61. 9th International Ballet Competition And Contest Of Choreographers One variation of Odalisque (any one of the three) from pas de trois, Act III. choreography M. Petipa. Variation of Lisa, Act II. choreography A. Gorsky. http://www.russianballet.ru/competition/eng/program.htm

PROGRAM JUNIOR DIVISION SOLO First Round a) one variation from any of the classical ballets listed in the Competition’s mandatory repertoire; b) a contemporary work, a fragment from a ballet choreographed not earlier than 1997, or a work staged for the present Competition, not to exceed 5 minutes. There are no restrictions on the choice of music or dance style. Second Round a) one variation from a classical ballet; b) a contemporary work or a fragment from a ballet staged not earlier than 1970. Third Round (with orchestra) a) two variations from classical ballets (any version). DUO First Round a) one variation from any of the classical ballets listed in the Competition’s mandatory repertoire; b) a contemporary work, a fragment from a ballet choreographed not earlier than 1997, or a work staged for the present Competition, not to exceed 8 minutes. There are no restrictions on the choice of music or dance style. A contemporary work can be either a duet or a solo (that is for each of the competitors separately). Second Round a) one pas de deux from a classical ballet;

62. BalletMet - Choreography Project Greater Columbus Arts Council proudly announce the winners of the Columbus choreography Project. go out to them and to all the other choreographers and dancers http://www.balletmet.org/Choreography.html

Columbus Choreography Project BalletMet Columbus and the Greater Columbus Arts Council proudly announce the winners of the Columbus Choreography Project. Three fellowships of $2,000 each went to: Nicole Cafera Reid Bartelme Daryl Brandwood Our congratulations go out to them and to all the other choreographers and dancers who gave us such an exciting evening of dance. The finalists were adjudicated by Victoria Morgan, Artistic Director of Cincinnati Ballet; Jiang Qi, assistant professor and Director of Cincinnati Conservatory of Music Dance Ensemble; and Susan van Pelt, choreographer and Visiting Associate Professor at The Ohio State University. What's New I Home I About BalletMet I Archive I Contact Performances I Dance Classes I Fun and Learning I Tickets

63. American Choreography Awards In The News / The American Link ; September 4, 2002 Variety choreographers hoof it to Orpheum JILL FEIWELL The American choreography Awards, originally skedded for Oct. http://www.ipressroom.com/pr/aca/info/In-the-News.asp

Press Materials In the News Photo room Electronic room Media Contact Press Registration Search Pressroom In the News American Choreography Awards In the News December 2, 2003 Hollywood Reporter - 'Chicago' kicks up dance trophy Miramax's 2002 musical release "Chicago" took best feature film honors at the ninth annual American Choreography Awards... November 24, 2003 People Magazine - SCOOP Seigfried without Roy? It's hard to imagine. But at the American Choreography Awards in L.A. on Nov. 9, there he was, Seigfried Fischbacher, without his partner Roy Horn by his side. [PDF] November 14, 2003 answers4dancers - American Choreography Awards...What a Night! Oscar has not bestowed a choreography award since 1937, and so for the last nine years a group of selfless individuals have volunteered their time and efforts to fill the void and honor those artists... November 13, 2003 Backstage West - Stepping on Screen Ninth Annual Choreography Awards Show Proves It Has Legs. [PDF] November 12, 2003 Playbill - American Choreography Awards Honor "Chicago," Stomp and Hines The Miramax film of "Chicago" racked up another honor this past Sunday during the American Choreography Awards held at Los Angeles' Orpheum Theatre. The ninth annual ceremony awarded...

64. NINTH ANNUAL AMERICAN CHOREOGRAPHY AWARDS BESTOWED TO WINNERS AT 9, 2003 Winners of the Ninth Annual American choreography Awards were exceptional dance clip compilations and live performances from leading choreographers. http://www.ipressroom.com/pr/aca/info/WINNERS-RELEASE.asp

