fourth Annual Gala Dinner and dance . Sulekha Cities Event Hopper Houston. http://www.sulekha.com/eventdisplay.asp?cid=28517

49. Ananya Chatterjea. Dance. Women In Motion. Ananya Chatterjea Contemporary indian dancer and choreographer (Minneapolis, MN) http://ananyadancetheater.org

Ananya Chatterjea is an artist and activist, Artistic Director of Ananya Dance Theater Women in Motion ), and Assistant Professor of Dance at University of Minnesota, Minneapolis. Trained initially in Indian classical and folk dance traditions, she became a well-known exponent of the Odissi style of classical dance under the tutelage of her internationally acclaimed guru, Sanjukta Panigrahi, at a young age. She performed and toured widely at this time, dancing with more community based companies such as the Ashramic Sangha and Government initiatives such as the Inter-state Cultural Exchange Programs. Recent performances include: Women Artists for Peace Festival (Delhi, 2004) Theaterlabor (Bielefeld, Germany, 2002) New World Theater (Amherst, 2001) Harborfront Theater (Toronto, Cananda, 2003, 2004) Under the Stars Festival (Kuala Lampur, Malaysia, 2002) Nehru Center (London, UK, 2002) Habitat Center (Delhi, India, 2003) National Center for Performing Arts (Bombay, India, 2003) Philippines Cultural Center (Manila, Philippines, 2003) Difference/Desire Presented by DanceWorks April 29 - May 1, 2004. 8:00 pm

50. Shiva As Nataraja - Dance And Destruction In Indian Art Shiva as Nataraja dance and Destruction In indian Art An article on the Hindu God of destruction, Shiva (Siva) and his portrayal as Nataraja, or the lord http://www.exoticindiaart.com/article/nataraja

Search in All Products Paintings Sculpture Jewelry Textiles Dolls Book Articles Sold Items Free Newsletter Register with us Sign In FAQs Shiva as Nataraja - Dance and Destruction In Indian Art Article of the Month - January 2001 Shiva the Hindu god of destruction is also known as Nataraja, the Lord of Dancers (In Sanskrit Nata means dance and raja means Lord). The visual image of Nataraja achieved canonical form in the bronzes cast under the Chola dynasty in the tenth century AD, and then continued to be reproduced in metal, stone and other substances right up to the present times. The Chola Nataraja is often said to be the supreme statement of Hindu art. Shiva seized and wreathed about his neck like a garland. Then he began to dance; but there rushed upon him a last monster in the shape of a malignant dwarf. Upon him the god pressed the tip of his foot, and broke the creature’s back, so that it writhed upon the ground; and so, his last foe prostrate, Shiva resumed the dance.

51. Folk Music Of Rajasthan, Traditional Rajasthani Music, Music & Dances Of Rajasth Haunting, fullthroated music and vigorous, rhythmic dances in colourful attires - in the harsh deserts of this indian state. http://www.rajasthandiary.com/rajdiary/music.htm

About Rajasthan India Rajasthan Cities Rajasthan Tours Corporate Info Tourist Info Rajasthan Fairs Festivals Rajasthan Forts Palaces Rural Bazaars Wildlife Tours in Rajasthan ... Famous artistes Music and dance are deeply ingrained in the life of Rajasthanis. The cool stillness of the desert after the searing heat of the day and the upsurge of life in the short-lived rainy season or spring are filled with soulful, full-throated music and rhythmic dance. Harmonious diversity All the regions of Rajasthan have their distinct folk entertainment. The dance styles differ and so do the songs. Interestingly, even the musical instruments are different. The hilly tracts of central and southern Rajasthan are rich in community entertainments because of the lifestyle of tribes like the Bhils, Meena, Banjaras, Saharias and Garasias. Eastern Rajasthan is fertile and affluent, with plenty of patrons to sustain professional entertainers like the Bhats, Kamads, Bhopas, Kacchi Ghodi dancers and Kathputli (puppeteer). People in the harsh scantily-populated desert areas of Western Rajasthan have very little leisure for merrymaking. Therefore, in this region, entertainment is provided by professional performers like the Bhats, Dholis, Mirasis, Nats, Sargadas and Bhands.

52. Indian Classical Dances A good write up on each of the Classical dance forms. http://www.geocities.com/Vienna/Choir/3490/

53. SuviBadra Institute Of Indian Art And Culture - Rediff On The Net Free Personal Dedicated to enhancing and improving the awareness of Carnatic music and Bharatanatyam dance. http://members.rediff.com/vasumathi/suvibad.htm

Rediff Homepages SuviBadra Institute of Indian Art and Culture I organise various cultural related events, talk show, radio discussions and seminars in the field of music and dance. Besides SuviBadra produces several programs for the Television and the Radio. SuviBadra Events My homepage Vasumathi Badrinathan 104 B KAVERI, Next to RBI Qtrs, Chembur, Bombay 40 vasumathi@cheerful.com

54. Culture - Indian Dance Forms indian dance is a blend of nritta the rhythmic elements, nritya - the combination of rhythm with expression and natya - the dramatic element. http://www.indembassyhavana.cu/culture/dance/intro.htm

