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         Gluck Louise:     more books (100)
  1. Firstborn by Louise Gluck, 1969-01-01
  2. The New Yorker, June 24, 1967 "The Racer's Widow" by Louise Gluck, 1967-01-01
  3. Descending Figure by Louise GLUCK, 1980
  4. The First Four Books of Poems. by Louise. GLUCK, 1995
  5. The New Yorker, Oct. 28, 1972 "All Hallows" by Louise Gluck, 1972-01-01
  6. Firstborn by Louise Gluck, 1968-01-01
  7. The New Yorker, Oct. 24, 1983 "Night Song" by Louise Gluck, 1983-01-01
  8. Triumph of Achilles 1ST Edition by Louise Gluck, 1985
  9. The New Yorker, Aug. 5, 1967 "Letter From Provence" by Louise Gluck, 1967-01-01
  10. Best American Poetry, 1993 by Louise (editor) Gluck, 1993-01-01
  11. The New Yorker, July 10, 1995 "Ithaca" by Louise Gluck, 1995
  12. The New Yorker, Dec. 16, 1991 "The Silver Lily" by Louise Gluck, 1991
  13. The New Yorker, Nov. 4, 1991 "Vespers" by Louise Gluck, 1991-01-01
  14. Louise Gluck's Italy of the mind: on a classical stage peopled by workers, wives, and lovers.(Poetry): An article from: American Scholar by Langdon Hammer, 2007-09-22

81. Louise Gluck
It was winter I couldn t imagine anything but the past. I couldn t even imagine the past, if it came to that.
http://wso.williams.edu/~cbirtche/mpm/gluck.html
It was winter I couldn't imagine ... but the past . I couldn't even imagine the past, if it came to that

82. Thomas Lux Sux More Than Louise Gluck!
TOP20DES18 This Old Poem 20 Thomas Lux’s Virgule Copyright © by Dan Schneider, 9/1/02. Thomas Lux is 1 of those smugly annoying
http://www.cosmoetica.com/TOP20-DES18.htm
This Old Poem #20:
Thomas Lux’s Virgule
GASP!

underlined = cliché
*** = poor line break
bold italics = predictable workshop trope Virgule What I love about this little leaning mark
is how it divides
without divisiveness. The left
or bottom side prying that choice up or out,
the right or top side pressing down upon***
its choice: either/or, his/her. Sometimes called a slash (too harsh), a slant (a little dizzy, but the Dickinson association*** nice: "Tell all the Truth but tell it slant"), solidus (sounding*** too much like a Roman legionnaire of many campaigns), or a separatrix reminding one of a sexual*** variant). No, I like virgule . I like the word and I like the function: "Whichever is appropriate may be chosen to complete the sense." There is something democratic about that, grown-up; a long and slender walking stick set against the house. Virgule: it feels good in your mouth. Virgule: its foot on backwards , trochaic, that's OK, American. Virgule: you could name your son that, or your daughter Virgula . I'm sorry now I didn't think to give my daughter such a name though I doubt that she and/or her mother would share that thought.

83. Louise Gluck Sucks!
TOP19JAS2 These Old Poems 19 louise gluck’s The Wild Iris The Red Poppy Copyright © by Jessica Schneider, 8/29/02. louise
http://www.cosmoetica.com/TOP19-JAS2.htm
These Old Poems #19:
Louise Gluck’s The Wild Iris The Red Poppy
Louise Gluck is one of those poets who could be likeable, but on no intellectual grounds. I say this because she is, in fact, probably the only MFA styled poet I’ve read that I’ve ever liked (sometimes) Hall of Shame? I personally don’t think she’s there yet. LG is a professor at William’s College and lives in Vermont. She’s won a Pulitzer Prize for what is supposed to be known as her best book The Wild Iris . This is the only book I’ve ever read by Gluck, but I’ve been told that her book following, Meadowlands , is pretty bad. But this is just what I’ve heard. So to be fair, I chose 2 poems from The Wild Iris , in attempt to put her best work forward. Let us begin with probably what is her “signature” poem for this book, the poem entitled “The Wild Iris”, and I think it is safe to say that Gluck probably thought this one of her better poems, since after all- it’s the title of her book. ( Note - clichés are italicized). The Wild Iris At the end of my suffering there was a door.

84. INFONewHaven.com | READING: Poet Laureate Louise Gluck
Home READING Poet Laureate louise gluck. Mon 26. Reading by US Poet Laureate louise Glück. Beinecke Library, 121 Wall St. 4p. 4322977.
http://www.infonewhaven.com/index.cgi/9068
HOME EVENTS CALENDAR DINE NEW HAVEN HOW TO GET HERE ...
Home READING: Poet Laureate Louise Gluck Mon 26. Reading by U.S. Poet Laureate Louise Glück. Beinecke Library, 121 Wall St. 4p. 432-2977. Site Powered by b4dd.com

