21. PhotoSIG » -***- The root on the lefthand corner strengthen your composition - the leaves look tobusy though Please view and critique my newest portfolio entry, Self portrait. http://www.photosig.com/go/photos/view?id=1127754

22. PhotoSIG » Why People Watch And Don't Critique? BS Everytime you frame up an image in the veiwfinder you have made a composition sometimes good I m going to cut paste most of this into a critique on the http://www.photosig.com/go/forums/read?id=213993

23. BetterPhoto.com Q&A: Critique Of Composition For Two Pictures? critique of composition For Two Pictures? Lake Michigan Chicago LakeMichigan Chicago Canon s400, dusk, no flash w/ auto white http://www.betterphoto.com/forms/qnaDetail.asp?threadID=7648

24. Learn Field Techniques: Light And Composition With Kerry Drager Online Photo Course Field Techniques Light and composition Tollfree order processing1-888 which they will have 12 days to complete and upload for critique. http://www.betterphoto.com/photocourses/KRD02.asp

Free photography newsletters Enter email address: Search Site: What They're Saying... "Just wanted to say 'Thank You' so very much! I've looked for a site like yours for quite some time. Now I feel like my computer does have a reason for its existence." - C.J Check Domain Availability: .com .net .org .info .biz .ca Online Photo Course: Field Techniques: Light and Composition Toll-free order processing: 1-888-58-ORDER (888-586-7337) 8-Week Online Photography Course with Instructor Kerry Drager Author of Golden Dream: California from Gold Rush to Statehood Scenic Photography 101 Start Date: Wednesday, July 07, 2004 End Date: Monday, September 06, 2004 Learn from home! - this class is taught via the Internet! Only $237 USD At a Glance: 1. Beginning/Intermediate 2. Outdoor field techniques 3. Survey of subjects Requirements: 1. Digital or film-based camera. 2. Ability to control aperture/shutter speed. Holiday Lights Join us for Kerry Drager's 8-week photography course especially geared to beginning and intermediate photographers! This course is designed to give your outdoor color photography a creative jolt.

25. ThinkQuest : Library : Faces And Figures In Art Now on to the actual critique. The first section will be the Elements of Design. Doesthe vanishing point have some kind of significance in the composition? http://library.thinkquest.org/C0118063/critique/howto.htm

Index Faces and Figures in Art Faces and Figures in Art is an educational site that introduces users to all aspects of people as the subjects of art. There are detailed history of artists and periods in the Time Capsule. The Forum allows users to communicate with users from the world and comment on art. The gallery has many works done on different medium submitted by many artists. There are interactive features such as puzzles and quizzes in the workshop. There is also a guestbook and poll for users to voice their views. Visit Site 2001 ThinkQuest Internet Challenge Awards Award Winner Languages French Students Sally RICHARD MONTGOMERY HIGH, Rockville, MD, United States Elvin Victoria Junior College, Singapore, Singapore Eunice Harry Ainlay High School, Edmonton, Canada Coaches Lorraine RICHARD MONTGOMERY HIGH, Rockville, United States Soong-Chee Victoria Junior College, Singapore, Singapore Wee Victoria Junior College, Singapore, Singapore Want to build a ThinkQuest site? The ThinkQuest site above is one of thousands of educational web sites built by students from around the world. Click here to learn how you can build a ThinkQuest site.

26. ThinkQuest : Library : Faces And Figures In Art palette. The lines in the background surround van Gogh like a halo,bringing attention to the subject of the composition. Texture http://library.thinkquest.org/C0118063/critique/c_vangogh.htm

Index Faces and Figures in Art Faces and Figures in Art is an educational site that introduces users to all aspects of people as the subjects of art. There are detailed history of artists and periods in the Time Capsule. The Forum allows users to communicate with users from the world and comment on art. The gallery has many works done on different medium submitted by many artists. There are interactive features such as puzzles and quizzes in the workshop. There is also a guestbook and poll for users to voice their views. Visit Site 2001 ThinkQuest Internet Challenge Awards Award Winner Languages French Students Sally RICHARD MONTGOMERY HIGH, Rockville, MD, United States Elvin Victoria Junior College, Singapore, Singapore Eunice Harry Ainlay High School, Edmonton, Canada Coaches Lorraine RICHARD MONTGOMERY HIGH, Rockville, United States Soong-Chee Victoria Junior College, Singapore, Singapore Wee Victoria Junior College, Singapore, Singapore Want to build a ThinkQuest site? The ThinkQuest site above is one of thousands of educational web sites built by students from around the world. Click here to learn how you can build a ThinkQuest site.