Press Materials In the News Photo room Electronic room Media Contact Press Registration Search Pressroom Press Materials Press Materials NINTH ANNUAL AMERICAN CHOREOGRAPHY AWARDS BESTOWED TO WINNERS AT HOLLYWOOD EVENT Kudos Given To Honorees Alan Johnson, Don Mischer, STOMP and Sallie Whalen Los Angeles, Calif./Nov. 9, 2003- Winners of the Ninth Annual American Choreography Awards were presented today at a spectacular performance featuring Hollywood presenters, emotional tributes, exceptional dance clip compilations and live performances from leading choreographers. STOMP performed the U.S. premiere of a rhythmic musical chairs with 6 dancers and 4 chairs, the Pussycat Dolls creator Robin Antin staged a sultry, burlesque-style vignette and the best of the West’s professional hip-hop dance talent, as choreographed by Flo-Master flipped and spun across the stage at the Orpheum Theatre. Kathy Najimy and performance artist Dan Finnerty challenged STOMP to a dance duel with the help of Cher’s choreographer Bubba Carr. Fight choreographer Dan Southworth (“The Scorpion King,” “The Tuxedo”) staged a kick-butt samurai girl fight between Danielle Burgio and Lauren Kim. There was also an emotional tribute to Gregory Hines featuring world-class tap soloist Mark Mendonca. Tony Award-nominated actress Valarie Pettiford led a musical-comedy ensemble with dancers transforming themselves into music choreographed by Raymond del Barrio. A group of dancers showcased the anatomy of ballet, choreographed by Jerry Evans and multi-Emmy nominated Joseph Malone, Sokoba Dance Company artistic director Bode Lawal staged his signature Nigerian solo dance to live African drums and a ballerina took flight in a stream of red silk choreographed by French choreographer Marie De La Palme.

65. Choreographers Master Classes By Ingafay All class formats are welcomed. Please be prepare to breakdown choreography on the left and right side any time you alternate leads. Your actual choreography. http://www.mcbyingafay.com/Choreographers.html

Do you have new and innovative choreography? Are you an excellent cuer and can hear the beat of music? Have you always wanted to present your skills but never had the opportunity DO NOT TALK ABOUT IT, BE ABOUT IT!! Well if your answers were yes to the above questions, here's your chance to shine and show me what you are working with I am looking for presenters with some new and innovative choreography that will rejuvenate instructors that are tired of their same old moves. The goal of this master class is to be a catalyst that sparks creativity in the new, as well as, veteran aerobics instructors. The presenters have to be " THE BOMB" (translation = EXCELLENT !!!!) since this would set the reputation for you as a presenter and Master Classes by Ingafay. All CEU providers click here If you are interested, contact me at ingafay@excite.com

66. Vol 3 Ed 4 - A Manifesto I received about this manifesto are not artists who I would consider to be choreographers. In some cases, I have seen the destruction of choreography in front http://users.bigpond.net.au/dcorbet/proximity/v_three/v3e4a2.htm

a manifesto Katie Duck Is choreography dance? No. Choreographies are cues set in time frames. Is choreography an art form? No. Dance is an art form. Choreography is a simple tool being made even simpler by technology and communication in the 21st century. Choreography is a part of what goes into the effort of showing and doing dance. It is a collaborative part of dance, but it is not dance any more than composition is music. Music is music. Is dance influenced by choreography? I am not influenced by the choreographies but more by the techniques, concepts and artistic visions of choreographers. Cunningham is a mentor for me because he has continued to investigate and collaborate, not because I can recognize his signatures from the past. He continues to promote dancing in spite of the limits of his choreographyies. In music composition we are left with music. In dance choreography we are left with dance. If I am left with only the choreography or the composition it is history. A public does not need an education to engage with a dance or music performance if they are left with the dance or the music. They do if they are going to be left with a load of historical references. Pauline is a postmodern artist first and a choreographer later. This is what makes her choreography valuable for another generation of dance artists in Holland. Choreography has absolutely nothing to do with dancing without this kind of process. I do not think that her choreographies alone are what we will value any more than the modernist works before her. But I do think that her artistic vision and her concepts need to be. By cutting Pauline Degroot out of the Dutch dance funding, we have cut a lineage of dance work for Dutch culture. What we have been left with is an empty title on a grant application that allows for anyone who can place a trained ballet dancer into a reasonably neat structure to be called a choreographer.

67. *Mind 'n Spirit* (The Dance Company),Choreographers In India,Uttam And Pooja,mns choreography for the MTV MUSIC ASIA AWARDS 2002 in Mumbai for artiste like Alisha Chennai, Bombay Vikings. choreography FOR AD FILMS. http://www.mnsdance.com/showcase.htm

PERFORMANCE PORTFOLIO MTV Music Summit 2003 for Aids Awareness in Mumbai held on the 15th of nov at MMRDA grounds which featured performances by Abhijeet, Baba saigal, Babul supriyo, Dj aqeel, Hema Sardesai, Mika, Sunidhi chauhan, Sukhbir, Shaswati, Shreya ghosal, Shreekant and Vaishali sawant. All performances of these artistes were choreographed exclusively by us featuring mind-blowing costumes and never before seen routines. It received huge media coverage and was very well received by the public. MTV Music Summit 2002 for Aids Awareness in Mumbai which featured performances by Bombay Vikings, Alisha Chinai, Shweta Shetty, KK, Shaan, Shankar-Ehsaan-Loy, Hema Sardesai, Mehnaaz, Shweta Pundit, Euphoria, Silk Route. Shows for DJ Akbar Sami in Esselworld.

