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         Mishima Yukio:     more books (100)
  1. Despues Del Banquete by Yukio Mishima, 1986-01-01
  2. Hagakure: Samurai Ethic and Modern Japan (Condor Books) by Yukio Mishima, 1977-10-13
  3. Pèlerinage aux trois montagnes by Yukio Mishima, 1998-06-05
  4. Forbidden Colours (Twentieth Century Classics) (Spanish Edition) by Yukio Mishima, 1995-04
  5. Mishima's Sword: Travels in Search of a Samurai Legend by Christopher Ross, 2007-10-02
  6. El Pabellon de Oro (Biblioteca Formentor) (Spanish Edition) by Yukio Mishima, 2002-09
  7. La Musique by Yukio Mishima, Dominique Palmé, 2002-11-20
  8. Madame de Sade by Yukio Mishima, 1971
  9. Le Marin Rejete Par La Mer,(French Edition) by Yukio Mishima, 1999-06
  10. L'Ecole de la chair by Yukio Mishima, 1995-03-23
  11. After The Banquet by Yukio Mishima, 1963
  12. Confesiones de Una Mascara (Spanish Edition) by Yukio Mishima, 2004-07
  13. Liebesdurst. by Yukio Mishima, 2002-10-01
  14. Apres Le Banquet (Spanish Edition) by Yukio Mishima, 1999-06

61. Yukio Mishima
Translate this page Home_Page yukio mishima (1925-1970), Seudónimo de Kimitake Hiraoka, novelista japonés muy conocido en Occidente, cuyo tema central
http://www.epdlp.com/mishima.html
Yukio Mishima
S eudónimo de Kimitake Hiraoka, novelista japonés muy conocido en Occidente, cuyo tema central es la dicotomía entre los valores tradicionales de Japón y la esterilidad espiritual de la vida contemporánea. Nacido en Tokio, no consiguió que le admitiera el Ejército para pelear durante la II Guerra Mundial, pero en cambio trabajó en una fábrica aeronáutica. Después de la guerra estudió Derecho y estuvo empleado un tiempo en el ministerio de Hacienda. Su primera novela, Confesiones de una máscara (1949), en parte autobiográfica, tuvo mucho éxito y fue tan elogiada que le permitió dedicarse por entero a la escritura. El pabellón de oro (1956) retrata a un hombre obsesionado con la religión y la belleza; El marino que perdió la Gracia del mar (1963) es un relato truculento sobre los celos adolescentes; y en su epopeya de cuatro volúmenes, El mar de la fertilidad (1970), que comprende Nieve de primavera Caballos desbocados El templo del alba y La corrupción de un ángel , analiza la transformación de su país en una sociedad moderna pero estéril. Mishima, que fundó una sociedad para fomentar la cultura física y las artes marciales, el Tatenokai, se suicidó ritualmente, en lo que se considera como su protesta final contra la decadencia japonesa. © eMe Textos:
Los siete puentes (fragmento)

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62. YUKIO MISHIMA
Translate this page El autor de la semana. yukio mishima nació en Tokio en 1925 y estudió en la universidad de su ciudad natal, por la que se graduó en Derecho en 1947.
http://rehue.csociales.uchile.cl/rehuehome/facultad/publicaciones/autores/mishim
UNIVERSIDAD DE CHILE
FACULTAD DE CIENCIAS SOCIALES
El autor de la semana
El rumor de las olas (1956; Seix Barral, 1963 y 1985), Nieve de primavera (1966) y Caballos desbocados Mishima (Seix Barral, 1985) y al estudio de Marguerite Yourcenar (Seix Barral, 1985). Descrito por Yasunari Kawabata—Premio Nobel de Literatura en 1968— como el más importante autor japonés de nuestros días, los críticos occidentales acostumbran parangonar a Mishima con algunos de los más grandes escritores europeos. Así, hablando de su obra, Christopher Isherwood ha evocado el nombre de Gide, y E. Martin, el de Proust. Angus Wilson afirma que la caracterización de Mishima tiene "dimensión balzaciana y verdad flaubertiana". El Times Literary Supplemment se refiere a su "objetividad casi brechtiana" y John Wain añade que sus intensas descripciones de estados íntimos le parecen dignas de Wordsworth. Yukio Mishima ha escrito quince novelas, treinta y tres piezas de teatro y unos ochenta relatos. Los siete puentes El sacerdote y su amor La perla Oscar Aguilera F.