27. Syndicat Français De La Critique De Cinéma | Fonctionnement Translate this page procédé aux votes pour la Semaine Internationale de la critique 2004 Vous pouvezconsulter - La composition du secrétariat - La liste des adhérents - Vous http://www.semainedelacritique.com/SFCC/SFCC2/conseil.html

Conseil syndical : Sylvain Garel : Yves Alion : Jacques Zimmer : Laurent Aknin : Jean-Claude Romer Jean-Paul Combe Isabelle Danel Claude Gauteur Elisabeth Jenny Marie-Christine Luton Dominique Rabourdin Francis Gavelle : Coordinateur, Marc Lepoivre, Nadia Meflah. Vous pouvez consulter : - La composition du - La

28. PRÉFACE  DISSERTATION HISTORIQUE ET CRITIQUE SUR LA COMPOSITION MATHÉMATIQUE Translate this page PRÉFACE DISSERTATION HISTORIQUE ET critique SUR LA composition MATHÉMATIQUEDE CLAUDE PTOLÉMÉE. QUEL fruit peut-on retirer de http://remacle.org/bloodwolf/erudits/ptolemee/intro.htm

PRÉFACE DISSERTATION HISTORIQUE ET CRITIQUE SUR LA COMPOSITION MATHÉMATIQUE DE CLAUDE PTOLÉMÉE. QUEL fruit peut-on retirer de la Composition Mathématique de Ptolémée au degré de perfection où l'astronomie est aujourd'hui parvenue ? Quelle sera l'utilité d'une nouvelle traduction de ce Livre, après les deux versions latines que nous en avons depuis longtemps ? Et n'est-ce pas faire rétrograder la science, que de la ramener, pour ainsi dire, à son berceau ? Si je ne craignais de blesser la modestie du savant astronome qui a revu cette première traduction française, je citerais le jugement qu'il en a porté, comme la meilleure réponse à la première des questions que j'ai à résoudre au sujet de l'ouvrage que je reproduis. Je me contenterai donc de rapporter le témoignage d'un homme qui n'est plus, mais dont les écrits nous restent, avec l'autorité que son nom leur prête. C'est de Dominique Cassini que je veux parler, et voici comment il sexprime dans ses Éléments d'Astronomie. "Comme le mouvement de l'apogée est fort lent et difficile à discerner dans l'espace de quelques années, il est nécessaire, pour déterminer sa quantité, de comparer les observations éloignées l'une de l'autre, d'un intervalle de temps considérable, entre lesquelles celles d'Hipparque et de Ptolémée sont les plus reculées". Et joignant l'exemple au précepte, ce grand astronome ajoute : «nous avons d'abord comparé ensemble le lieu des noeuds de la lune, observé dans des temps peu éloignés les uns des autres, pour reconnaître de quel sens ils font leurs mouvements , et déterminer à peu près le temps de leurs révolutions, afin que dans la comparaison des observations éloignées les unes des autres, on ne pût se méprendre d'une ou de plusieurs révolutions entières. Examinons présentement quel est le mouvement des noeuds qui résulte des observations les plus

29. SUNY Press :: Terms Of Work For Composition in Collaborative Teaching, Learning, and Research In this book, Bruce Horner providesa cultural materialist critique of discourse on work in composition. http://www.sunypress.edu/details.asp?id=60146

30. Composition Balance Design - Photo Critique Forum - Photos, Images, Wallpapers, Servit de AdZone.ro. Wallpapers, images, pictures, 1600x1200 1280x1024 1024x768.Your Photos. 1 2. Ady www.3dgrafx.ro. Cristina Zoran Florentiu Nicolae. http://www.fotodesign.ro/Ypoze1-en.htm

