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         Schjeldahl Peter:     more books (121)
  1. Kim Dingle by Essay by Peter Schjeldahl, 1996
  2. New Figuration in America by Gerald. Bowman, Russell. Schjeldahl, Peter. Nordland, 1982
  3. Richard Deacon by Text Richard Deacon; Peter Schjeldahl, 1988
  4. White Country by Peter Schjeldahl, 1968
  5. Six Painters of the Seventies: Abstract Painting in New York by Peter Schjeldahl, 1973-01-01
  6. The New Yorker, Volume LXXXVI, No. 15, June 7, 2010 (Cover) "Five Weeks Later . . .," by John Lanchester, Larry Doyle, et all 2010
  7. Liza Lou by Eleanor Heartney, Lawrence Weschler, et all 2011-03-01

81. Owens Bio
Art Reviews , Los Angeles Times, Friday, September 18 1997 XTra, Number3, Los Angeles, California, December, p. 3 schjeldahl, peter.
http://www.acmelosangeles.com/Artists/Owens/Owens_bio/owens_bio.html
Born 1970, Euclid, Ohio
Lives and works in Los Angeles
Education
1992 B.F.A., Rhode Island School of Design, Providence, Rhode Island
1994 Skowhegan School of Painting and Sculpture, Skowhegan, Maine
1994 M.F.A., California Institute of the Arts, Valencia, California
Solo Exhibitions
2003 Museum of Contemporary Art, Los Angeles, California
2001 ACME., Los Angeles, California
Isabella Gardner Museum, Boston, Massachusetts
2000 Studio Guenzani, Milan, Italy Inverleith House, Royal Botanic Garden Edinburgh, Edinburgh, United Kingdom 1999 Galerie Gisela Capitain, Cologne, Germany Statements, Basel Art Fair, Gavin Brown's enterprise Booth, Basel, Switzerland Sadie Cole's HQ, London, United Kingdom China Art Objects, Los Angeles, California, in collaboration with Scott Reeder 1998 ACME., Los Angeles, California Gavin Brown's enterprise, New York, New York Loyola University of Chicago, Chicago, Illinois 1997 Gavin Brown's enterprise, New York, New York

82. Review: Peter Schjeldahl
Get 15 FREE 4 x 6 prints. Digital Photo 01 Home / Digital Photo Products/ Review peter schjeldahl. Search Products peter schjeldahl.
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Peter Schjeldahl
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Amazon.com prices subject to change. Read more about this product... Shards: Garth Clark on Ceramic Art by: Garth Clark John Pagliaro Peter Schjeldahl Edward LeBow ... Ed Lebow November, 2003 List Price: Amazon.com's Price: You Save: Amazon.com prices subject to change. Read more about this product... by: Peter Schjeldahl Malin Wilson Robert Storr March, 1993 Amazon.com's Price: Amazon.com prices subject to change. Read more about this product... The Inward Eye: Transcendence in Contemporary Art by: Lynn M. Herbert

83. About Hart Leadership Program (HLP)
schjeldahl, peter, “Onward and Upward with the Arts, Dealership,” The NewYorker, February 2, 2004. Week 7 (2/25) Wallspace, Jane Hait and Janine.
http://www.pubpol.duke.edu/centers/hlp/2004_spring_syllabus/little.html
Syllabus
Updated: 2/10/04
The New York Art World, 2004
David E. Little
Duke University Leadership and the Arts in New York
Spring 2004 Course Description Assignments and Requirements Week 1(1/8): The Museum of Modern Art Week 2 (1/17): The Metropolitan Museum of Art Week 3 (1/28): The Met Sontag, Susan. On Photography (1973) Week 4 (2/5): Research Day Sontag, Susan. On Photography (1973)
Write about a photograph that has changed your life or view of history and explain why? Week 5 (2/11): International Center of Photography
Week 6 (2/18): Self-Guided Art Day Week 7 (2/25): Wallspace, Jane Hait and Janine
Week 8 (3/3): 5 PAGE SUMMARY, RESEARCH STRATEGY, AND BIBLIOGRAPHY DUE Week 9: SPRING BREAK Week 10 (3/17): Week 12 (3/24): Week 13: (3/31): 2004 Whitney Biennial Exhibition *** (4/5) Curators on Roth Week 14 (4/7): Introduction to catalog Week 15 (4/14): Soho ***(4/20) Scholars on Roth Week 16 (4/21): Concluding Remarks and Studio Visit with Tom Otterness Week 17 (4/28): YOUR FINAL PAPERS OF TEN OR MORE PAGES DUE
Terry Sanford Institute of Public Policy
Duke University