63. HANSER - Suche Nach: 3-446-14395-5 >>> Treffer Insgesamt: 1 <<<
Kurze Beschreibung des Romans von yukio mishima (Band 1 seiner Tetralogie).
http://www.hanser.de/buch/1985/3-446-14395-5.htm
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Schnee im Frühling
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Erscheinungsdatum: 01.01.1985, ISBN: 3-446-14395-5
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64. Resources - Yukio Mishima
Includes information on mishima's life and work.
http://www.us-japan.org/lit/mishima.html

65. Kulturweltspiegel - Isabelle Huppert
Der franz¶sische Superstar Isabelle Huppert im Film von Beno®t Jacquot nach der Romanvorlage Nikutai Nogakko des japanischen Schriftstellers yukio mishima.
http://www.wdr.de/tv/kulturweltspiegel/19990110/3.html
10. Januar 1999
Isabelle Huppert

"L'école de la chair"

Yukio Mishima

Benoit Jacquot
...
Kinoprogramm

"Schule des Begehrens"
Benoit Jacquot
Sie ist ein Superstar nicht nur des französischen Kinos: Isabelle Huppert. Sie drehte mit Claude Goretta, Jean-Luc Godard, Michael Ciminos, mit Werner Schroeter und vor allem mit Claude Chabrol. Immer wieder ist es Isabelle Huppert eindrucksvoll gelungen, Frauen zu verkörpern, die zugleich distanziert und leidenschaftlich wirken, die begehrenswert und doch ungeheuer einsam sind. In Benoit Jacquots Film kann die Huppert ihre Stärken wieder einmal ausspielen. Nicht zuletzt deshalb sorgte "L'école de la chair" in Cannes für Aufsehen. Anfang Februar kommt der Film unter dem Titel "Schule des Begehrens" auch in deutsche Kinos. Die Filmstory An der Rolle der Dominique faszinierte Isabelle Huppert vor allem eines.
Isabelle Huppert: "Sie ist doch eigentlich eine Außenseiterin, die so etwas wie eine verlängerte Kindheit in sich trägt. Einerseits kommt sie all den für die Erwachsenen so wichtigen sozialen Erwartungen nach - mit dem damit verbundenen Komfort, dem Geld und der Macht - , andererseits aber hat sie diese kindliche, diese unvollendete Seite bewahrt. Ich glaube übrigens, daß so etwas ein ganzes Leben anhalten kann und das ist doch gut." Vincent Martinez, der an der Seite von Isabelle Huppert die Rolle des Quentin spielt, stand in "Schule des Begehrens" zum ersten Mal vor der Kamera. Er wurde zufällig entdeckt, als er seinen Bruder Olivier bei Dreharbeiten besuchte. Die Zusammenarbeit zwischen Star und Newcomer erwies sich als unproblematisch.

66. Yukio Mishima (IV) > Elmundolibro - Anticuario
Translate this page MALDITOS, HETERODOXOS Y ALUCINADOS yukio mishima (IV) JAVIER MEMBA. Prácticamente reducido al ecuador de
http://www.el-mundo.es/elmundolibro/2001/06/10/anticuario/992010395.html
Domingo, 10 de Junio de 2001 Actualizado a las 14:00 BUSCAR EN ELMUNDOLIBRO ELMUNDO.ES ISBN SECCIONES Portada Protagonistas
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TIENDA Inicio Recomendados Libros de la semana Novedades ... Más vendidos Índice temas Artes Ciencia C. Humanas C. Salud Derecho Diccionarios Economía Gastronomía Geografía Informática Lingüística Literatura Lit. infantil Narrativa Ocio MALDITOS, HETERODOXOS Y ALUCINADOS
Yukio Mishima (IV)
JAVIER MEMBA
Prácticamente reducido al ecuador de los años 80, cuando el estrenó de la película de Paul Schrader -«Mishima» (1984)- y la reedición de la traducción de Juan Marsé de «El pabellón de oro» (Seix Barral, 1963, 1985) llamaron la atención de los medios de comunicación sobre él, el interés del lector español medio por la obra de Yukio Mishima puede calificarse de tibio. Según parece, el novelista y dramaturgo nipón viajó por nuestro país meses antes de quitarse la vida. Es más, incluso se cuenta que llegó a tratar en repetidas ocasiones al doctor Vallejo Nájera, quien aparentemente se nos antoja tan alejado a su torturado colega oriental. Pero, en honor a la verdad, hay que apuntar la obra del escritor, que durante años fue el novelista japonés más conocido en Occidente, en líneas generales, en España ha inspirado la misma indiferencia que el resto de las manifestaciones culturales niponas.
La primera, de las no pocas contradicciones que presenta su biografía, es que, siendo la principal preocupación de su vida y de su obra la preservación de los valores del Japón tradicional, anterior a la occidentalización, Mishima sintiera a la vez la mismo interés por Occidente que Occidente por él. De hecho, los estudiosos de la literatura japonesa, enmarcan su obra dentro de la influida por la impronta occidental.