Wallpapers, images, pictures, Your Photos Ady www.3dgrafx.ro Cristina Zoran ... Florentiu Nicolae Trimite si tu o compozitie a ta la contact@fotodesign.ro

31. Composition Balance Design - Photo Critique Forum - Photos, Images, Wallpapers, Annotated photos, commented photography, nudes gallery, wallpapers, learning community, tutorials, forums, everything free! Send your own picture! http://www.fotodesign.ro/Ypoze2-en.htm

Wallpapers, images, pictures, Your Photos Gabriela Calinoiu Braniste Cristian Trimite si tu o compozitie a ta la contact@fotodesign.ro

32. Recent Comments Featured critique of the Day. George T. (K Updating C Updating) 2004-05-13. clutchingof the hand that is skillfully framed in the center of the composition. http://www.usefilm.com/comments.php?mode=featured_daily

33. LITERARY COMPOSITION AND CRITIQUE LITERARY composition AND critique. CP Literary composition and critique.Semester I 20032004. Mrs. Traver. Welcome to Lit Comp and http://www.kearsarge.k12.nh.us/~jtraver/Lit_Comp_Crit/

LITERARY COMPOSITION AND CRITIQUE CP Literary Composition and Critique Semester I Mrs. Traver Welcome to Lit Comp and Critique, as it is usually dubbed! As you well know, you are required to take a semester-long writing course in your sophomore year. This is it. During the first part of the semester we will concentrate on personal writing, which will include a personal narrative, a character profile, a descriptive essay and other assignments which I will announce later. I like the element of dramatic surprise! After we complete these first essays, we will move on to the essence of the course, analytical writing. We will read and analyze stories and poems, and we will view and critique movies. and maybe even some music. It is my sincere hope that you will become very comfortable interpreting and writing about various genres of literature and that you will hone your writing skills in general. Last, but not least, I am somewhat of a grammar nut, so you can expect to see some of those cursed worksheets. Trust me; they do pay huge dividends in the long run.

34. Composition Critique - Please - FM Forums You are not logged in or don t have permission to viewthis board Click here to go back to the FM forum. http://www.fredmiranda.com/forum/message.php?Action=GoToLastPost&TopicID=96009

35. Art Critique: ..fabulous Composition... Post Reply . Subject ..fabulous composition Posted By LVH, Post Reply . Reply , Subject, Author, Date Posted. There are no replies to this critique. http://dart.fine-art.com/crit/CritMessage.asp?intMsgID=21305

36. Art Critique: Scores Out Of 5: COMPOSITION-5 HARMONY-4 FORM-4 COLOR-4 TEXTURE-4 Post Reply . Subject Scores out of 5 composition5 HARMONY-4 FORM-4 COLOR-4TEXTURE-4 Posted By angelmar, There are no replies to this critique. http://dart.fine-art.com/crit/CritMessage.asp?intMsgID=21588

37. Design Composition: Critique-The Art In Taxidermy column. If Stefan selects your submission, he will feature it in anarticle and critique the artistic composition of the piece. This http://www.breakthroughmagazine.com/issues/spring01/designComposition.htm

DESIGN AND COMPOSITION The Art in Taxidermy CRITIQUE by Stefan Savides Leopard by Tom Weickum BEGINNING THIS ISSUE, award-winning taxidermist Stefan Savides starts a new series called "Critique: The Art in Taxidermy." We urge our readers to submit professional photos of their work for possible use in this new column. If Stefan selects your submission, he will feature it in an article and critique the artistic composition of the piece. This is a series that will help all of us learn. Refusing to learn and see beyond your own ideas can make you become stagnate, while remaining open-minded and receptive will bring you to the pinnacle of your goals. Send your photo along with your name, address, phone and species in the piece to: Breakthrough Art Critique, P.O. Box 2945, Hammond, LA 70404-2945. ...Continued in the Spring 2001 Issue of Breakthrough. If you want to subscribe or receive back issues, please select one of the following options: Home World Taxidermy Championships Current Issue Subscribe to Breakthrough ... Contact Us For questions on the magazine, contact breakthrough@earthlink.net