A Brief Glimpse of her Millineum Culture Dances Seventh and eighth in the series on Indian Culture Dance Nataraja Classical Dances Indian Dance Forms U sing the body as a medium of communication, the expression of dance is perhaps the most intricate and developed, yet easily understood art form. Dance in India has seeped into several other realms like poetry, sculpture, architecture, literature, music and theatre. The earliest archaeological evidence is a beautiful statuette of a dancing girl, dated around 6000 B.C. Bharata's Natya Shastra (believed to be penned between second century B.C. and second century A.D.) is the earliest available treatise on dramaturgy. All forms of Indian classical dances owe allegiance to Natya Shastra, regarded as the fifth Veda. It is said that Brahma, the Creator, created Natya, taking literature from the Rig Veda, song from the Sama Veda, abhinaya or expression from the Yajur Veda and

55. Indian Dance Therapy Centre Led By Syed Sallauddin Pasha Based On Dance, Music, indian dance Therapy for people with mental ans physical disabilities (India, Europe). http://indiandancetherapy.com

Mentally and Physically Challenged Hearing Impaired AS A Therapist As A Dancer ... Contact video Aptt is Performing Arts Centre for the people with special needs and research centre for Asian Dance, Drama, Music, and Yoga Therapy.

56. Alexa Web Search - Subjects > Regional > ... > Performing Arts > Dance > Indian Institute for indian art and culture Bharatiya Vidya Bhav Centre for learning indian dance, languages, music, architecture, and instruments. London. http://www.alexa.com/browse/general?catid=1206405&mode=general

57. Sohini (Indian Music & Dance) Promotes indian music and dance in South Yorkshire through concerts, workshops and regular classes. http://www.sohini.org.uk

For more information e-mail sohini_uk@yahoo.co.uk Sign the Sohini Guestbook! THIS WEB SITE IS UNDER CONSTRUCTION Website created by scott pilkington and john ball as part of the Sheffield Community Information project.

58. Rotterdams Conservatorium ENGLISH - Home Netherlands Founded in 1930, offers bachelor's degrees in music with majors in classical and jazz performance, composition, music education, music theater and production, Turkish and indian music. Parallel programs in dance. http://www.hmd.nl/RC_ENG.html

HOME ROTTERDAMS CONSERVATORIUM NEDERLANDS ROTTERDAMSE DANSACADEMIE NEDERLANDS ROTTERDAMSE DANSACADEMIE ENGLISH ... SOUND FRAGMENTS The Rotterdams Conservatorium represents the highest quality and a wide range of study programmes. For example: Classical Music, Jazz/fusion, Latin/Latin jazz/Brazilian, Argentinean tango, Flamenco, Indian music, Turkish music (with reservations), Pop, Composition/arranging, Music production, Music theatre or Music in Education. At our academy you will easily get into contact with different styles of music, with students of different countries and foremost with highly motivated and dedicated teachers who enjoy an excellent international reputation in their field of expertise. The Rotterdams Conservatorium has a longstanding history, dating back to 1930. It has grown into one of the largest academies in The Netherlands with approximately 750 students receiving vocational training (Higher Vocational Education - HBO) and approximately 175 students in preparatory training. Since a very long time the Rotterdams Conservatorium has enjoyed an excellent reputation both home and abroad. The academy owes its good name to the top quality it offers in a wide range of subjects, geared to the requirements of the international professional practice. This offers students the opportunity to get into touch with different styles of music in an international environment with students from all continents and teachers enjoying international fame.

59. Jackie Bird Welcomes You Singer, hoop dancer, musician and songwriter. Performs Fancy Shawl dance among others. http://www.outlawforpeace.com/jbird/

Best viewed at 800 x 600 Jackie Bird Welcomes You An Outlaw For Peace All-Meat Website email webmaster

60. Imaging And Imagining The Ghost Dance: James Mooney's Illustrations And Photogra Of all the incidents in recent American indian history, the Ghost dance of 1890 is probably without equal in evocative power. http://php.indiana.edu/~tkavanag/visual5.html

Imaging and Imagining the Ghost Dance: James Mooney's Illustrations and Photographs, 1891-1893 Thomas W. Kavanagh Bloomington, IN All photographs and other images used in this web essay are here reproduced courtesy of the National Anthropological Archives, Smithsonian Institution. They have been electronically watermarked for identification. They may not be electronically reposted without permission. [In order to save downloading time, this HTML publication is in several parts.] Of all the incidents in recent American Indian history, the Ghost Dance of 1890 is probably without equal in evocative power. From the ecstatic dancing, the mysteriously patterned clothing, to the bloody snows of Wounded Knee, the Ghost Dance is pervaded with visually powerful images. But because they are so powerful, those images must be constantly examined; one must see as well as look. Fundamental to the way the Ghost Dance of 1890 has been perceived and visualized are the images James Mooney used to illustrate his 1896 Smithsonian Institution Bureau of American Ethnology report on the ceremonial. Besides portraits of the principal as well as the peripheral participants, Sitting Bull the Hunkpapa and Sitting Bull the Arapaho, scenes of Wounded Knee and of the survivors of the massacre, Mooney also included eight illustrations of the Dance in progress. In the course of the century since Mooney published, his illustrations, and the photographs upon which they are based, have continued to be used to evoke and to illustrate the Ghost Dance. But the photographs themselves have seldom, if ever, been examined for their ethnographic and historical content, let alone for what they can say about the processes of imaging and imagining the Ghost Dance.

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