85. Boston.com / News / Nation / Cambridge-based Poet Gluck To Be Appointed US Laure
louise gluck, a Pulitzer Prizewinning poet who lives in Cambridge and teaches at Williams College, will be the next US poet laureate.
http://www.boston.com/news/nation/articles/2003/08/29/cambridge_based_poet_gluck
var siteurl = 'http://cache.boston.com/bonzai-fba/File-Based_Image_Resource' var image_names = ['news', 'ae', 'business', 'sports', 'travel', 'yourlife', 'cars', 'jobs', 'personals', 'realestate']; Today's Globe Latest News: Local Nation World Education ... Nation
Cambridge-based poet Gluck to be appointed US laureate
By Mark Feeney, Globe Staff, 8/29/2003 Louise Gluck, a Pulitzer Prize-winning poet who lives in Cambridge and teaches at Williams College, will be the next US poet laureate. Gluck's appointment as poet laureate consultant in poetry, the post's full title, will be announced today at the Library of Congress. ADVERTISEMENT ``I hadn't been expecting it,'' Gluck (pronounced GLICK) said in a telephone interview yesterday. ``I have very little taste for public life in the way they understand it. I didn't think I was the sort of person they'd ever look at.'' The appointment honors a poet's body of work. In naming Gluck, Librarian of Congress James H. Billington hailed her ``strong, vivid, deep poetic voice.'' David Lehman, editor of the ``Best American Poetry'' series, applauded Gluck's selection. Speaking in a telephone interview from his New York home, Lehman said, ``She's a very good choice, a very fine poet, a real intellect in poetry, someone of principle and integrity.''

86. William Howard Taft, The Ice Age, Louise Gluck, And RALPH's Best Reviews
The Seven Ages louise Glück (ECCO/HarperCollins). It came to us very late perception of beauty, desire of knowledge. We think, Wait a minute, louise.
http://www.ralphmag.org/folio-summer2001.html
R A L P H
The Review of Arts, Literature, Philosophy and the Humanities Summer, 2001
The Folio
is the print version of
RALPH: The Review of Arts, Literature,
Philosophy, and the Humanities http://www.ralphmag.org/ It comes out every month or so, and contains what we believe to be some of our best on-line reviews and articles.
It is sent to regular subscribers, and - on a one-time basis - to any stray visitors who request a free copy.
Reviews may be reprinted by anyone, for any purpose whatsoever - outside of the obviously scrofulous ones - but should include information that readers can find us on the web at the address given above. - A. W. Allworthy,
Folio Editor
poo@cts.com The Art of
War on Land David G. Chandler (Penguin) Wars were much more easy-going in the past. The Assyrians (1380 BC) had two operating strategies: their soldiers were required to be monsters, and their main purpose was to get loot. On the other hand, Napoleon said that "The Channel is a mere ditch, and will be crossed as soon as someone has the courage to attempt." He never made it to England, but he did get to Moscow and, in the process, brought war home to the people by introducing universal conscription and by having his soldiers "live off the land" (robbing the poor peasants). He divided his army into "large self-contained formations" which moved quickly to surprise the enemy. Instead of marching as a disciplined mass to the next encounter, his soldiers would be dispersed, go off, lollygag about, forage some wine and truffles, and then, at the appropriate time, would come together for the attack. This made for speed, and the famous French military stomach, on which, according to him, they traveled.

87. Louise Gluck Poetry-in-the-Round - Seton Hall Univeristy
louise gluck. March 25, 700 pm. No American poet writes better than louise Glück; perhaps none can lead us so deeply into out own
http://artsci.shu.edu/poetry/previous/louisgluck.html
louise gluck March 25, 7:00 p.m. "No American poet writes better than Louise Glück; perhaps none can lead us so deeply into out own natures." New York Times Book Review "There are few living poets whose new poems one always feels eager to read. Louise Glück ranks at the top of the list." -The Washington Post By a broad consensus one of the finest poets writing in America today, Louise Glück has appropriately garnered the most prestigious of American literary awards: the Pulitzer Prize (for The Wild Iris , 1993), the National Book Critics Circle Award (for The Triumph of Achilles , 1985), the William Carlos Williams Award, and the Poetry Society of America's Melville Kane Award, among others. In The Wild Iris , as in The Triumph of Achilles Ararat , and the more recent Meadowlands (1996), she has maintained the stark and startling tone which distinguishes her work. Her emotional intensity, her simplicity of expression, and her formal seriousness combine in some of the most moving poetry of the late century. At Seton Hall, she will read from her latest (March 1999) book

88. The Village Voice: Books: Time On Her Side By Joshua Clover
books. louise Glück, the Newly Appointed Poet Laureate, Steps Into the Shadows of the Moment Time on Her Side by Joshua Clover September 8th, 2003 600 PM
http://www.villagevoice.com/issues/0337/clover2.php
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    books Time on Her Side by Joshua Clover September 8th, 2003 6:00 PM (photo: Star Black) The New Yorker commissioned a profile on Billy Collins when he was appointed poet laureate. It was his time, a poet of populist panache—the first to serve under the Bush presidency, and the best seller to hold the post since its inception. Facts were researched, sources reviewed, interviews conducted. The thing of it was, this all happened in the late days of summer 2001. Then the moment grew dark—a bad time for a poet winning in his very lightness. It made a kind of poetic sense when the story was shelved; how could one have a profile, if one had no shadow? Times have changed, but not much. War and rumors of war, as the saying goes—not apocalyptic (depending on who's measuring) but certainly difficult, even without mentioning the less-than-great depression. It would be invidious to suggest that Louise Glück, who last week replaced Collins in the office down Library of Congress way, is the finer poet; better noted is how much more thoroughly she fits the moment. History gets the poets it deserves, and though Ms. Glück isn't as grim as the newspapers of late, nor as rapaciously bellicose as the administration, she's no good-time guy. Her poetry is no stranger to difficulty, and has shadows aplenty.

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