38. A Critique Of The Electronic Frontier Foundation's Open Audio License A critique of the Electronic Frontier Foundation s Open Audio License . recording(the master rights) and the underlying musical composition (the songwriter http://www.brettglass.com/effcritique.html

O pening A rtists to L osses A Critique of the Electronic Frontier Foundation's "Open Audio License" by Brett Glass The EFF's "Open Audio License" is claimed to provide "freedom," but in fact deprives artists of rewards for their work and exposes them to damaging exploitation. Perhaps even more disturbing, given its promotion by a group which purports to be a civil rights organization, is the license's explicit repudiation of the public's fair use rights Introduction The Electronic Frontier Foundation , a non-profit organization whose purpose is to promote and protect civil rights in cyberspace, has recently published a document titled the " Open Audio License If you, as an artist, license your work under the OAL: You cannot allow free copying of a recording but keep the rights to the song that was performed in the recording. You cannot restrict copying and distribution of your work to noncommercial reproduction by fans ("tape trading") only. You may have no recourse if your music is used in ways that hurt your reputation as an artist or as an individual. If you are a performer rather than a composer, you have no right to receive credit for, or profit from, your rendition of an "OALed" work.

39. The CritiqueStudio: Source For Improving Your Paintings, Drawings, Marketing And reminder! critique CHECKLIST. GENERAL OBSERVATIONS. color? composition(This is a major area of creating art to become familiar with. http://www.critiquestudio.com/mytoolbox/self_list.html

Tips on Self-Critiquing: How to Evaluate Your Painting or Drawing ... Art Quotes How To Self -Critique Your Artwork THE CRITIQUE CHECKLIST Here's the page you've been waiting for! An actual critique process checklist. This list, coupled with the information on T he preceding pages will equip you to complete a basic critique of your and/or other's art work. Some items in the list may not apply to every picture. Feel free to print the list and for your personal use customizing if necessary depending on the type of work you are evaluating. Print-out this easy-to-use list for each painting or use on your studio wall as a reminder! CRITIQUE CHECKLIST GENERAL OBSERVATIONS Is this painting/drawing a landscape, figurative, portrait or still-life? (or other?) What is the style, i.e. photorealistic, realistic, impressionistic, etc.? What is the subject of the painting/drawing? Is the image oriented appropriately, i.e. if the subject is wide is the art surface horizontal; if the subject is tall is the surface vertical? What type of surface material was used? Paper, toned paper, museum board, canvas board, canvas, masonite, etc. How does the surface impact the resulting artwork? Did it become a part of the picture through it's texture or color?

40. Theresa Adams Terms of Work for composition A Materialist critique by Bruce HornerState U of New York P, 2000. Theresa Adams. 1. Motivated by http://www.louisville.edu/journal/workplace/issue6p1/adams.html

Terms of Work for Composition: A Materialist Critique by Bruce Horner State U of New York P, 2000 Theresa Adams . Motivated by its author's anxiety about composition's marginal position in the academy, Horner's book understands this marginal status to stem from multiple sources. Among these he cites a lack of disciplinary subject matter, particularly in comparison to composition's departmental partner, English literature; the field's grounding in pedagogy, which has less prestige than research and other scholarly activities; and the general assumption that composition classes exist solely to produce a set of specific skills transferable to other academic contexts and post-graduation jobs, unlike English literature classes that teach aesthetic appreciation—a fulfilling, although not necessarily useful, activity. . Horner's book responds to this situation with "a cultural materialist critique of how, in Composition, we talk about work" (xv). He focuses on the idea of work in relationship to five other terms: "students," "politics," "academic," "traditional," and "writing"; each of these merits its own chapter-length discussion. (This structure seems inspired by Raymond Williams' Keywords: A Vocabulary of Culture and Society ; and Williams and other Marxist theorists inform the book' s argument throughout.)

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