68. BiblioVault Jack Anderson Publisher University of Iowa Press, 1987 ISBN 087745-593-7 (Paper) ; 0-87745-172-9 (Cloth) Subject headings choreography. choreographers. http://www.bibliovault.org/BV.book.epl?BookId=5048

69. UROP Researcher Of The Month We also have no time restrictions for pieces and we present two scholarships (costume design, choreography) to choreographers, voted on by their colleagues. http://www.urop.uci.edu/opportunities/researcher_of_month/researcher_december01.

1. What is your specific area of research (include the name of your faculty and/or laboratory)? Under the direction and guidance of Professor Donald McKayle, the UCI Etude Ensemble has had the opportunity to partake in research regarding marketing and performance as professional dancers. In this field, technical training as well as exposure to the community of dance is essential in order to succeed. By traveling as a pre-professional dance company, the ensemble has had numerous opportunities to perform for/with top professionals in the field, take classes from master teachers, and audition for professional companies, increasing our marketability as dancers for the years following graduation. As chair of the Bare Bones Dance Theater, I am also heading research pertaining to concert performance and choreography. With the generous help from UROP, we are able to produce a dance concert, completely independent from the Claire Trevor School of the Arts. This project includes finding a theater, stage managers, lighting designer, publicizing the event, auditioning the dancers, auditioning the pieces once the choreography is completed, raising extra money through fundraising for scholarships, creating a gala evening, obtaining music rights, and learning how to produce a professional dance concert. This is the fifteenth year that this project has been active in the undergraduate community and it continues to grow and improve each year.

70. Red Cinder Artist's Application Work samples (see below) Please provide the following applicable documentation of recent creative work choreography (choreographers) Videotape (VHS on http://www.red-cinder.com/ArtApp.html

71. Choreography At Cheergyms.com choreography is one area that cheergyms.com is famous for! More than 40 National Championship routine have come from our Staff of choreographers and that http://cheergyms.com/choreography.htm

Choreography Choreography is one area that cheergyms.com is famous for! More than 40 National Championship routine have come from our Staff of choreographers and that number keeps growing from year to year. Listed below are 10 possible choreographers that may be able to help you out. Each of them range in price and experience so before you give them a call, be sure to read the tips listed below. Good luck! *NOTE: cheergyms.com does not contract choreography. All work must be negotiated between the customer and the individual doing the choreography. Morton Bergue Concord, CA. email Danny Kahn Concord, CA. email Derick Patterson Concord, CA. email Kelly Beall Redwood City, CA email Edgar Gabriel Sacramento, CA email Maritza Loyola Scotts Valley, CA email Melissa Atwood Pacheco, CA.

72. Written On The Body form, whether the eventual result is a choreography, script, or partiture. First Phase 3 days (September 4th, 5th and 6th). Norton/writers/choreographers. http://www.nordscen.org/index.php?id=300

73. Dancephilosophy Modern Dance is the primary form I use in choreography. Many choreographers develop and revitalize the work of those from the past who have developed a http://www.geocities.com/cattigerli/dancephilosophy.html

What is Modern Dance? I define modern (or contemporary) dance as a philosophy of dance, rather than a style. A modern dance choreographer uses every type of movement that the human body is capable of making to get the look, feel and meaning that he or she is looking for, to create meaningful or beautiful works of expression that communicate something to an audience, often expressing things that the audience members are feeling, but cannot express for themselves. It is moving art. Modern dance is an American approach to dance which began forming in the early 1900s. The approach was basically a reaction against the strict structure of Ballet and it's binding clothing. Since modern dance is more of an artistic rebellion than a new set of rules, it encompasses many styles. If you study the Jose Limon method, you will learn certain steps, if you study Eric Hawkins' method, you will learn different steps. Each choreographer, if they choose to go in their own direction, will have their own method. A painter doesn't usually limit herself to certain brushstrokes or certain colors just as a modern dance choreographer doesn't limit herself to certain types of moves. When I teach modern dance I focus on some of the movement concepts that are employed more often in modern dance than in other forms. The students will be using their Ballet, Irish, Ballroom, and Tap dancing skills in modern choreography, but for the most part I let them learn those skills in other classes.