67. Featured Author - Yukio Mishima
Index of New York Times articles, reviews, and interviews either written about or by mishima.
http://www.nytimes.org/books/98/10/25/specials/mishima.html
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68. City Honors Yukio Mishima Page
Student essays on mishima and his works.
http://cityhonors.buffalo.k12.ny.us/city/rsrcs/eng/auth/mis.htm

69. Yukio Mishima's Visons
Essay on the meaning of mishima's suicide.
http://eric.stamey.com/yukio.html
Yukio Mishima
Sacred Visons of Splendor
Yukio Mishima always had a rather unusual life. As a boy growing up in Japan, Mishima was different than others his age. He seemed to be not like a child, rather, he carried an expression of self-determination and stoicism. Once, as a child, the romantic Mishima flipped through a book of paintings, stopping to study one: "St. Sebastian", which depicted the saint with arrows hanging from his torso and his hands tied to a limb. Mishima was so excited over this picture that he had his first encounter with masturbation as he viewed it (Mishima would later pose for a St. Sebastain-like picture). Mishima studied Karate and became a devout beleiver in the power of Japan and its emperor, so he joined an extreme group called the Tatenokai. Within this group Mishima started his own group of rebels. On November 25, 1970 Mishima's band of rebels (four students), dressed in full uniform, visited the office of General Mashita. The General happily greeted Mishima and his men, but Mishima's demeanor suddenly changed to seriousness as he and the students began to gag and tie up the General and baricade the office. Guards could see through a peephole in the door what Mishima was doing and broke down the door, but Mishima, armed with his sword, attacked the soldiers, almost severing a sergeant's hand off. Mishima's men took the General hostage and threatened to kill him if there were anymore intrusions, meanwhile Mishima demanded that the Jietai Soldiers be assembled in the front of the building.

70. Glbtq >> Literature >> Mishima, Yukio
In his quest for masculinity, yukio mishima mythologized himself both in his life and his writings, culminating in his ritual suicide.
http://www.glbtq.com/literature/mishima_y.html
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Mishima, Yukio (1925-1970)
page: In his quest for masculinity, Yukio Mishima mythologized himself both in his life and his writings, culminating in his ritual suicide. Sponsor Message.
He tried to appeal to their nationalism, saying that the coup would "restore Japan to her true form" and bring back the Imperial reign and military system, both of which had been abolished after World War II. The members of the Self-Defense Forces simply laughed at him. Failing in this coup attempt, he killed himself on the spot. His actions generated a furor of interpretation. Some suspected this incident was in reality a pretext to attain his lifelong desire to live and die by the code of the samurai, for whom male bonding and death had the most value. In this interpretation, the Shield Society was merely a vehicle to this end. However, the intent of Mishima's seppuku still resists explanation. He consciously and constantly kept mythologizing himself throughout his life. The manner of his death gave a final flourish to his myth.

71. Glbtq >> Literature >> Mishima, Yukio
In his quest for masculinity, yukio mishima mythologized himself both in his life and his writings, culminating in his ritual suicide. yukio mishima.
http://www.glbtq.com/literature/mishima_y,3.html
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Mishima, Yukio (1925-1970)
page: Sun and Steel The motive and process of remaking himself into his ideal is depicted in Sun and Steel (1968). This book manifested Mishima's abhorrence of Japanese intellectuals (like Shunsuke), whose overevaluation of intelligence made them conceited, physically unattractive armchair theorists. He praised muscular beauty, which became synonymous with action in his aestheticism. Muscle and action were the antitheses of what a sedentary and meditative writer would embody. Sponsor Message.
Thus, by placing muscle, action, and beauty (and by extension, warrior and masculinity) in the same category, he emphasized their superiority to intelligence and language (writer and femininity). Gazing at his Greek-godlike body, Mishima felt his transition from man of language to man of muscle to be a rebirth of himself, who used to be a "grotesque old man of twenty-five years of age," as he wrote in "Watashi no henreki jidai" ("My Wandering Years") in 1964. Mishima's Exhibitionism and His Preparation for Death Mishima now turned exhibitionisticmodeling for nude photographs, appearing on stage and in movies, recording songs, and indulging in masquerades and pageantry as the general of his private army. But his obsession with action, acting, and exhibitionism resulted in a paradoxalthough he loathed language, which he identified with femininity, he nevertheless remained a writer.