84. Rebecca Ibel Gallery - Yek Wong
Visual Stimulation in LA, Flash Art, Vol. 31, No. 201, Summer 1998, pgs. 116 120. schjeldahl, peter. Ultralongerie, The Village Voice, June 23, 1998.
http://www.rebeccaibel.com/artists/yekwong/
Yek Wong Yek considers himself the "Barry White of post-conceptual painting". His work has been described as "the visual equivalent of mood music. Smooth, cool, and meant to seduce you." Other reviewers say Yek's paintings "absolutely do evoke an architecture of the sky." Originally from Singapore, Yek studied in Australia before moving to the US. He received his BFA in Austin, Texas and his Masters in Fine Arts at the University of Nevada at Las Vegas. Over the last year he has had exhibitions in Los Angeles, Houston, New York, Columbus and Florida and is gaining the attention of collectors and critics all over. Dave Hickey named Yek in his Top Ten of the Nineties list in the December issue of ArtForum. This is the artist's first solo exhibition in Columbus and his second exhibition in the gallery. Born in Singapore. Masters of Fine Arts, University of Nevada Las Vegas Bachelor of Arts, University of Texas at Austin Lives and works in Las Vegas, Nevada. Selected Solo Exhibitions Rebecca Ibel Gallery, Columbus, Ohio
Mark Moore Gallery, Santa Monica, California

85. DIR777.com: Kritik Kunst: Anmerkungen Ueber Das Schoene V. Peter Schjeldahl Deta
Verlagder Kunst veröffentlicht hier einen Essay von peter schjeldahl....... Translate this page Name Anmerkungen ueber das Schoene v. peter schjeldahl
http://www.dir777.com/directory/Deutsch/Gesellschaft/Kulturelles/Kritik_Kunst/27
All Languages Deutsch English Nederlands .com in Deutsch English Nederlands Detailed link information Name: Anmerkungen ueber das Schoene v. Peter Schjeldahl Description: Verlag der Kunst veröffentlicht hier einen Essay von Peter Schjeldahl. Category: Kritik Kunst Url: http://www.txt.de/vdk/schje.htm E-mail: Date:
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86. JANE DICKSON
1993. schjeldahl, peter. All You Need, The Village Voice, August 3. Robin Winters/JaneDickson, The New Yorker, March 15. 1992. Balken, Debra Bricker.
http://www.marlboroughgallery.com/artists/dickson/biblio.html

Recent

Works
Biography Solo ...
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Bibliography Gallery
Artists
Marlborough JANE DICKSON Selected Bibliography Kavage, Sarah. "Freighted with Meaning or Memory: Jane Dickson Paints for the People," Matte , July 2002. Kraus, Chris. "America the Transient," Art in America , October 2001. Cotter, Holland. "A Romantic Haze on Dead-End Lives of the City." The New York Times , June 14. Knight, Christopher. "A Voyeur’s View of Life in Times Square," The Los Angeles Times , January 18. Peep Land: Paintings by Jane Dickson Craft, Dan. "Night Moves: Artist Explores Life after Dark," The Pantagraph , January 21. Schjeldahl, Peter. "All You Need," The Village Voice , August 3. "Robin Winters/Jane Dickson," The New Yorker , March 15. Balken, Debra Bricker. "Jane Dickson at Brooke Alexander," Art in America , May. Cotter, Holland. "Jane Dickson," The New York Times , February 21.