74. UMass Amherst: Events > Emerging Choreographers Series Every year, the UMass dance department presents two concerts of student choreography The Emerging choreographers Series Dance Concert, a traditionally http://128.119.101.5/umhome/events/articles/1848.php

Emerging Choreographers Series A fresh evening of innovative dance and student choreography performed by UMass dance majors. A milange of works ranging from neo-classical modern dance to a capella tap dance. Every year, the UMass dance department presents two concerts of student choreography: The Emerging Choreographers Series Dance Concert, a traditionally undergraduate show, followed by a concert of senior dance majors' choreography, entitled Alive with Dance. Thursday, April 29 - Saturday, May 1 Main Dance Studio Hampshire College Amherst, MA 8:00 p.m. Students $5 / General $8 More Information Contact: Fine Arts Center facweb@acad.umass.edu April 2004 S M T W T F S Special Events The Arts on Campus Commencement Reunion Weekend Search Events Date range: to All lectures/seminars art/exhibits music film theater/dance sports/recreation alumni student activity special/other Venues Fine Arts Center (800) 999-UMASS Mullins Center Campus Center UMass Athletics (866) UMASS-TIX Alumni Association (800) 456-UMASS Department of Theater Other Calendars Campus Center Daily Meeting Schedule Five College Events Site Information This page is maintained by University Advancement Communications

75. Choreographers Info Alternative London Fashion Week 2003, choreography for designer Paulo da Cunha Masterclasses with Thea Barnes and Aubrey Lynch (choreographers of The Lion King http://www.cam.ac.uk/societies/dance/choreo.htm

Choreographers and Dancers Available On this page, you can find details of dancers and choreographers who have made their details available to us. To send your details, email lcs23@cam.ac.uk The dancers on this page will also be informed of upcoming shows and events by regular email bulletin. Do keep checking our Dancers Wanted page for news! Andrew Davies Contact andysmandy2000@yahoo.co.uk Style of interest Pop,jazz (fosse style), Ballet, Tap, Funk, Modern Choreographic experience Choeographed for pontins wall park, Cheshire School of performing arts. Dance experience Trained at cheshire school of performing arts in Ballet,tap,modern,contempoary,tap,street,popular and freestyle. Danced in Disneyland Resort Paris, (currently still in employment), Pontins Wall Park inc: We Will Rock You, Cats, Chicago and many many more. Also have danced for the jolly good show productions of Disney Dazzle and have perfromed college pieces such as Centre Stage and A Chorus Line. Jennifer Assersohn Contact jennie_85uk@yahoo.co.uk Style of interest Jazz/Street Dance/Ballet Choreographic experience Choreographing some routines during my BTech National Diploma in Performing Arts and some demonstrations.

76. DEJA DONNE – CV CHOREOGRAPHERS CV choreographers. Lenka Flory (Czech Republic). Has danced 2002. Direction and choreography of works 1988. Solo. 1989. Dual Vozes. 1991. 7 http://www.dejadonne.com/pages/cv_choreographers.html

NEW CREATION CV CHOREOGRAPHERS Lenka Flory (Czech Republic) In 1995 Flory founded Duncan Centre student company and created two works for them. The second of which led to international presentations (Germany, UK, Belgium, Poland, USA) and later transformed to a multinational company DEJA DONNE under the artistic direction of Simone Sandroni and Lenka Flory. Since 1997 Flory has been in charge of artistic co-direction, production, administration and distribution for DEJA DONNE. Flory co-directed 4 performances: DEJA DONNE (1997), which gave the name to the company, and toured Europe, ARIA SPINTA (1999), coproduced by Hebbel-Theatre Berlin, International Sommertheater Festival Hamburg, deSingel Antwerp and La Filature Mulhouse, which toured Europe and the USA, IN BELLA COPIA (2001), coproduced by luzerntanz am luzernertheater Lucerne, Hebbel-Theater Berlin, BRUGGE 2002, Staddschouwburg Brugge, which toured Europe, the USA and Canada and THERE WHERE WE WERE (2003), supported by Dance 4, Nottingham, JOINT ADVENTURES, Munich and DBM Foundation Rome, which is presently touring Europe and in Asia. Flory was a guest choreographer at American Dance Festival in 1996, mentor to director Ghislaine

77. Meet The Tap-N-Burn Choreographers and has gained much success with her choreography at dance competitions nationally and internationally as well as the elite choreographers Ball at the Key Club http://www.tapnburn.com/meet.htm

