1. POV-Ray: Newsgroups: Irtc.animations: Please Critique COMPOSITION Of Image At P. POVRay Newsgroups irtc.animations Please critique compositionof image at pbi, Server Time 14 Apr 2004 060027 GMT. Please http://news.povray.org/irtc.animations/thread/<4015e0bc$1@news.povray.org>/

Groups Digests Post Message Personalise ... irtc.animations : Please critique COMPOSITION of image at p.b.i. Server Time: 8 Jun 2004 09:28:21 GMT Please critique COMPOSITION of image at p.b.i. (Message 1 to 1 of 1) From: Greg M Johnson Subject: Please critique COMPOSITION of image at p.b.i. Date: 27 Jan 2004 03:53:32 Message: http://news.povray.org/povray.binaries.images/34389/ This is why I was asking folks for a thumbnail rendering. The grey box on left is going to be one of John's "grok" IIRC robots. The one on the right will be Rusty The grey box in the right foreground will be the SUZN robot from the Jan round. I Please give most incisive constructive criticism on the composition. Thanks. Post a reply to this message (BETA TESTING)

2. Future Home Of A Registered Domain Teacher offers to critique compositions submitted by email in preparation for the examination. http://www.write4toefl.com/

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3. Liz Roth: Syllabus For 2-D Design In Class Handout re Critique, discussion of what is a critique. Critique of Line/Depth assignment Class 18. Due Composition utilizing depth. critique composition utilizing depth http://www.lizroth.com/class/2d.htm

Syllabus for 2-D Design Week 1 Class 1 Introduction to Course, Introduction to Materials Assignment: Buy supplies, read about Line, Write Paper describing any piece of 2-dimensional art in the LVM museum as best you can in 2 typed pages. Week 2 Class 2 Due: Paper Lecture: Abstract Qualities of Line Assignment: Line quality exercise: Fill 15 4" x 4" squares with as many different kinds of line as you can, using as many supplies as you have. Class 3 Due: Line quality exercise In class: Introduction to the Kohler Art Library Assignment: Bring in still line objects Monday, readings on contour, Depth/Line assignment: create an abstract composition emphasizing depth using only lines that do not cross (i.e. no cross hatching for shading). Week 3 Class 4 Due: Depth/Line Assignment In Class: Handout re Critique , discussion of what is a critique. Critique of Line/Depth assignment. Contour drawings of still life objects. Lecture: Contour Assignment: Contour drawing with focus on composition. Read about Unity, Variety, Shape Class 5 Due: Contour Drawing In Class: Quick critique, Lecture

4. Dissertations Of Purdue Rhetoric And Composition Graduates ISBN 0599-53972-0. UMI Number AAT 9952147 Abstract In this dissertation,I critique composition textbook publishing as an institution. http://rc.english.purdue.edu/miles.html

Dissertation Summary Miles, Elizabeth A. Building Rhetorics of Production: An Institutional Critique of Composition Textbook Publishing School: PURDUE UNIVERSITY (0183) Degree: PHD D ate: 1999 pp: 267 Advisor: PORTER, JAMES E. Source: DAI-A 60/11, p. 3993, May 2000 Subject: LANGUAGE, RHETORIC AND COMPOSITION (0681); EDUCATION, CURRICULUM AND INSTRUCTION (0727); BUSINESS ADMINISTRATION, MANAGEMENT (0454) ISBN: 0-599-53972-0 UMI Number: AAT 9952147 Abstract: return to dissertation list

5. ArtSIG » Style: Photographic throwing a sudden Click to view or critique composition on anothertheme (1.4) riko77/R. (40.0) Variations in red. Click to view http://www.artsig.com/go/works/browse?sort=id-d&page=11&id=89

6. A Brush With Wildlife: Create A Composition With Carl Rungius Rungius, one of America's finest wildlife artists, was fascinated with composition throughout his career create your own composition and submit it to the critique Gallery for review http://www.wildlifeart.org/Rungius

Silver Medalist, 2002 MUSE Awards American Association of Museums A Brush with Wildlife design and development by Educational Web Adventures Creating a composition is one of the most exciting and challenging aspects facing an artist. How do you use art principles like balance, contrast, movement, and proportion to compose a powerful work of art? Carl Rungius, one of America's finest wildlife artists, was fascinated with composition throughout his career. What can we learn from him as we make our own compositions? Introduce yourself to the animated principles of art, then create your own composition and submit it to the Critique Gallery for review!

7. CP Literary Composition And Critique CP Literary composition and critique. Course Syllabus. Mr. Lee http://www.kearsarge.k12.nh.us/~klee/154syllabus.htm

CP Literary Composition and Critique Course Syllabus Mr. Lee E-mail: klee@kearsarge.k12.nh.us Texts: Roberts, Edgar V. Writing About Literature Barnet, Sylvan. A Short Guide to Writing About Literature Plus various handouts Description: Students will focus on the basic requirements of descriptive, narrative, and expository writing as well as study the mechanics and fundamentals of writing sentences, paragraphs, and short papers. Emphasis will be on the organization of ideas and development of the writing process. Specific work on grammar, punctuation, diction, and usage will be included. The second part of the course will focus on writing essays, especially literary critiques. Challenging reading selections will be included and sophisticated writing will be expected. This is a demanding course where students are expected to work independently and occasionally with others on their writing. The idea here is to have students think and write critically. Students will develop and present a portfolio that satisfies the requirements of the course. Additionally, students will use a rubric in both the development and assessment of their writing.