87. Bill Jensen
schjeldahl, peter, Painting Matters , The Village Voice, December 7,1993, p. 87, (illus. Glare , p. 87, b/ w; Graces , p. 87, b/ w).
http://www.danesegallery.com/Main/Artists/Jensen/JENS_bio.html
Bill Jensen - Biography
Images Press Release
Chronology
Born Minneapolis, Minnesota University of Minnesota, B. F. A. University of Minnesota, M. F. A.
Solo Exhibitions
"Bill Jensen," Mary Boone, New York "Bill Jensen: Drawing In A Zig Zag Way", Danese, New York "Bill Jensen: Paintings & Work on Paper", Joseloff Gallery, University of Hartford, Connecticut Mary Boone Gallery, New York "Recent Drawings", Joan T. Washburn Gallery, New York Mary Boone Gallery, New York Patricia Faure Gallery, Santa Monica, California Nielsen Gallery, Boston, Massachusetts
"Bill Jensen: Drawings 1993 -1994", Washburn Gallery, New York Mary Boone Gallery, New York Washburn Gallery, New York "Bill Jensen, Paintings", Grob Gallery, London, England
Margo Leavin Gallery, Los Angeles, California
Washburn Gallery, New York Washburn Gallery, New York Lannan Museum, Lake Worth, Florida
Washburn Gallery, New York Washburn Gallery, New York
The Phillips Collection, Washington, DC

88. The New Yorker: The Critics: The Art World
May 22, 2004 home. THE FAR SIDEby peter SCHJELDAHLAn outsider artists scary grandeur.Issue of 200305-05. Posted 2003-04-28
http://www.newyorker.com/critics/art?030505craw_artworld

89. Art | Strange Days | Adaweb
part 1 part 2 part 3 I ll talk about the relation between the veryold art of painting, and a very new medium an extension of television.
http://adaweb.walkerart.org/context/events/strange_days/schjeldahl.html
Joshua Decter Lari Pittman David A. Ross Peter Schjeldahl Benjamin Weil
> [ part
part

part

I'll talk about the relation between the very old art of painting, and a very new medium an extension of television. The Web or net is like the television meets the telephone. It is a vast subject, on both sides, and it is prone to a lot of abstractions and headlines which I'd like to avoid. So I thought to bring the subject down to one real world condition: what any medium, any art, has in common with every other if it is going to concern us- and that's a market. Painting which by the way is my favorite art, although I felt like I have been visiting it in the hospitals for the last 20 years is in fact not dead, and not going to die. It is capable of certain things, very fundamentals things, that no other medium can touch. It is not dead; it's just weak. The weakness has to do with use. In the Renaissance, painting was the movies, it was the Internet, it was the newspaper, it was politics, it was sex. This was actually at the beginning of the Renaissance. It has, over this century, lost social and cultural uses. It has sort of lost its arms and legs as it has gone along. Photography is one reason, of course. The movies were murderers of painting. As the final condition of painting, it is something to hang on the wall that you won't get tired of. And there are hundreds of walls in the world, and enough of them that belong to people who have money and are nervous looking at a blank wall: painting is not going to loose that function. In a way, the revolution started with Monet when he first started mass producing hay stacks, so you could get an absolutely unique painting, like all the others. And then there is the emergence of the portable painting in the late 19th Century. By the way, the thing that is interesting about France and America preferring different sizes of paintings is that America is somehow much more about painting culture. The refrigerator is of course the size of the human body. That is something we may want to go into later.

90. G A R T H C L A R K G A L L E R Y -> Bookstore
Feature Items. Postmodern Ceramics. Price$50.00. By Mark Del Vecchio,2001 Hardcover, 224 pages. 327 illustrations, 247 in color.
http://www.garthclark.com/gc/
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    Feature Items Postmodern Ceramics Price:$50.00 By Mark Del Vecchio, 2001 Hardcover, 224 pages. 327 illustrations, 247 in color. 10.25"h x 9"w Shipping included within the US. An international overview of the richness and diversity of ceramic art during the past twenty years. Featuring 130 masters of the.... More Info Price:$70.00 By Garth Clark, 1999 Hardcover; 147 pages, 120 color illustrated, 9" x 12", 30cm x 23cm Shipping Included (on back order) This is a superb, large format monograph on one of Europe's great ceramic stars. Siesbye is known for her miraculous hand-building.... More Info The Artful Teapot Price:$55.00 By Garth Clark, 2001 Hardcover, 256 pages. 285 illustrations, 250 in color. 12.25"h 9.25"w Shipping included within the US. This book celebrates the design and artistic beauty of the teapot through five centuries of enjoyment and use. Clark examines the.... More Info Ron Nagle (Catalog) Price:$14.95
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