AS SEEN ON... FEATURED IN... December 2003 JULIE KIDD... Owner and Creator of Tap-N-Burn workout/instructional video. Julie has been teaching tap dancing for over 17 years. She has won numerous choreography awards in California and Nevada over her career. Julie is also a stand-up comedienne, recently winning 5 th place in California’s Funniest Female Competition. Julie has many TV credits, including ABC’s The View and NBC’s Life Moments. EDDIE STRACHAN... Eddie teaches Tap, Jazz, Musical Theater, and Gymnastics and is currently coaching a National Champion Junior High School Cheerleading Team. Eddie’s choreography has won many awards at both regional and national levels. His tap choreography and tap style has studios all over the country requesting him to teach master classes. SHANNON MATHER... Shannon teaches all disciplines of dance in Canada and the United States and has been recognized nationally and internationally for her award winning choreography and was named ADA’s Young Choreographer of 2002. Shannon has danced for Lionel Ritchie and Geri Halwell, as well as performed in numerous industrial shows. Her students can be seen dancing worldwide and are currently touring with artists such as, Ashanti and Brittney Spears. KIKI LUCAS...

78. Gender & Choreography: An Irrational Tango The important creators of dance, the choreographers, however, up to the end of the nineteenth century, were all male. This gender bias in choreography has been http://linus.it.uts.edu.au/~don/pubs/tango.html

GENDER AND CHOREOGRAPHY: AN IRRATIONAL TANGO Don Herbison-Evans donherbisonevans@yahoo.com Technical Report 330 Basser Department of Computer Science University of Sydney NSW 2006 (updated 14 October 2003) ABSTRACT This essay is a study of the history of the growth of creativity in dance over the last 100 years. Before 1900, most choreographers for dance were male. Theatrical dance in the first half of the twentieth century was dominated by female choreographers. The origins for this change are discussed. Meanwhile, social dancing before 1900 involved mainly dances with prescribed steps. Males appear to have been released from this straight-jacket (inadvertently) to do creative social dance choreography by Vernon Castle in 1911. Females were not released until some 50 years later (again, inadvertently) by Chubby Checker. Vernon Castle's method of dividing ballroom dances into "figures" may be viewed as the construction of a set of symbols. The mapping of these onto numerical digits is exemplified using figures from the modern Tango. Castle's catalysis of of the change from sequence dancing to ballroom dancing can then be viewed as a change from rational dancing (like rational numbers that have recurring groups of digits) to irrational dancing (like irrational numbers having digit sequences with no repetition). INTRODUCTION Ordinary people in society can involve themselves in dancing in either of two ways: watching the the performance of specially trained dancers. and/or participating themselves in social dancing. Over the last 200 years in Western society, substantial changes to the creation of dance in these spheres has occurred.

79. Online Encyclopedia - Musicality (dance) This is like jazz improvization. In the moment. choreography. choreographers have time to plan their dance, but the issues remain the same. http://www.yourencyclopedia.net/Musicality_(dance).html

Encyclopedia Entry for Musicality (dance) Dictionary Definition of Musicality (dance) Musicality means making the dance fit the music. The goal is relating the dance to the music, to its rhythm, melody, mood. For example, dancers usually step when musicians play notes or rhythm and hold when musicians hold (play rests). Or, dancers move more exaggerately when the music goes louder, and more simply when the music goes quiet. In a song with many instruments, dancers may chose to respond to any one of them, or any group of them. Table of contents showTocToggle("show","hide") 1 Improvization 2 Choreography 3 Notes 4 See Also Improvization Improvization is easy in open position, because each dancer can do his or her own thing. Improvization is tricky in closed position. This is like jazz improvization. In the moment. Choreography Choreographers have time to plan their dance, but the issues remain the same. They strive to make the dance fit the music, even if there is no improvization. Notes Tempo: Slower music gives dancers more time to play, more time for style and variations. Faster music forces dancers to be more focussed and use less style and simpler variations.

80. AMBER FAUN WEB SITE Serge Diaghilev Competition of choreography Art has a form of a professional competition in which professional choreographers and choreography students of art http://www.amberfaun.com/en/rules.html

THE THIRD INTERNATIONAL SERGE DIAGHILEV COMPETITION OF CHOREOGRAPHY ART Danuta Baduszkowa Music Theatre, Gdynia, POLAND October 8th and 9th, 2004 ORGANIZER: THE SERGE DIAGHILEV ASSOCIATION FOR THE PROMOTION CHOREOGRAPHY ART IN COOPERATION WITH GDYNIA CITY HALL The International Serge Diaghilev Competition of Choreography Art The Third International Serge Diaghilev Competition of Choreography Art will take place at Danuta Baduszkowa Music Theatre in Gdynia, one of the biggest and most modern theatres in Poland. On the stage of this theatre the finest cultural events are held, among these are: Polish Feature Film Festival and The International Shakespeare Festival . In 1997 The 7th Eurovision Competition for Young Dancers and in 2003 The Second International Serge Diaghilev Competition of Choreography Art took place in this theatre.

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