8. Photo100PalomarCollegeIntroductionToBlackAndWhitePhotography It can be said that one can never know too much about composition, however. Wednesday 2/24/04 CLASSROOM. critique "composition" (Assignment 4) is due http://www.dancingbrush.com/photo100.htm

Syllabus - Photo 100 Introduction to Black and White Photography Palomar College - Spring 2004 Raymond Elstad: Instructor e-mail ... Dancing_Brush@hotmail.com phone... 760-943-7496 Blue Text is a link to the Assignments and Handouts! Week 1 - Wednesday 1/21/04 Introduction to course Materials Required , procedures and goals. Bring Cameras to class for the next two weeks. We will discuss the changing nature of photography and ways to be IN photography. We will discuss making cameraless images - "photograms." Homework: for next Wednesday: "Favorite Photo" - Bring a photocopy of a photograph that you like, one you have taken, taken by someone you know or from a book or magazine. Write a short paragraph about it explaining why you like it using some of the " Language of Photography " from the handout. Homework: Who Are You? (Assignment # 1-a) Write a concise (one or two page) narrative piece about yourself as per handout. Due next class session. Reading: Chapter 16 "Seeing Photographs", (pages 341 - 362) you will find page 362 particularly helpful.

9. VGMusic.com :: View Forum - Music Composition And Critique http://www.vgmusic.com/phpBB2/viewforum.php?f=12

10. Photo.net Forum - Critique (of User-posted Image) Threads 200012-21) composition critique . by Seliman G.S Elmansuri 2000-01-09) critique-composition part 2 by John Caz http://photo.net/bboard/q-and-a-one-category?topic_id=23&category=Critique (

11. Photo.net Forum - Critique (of User-posted Image) Threads OK critique me ! by RA (2000-01-09); critique-composition part 2 byJohn Caz (2000-01-08); critique-composition by John Caz (2000-01-08); http://www.photo.net/bboard/q-and-a-one-category?topic_id=23&category=Critique (

12. Buy Terms Of Work For Composition A Materialist Critique By Bruce Terms of Work for composition A Materialist critique by Bruce Horner in Paperback. ISBN 0791445666. In this book, Bruce Horner provides a cultural materialist critique of discourse on work in http://rdre1.inktomi.com/click?u=http://na.link.decdna.net/n/3532/4200/www.walma

13. Home Recording Connection - Music & Composition Forum for more information. Music composition Message Forum. New Song Any Input or critique Most Welcome . cocofromscotland Member http://www.homerecordingconnection.com/forum.php?action=view_thread&id=4242&frm=

14. Home Recording Connection - Music & Composition Forum MultitrackStudio If you want to advertise on HRC, contact an administratorfor more information. Music composition Message Forum. Please critique. http://www.homerecordingconnection.com/forum.php?action=view_thread&id=4094&frm=

15. Photographic Composition And Critique INDT 478 Photographic composition and critique (2 hrs) An introduction to the principlesof photographic composition – lines, shape, balance, texture, framing http://www.emuhelpdesk.com/traverse_city/syllabus/photo.htm

INDT 478 Photographic Composition and Critique (2 hrs) An introduction to the principles of photographic composition – lines, shape, balance, texture, framing, patterns – as applied to various scenes and subjects. This will be followed by critique of processed images presented in class. Goals and Objectives 1. Utilize the technology of the camera to create well composed photographs. a. shutter speed b. aperture c. lighting d. film speed e. lenses 2. Incorporate principles of composition in photographs. a. line b. shape c. balance d. texture e. framing f. patteren g. contrast h. perspective 3. Analyze photographs with respect to composition and critique them for their value as a means of visual communication a. meaning b. intent c. emphasis d. technique e. appeal 4. Digital Revolution a. how do digital images compare b. what are the advantages/disadvantages of film c. what are the advantages/disadvantages of digital Topical Outline I. Basic camera review A. choosing

16. A Non Threatening Way To Critique Artwork Percy Principles of Art and composition Percy Principle 1 Avoida sore thumb. Nothing in the composition should be so strong http://www.goshen.edu/art/ed/percy1.html

Percy Principles of Art and Composition Percy Principle #1 Avoid a sore thumb . Nothing in the composition should be so strong that the rest of the composition looks neglected. When you have a sore thumb, you don't notice the rest of your hand. Avoid the SORE THUMB . I study my composition to see if anything looks too important, I change that part to make it less important, OR I find something else in the composition and make it more important. Percy Principle #2 Keep everything connected. Every aspect of the composition should be connected to something else in the composition. I think of this as Theme With Variation. If I use a big red circle, perhaps I need another circle or another red or another big thing. I probably should not have another big red circle. If I use a black and white cow, I may need another animal or organic shape, or I may need another instance of black and white spots, etc., and so on. Percy Principle #3 - Include Secrets. Artwork is more interesting and expressive if it has hidden features and ideas that it only reveals to diligent observers. The popular arts , by contrast with fine art , make everything obvious at first glance.