72. Mishima, Yukio
encyclopediaEncyclopedia mishima, yukio, yOO kEO mish Emä Pronunciation Key. mishima, yukio , 1925–70, Japanese author, b. Tokyo.
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    Mishima, Yukio [y OO E O E Pronunciation Key Mishima, Yukio , Japanese author, b. Tokyo. His original name was Kimitake Hiraoka and he was born into a samurai family. Mishima wrote novels, short stories, essays, and plays. He appeared on stage in some of his plays as well as directing and starring in films. During World War II he worked in an aircraft factory. Upon graduation (1947) from Tokyo Univ., he served a brief time in the finance ministry before devoting himself entirely to writing. Mishima and the youthful members of his Tatenokai [Shield Society] practiced physical fitness and the ancient arts of the samurai, e.g., karate and swordsmanship, attempting to return to the ideals of Japan under Imperial rule. His tetralogy The Sea of Fertility traces the fading of the old Japan in the first decade of the 20th cent. and continues through the aftermath of World War II. The individual novels of this group are:

73. Videos, Movies And DVDs At TLA Video
HACKER SAFE certified sites prevent over 99% of hacker crime. mishima, yukio (Keyword). 3 films. Sort By Title Rating Year. Images on off. Enjo.
http://www.tlavideo.com/templates/results_list.cfm?c=1&kid=344&v=1

74. Mishima, Yukio
mishima, yukio. Japanese novelist. His work often deals with sexual desire and perversion, as in Confessions of a Mask (1949) and
http://www.tiscali.co.uk/reference/encyclopaedia/hutchinson/m0002362.html
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Or search the encyclopaedia: Mishima, Yukio Japanese novelist. His work often deals with sexual desire and perversion, as in Confessions of a Mask (1949) and The Temple of the Golden Pavilion (1956). He committed hara-kiri (ritual suicide) as a protest against what he saw as the corruption of the nation and the loss of the samurai warrior tradition.
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75. Bokus Bokhandel - Välkommen Att Köpa Böcker I Sveriges Största Bokhandel!
Visa », Sjömannen Som Föll I Onåd Hos Havet av mishima, yukio / Strömberg, Ragnar Inbunden. Visa », Sun And steel av mishima, yukio Paperback.
http://www.bokus.com/cgi-bin/book_search.cgi?FAST=Mishima, Yukio &FAST_VALUE=AUT

76. Mishima, Yukio, Kamen No Kokuhaku
mishima, yukio. Kamen no Kokuhaku, The Confession of a Mask, (1949) Summary (mishima in St. Sebastian style below) This is an autobiography
http://www.personal.psu.edu/staff/k/x/kxs334/academic/fiction/mishima_kamen.html

77. Mishima, Yukio Forum Frigate
mishima, yukio Forum Frigate Post MessageThe Jolly RogerOne Page Version. Welcome to the mishima, yukio Forum Frigate. Post
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78. Yukio Mishima: Mishima, Yukio
yukio mishima mishima, yukio Discussion Deck If ye would like to moderate the mishima, yukio Discussion Deck, please drop becket@jollyroger.com a line.
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Posted by rabea iemulo on September 30, 1999 at 06:16:13:
Iwont to talk whit someone about the books of
Yukio Mishima. I'm a student at the University of Neaples in Itaky . Thanks for the attension .
Bey bey from Rabea.
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79. AD HOC BIBLIO - INDEX AUTEURS LETTRE M Compilé Le 04/02/24
mishima, yukio (intro. by) House of the
http://cidg2.no-ip.info:8080/jb/i/mia4m.htm
M
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  • 80. HUMANITAS - Cartea Care Dainuie
    mishima, yukio Considerat de multi critici literari drept cel mai de seama romancier japonez al secolului XX. Lista cartilor de acelasi autor.
    http://www.humanitas.ro/servlet/humanitas.autori.AfisAutoriServlet?id=161

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