17. Horizontal Composition With Timber And Stone - GFXartist.com - Over 36,000 Pages made for http//www.rasterized.org 14@583. edit critique. this one is really great, love the composition and the desaturated http://www.gfxartist.com/community/member_gallery/35576

Keep me logged in Not registered yet? Why should I register? Sign up now! Members: 23241 Elite members: 70 general news saywhat!? pic of the day forum ... my artworks Horizontal Composition with Timber and Stone Horizontal Composition with Timber and Stone Photo Manipulation Composite critiques views (409) Description made for http://www.rasterized.org Vote statistics Score: 82 (9) Amount: 14 (1) Cast your vote You have to be logged in to vote Member critiques Re: Horizontal Composition with Timber and Stone qwelk edit critique Well, here we are: me and my english. I hope that you will understand me. I love this great photo because it gives me peace and invites me to start a journey to the end of that way. A really lovely dream. Re: Horizontal Composition with Timber and Stone vgar edit critique Pretty kool style and effects. Seems almost dreamlike! Well done! Re: Horizontal Composition with Timber and Stone arioth edit critique this one is really great, love the composition and the desaturated color works very well with ths Re: Horizontal Composition with Timber and Stone Anubis edit critique loved it!!! just that.

18. A Brush With Wildlife: Create A Composition With Carl Rungius a composition of their own as they follow a stepby-step tutorial. Finally, thesecompositions can be submitted to the museum’s online critique Gallery. http://www.wildlifeart.org/Rungius/teacher.html

To the Teacher A Brush with Wildlife originated from a desire to have students interactively experience the artistic process on-line. This on-line lesson draws from the proficiency of acclaimed wildlife artist Carl Rungius to demonstrate the concepts and principles involved in creating a visual composition. There are three main components of this program. The Art Principles Animated brings the artwork of Carl Rungius to life by representing the art principles in dramatic graphics and innovative sound effects. In The Composition Studio Critique Gallery. Students benefit from the opportunity to have their art published online and reviewed. If you wish to have students create compositions without the step-by-step process, you can access a separate section of the site. We recommend that you access this section only after students have first gone through the step-by-step process, but the principles are also accessible here, via pop-up windows: http://www.wildlifeart.org/Rungius/select_background2.html

19. FMC | Major Label Contract Critique Major Label Contract Clause critique. why should they then be allowed to artificiallydiminish that rate contractually through “controlled composition clauses http://www.futureofmusic.org/contractcrit.cfm

Major Label Contract Clause Critique October 3, 2001 download PDF of document Preface In publishing this document we are not attempting to say that these clauses are illegal, nor are we suggesting that artists who sign these contracts do so without excellent representation. What we are saying is this: The majority of these clauses exist in the boilerplate language of the standard contracts offered to artists by each of the five major labels. The majority of artists regularly sign contracts that seem to go against their best interest as a concession for gaining access to the means of production, distribution and promotion that is increasingly controlled by five labels and their parent corporations. Outside of the major label music world many of these clauses are seen as an affront to basic logic. Clause 1: Transference of ownership You own nothing, ever! What the clause says: What the clause means: If you don't recoup the costs necessary to produce, market, and distribute the record, you will never see another penny beyond your advance (unless you wrote some of the songs, and even then it's not probable).

20. Song Critique TESTIMONIALS. FACILITIES. LOCATION. PACKAGES. SESSION INFO. RATES. FREE STUFF. MUSIC critique. BECOME A STAR. ADAT ABLE. CONTACT US. ARTISTS. SUBMIT YOUR SONG FOR critique. Would you like to know what a professional thinks about your material? on the "critique" button and send us an MP3 of your song. If you want to be judged on musical composition, please send http://www.lab32.com/musiccritique.htm

HOME ABOUT US TESTIMONIALS FACILITIES ... ARTISTS SUBMIT YOUR SONG FOR CRITIQUE Would you like to know what a professional thinks about your material? Could you be "sitting on a gold mine" and not even know what your song might be worth. Follow the link below to submit your mp3 files for critiquing. There is a $5.95 charge per song for the first category, and $2.00 per song per additional category. We'll listen to your song objectively and tell you what we think. Below are some of the categories and criteria that will be used in our report. Be assured, only the person(s) critiquing your song will hear it - your material is safe with us! The categories are: Song composition This category is included in your payment of $5.95 (US Dollars) Vocal Performance Add an additional $2.00 (US Dollars) to your payment. Song Writing (Lyrics) Add an additional $2.00 (US Dollars) to your payment. Instrumental Composition Add an additional $2.00 (US Dollars) to your payment. Instrumental Performance Add an additional $2.00 (US Dollars) to your payment.

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